What price social media influence?

As with any lucrative business, fraud has followed the rise of social media influencers. With an estimated 15 percent of influencer followers being fake, fraud is expected to cost businesses over 1 billion dollars this year. (Dom McKenzie /AN)
Updated 23 August 2019
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What price social media influence?

  • The use of fake followers to justify exorbitant fees raises questions about the influencer business model

ABU DHABI: In the age of the social media influencer, the phenomenon and the power of “likes” have been driving brands to sign up a handful of users for huge sums to reach out to the masses.

A single post or a picture by an “influencer” — such as a fitness guru, beauty blogger or fashion expert — can rake it in. In the Middle East, such elite users command astronomical fees with their appeal to a region that is home to a digitally empowered Arab youth.

But as with any lucrative business, fraud has followed.

Influencer fraud, in which celebrities acquire fake followers to create fake personas on platforms such as Instagram to inflate their fan base, is expected to cost businesses $1.3 billion (SR4.8 billion) this year, according to research from cybersecurity firm Cheq. The study found that at least 15 percent of all influencers’ followers were fake.

“It’s a huge waste,” said economist Roberto Cavazos, a University of Baltimore professor who conducted the analysis for Cheq, noting that his estimate is conservative.

Companies worldwide spend an estimated $8.5 billion annually to persuade influencers to market their products, according to Mediakix, an influencer-marketing firm.

Cavazos estimates about 15 percent of the corporate dollars spent daily are lost to influencer fraud.

He said the phenomenon of “vanity metrics” explains why many marketing companies have welcomed the recent move by Instagram to crack down on influencer fraud.

Fake accounts are banned on Instagram, which is owned by Facebook, and the company has recently started testing a design tweak that will no longer show the total number of “likes” other users’ posts have received.

Initially launched in Canada, it also being rolled out to users in six other countries: Ireland, Italy, Japan, Brazil, Australia and New Zealand.

Since the advent of social media, business marketing has gone through an overhaul, with the focus increasingly on billions of online users.

In Gulf Cooperation Council (GCC) countries, social media influencers have become one of the most important marketing tools for businesses to enhance awareness of their brands. In the Arab world alone, there are about 164 million active Facebook users, in addition to more than 200 YouTube channels with over a million subscribers.

Around 30,000 Middle East-based YouTubers have more than 10,000 followers. There are also about 12 million daily Snapchat users in the GCC, including 9 million in Saudi Arabia and 1 million in the UAE.

Kirsty O’Connor, director of content and publishing at Hill+Knowlton MENA, said the transformation of business marketing has allowed fake influencers to take advantage of brands’ desire to engage a young MENA audience online.

Influencer fraud can be described as a “social media publisher deceiving a brand or partner into thinking they are reaching and engaging with an audience that is not there,” she said.

The most common fraud, said O’Connor, is fake followers, or “bots,” including engagement that involves paying a “bot farm” — a computer robot — to mass “like” pages or posts.

Within the Middle East, O’Connor said influencer fraud is far easier to detect than in Western markets.

“Marketers and communicators have played their part in this, by first starting to benchmark influencers based on their follower number or engagement rate. ‘How many followers do they have?’ was — and still can be — a measure to decide whether to engage with an influencer, which for me needs to be stamped out.”

According to Aaron Brooks, co-founder of Middle East-based mobile content and influencer marketing platform Vamp, for anyone close to the influencer-marketing industry, “fake followers are old news.”

“It’s something platforms like Vamp, and Instagram itself, have been cracking down on for years,” he said. “The fact that someone has slapped a valuation on its impact has only brought the issue back in focus.”

Brooks says brands rely on “reach” for their products, even though this is an outdated metric.

“But marketers are still plowing their money into influencers with large followings, without doing due diligence on whether they are actually real, and are likely to be losing money,” he told Arab News.

“Fake followers cannot deliver a return on investment. Brands should also be aiming higher when it comes to the results of an influencer-marketing collaboration.”

He is clear about the way out: “Unless a campaign’s success hinges solely on visible engagement, nothing much will change,” he said. “What will change is the industry’s need to focus on solid return on investment to justify itself.”

According to O’Connor, the pressure on influencers to have millions of followers results in large bot followings in the region.

“The issue with a bot following is they are not real, so they don’t engage with your content like a human would, giving you a low number of ‘likes’ or comments on posts,” she said.

“Influencers then need to buy their ‘likes’ and comments to keep their following vs engagement percentage attractive to marketers.”

This becomes a cycle of buying fake followers, O’Connor said, adding that no influencer should be paid large amounts without sharing legitimate data about their following.

