Rise and fall of the Saudi religious police

Saudi women are once again free from unreasonable restrictions, says Sheikh Ahmad bin Qasim Al-Ghamdi, left.
Updated 23 September 2019
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Rise and fall of the Saudi religious police

  • Decision to limit police powers helps encourage moderation in the Kingdom
  • Unchecked power created climate of fear, leading cleric recalls

JEDDAH: The role of the Saudi Commission for the Promotion of Virtue and Prevention of Vice (CPVPV) — better known as the religious police — has always been to advise and guide society to become better Muslims. 

However, after the Kingdom adopted a hard line religiously and socially during the post-1979 Sahwa (Islamic Awakening) era, the religious police strayed from their original intent. Fueled by an extreme ideology and with powers unchecked, this organized group of pious men turned from friend to foe of society. In recent years, Saudi Arabia has implemented a series of reforms under Vision 2030, which aims to better the lives of its people and, according to its architect Crown Prince Mohammed bin Salman, bring society back to moderate Islam. 

Perhaps one of the least hyped but most significant reforms was the decision to strip the religious police of its unchecked power. This was an unprecedented, risky yet necessary move that the Saudi government had avoided for decades. 

The role of the CPVPV, which was established in 1940, has always been to serve as society’s spiritual guide. Back then, it — and society as a whole — happily saw religion and modernization coexist. 

Sheikh Ahmad bin Qasim Al-Ghamdi, a cleric and former director of the religious police in Makkah, recalls the harmony that existed before 1979.  “In those days, parents behaved in a pure and natural way. I don’t recall hearing anyone inciting hatred and calling for the exclusion of others who practice different religions, doctrines or culture,” he said. “In general, they were an example of tolerance, optimism and openness.”

School curricula promoted openness, coexistence and independent thinking. The culture of fanaticism, extremism, hate, death, exclusion of the other, and fear of scientific and civic development had not yet infiltrated the education system, said Al-Ghamdi.

“Our parents and grandparents simply expressed that Saudi spirit through true and sincere religiosity, untainted by political views or ethical exaggeration,” he added. “The culture of Saudi society prior to 1979 was moderately religious and into life.”

Al-Ghamdi said Saudi women expressed their best character back then. They had strong and confident personalities, free from unreasonable restrictions in their dress and behavior. 

But the spread of extremism led to a decline in their status and the disappearance of their role in Saudi society. Similarly, the creative arts, which had been flourishing, suffered from restrictions later on.

In 1976, the religious police started to expand and evolve when its branches in Hijazi and Najd merged into one body by Royal Decree 64, which appointed Sheikh Abdulaziz Al-Sheikh as its president. Four years later (and following the events of 1979), on Sept. 5, 1980, Royal Decree 37 was issued to establish a working system for the religious body. 

It introduced four new sanctions: The formation of the general presidency of the religious police; setting the basis and authority of its president; the appointment, promotion and discipline of members and staff; and its duties in towns and villages. “This development was considered a quantum leap administratively and legally for the religious police,” said Al-Ghamdi.

Extremists sought not only to make society’s old ways look like sinful, but to promote this obscurantist image abroad in an attempt to create a vast civilizational gap between Saudi Arabia and the civilized world, he added.

In 1979, Juhayman Al-Otaibi and his followers threatened the sanctity and safety of the Grand Mosque in Makkah by attacking its guests with explosives and guns. In the aftermath, Saudi Arabia saw the rise of the Sahwa movement. Abdulaziz Al-Khedr, author of the book “Saudi: A History of a Country and Community,” said media discretion was the only way to minimize the damage.

“The case was closed rapidly after their sentences were announced, and it wasn’t even an option to point to the incident anymore. Juhayman’s name was prohibited (from) mentioning in the papers,” wrote Al-Khedr, who captured the palpable change that took place in TV programs and songs between 1980 and 1991, which was felt even by children. 

Films were prohibited, music was played less, and female singers were banned from TV but not from radio. “There was a rise in extracurricular activities with a religious orientation,” Al-Khedr wrote.

