What price social media influence?

As with any lucrative business, fraud has followed the rise of social media influencers. With an estimated 15 percent of influencer followers being fake, fraud is expected to cost businesses over 1 billion dollars this year. (Dom McKenzie /AN)
Updated 23 August 2019
Follow

What price social media influence?

  • The use of fake followers to justify exorbitant fees raises questions about the influencer business model

ABU DHABI: In the age of the social media influencer, the phenomenon and the power of “likes” have been driving brands to sign up a handful of users for huge sums to reach out to the masses.

A single post or a picture by an “influencer” — such as a fitness guru, beauty blogger or fashion expert — can rake it in. In the Middle East, such elite users command astronomical fees with their appeal to a region that is home to a digitally empowered Arab youth.

But as with any lucrative business, fraud has followed.

Influencer fraud, in which celebrities acquire fake followers to create fake personas on platforms such as Instagram to inflate their fan base, is expected to cost businesses $1.3 billion (SR4.8 billion) this year, according to research from cybersecurity firm Cheq. The study found that at least 15 percent of all influencers’ followers were fake.

“It’s a huge waste,” said economist Roberto Cavazos, a University of Baltimore professor who conducted the analysis for Cheq, noting that his estimate is conservative.

Companies worldwide spend an estimated $8.5 billion annually to persuade influencers to market their products, according to Mediakix, an influencer-marketing firm.

Cavazos estimates about 15 percent of the corporate dollars spent daily are lost to influencer fraud.

He said the phenomenon of “vanity metrics” explains why many marketing companies have welcomed the recent move by Instagram to crack down on influencer fraud.

Fake accounts are banned on Instagram, which is owned by Facebook, and the company has recently started testing a design tweak that will no longer show the total number of “likes” other users’ posts have received.

Initially launched in Canada, it also being rolled out to users in six other countries: Ireland, Italy, Japan, Brazil, Australia and New Zealand.

Since the advent of social media, business marketing has gone through an overhaul, with the focus increasingly on billions of online users.

In Gulf Cooperation Council (GCC) countries, social media influencers have become one of the most important marketing tools for businesses to enhance awareness of their brands. In the Arab world alone, there are about 164 million active Facebook users, in addition to more than 200 YouTube channels with over a million subscribers.

Around 30,000 Middle East-based YouTubers have more than 10,000 followers. There are also about 12 million daily Snapchat users in the GCC, including 9 million in Saudi Arabia and 1 million in the UAE.

Kirsty O’Connor, director of content and publishing at Hill+Knowlton MENA, said the transformation of business marketing has allowed fake influencers to take advantage of brands’ desire to engage a young MENA audience online.

Influencer fraud can be described as a “social media publisher deceiving a brand or partner into thinking they are reaching and engaging with an audience that is not there,” she said.

The most common fraud, said O’Connor, is fake followers, or “bots,” including engagement that involves paying a “bot farm” — a computer robot — to mass “like” pages or posts.

Within the Middle East, O’Connor said influencer fraud is far easier to detect than in Western markets.

“Marketers and communicators have played their part in this, by first starting to benchmark influencers based on their follower number or engagement rate. ‘How many followers do they have?’ was — and still can be — a measure to decide whether to engage with an influencer, which for me needs to be stamped out.”

According to Aaron Brooks, co-founder of Middle East-based mobile content and influencer marketing platform Vamp, for anyone close to the influencer-marketing industry, “fake followers are old news.”

“It’s something platforms like Vamp, and Instagram itself, have been cracking down on for years,” he said. “The fact that someone has slapped a valuation on its impact has only brought the issue back in focus.”

Brooks says brands rely on “reach” for their products, even though this is an outdated metric.

“But marketers are still plowing their money into influencers with large followings, without doing due diligence on whether they are actually real, and are likely to be losing money,” he told Arab News.

“Fake followers cannot deliver a return on investment. Brands should also be aiming higher when it comes to the results of an influencer-marketing collaboration.”

He is clear about the way out: “Unless a campaign’s success hinges solely on visible engagement, nothing much will change,” he said. “What will change is the industry’s need to focus on solid return on investment to justify itself.”

According to O’Connor, the pressure on influencers to have millions of followers results in large bot followings in the region.

“The issue with a bot following is they are not real, so they don’t engage with your content like a human would, giving you a low number of ‘likes’ or comments on posts,” she said.

“Influencers then need to buy their ‘likes’ and comments to keep their following vs engagement percentage attractive to marketers.”

This becomes a cycle of buying fake followers, O’Connor said, adding that no influencer should be paid large amounts without sharing legitimate data about their following.

Experts have said they can identify fake accounts using several indicators. Takumi, a marketing agency, said these included large groups of followers, such as a 15,000 batch of fans following overnight. Other signs are large followings from countries such as India, Brazil and Mexico, “where bot farms are commonly located.”

O’Connor said an interesting development for the Middle East was the introduction by the UAE in January of an “influencer license.” All social media influencers must now have a license from the UAE’s National Media Council if they are commercializing their page.

“This is a great move to regulate influencers while also holding them accountable to local media and advertising laws,” she said. “It is similar to the US and UK where influencers have to disclose paid-for work as advertising to meet standards and protect the consumer.”




In January, the UAE introduced an “influence license,” which social media users must have before they commercialize their pages.
(Shutterstock)

“I hope to see this rolled out into other Middle East markets to ensure unity across influencer-marketing regulations.”

O’Connor said that Instagram’s recent move strengthens her belief that counting followers and “likes” to measure influencers is no longer viable.

“There should be a lot of focus on how we measure our work with influencers, and also pressure on influencers and Facebook to share their data before, during and after campaigns.

“Removing ‘likes’ from posts will make it harder to spot fake followings as this will amount to hiding a key engagement metric.”

O’Connor said that the role of influencers is far from over, but is in a state of “evolve or die.”

Brooks agrees, but cautions that all social media influencers should not be tarred with the same brush.

“Luckily, there are so many amazing influencers to partner with,” he told Arab News. “There are just as many creative, professional and authentic influencers as there are wannabes with falsely inflated followings. A considered selection process is key.”

A genuine following should be the minimum requirement for brands partnering with influencers.

“Advanced analytics can now tell a brand where an influencer’s following is based and how old they are, so marketers can target their customers with precision.

“Relevance is essential for an effective campaign. Brand ambassadors have been — and will always be — an effective marketing tactic,” he said.

 


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
Follow

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
Follow

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
Follow

Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
Follow

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Updated 14 November 2024
Follow

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.