Experts have said they can identify fake accounts using several indicators. Takumi, a marketing agency, said these included large groups of followers, such as a 15,000 batch of fans following overnight. Other signs are large followings from countries such as India, Brazil and Mexico, “where bot farms are commonly located.”

O’Connor said an interesting development for the Middle East was the introduction by the UAE in January of an “influencer license.” All social media influencers must now have a license from the UAE’s National Media Council if they are commercializing their page.

“This is a great move to regulate influencers while also holding them accountable to local media and advertising laws,” she said. “It is similar to the US and UK where influencers have to disclose paid-for work as advertising to meet standards and protect the consumer.”




In January, the UAE introduced an “influence license,” which social media users must have before they commercialize their pages.
(Shutterstock)

“I hope to see this rolled out into other Middle East markets to ensure unity across influencer-marketing regulations.”

O’Connor said that Instagram’s recent move strengthens her belief that counting followers and “likes” to measure influencers is no longer viable.

“There should be a lot of focus on how we measure our work with influencers, and also pressure on influencers and Facebook to share their data before, during and after campaigns.

“Removing ‘likes’ from posts will make it harder to spot fake followings as this will amount to hiding a key engagement metric.”

O’Connor said that the role of influencers is far from over, but is in a state of “evolve or die.”

Brooks agrees, but cautions that all social media influencers should not be tarred with the same brush.

“Luckily, there are so many amazing influencers to partner with,” he told Arab News. “There are just as many creative, professional and authentic influencers as there are wannabes with falsely inflated followings. A considered selection process is key.”

A genuine following should be the minimum requirement for brands partnering with influencers.

“Advanced analytics can now tell a brand where an influencer’s following is based and how old they are, so marketers can target their customers with precision.

“Relevance is essential for an effective campaign. Brand ambassadors have been — and will always be — an effective marketing tactic,” he said.

 


Asharq News revamps ‘Da’erat Asharq’ with a sharper political focus

Updated 15 July 2025
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Asharq News revamps ‘Da’erat Asharq’ with a sharper political focus

  • Daily programme featurs one-on-one conversations with top editors and analysts from across SRMG platforms, unpacking regional and global developments

RIYADH: Asharq News has launched a refreshed edition of its daily political programme “Da’erat Asharq”, returning with a renewed format and deeper analysis of political developments shaping the regional and international landscape. 

The show features in-depth, one-on-one conversations with leading journalists, analysts, and experts from across the Saudi Research and Media Group (SRMG), bringing to life a shared editorial ecosystem that enriches Asharq News’ analytical programming. 

Presented by journalist Mirasha Ghazi, each episode delves into the layered contexts behind unfolding events, guided by balanced dialogue and rigorous inquiry. The programme draws on the editorial strengths of SRMG’s flagship outlets, including “Asharq Al-Awsat”, “Independent Arabia”, “Al Majalla”, and “Arab News”, offering trusted perspectives rooted in real-world expertise. 

“Da’erat Asharq reflects our editorial mission to deliver credible content and deep analysis,” said Dr. Nabeel Al Khatib, General Manager of Asharq News. 

“In an era of political noise, audiences need level-headed perspectives and meaningful conversation, and that’s exactly what this programme offers.” 

Ghassan Charbel, Editor-in-Chief of Asharq Al-Awsat, added: “Our ambition is to offer high-quality analysis that helps audiences gain a deeper understanding of the region and the world, powered by the depth and talent of our journalists and analysts.” 

Odwan Al Ahmari, Editor-in-Chief of Independent Arabia, said: “This initiative is rooted in the group’s vision for editorial integration. We’re proud to contribute to this promising project that promotes collaboration and shared content creation.” 

Ibrahim Hamidi, Editor-in-Chief of Al Majalla, remarked: “This partnership enhances editorial alignment across SRMG’s platforms. Our contribution includes in-depth commentary from some of the most respected voices across the Arab world and beyond.” 

Faisal Abbas, Editor-in-Chief of Arab News, said: “We’re pleased to participate in this programme by bringing an international perspective that spans from Tokyo to Toronto, reinforcing our close, ongoing editorial collaboration with Asharq.” 


Two Palestinian journalists killed in less than 24 hours as Israeli strikes intensify in Gaza

Updated 14 July 2025
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Two Palestinian journalists killed in less than 24 hours as Israeli strikes intensify in Gaza

  • Fadi Khalifa was killed while inspecting the remnants of his house
  • In a separate strike on their tent, Hussam Saleh Al-Adlouni was murdered alongside his wife Suad and their three children

LONDON: Two Palestinian journalists were killed in separate Israeli airstrikes on Sunday, in the latest deadly escalation targeting media workers in the Gaza Strip, according to local sources.

