LOS ANGELES: “Game of Thrones” resurrected the Iron Throne at Sunday’s Emmy ceremony, ruling as top drama on a night of surprises in which “Pose” star Billy Porter made history and the comedy series “Fleabag” led a British invasion that overturned expectations.
“This all started in the demented mind of George R.R. Martin,” said “Game of Thrones” producer David Benioff, thanking the author whose novels were the basis of HBO’s fantasy saga.
Porter, who stars in the FX drama set in the LGBTQ ball scene of the late 20th century, became the first openly gay man to win a best drama series acting Emmy.
“God bless you all. The category is love, you all, love. I’m so overjoyed and so overwhelmed to have lived to see this day,” said an exuberant Porter, resplendent in a sparkling suit and swooping hat.
Amazon’s “Fleabag,” a dark comedy about a dysfunctional woman, was honored as best comedy and earned top acting honors for its British creator and star, Phoebe Waller-Bridge, and a best director trophy.
“This is getting a ridiculous,” Waller-Bridge said in her third trip to the stage to collect the top trophy.
Her acting win blocked “Veep” star Julia Louis-Dreyfus from setting a record as the most-honored performer in Emmy history.
“Nooooo!” a shocked-looking Waller-Bridge said as Louis-Dreyfus smiled for the cameras. “Oh, my God, no. Thank you. I find acting really hard and really painful. But it’s all about this,” she said, her acting trophy firmly in hand.
In accepting the writing award earlier, she called the Emmy recognition proof that “a dirty, pervy, messed-up woman can make it to the Emmys.”
Porter, a Tony and Grammy Award winning actor, relished his groundbreaking moment, quoting the late writer James Baldwin, Porter said it took him many years to believe he has the right to exist.
“I have the right, you have the right, we all have the right,” he said.
English actress Jodie Comer was honored as best drama actress for “Killing Eve.” She competed with co-star Sandra Oh, who received a Golden Globe for her role and would have been the first actress of Asian descent to win an Emmy in the category.
“My mum and dad are in Liverpool (England) and I didn’t invite them because I didn’t think this was going to be my time. One, I’m sorry, two I love you,” Comer said after saluting Oh.
Bill Hader won his second consecutive best comedy actor award for the hitman comedy “Barry.”
Peter Dinklage, named best supporting actor for “Game of Thrones,” set a record for most wins for the same role, four, breaking a tie with Aaron Paul of “Breaking Bad.”
“I count myself so fortunate to be a member of a community that is about nothing but tolerance and diversity, because in no other place I could be standing on a stage like this,” said Dinklage, a little person.
“Ozark” star Julia Garner won the best supporting drama actress trophy against a field including four actresses from “Game of Thrones.”
The auditorium erupted in cheers when Jharrel Jerome of “When They See Us,” about the Central Park Five case, won the best actor award for a limited series movie.
“Most important, this is for the men that we know as the Exonerated Five,” said Jerome, naming the five wrongly convicted men who were in the audience. They stood and saluted the actor as the crowd applauded them.
It was the only honor for the acclaimed Netflix series of the evening; “Chernobyl” won the best limited series honor.
Streaming hit new Emmy heights, powered by Amazon Prime winners “Fleabag,” “The Marvelous Mrs. Maisel” and a “Very English Scandal,” and Netflix’s “Bandersnatch (Black Mirror),” honored as best movie. But HBO again showed its strength, including with the trophies for “Chernobyl,” “Barry” and John Oliver’s best variety-talk win.
Michelle Williams, honored as best actress for her portrayal of dancer Gwen Verdon in FX’s limited series “Fosse/Verdon,” issued a call to arms for gender and ethnic equality.
She thanked the network and studio behind the project for “supporting me completely and paying me equally because they understood ... when you put value into a person, it empowers that person to get in touch with their own inherent value. And where do they put that value, they put it into their work.”
“And so the next time a woman and, especially a woman of color, because she stands to make 52 cents on the dollar compared to her white male counterpart, tells you what she needs in order to do her job, listen to her,” Williams said.
Patricia Arquette won the trophy best supporting limited-series or movie actress for “The Act.” She paid emotional tribute to her late trans sister, Alexis Arquette, and called for an end to prejudice against trans people, including in the workplace.
Ben Whishaw took the category’s supporting actor trophy for “A Very English Scandal,” admitting in charming British fashion to a hangover.
Alex Borstein and Tony Shalhoub of “The Marvelous Mrs. Maisel” won best supporting acting awards at the ceremony, which included early and varied messages of female empowerment after the hostless ceremony.
“I want to dedicate this to the strength of a woman, to (series creator) Amy Sherman-Palladino, to every woman on the ‘Maisel’ cast and crew,” Borstein said, and to her mother and grandmother. Her grandmother survived because she was courageous enough to step out of a line that, Borstein intimated, would have led to her death at the hands of Nazi Germany.
“She stepped out of line. And for that, I am here and my children are here, so step out of line, ladies. Step out of line,” said Borstein, who won the award last year.
