Stunning Sarajevo: A city of contrasts

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In Sarajevo, "You’ll hear the call to prayer from the countless minarets that dot the skyline as well as church bells at midday." (Shutterstock)
Updated 05 May 2019
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Stunning Sarajevo: A city of contrasts

  • The capital of Bosnia and Herzegovina is thriving, but doesn’t gloss over the horrors of the past

DUBLIN: Sarajevo is one of those places that everyone has heard of, even if not everyone knows where it is. During the Balkans war, the Bosnian capital became a byword for suffering, then defiance, then hope, and even now it’s somewhat hard not to associate it with its famous siege.

But Sarajevo is a thriving city, unafraid to confront its past but with eyes focused squarely on the future. It’s also undeniably beautiful, a picture-postcard setting along the Miljacka River, surrounded by mountains, and with greenery spilling down to the river banks.

The city still straddles two worlds — it’s partly European and partly something else, something more exotic. It’s that which makes it a city of contrasts: You’ll hear the call to prayer from the countless minarets that dot the skyline as well as church bells at midday. Trendy twentysomethings walk past gnarled old men smoking shisha and gossiping. History is everywhere, from the Ottoman-era buildings to the Communist-style apartment blocks; from the Hapsburg-era restaurant 4 Sobe Gospode Safije (the veal is incredible) to the more modern buildings being constructed on the city’s outskirts. And it’s all fascinating.

That the city is once again a melting pot is almost a miracle. Until the outbreak of the war in 1992, the city was home to Yugoslav Muslims, Christians and Jews living and working together. The war — and the four-year siege of the city — cost over 11,000 lives, and it’s a conflict no one is in a hurry to forget.

In order to understand the city’s story, take the “Times of Misfortune” tour, which provides an absorbing look at what life was like during the siege. It takes three hours and leaves at 11 a.m. every day. It’s a remarkable, if somewhat harrowing, tour, and absolutely worth going on. The route includes everything from the Martyr’s Memorial Cemetery, where the town’s defenders are buried, to the infamous “Sniper Alley,” which was one of the city’s most lethal spots. Visitors can also walk through one of the tunnels built to allow residents to get around safely during the conflict.

After all that walking, head to Cajdzinica Dzirlo, a picturesque coffee shop at the eastern edge of Baščaršija, Sarajevo’s old bazaar. The café specializes in thick, slow-brewed Bosnian coffee served in copper pots (enough for two cups) and is utterly delicious. If you need something more substantial, take a taxi to Restaurant Kibe, which looks more like a house than a restaurant. Ring the doorbell (ask your hotel to reserve a table for you), and climb the stairs to a quaint room dominated by a fireplace and spectacular views of the town. There’s plenty to choose from, but we recommend the Bosnian ravioli and the roasted lamb. Bosnian food is thick and hearty, so you definitely won’t need seconds.

After filling up, head to Radnja at Kazandziluk 18, where you can buy traditional copper coffee sets, made by hand. Next to the 16th-century Gazi Husref-bey Mosque, you can buy handcrafted silver jewelry at Becart. If you are still not finished shopping, head to the Bascarsija Bazaar, which has been in operation since Ottoman times. You can pick up shisha pipes, Communist-era trinkets, and everything in between.

For some modern culture, head to the Ars Aevi Museum of Contemporary Art, which houses a wonderful collection of more than 200 pieces from the likes of Robert Kushner and Joseph Kosuth. The museum was a symbol of cultural rebellion during the war, and it’s a touching place, even today.

While you’re visiting Sarajevo, it would be a shame not to explore at least some of the beautiful countryside that surrounds it. Green Visions has been running eco-tours for more than a decade and organizes hikes up to Mt. Trebevic, a 5,338 foot mountain (which hosted the skiing events in the 1984 Winter Olympics) that offers commanding views of the surrounding countryside and is a great spot from which to take in the full scope of Sarajevo’s beautiful sprawl.


Jessica Kahawaty launches jewelry label with her father 

Updated 20 sec ago
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Jessica Kahawaty launches jewelry label with her father 

DUBAI: Lebanese Australian model and entrepreneur Jessica Kahawaty this week launched her own fine jewelry brand, Kahawaty Jewels, alongside her father, master jeweler Ghassan Kahawaty. 

Based in Dubai, the brand is a continuation of their family’s long-standing tradition in jewelry craftsmanship.