During the 1980s, Saudi society shifted markedly due to the role played by the religious police. Al-Ghamdi said: “Some influenced Saudis joined terrorist groups and followed organizations that had political motives, such as the Muslim Brotherhood, Al-Qaeda, and later on Daesh.” He added that the CPVPV was not aligned with the realistic requirements of modern society.

Al-Khedr described the cause of the friction between society and the religious police in an op-ed for Makkah Newspaper on Sept. 13, 2014. “What’s problematic about their work is how they relate it to spaces that cover personal freedom in worship and conduct,” he wrote.

The CPVPV’s mission is meant to be that of advice and guidance based on kindness, far from friction with the public or obligating society with jurisprudentially controversial opinions, as well as uncorrected abuse that was sometimes carried out by some of its members, said Al-Ghamdi.

Although the religious police enjoyed the support of a large portion of society at one time, it was not like the danger it posed was not apparent to the Saudi leadership, intellectuals and concerned citizens. 

One of those most concerned with the CPVPV’s growing power was the late King Abdullah. His concerns proved correct when in 2002, a fire erupted in a girls’ school in Makkah, and members of the religious police were reportedly accused of hindering the rescue because the girls weren’t wearing abayas. 

The result was 15 dead schoolgirls, an international scandal, and a fuming and incredibly frustrated King Abdullah. But because he was only crown prince at the time, and due to the poor health of King Fahd, he was unable to do anything himself or mobilize the ailing king to move forward with what he saw as necessary reform of the CPVPV. 

Three years later, Abdullah became king. His approach was to try and replace the head of the religious police with a more moderate figure. Yet because of decades of bureaucracy and the nature of this body of overzealous men, moderate ideas did not travel far, and King Abdullah’s solution did not solve the problem. 

Members of the religious police continued to harass citizens and visitors, to the point where some died in car chases. 

They destroyed musical instruments, raided beauty salons, shaved heads, whipped people, burnt books, and continued being unchecked — until an unexpected decision came out on April 11, 2016. 

The Saudi Cabinet issued a royal decree that stripped the religious police of its privileges, banning its members from pursuing, questioning, asking for identification, arresting and detaining anyone suspected of a crime. They are now obliged to report back to the police and security forces if need be.

It seems as if Saudi Arabia has now regained contact with its pre-1979 self. “Major decisions are being made by the conscious political leadership today, such as allowing women to drive, reforming education, destroying the forces of extremism and violence, allowing Saudi art to return to its natural place, and starting huge economic projects such as NEOM, the Red Sea Project and others, indicating how life in Saudi Arabia is regaining its true spirit,” said Al-Ghamdi.

Today’s Saudi society is living in its best time, having recovered its social values, optimism and hope for the future. It is combating extremism adopted by Iran, Qatar and the Muslim Brotherhood.

Saudi Arabia has also shifted its attitude toward women, allowing them into stadiums, giving them the right to obtain passports and travel without a male guardian’s consent, and promoting them to leadership positions.

The religious police’s role has become more lenient. Al-Ghamdi said the changes have effectively corrected the imbalance of many of its procedures, restoring its work balance and semi-enabling it to return to be a source of moderation.

“The new CPVPV has managed to defuse the strife in the relationship between its past self and society,” he added.

“It has prevented the distortion and weak confidence that the people had in the procedures that were followed in the past,” he said. 

Those procedures “damaged the reputation of the promotion of virtue and prevention of vice as a ritual, and the reputation of the Kingdom as a state that applies the provisions of Islam.”

 

 


Saudi men weave a kaleidoscope of dreams

Updated 28 December 2024
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Saudi men weave a kaleidoscope of dreams

  • Bassam Al-Khalifi, Saud Al-Rasheed master the art of tufting rugs

RIYADH: In the wake of the pandemic Bassam Al-Khalifi and Saud Al-Rasheed transformed their isolation into creativity, leading to the birth of Ghazlah Studio — a hub for unique, hand-tufted rugs.

The Saudi men’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion.

Al-Khalifi’s journey began when he sought to decorate his room. Frustrated by the lack of appealing rugs in the market, he decided to create his own.

