How Louvre-Saudi Islamic cultural ties are promoting peace and tolerance

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Alwaleed Philanthropies general secretary Princess Lamia (R) with former French president Francois Hollande (L) and Islamic Art Department director Yannick Lintz (C) at the unveiling of the newly launched spaces at the Islamic Art Department of the Louvre. (Alwaleed Philanthropies)
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Alwaleed Philanthropies general secretary Princess Lamia (L) with former French president Francois Hollande at the unveiling of the newly launched spaces at the Islamic Art Department of the Louvre. (Alwaleed Philanthropies)
Updated 13 September 2019
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How Louvre-Saudi Islamic cultural ties are promoting peace and tolerance

  • Partnership between Alwaleed Philanthropies and Louvre is latest in a series of cultural tie-ups between Saudi Arabia and France
  • Newly expanded space for Islamic art at the Louvre was unveiled on Tuesday, showcasing 3,000 pieces and artefacts across 12 centuries of Islamic history

PARIS: As tourists wander into the Louvre Museum courtyard, a 15-meter banner hanging on the wall of the grand building emblazoned with a Renaissance portrait by one of Europe’s old masters is an instant reminder of who and what they are here to see.

Leonardo da Vinci’s work at the museum, and his ‘Mona Lisa’ in particular, pulls in huge crowds, with thousands queuing each day, all year round.

From this week, there will be a new attraction that marks a high point of cultural cooperation between France and the Arab world, and it is well worth the admission fee.

The newly expanded space for Islamic art at the Louvre was unveiled on Tuesday, showcasing 3,000 pieces and artefacts across 12 centuries of Islamic history from locations ranging from southern Spain to northern India.




The newly expanded space for Islamic art at the Louvre was unveiled on Tuesday, which will showcase 3,000 pieces and artifacts across 12 centuries of Islamic history from locations as wide-ranging as southern Spain to northern India. (Alwaleed Philanthropies)

The expansion was made possible with support from, and in partnership with, Saudi Arabia’s Alwaleed Philanthropies.

While the foundation carries out work in numerous fields from women’s empowerment to disaster relief across the globe, this cultural tie-up with the Louvre is a fruitful and long-running partnership. It dates back to 2002 and led to the foundation donating $23 million in 2005 to help to construct the museum’s Department of Islamic Art.

The collaboration’s importance to both parties was made clear in an address from Alwaleed Philanthropies’ general secretary, Princess Lamia bint Majed Al-Saud, at the launch attended by the former French president Francois Hollande.

The partnership is built on more than run-of-the-mill donations by benevolent collectors; it is a project with a clear mission of spreading a message of peace and tolerance — one that Princess Lamia is particularly passionate about.




The newly expanded space for Islamic art at the Louvre was unveiled on Tuesday, which will showcase 3,000 pieces and artifacts across 12 centuries of Islamic history from locations as wide-ranging as southern Spain to northern India. (Alwaleed Philanthropies)

“Prince Alwaleed believes very much in dialogue and promoting tolerance and understanding, and that is one of the core areas of focus for the foundation,” she told Arab News.

“The prince also believes in the power of art, so this collaboration is very important, as we share (with the Louvre) a vision and a perspective that we need to use art to create that world of tolerance and understanding.

“This partnership is one of our biggest initiatives and, for me personally, the one I’m most proud of because it reflects how we want people to see Islam and this part of the world. I’m very glad that we share this vision.

“Islamic art and heritage, at the end of the day, reflects what Islam is and what this part of the world was,” she added.

FASTFACT

Saudi-French cultural ties

The partnership between Alwaleed Philanthropies and the Louvre is the latest in a series of cultural tie-ups between Saudi Arabia and France following Crown Prince Mohammed bin Salman’s visit to France last year. The visit saw the signing of several cooperation agreements ranging from setting up a national opera to developing tourism around archaeological sites such as AlUla as well as an exhibition called “Saudi Cultural Days” highlighting the culture and arts scene in the Kingdom.