Kahawaty Jewels debuted with the Octagon collection, a design inspired by the number eight, which holds deep family significance, Jessica said. (Supplied)

“I grew up watching my father in his jewelry trade. I saw how happy he made people when he created these beautiful pieces,” Jessica told Arab News. “I’ve always wanted to continue my father’s legacy and my grandfather’s trade. I felt like this is the perfect time to launch Kahawaty Jewels in Dubai, which is a city I’ve been in for over 13 years.”

For Jessica, building the brand with her father has been a meaningful journey. “He’s the only man I trust when it comes to diamonds and jewelry. He has an impeccable eye for detail and quality,” she added. “He has the most incredible craftsmanship. So, I learned so much from him, and launching this with my father feels like a true partnership.”

Kahawaty Jewels debuted with the Octagon collection, a design inspired by the number eight, which holds deep family significance, Jessica said. Jessica was born and her father took over the family business in 1988. The eight-sided motif also symbolizes infinity, Jessica added. 

Jessica describes the brand’s aesthetic as “incredibly timeless, yet modern and wearable.” She added: “It is for the woman who loves craftsmanship and loves to feel like she’s wearing jewelry that stands out yet, you know, she can kind of keep it for many years to come.”

Based in Dubai, the brand is a continuation of their family’s long-standing tradition in jewelry craftsmanship. (Supplied)

Beyond the Octagon collection, Kahawaty Jewels features additional lines such as Art Deco, Floral and Classic collections, offering a variety of engagement rings, glitzy necklaces and tennis bracelets. Each piece is crafted with GIA-certified natural diamonds sourced globally and produced in ateliers across Sydney, Hong Kong and Dubai.

 The approach focuses on offering detailed consultations and explaining the craftsmanship behind each piece, reflecting the brand’s family-run nature, Jessica said. 


In ‘Star Wars: Tales of the Underworld,’ Asajj Ventress finds new depth

Updated 12 May 2025
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In ‘Star Wars: Tales of the Underworld,’ Asajj Ventress finds new depth

DUBAI: In the ever-expanding Star Wars universe, few characters capture the imagination quite like Asajj Ventress. Voice actress Nika Futterman returns to breathe life into this complex anti-hero in “Star Wars: Tales of the Underworld,” offering fans a deeper look into a character who has evolved from a ruthless villain to a nuanced, world-weary survivor.

“After all these years of traveling alone, of killing so many people, her voice has changed,” Futterman explains.

Gone is the regal, sharp-edged character of the past. Instead, audiences will meet a Ventress who is “more about just existing and finding her peace.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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An all-new anthology series of animated shorts, “Star Wars: Tales of the Underworld” premiered May 4 on Disney+. The popular series this time focuses on the criminal underbelly of the Star Wars galaxy through the experiences of two iconic villains. Former assassin and bounty hunter Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend.

What makes Ventress so compelling? Futterman believes it’s her incredible depth. “She’s like an onion that you keep peeling,” she said.

From her unique origins as a witch raised by pirates, trained by a Jedi, and later mastering the dark side, Ventress defies simple categorization. The new series promises to reveal a softer side of the character. “We started to see that she has this capability of taking care of others,” Futterman said. “She’s not just angry; she actually has a heart.”

Fans of morally complex characters will find much to love in this exploration of Ventress’ journey. As Futterman puts it, Ventress is ultimately “someone who can put good things into the universe, instead of taking them away.”


Quinta Brunson opts for Lebanese gown in Los Angeles

Updated 12 May 2025
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Quinta Brunson opts for Lebanese gown in Los Angeles

DUBAI: Emmy-winning actress, comedian and writer Quinta Brunson showed off a gown by Lebanese designer Zuhair Murad at the 14th Annual Spring Break Gala by City Year Los Angeles.

Founded in 1988, City Year is a national service program that offers full-time community service. This weekend, the Los Angeles chapter held its annual gala, which was attended by the likes of US actress and film producer Viola Davis and “Abbott Elementary” sitcom creator Brunson.

Brunson’s column gown hailed from Zuhair Murad’s Pre-Fall 2025 collection. The look featured star-like embellishments across the torso, bust and cuffs.

Quinta Brunson’s column gown hailed from Zuhair Murad’s Pre-Fall 2025 collection. (Getty Images)

It is not the first time Brunson has worn a Lebanese creation on the red carpet — in September, she showed off a mermaid sculpted gown from Lebanese designer Georges Chakra’s Fall/Winter 2024-2025 couture collection at the 76th Primetime Emmy Awards in Hollywood.

