Jordan halts film that refers to historical Jewish presence

The movie follows the story of a young boy who finds a stone in Petra with Hebrew inscriptions. (File/AFP)
Updated 14 August 2019
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Jordan halts film that refers to historical Jewish presence

  • The movie is based on a book by the same name
  • Critics say discussing a historical Jewish presence in Jordan could open doors for Israel to start claiming territories

RAMALLAH, West Bank: A fictional caper about an antiquities heist set in an ancient Jordanian city has stirred widespread outrage over the film’s portrayal of historical Jewish ties to Jordan, shining a light on the tenuous peace with neighboring Israel and prompting the government to suspend the movie’s production.
Based on a book of the same name, the movie, “Jaber,” follows a Jordanian boy who uncovers a stone in the rose-colored, rock-hewn city of Petra with a Hebrew inscription on it. He sets off to sell it to the highest bidder, but interested parties in Israel catch wind of the find, dispatching a Russian organized crime group to pursue the boy and retrieve the stone at any cost.
Opponents of the film say merely discussing a historical Jewish presence in Jordan could open the door to Israeli territorial claims to the Hashemite Kingdom. They point to Israel’s claims over the West Bank and east Jerusalem — war-won territories sought by the Palestinians — which Israel says are rooted in millennia-old Jewish ties, backed up by archaeological finds.
While such a scenario is unlikely in Jordan, the concerns reflect the hostility Jordanians feel toward Israel despite the two countries’ 1994 peace agreement.
“Any talk about Jewish history in Jordan could lead to political claims,” said Ali Elayan, who was slated to play a Jordanian police officer in the movie but withdrew over his opposition to the plot. “That is what happened in Palestine.”
Israel captured the West Bank and east Jerusalem, then under Jordanian control, in the 1967 Mideast war. Spurred on by religious Jews hoping to restore a Jewish presence in the biblical land of Israel, repeated Israeli governments have erected settlements in the territories that are widely seen as obstacles to the establishment of a viable Palestinian state. The Palestinians seek the West Bank for their future state, along with east Jerusalem and the Gaza Strip.
Since signing the landmark peace accord, Israel and Jordan have developed low-key yet strategic ties on energy, water and security. But the relationship has been tested in recent years. Last year, Jordan’s King Abdullah II decided not to renew parts of the peace deal regarding access to farming land. And two years ago, a diplomatic crisis was sparked when a guard at the Israeli Embassy in Amman opened fire after he said he was attacked with a screw driver, killing two Jordanians. Israel swapped out its ambassador to the kingdom and expressed “deep regret” over the incident. The guard, who claimed self-defense, received a hero’s welcome in Israel, infuriating the Jordanians.
Israel’s Foreign Ministry declined to comment on the controversy surrounding the film.
While there is ample archaeological evidence of a Jewish presence in Jordan, only an extreme-right fringe of Israeli society seeks both banks of the Jordan River as part of Israel. An overwhelming majority of Israelis make no claim to Jordanian land and place high value on the peace accord.
Ordinary Jordanians — many of whom are Palestinian refugees or have ties to Palestinians — view Israel with animosity.
The movie was set to begin filming this month when actors began dropping out over the script and taking to social media to air their criticisms, sparking a public outcry. Seizing on the wave of public opinion against the movie, the government demanded that the director, Muhyiedeen Qandour, halt filming until an official commission studies the script and delivers recommendations on it. It is unclear how long that may take.
Qandour told The Associated Press that the film bears no political undertones. He rejected criticism that it invites Israeli territorial claims.
“Many civilizations passed through historical Jordan. You don’t see them now returning to claim parts of the country because they were here once in the past,” he said. “The argument made by some about the movie is simply naive and even childish.”
But opponents are still skeptical.
“We are not against Jews as Jews but we are against Israel as an occupying power which uses religion to take others’ land,” said Sari Al-Asaad, the former head of the Jordanian Actors Association, who opposed the movie and lobbied to derail it.
Israeli nationalists have pointed to biblical history and archaeological discoveries to back up their claim to the West Bank, a territory Israel views as “disputed” and whose fate should be determined in peace talks. The Palestinians have accused Israel of exploiting the Bible and ignoring other religions’ ties to the region to grab land. Israel in turn accuses the Palestinians of denying a Jewish connection to the region to strengthen its own claim.
Fears sparked by the film were stoked earlier this month when video emerged of Jewish visitors praying in a shrine said to be the burial place of Moses’ brother Aaron, located near Petra. Jordan shuttered the site upon discovery of the videos and ordered an investigation into the incident, according to the official Jordanian news agency Petra.
Clashes between Muslim worshippers and Israeli police at a key Jerusalem shrine holy to Muslims and Jews over the weekend have only bolstered critics of the film. The east Jerusalem holy site, known to Jews as the Temple Mount and to Muslims as the Noble Sanctuary, is administered by an Islamic trust under Jordanian stewardship.
“The government and the people in Jordan are unhappy with the relationship with Israel on a number of levels,” said Daoud Kuttab, an Amman-based analyst. “Usually Jordanian officials try to defuse the tension, but this time they didn’t.”


Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

Updated 08 July 2025
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Riyadh Fashion Week issues final call for designer applications ahead of 3rd edition

DUBAI: Riyadh Fashion Week (RFW) is gearing up for its third edition, with organizers issuing a final call for designer applications. Fashion houses from across Saudi Arabia and around the world have until July 15 to submit their proposals for inclusion in the official calendar.

One of the Middle East’s most anticipated fashion events, RFW offers a platform for both emerging and established designers to showcase their collections to international buyers and industry leaders. 

The official calendar will feature a broad spectrum of brand activations beyond traditional runway shows. Designers can also take part in curated presentations, showroom exhibitions, trunk shows, retail pop-ups, creative takeovers, private dinners and immersive experiences. 

Saudi Arabia-based and international fashion brands across ready-to-wear, couture, menswear, and streetwear categories are eligible. 
“This is more than a runway,” said Burak Cakmak, CEO of the Saudi Fashion Commission. “It is a statement of creative identity, innovation, and ambition. Riyadh Fashion Week provides a high-impact opportunity for designers to tell their story on a global stage.”


Zayed National Museum to explore UAE’s storied history

Updated 08 July 2025
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Zayed National Museum to explore UAE’s storied history

  • Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena

DUBAI: As Zayed National Museum gets ready to open its doors in the UAE capital, Arab News spoke to director Peter Magee about the museum’s aims and what visitors can expect.

An opening date is yet to be announced, but the center will focus on the history of the UAE with special emphasis on Sheikh Zayed bin Sultan Al Nahyan. It will explore early human settlements that go back 300,000 years as well as the area’s language, traditions, and flora and fauna. 

“The narrative within the museum is guided by the enduring values of the UAE’s founding father, Sheikh Zayed bin Sultan Al-Nahyan,” explained Magee. “We look at those values and then we look at the way in which they guided him, but also the way in which they reflect social values which exist within the UAE both in the past and the present — and in the future.

Dr. Peter Magee. (Supplied)

“It's a national museum focused on the UAE, but of course it looks at the regional links which existed to other countries in the Arabian Gulf, the Indian Ocean and even further afield.”

One particular highlight is a full-size reconstruction of a Magan boat from the Bronze Age, constructed with reeds and palm-fiber rope. Magee and his team sailed in it for two days on the waters of the Arabian Gulf.

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena. (Supplied)

Located on Saadiyat Island, the Zayed National Museum has a bevy of illustrious neighbors including the Louvre Abu Dhabi, the Guggenheim Abu Dhabi, the Natural History Museum and teamLab Phenomena.

“The way I like to think about it is that each of these museums and institutions … is its own star … and in combination they appear like a constellation or something that can be read coherently together as well as individually,” Magee said.


Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

Updated 08 July 2025
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Georges Hobeika showcases Fall/Winter 2026 collection at Paris Haute Couture Week

DUBAI: Lebanese designer Georges Hobeika presented his Fall/Winter 2025/2026 couture collection as part of Paris Haute Couture Week.

Known for his craftsmanship and red-carpet-ready designs, Hobeika’s latest offering featured a wide array of detailed gowns and structured silhouettes.

The runway collection showcased a soft color palette, with shades of beige, blush pink, maroon, black, blue, and brown making up the core color story.

Fabrics included heavily embroidered textiles, delicate lace, satin and tulle. Many looks incorporated tonal embellishments and shimmering surface details. 

Beaded bodices, crystal fringe, and metallic appliqués were prominent throughout the collection, adding texture and dimension.

Silhouettes ranged from structured floor-length gowns and A-line dresses to voluminous skirts and sleek, form-fitting eveningwear. There were also several mid-length and tea-length designs with sculptural detailing, along with a few two-piece sets featuring cropped tops and high-waisted skirts.

One standout bridal look appeared during the show — a long-sleeved gown with sheer detailing and silver embroidery. The dress was paired with a beaded headpiece and a trailing veil.

