Saudi filmmaker Haifaa Al-Mansour returns with “The Perfect Candidate”

The pioneering Saudi filmmaker’s latest feature debuts at the Venice Film Festival later this month. (Supplied)
Updated 27 August 2019
Follow

Saudi filmmaker Haifaa Al-Mansour returns with “The Perfect Candidate”

DUBAI: Haifaa Al-Mansour has long led the way for Saudi Arabian cinema. Her 1997 short film “Who?” and the 2005 documentary “Women in the Shadows” helped boost the women’s empowerment movement across the region. In 2012, her film “Wadjda” was the first feature to be shot entirely in the Kingdom, going on to achieve worldwide acclaim and a nomination for Best Foreign Language Film at the BAFTAs. As Saudi Arabia’s film industry has developed since, Al-Mansour has been a guiding light towards the potential that it could achieve.

Al-Mansour’s latest film, “The Perfect Candidate,” is set to make its debut at the Venice Film Festival on the August 29. It has already made history as the first film supported by the Saudi Film Council, which announced its intention to back Saudi Arabian productions and expand the country’s film industry during the 2018 Cannes Film Festival.

Described as a comedic drama about a Saudi female doctor who goes against the traditional patriarchal norms in order to run for municipal election in the Kingdom, the film is something of a homecoming for Al-Mansour, who has worked mainly on international projects post-“Wadjda.” The reason she left, Al-Mansour told Arab News, was that she felt she didn’t yet have the ability to make more films in Saudi Arabia.




Wadjda. (Supplied)

“If I (had been) able to make films in Saudi, I might have stayed, but I think I also wanted to grow as a filmmaker — to explore bigger markets, and bigger storytelling. That is why I tried to make an English-language film. As an artist, I grow; I have a bigger audience and reach more people. I love to be a part of that,” Al-Mansour told Arab News.

Last year saw the release of two Al-Mansour projects. First came “Mary Shelley,” starring Elle Fanning in the titular role of a biopic about the female author of the game-changing science-fiction novel “Frankenstein” in the 19th century. Next, Al-Mansour directed “Nappily Ever After,” a Netflix original film about the struggles and biases that African-American women deal with, mirroring the struggles that young Arab women face as well.

Al-Mansour’s movies often focus on the challenges that young women face in male-dominated societies. “The Perfect Candidate” is no different.

“It’s feminist, it’s about empowering woman, and it gives them a chance to believe in themselves and think that they could run for office and get involved in politics in Saudi Arabia. I was nervous at the time, but since then, they have proved (that right). I think the social reform in Saudi Arabia is amazing. When you empower artists, when you give funds to filmmakers, it makes a nation really stand out. I think that (is happening in) Saudi Arabia,” said Al-Mansour. “We’re going to see a different Middle East. I’m so sure of that.”




Haifaa Al-Mansour and the star of Wadjda. (AFP)

Though it tackles serious issues. “The Perfect Candidate” is not solely a drama. It also highlights the humor of the Saudi Arabian people — something that often gets overlooked.

“We have a great sense of humor that people don’t see,” Al-Mansour said. “In film, we can show that — it’s something people will discover. Food too. Also, how in Saudi there is a huge distinction between what is public and what is private. In private, people sing, have fun, and are fluid. Once people go out they are reserved, because that is the way the culture is. With film, you will get a chance to see how people are in private. This is the only way that people can see who we are — by opening our heart through film.”

Though it has been less than a decade since “Wadjda,” Saudi Arabia has changed greatly, which had many positive effects on the filming of “The Perfect Candidate.”

“Saudi was difficult to shoot in before,” Al-Mansour told Arab News. “Visas took a long time, the accessibility of places wasn’t easy. People were always reluctant because they didn’t know if filming was allowed or not. Now it’s changed. Now the visa process has been expedited and everything moves a lot faster, which is really wonderful for a filmmaker, because you don’t want to worry about waiting for a visa for six months. Things like this take a lot of burden away from the filmmaker so you can focus on telling the story well.

“Saudi is now a real market. Before, if you wanted to make a Saudi film, the sales would be like a foreign film around the region, but now it’s going to be a real film market, which makes people more interested in financing the film, investing in the film, and being a part of it, because Saudi is a real market on its own,” she continued.

“The Perfect Candidate” stars Mila Alzahrani, Dhay, Nourah Al-Awad, and Khalid Abdulrhim. The casting process was much simpler than for “Wadjda,” to Al-Mansour’s relief.