Meanwhile, Murad has continued to attract celebrity clientele to his eveningwear label.

In late April, Murad made a statement at the 2025 Time 100 Gala with US actress Blake Lively, as well as singer and songwriter Nicole Scherzinger, showcasing his creations on the red carpet.

Lively, who attended the event with her husband Ryan Reynolds, wore a pink taffeta off-the-shoulder gown featuring a corseted bodice and a train detail from Murad’s ready-to-wear Spring 2025 collection.

Scherzinger, meanwhile, chose a black off-the-shoulder sequin gown from Murad’s ready-to-wear Pre-Fall 2025 collection.

One month earlier, Murad unveiled his latest collaboration with Italian label Marina Rinaldi. Murad designed the brand’s Spring/Summer 2025 capsule collection inspired by China’s Tang dynasty. 

Drawing from the dynasty’s introduction of peony cultivation in imperial gardens, Murad infused the collection with images of the flower.

The collection focuses largely on eveningwear.

“Grand evening gowns go beyond the pure object, they are a way of investing in one’s personal history,” the designer said in a released statement. True to his signature style, the collection features hourglass silhouettes and intricate hand-embroidered details.

The collection’s color palette mirrors another element of Tang dynasty artistry — delicate chinaware. Soft shades of cream, sky blue, aquamarine green and pink infuse the flowing chiffon gowns, pleated bodices and long plisse skirts. 


Photographs in Doha’s Tasweer photo festival explore belonging, identity and home in the Arab world

Updated 11 May 2025
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Photographs in Doha’s Tasweer photo festival explore belonging, identity and home in the Arab world

DOHA: A young Sudanese man sits in a chair dressed in an elegant off-white three-piece suit. He holds a small shotgun in one hand which he eyes solemnly while resting against the wall behind him on a crimson red tapestry is a rifle. The photograph is titled “Life Won’t Stop” and is one of several images by Sudanese photographer Mosab Abushama documenting his friend’s wedding in Omdurman, Sudan, a city constantly targeted by airstrikes.

The photograph is on view as part of the show “Tadween,” referring to the concept of recording of news and emotions through writing, photography, audio or video, and is one of several exhibitions in the third edition of Doha’s Tasweer Photo Festival, which runs until June 20.

“Life Won’t Stop” is one of several images by Sudanese photographer Mosab Abushama documenting his friend’s wedding in Omdurman, Sudan. (Supplied)

“Despite the clashes and random shelling in the city, the wedding was a simple but joyous occasion with family and friends,” wrote in the caption for the work. “The war in Sudan, which began in April 2023, brought horrors and displacement, forcing me to leave my childhood home and move to another part of the city. It was a time none of us ever expected to live through. Yet, this wedding was a reminder of the joy of everyday life still possible amidst the tragedy and despair.”

Abushama’s photograph earned recognition at the 2025 World Press Photo Awards in the Singles Africa category.

Abushama’s poignant image is one of many on show this year in the Tasweer Photo Festival that prompt deep reflection and compassion.

One of the numerous exhibitions on view is “Obliteration — Surviving The Inferno: Gaza’s Battle for Existence.” The images are displayed outside in Doha’s Katara Cultural Village unfolding in five stages to capture each chapter thus far of the war on Gaza. Each image, such as Abdulrahman Zaqout’s “When Food and Water Become Weapons,” has been shot by a Gazan photographer on the ground to witness and experience the catastrophe. From children extending bowls for food to mothers comforting terrified children, each image recounts the tales of horror that continue to unfold as the war in Gaza continues.

One of the numerous exhibitions on view is “Obliteration — Surviving The Inferno: Gaza’s Battle for Existence.” (Supplied)

“As I Lay Between Two Seas,” another exhibition in the festival, is at the Doha Fire Station. Curated by Meriem Berrada, an independent curator and artistic director of the Museum of Contemporary African Art Al Maaden in Marrakech, the exhibition is a poignant and poetic display of 25 photographers from the Arab world and its diasporas grappling and coming to terms with ideas of identity, belonging and home.

“(The exhibition) approaches belonging not as a fixed state, but as a fluid, evolving condition shaped by memory, distance, rupture, and imagination,” Berrada told Arab News. “The exhibition unfolds through a non-linear narrative that invites diverse temporalities and perspectives to coexist.”

“As I Lay Between Two Seas,” another exhibition in the festival, is at the Doha Fire Station. (Supplied)

The title of the exhibition is drawn from a photographic series by Ali Al-Shehabi that conjures up a metaphor that speaks to the fluid, ever changing idea of understanding the self.