Fadi Khalifa was killed along with at least one other person while inspecting the remains of his home in the Al-Zaytoun neighborhood of southeastern Gaza City, multiple sources reported.

In a separate strike, photojournalist Hussam Saleh Al-Adlouni was killed alongside his wife Suad and their three children when an Israeli airstrike hit their tent in the Al-Qarara area, north of Khan Yunis in southern Gaza.

According to WAFA news agency, the family had been sheltering there after being displaced.

The Palestinian Journalists Syndicate condemned the killings, saying they added to Israel’s “abysmal record” of violence against members of the press.

Their deaths bring the number of Palestinian journalists killed in Gaza since Oct. 7, 2023, to 231, according to official figures.

The Committee to Protect Journalists puts the toll at 178: 176 Palestinians and two Israelis.

Medical sources reported that at least 92 civilians were killed across Gaza on Sunday alone, including 52 in central and southern areas of the Strip.


BBC’s Gaza documentary breached accuracy guideline, review finds

Updated 14 July 2025
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BBC’s Gaza documentary breached accuracy guideline, review finds

  • “Gaza: How To Survive A War Zone” was pulled after it was discovered that the 13-year-old son of a Hamas official was the narrator of the documentary
  • Review found the program breached a guideline on accuracy that deals with misleading audiences but no other breaches of the BBC’s editorial guidelines, including on impartiality

LONDON: A BBC documentary about children’s lives in Gaza narrated by the 13-year-old son of a Hamas official breached its editorial guidelines on accuracy, an internal review by the British public broadcaster said on Monday.
The investigation, however, found there were no other breaches of the BBC’s editorial guidelines, including on impartiality, and no evidence that outside interests “inappropriately impacted on the program.”
The BBC removed “Gaza: How To Survive A War Zone” from its online platform in February, five days after it was broadcast, saying it had “serious flaws.” The documentary was made by independent production company HOYO Films.
A review found the program breached a guideline on accuracy that deals with misleading audiences.
The background on the narrator’s father — a minister in the Hamas-run government in Gaza — was “critical information,” which was not shared with the BBC before broadcast, the review found.
Gaza’s health ministry says more than 58,000 people have been killed since the start of the war on Oct. 7 2023, when Hamas-led militants stormed into Israel, killing about 1,200 people and taking 251 hostages into Gaza.
The BBC’s coverage of the war has been heavily scrutinized throughout the conflict, with both supporters of Israel and its critics saying the broadcaster had failed to strike the right balance.
“Regardless of how the significance or otherwise of the Narrator’s father’s position was judged, the audience should have been informed about this,” said the report by Peter Johnston, BBC Director of Editorial Complaints and Reviews.
BBC Director-General Tim Davie said the report identified a significant failing in relation to accuracy.
“We will now take action on two fronts – fair, clear and appropriate actions to ensure proper accountability and the immediate implementation of steps to prevent such errors being repeated,” Davie said in a statement.


Indonesian boy’s ‘aura farming’ dance brings global spotlight to centuries-old tradition

Updated 11 July 2025
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Indonesian boy’s ‘aura farming’ dance brings global spotlight to centuries-old tradition

  • Pacu jalur is a boat tradition from Indonesia’s Riau province that can be traced back to the 17th century
  • Dika was named tourism ambassador of his home province after going viral with his dance moves

JAKARTA: An Indonesian boy dancing on the front of a boat has become an Internet sensation in recent weeks, setting a global trend of “aura farming” that has been recreated by famous athletes and thousands of others worldwide.

“Aura farming” is an Internet expression popularized in 2024, largely in reference to anime characters and celebrities. It refers to the act of consistently looking cool to build one’s “aura.”

Dressed in a black traditional costume and wearing sunglasses, 11-year-old Rayyan Arkhan Dikha from Indonesia’s Riau province has been dubbed “the ultimate aura farmer” on social media for performing a series of repetitive movements calmly on the bow of a thin boat, videos of which have amassed millions of views globally.

The Indonesian boy who goes by the name of Dika was participating in a local event known as “pacu jalur,” which roughly translates to “boat race.” A tradition that dates back to the early 17th century, the event is now held every August to commemorate the Indonesian Independence Day.

“Pacu jalur has been one of Indonesia’s Intangible Cultural Heritage since 2015,” Indonesia’s Culture Minister Fadli Zon said in a statement, after hosting Dika in his office in Jakarta on Wednesday.