Haifaa Al-Mansour in the shooting of Wadjda. (Supplied)

“When we did ‘Wadjda,’ we wanted to keep a low profile,” she said. “We didn’t want to upset people because we were filming. I was really excited to go and have an open casting call in Saudi Arabia That is wonderful, because there is a lot of talent and we were never able to tap into it. (With ‘Wadjda’), we were staying in a hotel in Riyadh waiting for people to tell other people who knew someone who knew someone through someone. Having an open casting call changes a lot.”

Despite the significance of debuting the film at the legendary Venice Film Festival, where it will be one of only two feature films directed by women, Al-Mansour’s main goal remains to have the film screened in her home country.

“I want to make a film in Saudi Arabia that will be shown in Saudi Arabia,” she said.

While “The Perfect Candidate” focuses on Saudi Arabia, bringing the Kingdom’s culture to the global stage once more, the filmmaker does not want to keep the spotlight only on her. Al-Mansour wants the next generation of Saudi filmmakers to display how truly diverse the country is.

“I think, in five years, we will see a lot more female filmmakers,” she said. “They will be younger than us, and they will have, by our age, produced a lot more, because they’ll have a lot more opportunities. When it comes to art in Saudi, I think there is a huge possibility for younger people to also make money off of their films. It’s hard for us to survive as artists when there is no industry. I think it is different now.

“Art will become something people can actually work on and live off in Saudi Arabia, which was not the case before. Art was not respected. People did not look. People didn’t have that kind of appreciation for it. I think, in five years, we will see a lot more diversity. A lot more men going to places, a lot more women. We have a lot of girls on the Saudi Film Council,” she continued. “You will be seeing a lot more (young Saudi women) making films.”


Miss Universe Bahrain Shereen Ahmed wins Voice for Change Silver award in Mexico

Updated 15 November 2024
Follow

Miss Universe Bahrain Shereen Ahmed wins Voice for Change Silver award in Mexico

DUBAI: Miss Universe Bahrain Shereen Ahmed was announced on Thursday as one of the seven Silver winners of the Voice for Change competition at the 73rd Miss Universe beauty pageant in Mexico.

“This is for all the hardworking single moms out there,” she wrote to her followers on Instagram after the announcement was made.

Joining Ahmed as Silver winners of the Voice for Change competition were Anouk Eman of Aruba, Saran Bah of Guinea, Opal Suchata Chuangsri of Thailand, Matilda Wirtavuori of Finland, Snit Tewoldemedhin of Eritrea, and Raegan Rutty of the Cayman Islands.

The award was presented after the preliminary round, which featured 126 contestants from around the world showcasing swimsuits, evening gowns, and national costumes.

The Gold winners of the competition were Juliana Barrientos of Bolivia, Ana Gabriela Villanueva of Guatemala, and Davin Prasath of Cambodia.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Logina Salah (@loginasalah)

Besides Ahmed, there are two other Arabs representing their countries: Logina Salah from Egypt and Nada Koussa from Lebanon.

For the National Costume competition, Ahmed donned a flowing green gown featuring gold embellishments and a structured shoulder cape. She also wore a gold headpiece and held a large gold incense burner prop.

Salah opted for a Cleopatra-inspired ensemble in shades of blue, gold, and bronze, designed by Simeon Cayetano. The cape featured hand-painted pyramids and the Sphinx, framed by protective wings. Hieroglyphic scripts adorned the lower portion of the cape.

Koussa wore a rich purple ensemble with intricate silver embroidery. The outfit included a tall, cylindrical, metallic headpiece and a full-length cape with pronounced shoulders, adorned with leaf-like motifs that extended down the back. The dress underneath was composed of a lighter, shimmery fabric.


Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

Updated 15 November 2024
Follow

Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

  • The founder of London’s Hijazi Corner was hopeless in the kitchen, but his move abroad sparked a desire to recreate the cuisine of his homeland 

LONDON: Ayman Al-Zubaidi — the acclaimed chef behind Hijazi Corner, London’s first Saudi Arabian restaurant — has cooked for dignitaries, diplomats, celebrities and even the Kingdom’s royal family. But his most discerning critics were waiting for him much closer to home. 

In 2021, after several years living in London, Al-Zubaidi came home to Jeddah. But instead of the football shirt his family had pictured him wearing after his UK studies in sports science, he returned in chef whites. It was a transformation that no one saw coming — least of all him. 

