Film Review: ‘Marriage Story’ paints love and loss with levity

Updated 18 September 2019
Follow

Film Review: ‘Marriage Story’ paints love and loss with levity

VENICE: A French photo-journalist once told me that her former husband would come to her place to mend things — a broken tap, an electrical short-circuit — and she quipped that if only he had been as attentive during his married life, they would have never got divorced. Noah Baumbach’s latest film “Marriage Story,” screened at the Venice Film Festival and the Toronto International Film Festival, explores the same issue — of a how, whilst a marriage can turn stale, love can remain.

When Charlie (Adam Driver) and Nicole (Scarlett Johansson) meet a marriage counsellor, he asks them to list each other’s plus points. She is a great listener, an infectious dancer. He is a superb dresser and dotes on their son. But despite all this, Charlie and Nicole separate, and since the law bars her from handing over the divorce papers to him, she gets her mother and sister to do that. The moment is awkward, it is heartbreaking. Charlie is a Brooklyn theater director, she is his company’s leading lady. Although Charlie and Nicole want things to be absolutely amicable, their lawyers will not let that happen.  

Baumbach’s work is tough (also inspired by his own divorce from actress Jennifer Jason Lee), but poignant and painful, underlining in red how money and the law can make a mess of things. 

Cinematographer Robbie Ryan’s lens does a wonderful job of capturing some of the finest moments, dipped in sweet nostalgia, as the husband and wife talk about each other. Baumbach does not let bitterness creep in. On the contrary, he livens up the script with fantastic humor, making sure that “Marriage Story” does not turn into a sob story. There is intimacy, there is dynamism to get us hooked to the screen, and we remain all eyes for 136 minutes, with the final scenes likely to leave audiences floored. 


Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

Updated 05 February 2025
Follow

Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

  • Event offers deep dive into Kingdom’s rich tradition
  • Locals, visitors explore Saudi literature

RIYADH: The Diriyah Storytelling Festival brings together literary enthusiasts, publishers, and celebrated authors and provides a deep dive into Saudi Arabia’s rich storytelling traditions and evolving literary landscape.

The event, which lasts until Feb. 8, features panel discussions, book signings, live performances, and interactive experiences.

The festival is attracting a diverse audience, including international visitors who engage with Saudi authors to explore locally published books.

One of the standout sessions, “The Roots of the Tale,” featured renowned Saudi novelist and journalist Badryah Al-Bishr, who spoke about the transformation of storytelling into modern literature.

Al-Bishr said: “My participation was all about tracing the wisdom of storytelling to the structure of novels. Since I studied folk tales in my master’s degree while also writing novels, I explored how traditional narratives evolved before written literature.

“Societies have always needed this literary and cultural influence — it serves deep and indirect functions, whether in raising children, comforting sorrowful hearts, or inspiring values and ideals.

“This is what we now call ‘soft power.’ Storytelling has always shaped minds, transferring across cultures like the tale of ‘Cinderella,’ which exists in Russia, Europe, and even Najd.”

A key aspect of the festival is its focus on showcasing Saudi literature to international visitors, offering translations and accessible editions of local works.

Modi Al-Dossari, from the Tashkeel Publishing House, noted the growing interest from foreign attendees, and added: “We’re working on something big here at the festival.

“The visitors are quite diverse, including many foreigners eager to learn about our culture.

“At Tashkeel we have Saudi books and stories translated into English, and they are among our bestsellers. It’s amazing to see our culture being shared in such a smooth and accessible way.”

The availability of translated Saudi literature has helped bridge the gap between local storytelling and a global readership, highlighting the richness of Saudi narratives and their universal appeal.

Beyond book discussions, the Diriyah Storytelling Festival provides visitors with a fully immersive cultural experience, allowing them to explore the historic and artistic depth of Diriyah.

Entry to the festival costs SR40 ($10.66) per person, which includes access to all three locations — Bujairi Terrace, Bab Samhan Hotel, and Al-Zuhayra — as well as shuttle transportation between the venues and parking areas.

The festival also features restaurants, cafes, and boutique shops, making it an ideal destination for both literary and cultural exploration.