The inspiration for this latest expansion and development of the Louvre’s Islamic Art Department was born out of a 2016 meeting between the princess and department director Yannick Lintz after two major terrorist incidents in France the previous year in which more than 140 people were killed by militants.

Those two barbaric acts made Lintz realize there was a need for a change in how centers of culture and education such as the Louvre used art and heritage to better answer questions about Islam and its rich cultural background.

“It is important to show the true history and range of this exceptional culture and its contribution to, and interaction with, humanity’s collective artistic canon,” she said.

It is a point Princess Lamia believes cannot be made strongly enough.

“There had been a huge distortion in the vision and the picture of our part of the world and of the Islamic religion in general,” the princess said.

“I think art is the only language that has no barriers, no restrictions and it does not reflect any race or gender. To use art was a very smart move on the part of Prince Alwaleed, and to pick this project reflects how we (as a foundation) appreciate art and how we promote and support that.

“The education department here is very important, especially as we enter a digital era and look to implement more interactivity. I hope people can understand and view things from our perspective and we can succeed in reflecting an image that we are all alike and we can understand each other through art,” she added.




Princess Lamia addressing dignitaries and media at the unveiling of the newly launched spaces at the Islamic Art Department of the Louvre. (Alwaleed Philanthropies)

The foundation’s commitment to bridging cultural gaps through art and heritage is an ongoing project. A further collaboration with the Pergamon Museum in Berlin will have a “very unique piece” on display, Princess Lamia told Arab News.

She also highlighted Alwaleed Philanthropies’ six centers at prestigious universities such as Cambridge, Edinburgh, Georgetown and Harvard, saying: “At Cambridge and Edinburgh, we have very interesting pieces of Islamic heritage. We have this message we want to spread and we do it via many different projects.”

The Louvre’s Islamic art collection is one of the most extensive of its kind and is expected to attract hundreds of thousands of visitors — a model Saudi Arabia is looking to emulate as part of its Vision 2030 and its plans to showcase the best of Saudi culture and heritage.

When asked by Arab News if she envisages similar exhibitions of specifically Saudi art and heritage on the horizon, Princess Lamia said: “I believe it will happen soon, we have a lot of beautiful pieces, but tradition and mindsets did make it difficult to get pieces out of the country.

“But I think with the new minister of culture Prince Badr Al-Farhan, the vision of King Salman and Crown Prince Mohammed bin Salman and jewels like Ithra, Al-Ula and Al-Soudah, we are giving a lot of attention to heritage and it’s what we need to do. It’s just the beginning.”


KSrelief distributes aid to most needy in Lebanon, Chad and Syria

The aid is part of the ongoing assistance provided by KSrelief to some of the world’s most in need. (SPA)
Updated 9 sec ago
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KSrelief distributes aid to most needy in Lebanon, Chad and Syria

RIYADH: Saudi aid agency KSrelief has delivered more aid to those most in need in Lebanon, Chad and Syria, reported the Saudi Press Agency.

In Chari-Baguirmi, Chad, the agency delivered 1,600 food parcels that benefitted 9,600 people. A further 333 food aid parcels and 333 hygiene kits were distributed in the Idlib region of Syria to help 1,998 individuals from 333 families who were affected by last year’s devastating earthquake.

And in Lebanon, winter clothing vouchers were given to 300 orphans and people with special needs in Akkar governorate. These will help them buy clothing for the forthcoming winter.


Saudi defense minister meets with Chinese envoy to Kingdom

Updated 17 November 2024
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Saudi defense minister meets with Chinese envoy to Kingdom

  • Session attended by several high-ranking officials from both sides

RIYADH: Saudi Minister of Defense Prince Khalid bin Salman met with Chinese ambassador to the Kingdom Chang Hua on Sunday.

The meeting focused on reviewing the strong relations between the two nations and discussing various issues of mutual interest, Saudi Press Agency reported.

The session was attended by several high-ranking officials from both sides, SPA added.


King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
Updated 17 November 2024
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King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

  • Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
  • Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims

RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.