Growing up in Jeddah’s Al-Sabeel district with his sister and three brothers, Al-Zubaidi could barely boil his own water. The kitchen was strictly his mother’s territory, and his late-night culinary ventures didn’t go far beyond packets of instant noodles. But now, the tables had turned, and his mother was seated as his guest. 

Hijazi Corner is London’s first Saudi Arabian restaurant. (Supplied)

“When I first moved to the UK, I was clueless in the kitchen, so I called her for help,” Al-Zubaidi tells Arab News from his restaurant in London’s de facto Arab district of Edgware Road. It was her loving mentorship that laid the foundations for his culinary journey, shaping his path to becoming one of London’s most distinctive chefs. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny and looks amazing — even just talking about it now I become hungry,” Al-Zubaidi says. “But even if I had the same ingredients and made it the same way, hers would always taste better.” 

Building on family recipes honed over decades by his ancestors in Yemen, Al Zubaidi’s Hijazi Corner is the only place in the UK capital where Saudis can find a true taste of home. 

Lined with thick carpets and ornate window paneling evoking the buildings of Jeddah’s Al-Balad historical district, its menu is full of comforting favorites drawn from across the Kingdom’s western coastal region — chicken seelag, slow-roasted lamb haneeth and delicate, flaky samboosek. 

Al-Zubaidi with Saudi Ambassador to the UK Prince Khalid and the latter's wife. (Supplied)

“From the richest person to the poorest person in Saudi Arabia, we eat the same food,” he says. “When we celebrate, when we grieve, when we are happy or sad, we get masoub (banana pudding) or motabbaq (thin layers of pastry stuffed with meat).” 

Al-Zubaidi’s path to the kitchen was anything but conventional. As a teenager eager to learn English, he set his sights on the UK, drawn by what he called “a love for the accent,” and made the leap in 2017. After completing his language course, he switched tracks to study sports. But somewhere between lectures and life abroad, homesickness hit in the form of a craving for the familiar flavors of Arabia. 

“In London, you can find plenty of Turkish, Kurdish, Indian, even Malaysian options — but nothing from Saudi,” he explains. “So I decided to make it myself.” He began recreating the comforting dishes of home in his small Clapham flat, selling them cash-in-hand to fellow Saudis in search of an authentic taste of the Kingdom. 

But the secret didn’t stay a secret for long. Soon, his passion found a new platform — Snapchat. 

Al-Zubaidi shared short videos of his cooking process, garnishing each clip with personal moments and mouth-watering close-ups of Saudi dishes. His humble videos quickly gained a loyal fanbase, and orders poured in from every corner of the city — particularly as COVID took hold in the early months of 2020. 

“People from the Saudi embassy added me, people from Aramco working in London added me. Saudis living here, working here, growing up here — plus lots of foreign people who had been to my country and tried this food before.” 

What started as a side hustle quickly evolved into a pop-up, and by 2023, into a brick-and-mortar restaurant where Londoners could finally experience the authentic flavors of Saudi Arabia. 

During the pop-up stage, Al-Zubaidi’s Snapchat followers became more than fans; they became enablers of his culinary vision, bringing a piece of Saudi Arabia to his London kitchen. Whenever one of his followers planned a trip from Saudi to the UK, they’d reach out, asking if he needed any hard-to-find ingredients. 

Al-Zubaidi’s requests were simple but essential — fragrant spices, fresh dill, and most importantly, the special pastry sheets that he just couldn’t source in London.   

“I’d say ‘I need the real pastry for samosa.’ And they’d bring it for me,” he says. 

The enthusiasm was mutual. His followers were just as eager to bring these reminders of home, knowing he’d transform them into the dishes they missed. 

Yet not everyone was as supportive. As he juggled his studies and the pop-up, criticism began to surface, especially from former friends back home. 

“They mocked me,” he recalls. “They’d say things like, ‘You went to the UK to study, and now you’re just selling food?’” 

Influencers he approached for social-media support brushed him off with dismissive remarks. But Al-Zubaidi was undeterred, finding new friends and switching his studies from sport to cooking. With a network of loyal clients and the backing of a few new investors he had met along the way, he began seriously considering a restaurant. 

One wealthy friend, who had seen the young chef’s determination, urged him to take the plunge. After months of hard work studying knife skills, mastering Saudi dishes, and learning the restaurant business inside out, Al-Zubaidi took the leap. 