Hind Mohammed, who was attending, said: “I loved visiting Diriyah, especially Bujairi Terrace. It’s such a beautiful and enriching experience, with a vibrant atmosphere, and fantastic cafes, restaurants, and children’s play areas.”

Visitors can witness the breathtaking sunset over Diriyah’s landscape — and see a combination of golden light, traditional architecture and peaceful surroundings creating a spectacular and serene experience.

Saudi Arabia’s literary scene has witnessed remarkable growth in recent years, with increasing global recognition for local authors and their works. Events like the Diriyah Storytelling Festival contribute to this transformation by providing a platform for dialogue, creativity, and cultural exchange.


Designers offer up day-to-evening wear at Dubai Fashion Week

Updated 04 February 2025
Follow

Designers offer up day-to-evening wear at Dubai Fashion Week

DUBAI: Day three of Dubai Fashion Week saw presentations by fashion label BLSSD, New York-based British Iraqi designer Tara Babylon, Dubai-based Lebanese designer Dima Ayad and a multi-designer showcase curated by department store Etoile La Boutique.

Rawdah Mohamed walked the runway for Dima Ayad. (Supplied)

Somali Norwegian model Rawdah Mohamed walked the runway for Ayad, who stayed true to her brand’s founding ethos and offered up chic looks for a diverse range of body shapes. Houndstooth patterns were employed in various hues across the collection, while winter-appropriate fabrics and evening wear options in rippled gold also made an appearance.

Babylon took over the runway with her Autumn/Winter 2025 collection titled “Princess of Thieves.” The designer brought a warm and tropical vibe to the winter collection with Middle Eastern-inspired palm tree prints and earthy green tones. Weaving, printing and crochet techniques were used along with recycled cotton tapestry to create stylish winter pieces.

(Supplied)

The Central Saint Martins and Parsons-educated designer is known for the performance-like aspect of her shows, and Monday night’s showcase in Dubai was no different. Models strode down the runway in a series of artfully created balaclavas that matched the ensembles.

(Supplied)

Meanwhile, Etoile La Boutique’s invite-only showcase was a curated multi-designer collection titled “Twilight to Midnight.” The playful showcase offered up a sunshine yellow taffeta dress alongside a sequined mini-skirt and expertly cut leopard-print trench coat.

UAE-born and bred streetwear and ready-to-wear label BLSSD showcased its signature experimental styles in seasonal colours — a floor-grazing blazer paired with slouchy, masculine trousers was a particular draw at the show.


Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia

Updated 04 February 2025
Follow

Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia

DHAHRAN: As part of the Japan Cultural Days event that ends on Feb. 8, the King Abdulaziz Center for World Culture (Ithra) is hosting a Kimono Exhibition, offering visitors an up-close look at these traditional Japanese garments synonymous with the country.

Maha Abdulhadi, creative programs specialist at Ithra, explained the significance of the exhibition to Arab News.

The patterns and fabrics of kimonos often reflect seasonal changes, festivals and artistic aesthetics, further emphasizing their connection to Japanese culture. (Supplied)

“The Kimono Exhibition at Japan Cultural Days is not just a fashion showcase — it (is) a deep cultural experience. It celebrates Japan’s artistic legacy, demonstrates the adaptability of tradition in a modern world, and strengthens cultural exchange between Japan and global audiences,” Abdulhadi said.

As one of the most iconic symbols of Japanese tradition and craftsmanship, the kimono has served as a representation of Japan’s rich cultural identity and its textile artistry, showcasing centuries-old techniques of dyeing, weaving and embroidery, while also demonstrating how contemporary designers have reinterpreted the kimono for modern sentiments.

The exhibition also highlights the significance of kimonos in different celebratory occasions, showcasing how their styles vary depending on the event.

The selection of kimonos was curated by Ithra’s Museum & Exhibition unit. (Supplied)

The patterns and fabrics of kimonos often reflect seasonal changes, festivals and artistic aesthetics, further emphasizing their connection to Japanese culture.

This free exhibition showcases 17 kimonos in total, carefully selected to highlight the evolution of this iconic Japanese attire.