Saudi duo Bassam Al-Khalifi and Saud Al-Rasheed’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion. (Supplied)

“I wanted something different, so I ordered the equipment and dedicated a year to learning how to tuft,” he told Arab News. What started as a personal project quickly evolved into a larger vision.

Initially, neither Al-Khalifi, an artist and designer, nor Al-Rasheed, an avid art collector, had any experience in weaving. They faced a steep learning curve but were undeterred.

“We took six months to learn how to conceive designs, source materials, and weave the rugs,” Al-Khalifi explained.  

HIGHLIGHTS

• The journey of Ghazlah Studio began when Bassam Al-Khalifi, frustrated by the lack of appealing rugs in the market, decided to create his own.

• Their debut collection titled ‘Color as a Scene’ evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic.

They experimented with various techniques, ultimately settling on a “cut and loop” method using 100 percent acrylic yarn. This approach stands in contrast to traditional Arabian carpet-making methods which often utilize wool and time-honored designs.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Their learning process was filled with challenges, but their determination pushed them forward.

Al-Khalifi pored over tutorials, consulted with experts, and practiced tirelessly. Al-Rasheed, with his keen eye for aesthetics, contributed by curating color palettes and design concepts.  

What started as a hobby soon blossomed into a commercial venture. With their rugs gaining traction, Al-Khalifi and Al-Rasheed launched Ghazlah, featuring a debut collection titled “Color as a Scene.”

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

The collection evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic. “I wanted to splash all these emotions on the piece itself,” Al-Khalifi said. The vibrant tapestries of feelings capture the essence of joy, nostalgia, and hope.

The vibrance of their work makes a statement piece in any room. Each piece is unique, with some featuring Saudi themes that enhance their significance and appeal. The artists also draw inspiration from their heritage, incorporating traditional motifs and modern designs, creating a fusion that resonates with a broad audience.

In Ghazlah’s Riyadh workshop, the atmosphere is filled with creativity and energy. The walls are lined with neatly organized shelves filled with spools of yarn in every imaginable color. There are some of Al-Khalifi’s paintings and rugs still in progress, showcasing their journey.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Al-Rasheed gestured around the space, saying: “This place is full of rugs that we made but decided not to sell. Why? Because we love them. I’m trying to push Al-Khalifi to sell them, but he won’t.”

Ghazlah Studio has made a notable impact in Riyadh, showcasing creations in three galleries. Their work has garnered attention not just locally but also from international platforms, leading to collaborations with major brands such as Vogue and Sephora.

These partnerships have elevated their profile and allowed them to reach a wider audience with which they can share their artistry and craftsmanship.

The duo’s success can also be attributed to their innovative marketing strategies. They leverage social media to share their creative process, engage with customers, and build a community around their brand.

By showcasing behind-the-scenes footage, they invite their audience into their world, allowing them to witness the transformation of raw materials into stunning art pieces.

As they continue to grow, Al-Khalifi and Al-Rasheed are committed to exploring new design possibilities, as well as looking into creating home decor items. They plan to expand their collections, experimenting with different textures, materials, and techniques.

From a simple idea born during quarantine to a noteworthy business, Ghazlah Studio continues to make waves in the art scene, proving that even in isolation, inspiration can thrive.

As they weave their stories into every rug, Al-Khalifi and Al-Rasheed invite us all to find beauty and meaning in our own creative pursuits.

 


Hail governor inaugurates Middle East’s largest salmon production center

Updated 59 min 55 sec ago
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Hail governor inaugurates Middle East’s largest salmon production center

  • The 10,000-square-meter facility features the latest marine technology

HAIL: Prince Abdulaziz bin Saad bin Abdulaziz, the governor of Hail, inaugurated the Excellence Center for Salmon Production on Saturday, the largest facility of its kind in the Middle East.

A collaboration between the Ministry of Environment, Water, and Agriculture and King Abdulaziz University, the center aims to produce 100,000 tons of salmon annually, bolstering Saudi Arabia’s food security and aquaculture sector, the Saudi Press Agency reported.

The 10,000-square-meter facility features the latest marine technology, including recirculating aquaculture systems and aquaponics units, which integrate fish and vegetable production.