Two years after opening its doors, Hijazi Corner is a definite success, becoming one of London’s top-rated Middle Eastern eateries. It’s perpetually packed with diners, and has become a go-to spot for celebrities, diplomats, and dignitaries from the Arab world and beyond, all seeking an authentic taste of Saudi Arabia. 

After showcasing Saudi cuisine at several festivals and events, on National Day this September, Al-Zubaidi received a special honor — an invitation to the Kingdom’s embassy in London. 

The recognition came after HRH Prince Khalid Bin Bandar Al-Saud, Saudi Arabia’s ambassador to the UK, visited Hijazi Corner and was so impressed that he mentioned it by name in his National Day speech. Al-Zubaidi, overcome with pride, shed tears of joy.  

“I am proud of what I’ve achieved, but I haven’t finished yet,” he says. “This is just the beginning—there’s so much more of Saudi culture I want to share with the world.” 


Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

Updated 15 November 2024
Follow

Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

  • ‘My designs are a heartfelt expression,’ says Shouq Almubarak

RIYADH: Saudi fashion designer Shouq Almubarak is dreaming big, both for the Kingdom’s fashion industry and for her own brand, Pavone.  

“The future holds endless possibilities, and I have ambitious plans aligned with the growth of the Kingdom’s fashion industry,” Almubarak told Arab News on the sidelines of Riyadh Fashion Week in October. “I aim to continue expanding my work with larger projects that seamlessly blend authenticity with modern creativity. My ultimate vision is to reach a global audience, sharing the beauty and pride of the Saudi identity.” 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event, which took place from Oct. 17 to Oct. 21. 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event. (Supplied)

“Being part of Riyadh Fashion Week is a true honor and a moment of immense pride,” she said. “It’s not just about presenting my designs, but about contributing to the rise of Saudi fashion on the global stage. It’s an opportunity to leave my mark and help shape the future of fashion in the Kingdom.” 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” She told Arab News that much of her inspiration — aside from seeing beautiful things that spark her imagination — comes from within. 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia. (Supplied)

“I draw from moments that leave a lasting impact — whether it’s an emotion, a scene, or just a quiet moment of reflection. I then transform these moments into tangible works of art that capture and reflect the essence of those experiences. My designs are a heartfelt expression,” she said. 

Those “artistic pieces” include her couture collection “Lina,” which she presented at last year’s Riyadh Fashion Week and which she describes as one of her greatest accomplishments as a designer. 

“This collection was a breakthrough for me, as it challenged me to explore new, unconventional ideas,” Almubarak said. “‘Lina’ is more than just a fashion line — it symbolizes the beginning of an exciting new chapter in my career, full of opportunities; a defining moment that has shaped my journey as a designer.” 

Almubarak established Pavone with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” (Supplied)

The biggest challenge Almubarak has faced so far, she said, is finding partners who not only understand her vision but also share her commitment to exceptional quality. 

“Ensuring that every design was brought to life with meticulous attention to detail and delivering the level of excellence my clients deserve has always been the goal I strive to achieve,” she said. 

Discussing tips for aspiring designers, she said: “My key advice is to prioritize quality; you have to select the right factory and partners. Design isn’t just about the concept — it’s about translating creativity into a finished product with precision and craftsmanship that aligns with the customer’s expectations.” 


Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

Updated 15 November 2024
Follow

Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

DUBAI: Here are three highlights from the winning entries in this year’s Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award.

Youmn Mohammed Almanla 

The Saudi photographer claimed second place in the ‘Color’ category of this year’s HIPA awards for this stunning image of horse riders firing rifles against a twilight sky — an example of the ancient Moroccan equestrian art known as ‘tbourida,’ which is included on UNESCO’s list of Intangible Cultural Heritage. It is, Almanla said in his statement, “a breathtaking display of skill, bravery, and the untamed spirit of the desert.” 

Liping Cao 

The Chinese photographer picked up the Grand Prize at this year’s awards (staged under the theme ‘Sustainability’) for this dramatic black-and-white shot he named “Quiet Power.” It shows an Australian wind farm. “The dry riverbed below the turbines adds depth, while serving as a reminder of the importance of sustainable practices,” a statement from HIPA reads. 

Fatma Alzahra Shbair 

The Palestinian photographer won first prize in the “Portfolio” category for a collection of scenes from the Gaza Strip taken over the months since Israel launched its assault on the enclave in October 2023. “Through telling the stories of others, the storyteller realized they were also sharing their own — an intertwined account of survival and collective suffering,” a HIPA statement reads.  


Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

Updated 15 November 2024
Follow

Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

RIYADH: The only thing sparkling brighter than the stars on the red carpet and performers on stage were the dresses on the runway as Lebanese icon Elie Saab put on a spectacle on Wednesday night in Riyadh with Jennifer Lopez, Celine Dion and Halle Berry hitting the stage in addition to a runway show of his creations.

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab,” an homage to the 1001 nights collection of Middle Eastern folktales.

Celine Dion was spotted on the red carpet at the event. (AN Photo/ Jafer Alsaleh)

Former French Vogue editor Carine Roitfeld styled all the looks for the runway.

Guests were given a surprise when stars Lopez, Camila Cabello, Nancy Ajram, Amr Diab, and the legendary Celine Dion took to the stage in celebration of Elie Saab.

Oscar-winner Halle Berry hit the stage. (AN Photo/ Jafer Alsaleh)

Opening the show was none other than Hollywood actress Berry wearing the same Elie Saab gown she wore when she won her first Oscar in 2002, making her the first Black woman to win the award for Best Actress.

Prior to the show, Berry was seen on the red carpet talking about how this was her first time meeting Saab in person, “That was the highlight of this trip for me to finally meet this man who I have been inextricably connected to for 22 years, and to give him a hug and tell him thank you.”

Pop icon Jennifer Lopez performed at the event. (AN Photo/ Jafer Alsaleh)

Celebrity stylist Law Roach, known for styling Hollywood A-listers like Zendaya, Anya Taylor Joy, Bella Hadid, and Celine Dion, talked to Arab News about Elie Saab’s ability to transcend eras.

“Elie Saab is one of the few couturiers whose clothes can be passed down to generations and generations and be reinterpreted.”

Models gather on stage at the Elie Saab show in Riyadh. (AN Photo/ Jafer Alsaleh)

“Maybe someone got married in it (a dress), and maybe generations down the granddaughter of someone gets married in the same dress, it has that possibility of just being timeless and forever,” he said.

Saudi French model Amira Al-Zuhair was spotted on the runway. (AN Photo/ Jafer Alsaleh)

The spectacle began with a performance by Lopez, a frequent wearer of Saab’s creations. The first designs exhibited an array of black-and-white dresses adorned in classic crystals, a signature touch in most of his designs.

Next up was “an ode to the female figure”, where dresses in different shades of pink and green were lit up on stage with the help of singer-songwriter Camila Cabello. This section of the show featured what looked like a garden theme, detailing the beauty of the natural world as it interconnects with the beauty of women.

The tale continued into a silver and blue chapter, where the audience was given a touch of Arab culture with Lebanese singing icon Nancy Ajram, a nod to Elie Saab’s Lebanese heritage as well, followed by Egyptian star Amr Diab.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Elie Saab, the name introduces itself. When we say Elie Saab we say elegance… when I wear Elie Saab I look at myself in the mirror more often and find myself more beautiful,” Ajram stated before her performance.

“I am also happy that a Lebanese creative deserves to be honored, is very successful, and we all see ourselves in him.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

The show concluded with a showcase by Dion, who gave an emotional and empowering performance that had the entire audience on their feet.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Being here (in Riyadh) for the first time is kind of a dream come true,” Dion said.

“His (Elie Saab’s) generosity, his talent, he has been singing with me because I have been wearing his dresses, his talent, for many, many, years.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

Elie Saab Jr., CEO of Elie Saab, said: “We have been thinking a lot about how to create an international event in high fashion in the heart of Riyadh. And I believe it is a one of a kind event, not just for Riyadh, but for the whole world and the whole fashion industry.”

The evening was attended by more than 1,000 guests, including Egyptian actress Youssra; Italian star Monica Bellucci; British models Rosie Huntington-Whiteley, Poppy Delevingne  and Jourdan Dunn, supermodels Adriana Lima, Candice Swanepoel and Helena Christensen, and Arab actresses Nadine Njeim, Cyrine Abdel Nour, and Tara Emad.

Lebanese superstar Nancy Ajram on stage. (Supplied)

Mustafa Sammak, COO of Ohana Development, which collaborated with Elie Saab on the Waterfront Tower in Abu Dhabi, told Arab News at the event that the showcase “powerfully reflects Middle Eastern artistry and heritage, drawing global attention to the region’s luxury landscape and creative depth. It reminds us that design — whether in fashion or real estate — has the ability to tell stories and bridge cultures.”