“Guided by the metaphor of the sea — shifting, unstable, and expansive — it draws inspiration from poets of the region whose writings on exile and longing offer a conceptual and emotional foundation,” Berrada said. “The selected works span a wide spectrum from documentary to conceptual and abstract practices. These works examine family and community dynamics, spiritual and philosophical relationships, and the sociopolitical structures that influence selfhood. They explore the symbolic ties to one’s roots, often shaped by personal memory and collective histories.”

From Lebanese artist Ziad Antar’s dreamy and edgy photographs of abandoned and unfinished buildings in Beirut and on the Lebanese coast and Saudi artist Moath Alofi’s series of desolated mosques along the winding road to Madinah, Saudi Arabia, to Palestinian Taysir Batniji’s “Just in Case #2” (2024), portraying images of a series of keys representative of feelings of loss and exile, the photographic works on show oscillate between feelings of pride, belonging, loss and longing.

The "Al Mihrab" exhibition at Doha Fire Station. (Supplied)

A poem by Palestinian poet and author Mahmoud Darwish titled “I Belong There,” appears on one wall between the display of several photographs reflecting through words many of the feelings expressed in the images on display. “I belong there. I have many memories. I was born as everyone is born […] I have lived on the land long before swords turned man into prey. I belong there.”

Elsewhere in Tasweer, a solo exhibition at Mathaf: Arab Museum of Modern Art on the works of Moroccan photographer and filmmaker Daoud Aoulad-Syad titled “Territories of the Instant” presents the essence of Moroccan popular culture and remote regions in the country. Another exhibition, “Threads of Light: Stories from the Tasweer Single Image Awards,” presents 31 captivating images from 2023 and 2024 awards highlighting the extraordinary in daily life, including sacred traditions in Oman, dynamic street scenes in Yemen and moments of contemporary change in Iraq and picturesque marine views of traditional boats in Doha.

As Berrada said of the festival, which can arguably apply to numerous works and shows in Tasweer this year: “It also reflects on the photographic medium itself — how image-making can question fixed and often deterministic categories of belonging and become a powerful tool for reimagining identity in a deeply interconnected world.”

 


Loli Bahia fronts Chanel’s latest jewelry campaign

Updated 10 May 2025
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Loli Bahia fronts Chanel’s latest jewelry campaign

DUBAI: Chanel cannot get enough of French Algerian model Loli Bahia. The French luxury house has tapped the model once again to front its latest campaign for the Chanel No. 5 jewelry collection.

The new pieces combine gold and diamonds to form the shape of the number five, a symbol closely associated with the brand’s identity. The collection includes rings, bracelets, necklaces and earrings, all inspired by the enduring allure of the No. 5 brand.

In the campaign images, Bahia was seen wearing various pieces from the line, including number five-shaped drop earrings, a diamond pendant necklace, a gold bracelet featuring the numeral and matching rings. The designs incorporate both yellow and white gold and are detailed with diamonds.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Bahia has collaborated with Chanel on several occasions. Most recently, in January, she opened the runway show during Paris Haute Couture Week wearing an ensemble that combined the house’s signature tweed with pastel quilting.

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. The jacket was detailed with front pockets and Chanel’s signature buttons.

The in-demand model also wore a white tweed mini skirt, paired with a slim black belt featuring a gold buckle. The outfit was completed with two-tone Mary Jane heels in black and white, secured with gold buckle-adorned ankle straps.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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In May 2024, she walked the Chanel Cruise 2024/2025 show in Marseille, France.

Bahia donned a green ensemble, composed of a knee-length pencil skirt paired with a matching top, layered over a white shirt boasting a hoodie collar.

That same year, in June, she walked for the brand during Paris Fashion Week as part of its fall/winter 2024-2025 collection unveiling.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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She graced the runway in a two-piece ensemble comprising a tailored buttoned jacket complemented by a matching knee-length skirt in a delicate tweed fabric. Both garments were adorned with subtle black tassel details.

The model’s first campaign with Chanel was in 2022, when she was just 19 years old. It was Chanel’s Metiers d’Art spring 2022 campaign, shot by fashion photographer Mikael Jansson.

In the campaign, Bahia displayed the savoir faire of artisans via tailored jackets, logo-emblazoned leather gloves, wide-brimmed hats, embellished mini-dresses and ornate bangles, necklaces and earrings.