It is designed to reduce the Kingdom’s reliance on salmon imports, currently at 23,000 tons per year.

Prince Abdulaziz hailed the project as a cornerstone of Vision 2030, promoting sustainable development and economic diversification, while attending officials highlighted its potential to enhance innovation, create jobs, and serve as a model for sustainable aquaculture in the region, SPA added.


Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
Updated 28 December 2024
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Islamic minister highlights Saudi Arabia’s role in promoting peace

  • European guests praise Saudi Arabia’s hospitality, cultural outreach efforts

JEDDAH: Saudi Arabia’s Ministry of Islamic Affairs hosted a cultural event for the second group of Guests of the Custodian of the Two Holy Mosques’ Program for Umrah and Visit, featuring various cultural and entertainment activities.

The group comprised 250 pilgrims from 14 European countries, the Saudi Press Agency reported.

Sheikh Abdullatif Al-Asheikh, Minister of Islamic Affairs

They expressed their gratitude to the leadership and the ministry for hosting them, allowing them to perform Umrah rituals and visit historic sites in Madinah and Makkah.

Minister of Islamic Affairs Sheikh Abdullatif Al-Asheikh said Saudi Arabia, under the leadership of King Salman and Crown Prince Mohammed bin Salman, was committed to being a beacon of goodness and moderation.

HIGHLIGHT

The minister also highlighted the Kingdom’s commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

During a reception for the guests, he said the Kingdom would continue to serve Islam and Muslims, and promote tolerance, coexistence and understanding worldwide.

Al-Asheikh, who is also the general supervisor of the program, met the guests, conveyed the greetings of the Saudi leadership and along with members of the program’s working committees reviewed the services provided and received a briefing on their work.

Under its leadership, the Kingdom strove to offer top-tier services to the visitors of the Two Holy Mosques from around the world, he said.

The guests commended the Kingdom on its efforts to promote Islam’s message of tolerance and foster appreciation for its historical and spiritual legacy. They also praised the new projects and expansions at the holy mosques and sites, which align with Saudi Vision 2030.

Al-Khamar Al-Baqari, head of imams in the Netherlands, expressed his gratitude to Saudi Arabia, its government and its people for their hospitality.

Sheikh Ali Al-Zughaibi, the program’s executive director, said that since its launch in 2014 it had provided the opportunity for 4,500 men and women from around the world to perform Umrah and visit the Prophet’s Mosque.

Al-Asheikh also highlighted the Kingdom’s unwavering commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

 


Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Updated 28 December 2024
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Art, animals take center stage at Riyadh camel festival

  • The combination of arts and animals makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom

RIYADH: The works of a renowned local sculptor are among the creative highlights of this year’s King Abdulaziz Camel Festival, which celebrates not only ships of the desert but arts and crafts from around the Kingdom.

Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. Each of his pieces serves as a symbol of the Kingdom’s heritage and connection to the land, the Saudi Press Agency reported.

FASTFACT

The combination of arts and animals makes the King Abdulaziz Camel Festival an appealing option for visitors and supports the economic and cultural growth of the Kingdom.

As well as creating his own works, Al-Zahem spends much of his time helping to nurture the next generation of artists, including his own daughter.

Besides providing a global hub for all things camel, the festival in Al-Sayahid, northeast of Riyadh, is an important platform for the arts, offering an opportunity for artists to showcase their work to a global audience.

The combination of arts and animals also makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom. 

The festival ends on Tuesday.

 


Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Updated 28 December 2024
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Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

  • Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts

RIYADH: Souq Al-Awaleen, a part of Riyadh Season, offers a “captivating journey through Saudi traditions,” according to a recent Saudi Press Agency report.

The souq, entry to which is free, “blends traditional elements with modern touches, creating a vibrant cultural hub,” the SPA continued.

Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts. Visitors can also participate in workshops focused on Sadu weaving and pottery.

Sufrat Al-Deira, meanwhile, offers “a taste of authentic Saudi cuisine,” the SPA reported, adding that the “atmosphere evokes a bygone era, with activities like cooking demonstrations and cultural performances enriching the experience.”

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people, according to the SPA.