The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.

The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.

The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.

He added it would strengthen the bonds of brotherhood among Muslims in various parts of the world and develop fruitful communication between scholars and influential figures who are hosted by the program.

The program has benefitted people from more than 140 countries since it was launched, the minister said.


Old school, new love: Analog tech captures hearts in Saudi Arabia

Updated 17 November 2024
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Old school, new love: Analog tech captures hearts in Saudi Arabia

  • Community bound by love of old gadgets that help enrich the present

RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.

Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.

Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.

The resurgence of analog formats is a reminder that technology can be more than just a tool. (AN photo by Waad Hussain)

For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”

Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.

Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”

HIGHLIGHTS

• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.

• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.

This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.

The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.

Film rolls ready for development at Haitham Studio Film Lab, where each roll holds captured memories and stories from Saudi photographers. (Photo by Abdulrahman Al-Osaimi)

Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”

Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.

Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.

An eclectic display of analog nostalgia and rock memorabilia, featuring classic vinyl records, retro audio equipment, and books on music icons—capturing the spirit of vintage and punk culture. (AN photo by Waad Hussain)

He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”

Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.

For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”

Film negatives hang to dry at Haitham Studio, reflecting the lab’s dedication to preserving the authenticity and art of analog photography. (Photo by Abdulrahman Al-Osaimi)

With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.

Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.

Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”

A film negative passes through the scanning machine at Haitham Studio, bridging the analog and digital worlds to bring treasured moments to life. (Photo by Abdulrahman Al-Osaimi)

For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.

“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.

For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.

A retro cassette collection at Bohemia Records, showcasing a variety of genres and rare finds that capture the essence of analog music. (Photo by Fawaz Al-Sulaim)

Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.

Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.

“With analog, people reconnect with something real, something authentic.”

This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.

The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.

She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”

For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.

As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.

Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.

In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.

For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.

Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.

Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.

With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.

In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.

While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.

Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.

As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.

The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.

 


Saudi authorities foil attempted smuggling of $2m worth of Captagon pills

Updated 17 November 2024
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Saudi authorities foil attempted smuggling of $2m worth of Captagon pills

  • Customs Authority also discovers 403,124 Pregabalin, 1,990 Tramadol unlicensed, prescription-only pills

JEDDAH: Saudi Arabia’s counter-narcotics authorities on Sunday foiled attempts to smuggle $2 million worth of Captagon drugs and nearly half a million unlicensed Pregabalin and Tramadol pills.

The Zakat, Tax and Customs Authority said in a statement that it had seized the illegal drugs and unlicensed pills at King Abdulaziz International Airport in Jeddah; the inland Dry Port in Riyadh; and Al-Batha Port.

Authorities at the airport in Jeddah found 200,000 Captagon pills hidden in mail parcels containing household utensils. The drugs have a street value ranging from $2 million to $5 million. 

Captagon, a type of amphetamine, is used by young men and teenage boys across the Middle East and has a street value of between $10 and $25 a pill, according to research by the International Journal of Addiction Research.

The attempt to smuggle Captagon into the Kingdom was the second in less than a week. Counter-narcotics authorities uncovered a shipment of 12 million amphetamine pills on Wednesday at the Red Sea port of Jeddah which had been hidden inside a container of building materials.

The authorities also thwarted the smuggling of 403,124 unlicensed Pregabalin pills at the inland Dry Port near Riyadh. Pregabalin is a prescription-only drug for anxiety, epilepsy, and nerve pain treatment, but its abuse has led to several deaths in Saudi Arabia, the UAE and Jordan. In countries such as the UK it is illegal to buy or possess Pregabalin without a medical prescription.  

An attempt to smuggle 1,990 unlicensed Tramadol pills — a prescription-only painkiller — and 500 grams of Shabu was thwarted at Al-Batha Port. The Customs Authority said the Shabu was found hidden in a shipment of washing machines.

The Customs Authority and the General Directorate of Narcotics Control have announced the arrest of 10 people in connection with the drug smuggling cases.