Ten kimonos were loaned from the Japan Kimono Museum in Fukushima. These pieces represent antique kimonos from different historical periods, reflecting the craftsmanship and aesthetic sensibilities of the Meiji (1868-1912), Taisho (1912-1926), and Showa (1926-1989) eras. The Japan Kimono Museum, which opened in 2022, houses the largest collection of kimonos in Japan, with approximately 10,000 items in total, including accessories.

As part of the Japan Cultural Days event that ends on Feb. 8, the King Abdulaziz Center for World Culture (Ithra) is hosting a Kimono Exhibition. (Supplied)

 “I would like to add that the design of one of the uchikake kimono displayed from the Japan Kimono Museum is by Kansai Yamamoto, a fashion designer who was active in Paris Fashion Week and other events,” Abdulhadi added.

In addition to the historical pieces, seven kimonos in the exhibition came from a private collector based in Japan, showcasing modern interpretations of the traditional garment.

The selection of kimonos was curated by Ithra’s Museum & Exhibition unit. The curatorial team focused on presenting the evolution of kimonos, emphasizing their intricate dyeing techniques, exquisite craftsmanship and regional styles that tell captivating stories of tradition and heritage.

Beyond being a fashion exhibition, the event as a whole, which began on Jan. 23, was created to foster cultural exchange as the two countries celebrate 70 years of Saudi-Japan diplomatic relations.


Inaugural Art Week Riyadh set for April

Updated 04 February 2025
Follow

Inaugural Art Week Riyadh set for April

RIYADH: The first-ever edition of Art Week Riyadh will be held from April 6-13, hosted by the Saudi Visual Arts Commission.

Set to run under the theme “At The Edge,” the event will gather local and international galleries, cultural institutions, artists, patrons, collectors, and art enthusiasts at a week-long event to take place across the city of Riyadh, headquartered at JAX District in Diriyah.

Alongside exhibitions, Art Week Riyadh will put on a program of talks, workshops, and performances for the public.

According to a released statement, the “inaugural edition will explore thresholds, transitions, and liminal spaces, reflecting Riyadh’s role as a center of global cultural engagement.”

Dina Amin, CEO of the Visual Arts Commission, commented: “Art Week Riyadh is about building a robust and inclusive framework—one that supports innovation, creativity and thought leadership, and an unwavering commitment to preserving and advancing culture. By bringing together diverse elements of the Saudi art sector, it aims to empower and nurture practitioners and foster a shared vision of growth, opportunity, and cultural enrichment.”


Ahmed Shawky named critics jury president at Berlin film fest as Arab film ‘Yunan’ joins Golden Bear race

Updated 04 February 2025
Follow

Ahmed Shawky named critics jury president at Berlin film fest as Arab film ‘Yunan’ joins Golden Bear race

DUBAI: Veteran Egyptian director Ahmed Shawky was appointed president of the critics jury at the 75th Berlin International Film Festival this week, coinciding with the festival’s announcement that the Arab film “Yunan” will compete for the top Golden Bear prize.

The festival is scheduled to take place from Feb. 13-23.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Ahmed Shawky (@shawforlife)

Shawky will preside over the largest jury panel convened annually by the International Federation of Film Critics, guiding 12 international critics in assessing films across different festival categories. 

Alongside serving as jury president, he will also join the international competition jury, where he will work alongside critics Maja Korbecka from Poland and Francisca Romero Pezoa from Chile.

Meanwhile, “Yunan” is directed and written by Syrian filmmaker Ameer Fakher Eldin.

It is among the 19 films competing for the Golden Bear and is the only Arab film featured in the main competition lineup.

“Yunan” first premiered at the 78th Venice International Film Festival, where it secured the Edipo Re Award in 2021.

It also received several recognitions, including the Best Arab Film Award and the Shadi Abdel-Salam Award for Best Film at the Cairo International Film Festival.

The film tells the story of an Arab writer who, feeling lost in exile in Hamburg, travels to a secluded island in the North Sea with thoughts of ending his life. There, he meets an elderly woman who helps him rediscover his desire to live.