The water sport tradition originated in Riau’s Kuantan Singingi regency at a time when boats were the main mode of transportation for the communities living along the local river.

“It has always been a part of life for people in (Kuantan Singingi), including to celebrate the most important Islamic holidays and also our independence day,” Fadli said.

During the race, each of the long, canoe-like boats and its large crew has an “anak coki,” a dancer who moves with rhythmic hand movements and body waves to provide inspiration for the rowers.

While every anak coki brings their own charm to the race, Dika — who has participated in the races since he was 9 — has since become the face of the pacu jalur tradition.

Though the original clip featuring Dika was posted to TikTok in January by a user named Lensa Rams and the event itself was held last August, the boy shot to global popularity over the past few weeks, as various creators on Instagram and TikTok have tried their own hand at Dika’s dance.

The list includes soccer team Paris Saint-Germain and Travis Kelce, American football star and boyfriend of pop singer Taylor Swift. When the US men’s national soccer team won against Guatemala last week, American soccer player Diego Luna copied Dika’s moves to celebrate a goal.

The massive impact of the video garnered him special attention from the government in Riau, where the governor on Tuesday named Dika as a tourism ambassador for the province and awarded him a scholarship for 20 million rupiah (about $1,200) for his education.

“Today, almost everyone opened their eyes to the vibrant and thriving culture of Riau, especially pacu jalur. This is why I wanted to show my appreciation to Dika,” Governor Abdul Wahid said.

In a statement, the local government confirmed that Dika will participate in the races next month.

Speaking to reporters in Jakarta following his meeting with the culture minister, Dika said: “I’m happy that I’ve gone viral globally.”


Israeli journalist arrested over post praising death of 5 IDF soldiers in Gaza

Updated 11 July 2025
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Israeli journalist arrested over post praising death of 5 IDF soldiers in Gaza

  • Israel Frey, who frequently posts his criticism of the Israeli army’s actions in Gaza, is being held in the Tel Aviv Magistrate’s Court
  • The Committee to Protect Journalists condemned Frey’s arrest

LONDON: An Israeli court on Thursday extended the detention of journalist Israel Frey over a post on X that hailed “the world is a better place” following the death of five soldiers in an explosion in Gaza.

Frey, who frequently posts his criticism of the Israeli army’s actions in Gaza, is being held in the Tel Aviv Magistrate’s Court over charges of inciting and supporting terrorism.

“The world is better this morning without five young people who participated in one of the cruelest crimes against humanity,” the Israeli journalist said, referring to five Israeli soldiers who were killed by an explosive device during their fight with the militant group Hamas in northern Gaza earlier this week.

He added: “Sadly, for the boy in Gaza now being operated on without anesthesia, the girl starving to death and the family huddling in a tent under bombardment — this is not enough.

“This is a call to every Israeli mother: Do not be the next to receive your son in a coffin as a war criminal. Refuse.”

Frey was previously questioned over his critical posts in the past. In March, he was interrogated on suspicion of inciting terrorism over several pro-Palestinian posts.

“A Palestinian who hurts an IDF soldier or a settler in the apartheid territories is not a terrorist. And it’s not a terror attack. He’s a hero fighting against an occupier for justice, liberation and freedom,” he once wrote.

In December 2022, he was questioned over posts in which he said that “targeting security forces is not terrorism” and called a Palestinian who was planning an attack a “hero.”

Frey fled into hiding on Oct. 16, 2023, about a week into the Gaza war, after his home was attacked by a far-right Israeli mob when he expressed solidarity with Palestinians in Gaza.

On Thursday, he told the Israeli newspaper Haaretz that he will not be “bowing his head” to his persecution, adding that “we have already caused enough suffering, blood and tears. Liberate Gaza. Enough.”

According to Israeli media reports, Judge Ravit Peleg Bar Dayan ruled that Frey’s remarks “offend public sensibilities and are deeply disturbing,” asking, “How can the deaths of young soldiers, who fell in the line of duty defending their homeland, possibly be considered good?”

She added that extending Frey’s detention was necessary due to “investigative actions susceptible to obstruction,” as she denied bail to Frey.

In a statement, the Committee to Protect Journalists condemned Frey’s arrest and said his detention “underscores authorities’ growing intolerance of freedom of expression since the start of the war on October 7, 2023.”

CPJ Regional Director Sara Qudah called for Frey’s immediate release along with “all detained Palestinian journalists” and for an end to the “ongoing crackdown on the press and dissenting voices.”