Accessories were kept minimal, with statement earrings and clean, slicked-back hair showed off by the models.

Toward the end of the show, Hobeika and his son Jad Hobeika walked the runway together to thank their supporters.

Paris Haute Couture Week kicked off on Monday with Schiaparelli’s Fall 2025 show, marking the start of a series of high-fashion presentations that will run through July 10.

The opening show did not begin with sequins or traditional red carpet glamor, but with the surreal sight of Cardi B and a live crow. 

Wrapped in a custom Schiaparelli gown of graphic fringe, the US rapper stood beneath the gilded columns of the Petit Palais, holding the black bird on her arm. Her avian plus one squawked, glared and nearly lunged — setting the tone for a monochrome show that itself soared straight into the surreal.

On the first day, Iris Van Herpen, Imane Ayissi, Rahul Mishra, Julie de Libran and Giambattista Valli also showcased their collections.

In addition to Georges Hobeika, several other Arab designers are on the calendar, including Ashi Studio, Elie Saab, Zuhair Murad and Rami Al-Ali.


Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

Updated 07 July 2025
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Fontaines DC display words ‘Israel is committing genocide’ on screen at London gig

DUBAI: Irish post-punk band Fontaines DC played a sold-out concert in London’s Finsbury Park on Saturday night during which the words “Free Palestine” and “Israel is committing genocide” were projected onto screens. 

Lead singer Grian Chatten performed in front of the 45,000-strong crowd dressed in a kilt and a Sinead O’Connor t-shirt, the Independent reported. 

A piece of music equipment on the north London stage was wrapped in a Palestinian flag and “Israel is committing genocide. Use your voice” came up on the screens after the last song. 

The show comes after multiple artists voiced support for the people of Palestine at the Glastonbury music festival in June.

Last week, the US revoked entry visas for members of British punk-rap duo Bob Vylan following their Glastonbury Festival set, during which frontman Bobby Vylan led the crowd in a controversial chant against Israel’s military.

Performing on the festival’s West Holts Stage on Saturday, the artist shouted “Free, free Palestine” before encouraging the audience to chant, “Death, death to the IDF (Israel Defense Forces).” Video of the moment quickly spread online, sparking backlash.

Meanwhile, Irish rap group Kneecap drew one of the festival’s largest crowds at the West Holts Stage. Dozens of Palestinian flags flew in the crowd as the show opened with an audio montage of news clips referring to the band’s critics and legal woes.

Between high-energy numbers that had fans forming a large mosh pit, the band members — sporting keffiyehs — led the audience in chants of “Free Palestine” and “Free Mo Chara.” They also aimed an expletive-laden chant at UK Prime Minister Keir Starmer, who has said he didn’t think it was “appropriate” for Kneecap to play Glastonbury.

One member wore a T-shirt emblazoned with “We Are All Palestine Action,” referencing the direct-action network that targets arms factories supplying Israel.


The Open Crate: Meet the women protecting the Arab world’s artistic heritage

Updated 07 July 2025
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The Open Crate: Meet the women protecting the Arab world’s artistic heritage

BEIRUT: What’s the point of owning a beautiful collection — whether art or collectibles — if there’s no proper way to showcase or preserve it?

This question lies at the heart of The Open Crate, a platform designed to help collectors digitize and preserve their collections. Founded by art specialists Amina Debbiche and Nora Mansour, the company offers an inventory and archiving service that catalogs everything from fine art and furniture to watches, books, and pens.

“People know exactly which crypto they have in their portfolio. But when it comes to art, they don't even remember the name of the artist on the wall,” said Mansour, a Lebanese finance expert turned art curator.

Debbiche and Mansour noted the urgency of digitizing art catalogues — especially in the Arab world.

“The thing with art, especially in our region of the world, is that it’s mostly held in private hands,” said Debbiche, a Tunisian art aficionado.

The privatization of artwork in a region with hotspots of instability makes the act of documentation a deeply political one: a means of preserving the unspoken victims of war — art.

To explain this, Mansour gave Arab News a hypothetical example: think of a Palestinian family in Jerusalem whose house is looted — if their artwork is documented, there’s proof it existed. It’s a map of what you own.

“It’s like our child, you know — it’s like having a baby together,” Mansour joked.

The child they created, The Open Crate, boldly and indirectly addresses an unspoken issue that has long plagued the region. Like any child, it has the potential to grow and carve out a name that its ancestors, and future generations, can be proud of.