Shalhoub added to his three Emmys which he earned for his signature role in “Monk.”
The awards opened without a host as promised, with an early exchange pitting Ben Stiller against Bob Newhart.
“I’m still alive,” Newhart told Stiller, who introduced him as part of a wax museum comedy hall of fame that included Lucille Ball and George Burns.
Kim Kardashian West and Kendall Jenner drew some mocking laughter in the audience when they presented their award after Kardashian West said their family “knows firsthand how truly compelling television comes from real people just being themselves.”
An animated Homer made a brief appearance on stage until he was abruptly crushed, with Anderson of “black-ish” rushing in to, as he vowed, rescue the evening. He called “Breaking Bad” star Cranston on stage to tout the power of television from its beginning to the current golden age.
“Television has never been bigger. Television has never mattered more. And television has never been this damn good,” Cranston said.
Big wins for ‘Fleabag,’ Phoebe Waller-Bridge at Emmy Awards
Big wins for ‘Fleabag,’ Phoebe Waller-Bridge at Emmy Awards
- The awards opened without a host as promised, with an early exchange pitting Ben Stiller against Bob Newhart
Lawyer says worker accused of helping New Orleans jailbreak was unclogging toilet, not aiding escape
Lawyer says worker accused of helping New Orleans jailbreak was unclogging toilet, not aiding escape
- Behind the toilet was a hole that 10 men slipped through in Friday’s escape
- Williams told law enforcement during an interview that an inmate had threatened to “shank” him
NEW ORLEANS: A worker charged with aiding the New Orleans jailbreak by 10 prisoners shut off water to unclog a toilet, not to allow the men to cut the pipe to create an opening for their escape, the employee’s lawyer told The Associated Press on Wednesday.
Sterling Williams, a 33-year-old maintenance worker at the jail, was arrested Tuesday in connection with the jailbreak.
Authorities previously said that Williams had been instructed by one of the inmates to turn off the water to a toilet. Behind the toilet was a hole that 10 men slipped through in Friday’s escape.
“It would seem obvious to me that filling up the toilet, clogging the toilet, was a portion of the escapee’s plan,” attorney Michael Kennedy said. “They would know that whoever the maintenance person was would have to turn off the water ... because it was overflowing into the tier.”
Williams told law enforcement during an interview that an inmate had threatened to “shank” him if he did not turn off the water, authorities said.
Williams had plenty of opportunity to not only report the threat but also the escape plan, authorities said. They asserted that because Williams turned the water off, the inmates were “able to successfully make good” on their escape.
NASA’s Mars Perseverance snaps a selfie as a Martian dust devil blows by
- The picture marks 1,500 sols or Martian days for Perseverance
CAPE CANAVERAL, Florida: The latest selfie by NASA’s Perseverance rover at Mars has captured an unexpected guest: a Martian dust devil.
Resembling a small pale puff, the twirling dust devil popped up 3 miles (5 kilometers) behind the rover during this month’s photo shoot. Released Wednesday, the selfie is a composite of 59 images taken by the camera on the end of the rover’s robotic arm, according to NASA.
It took an hour to perform all the arm movements necessary to gather the images, “but it’s worth it,” said Megan Wu, an imaging scientist from Malin Space Science Systems, which built the camera.
“Having the dust devil in the background makes it a classic,” Wu said in a statement.
The picture — which also shows the rover’s latest sample borehole on the surface — marks 1,500 sols or Martian days for Perseverance. That’s equivalent to 1,541 days on Earth.
Perseverance is covered with red dust, the result of drilling into dozens of rocks. Launched in 2020, it’s collecting samples for eventual return to Earth from Jezero Crater, an ancient lakebed and river delta that could hold clues of any past microbial life.
Polar bear biopsies to shed light on Arctic pollutants
- The expedition came at a time when the Arctic region was warming at four times the global average
NORWAY: With one foot braced on the helicopter’s landing skid, a veterinarian lifted his air rifle, took aim and fired a tranquilizer dart at a polar bear.
The predator bolted but soon slumped into the snowdrifts, its broad frame motionless beneath the Arctic sky.
The dramatic pursuit formed part of a pioneering research mission in Norway’s Svalbard archipelago, where scientists, for the first time, took fat tissue biopsies from polar bears to study the impact of pollutants on their health.
The expedition came at a time when the Arctic region was warming at four times the global average, putting mounting pressure on the iconic predators as their sea-ice habitat shrank.
“The idea is to show as accurately as possible how the bears live in the wild — but in a lab,” Laura Pirard, a Belgian toxicologist, told AFP.
“To do this, we take their (fatty) tissue, cut it in very thin slices and expose it to the stresses they face, in other words pollutants and stress hormones,” said Pirard, who developed the method.
Moments after the bear collapsed, the chopper circled back and landed. Researchers spilled out, boots crunching on the snow.
One knelt by the bear’s flank, cutting thin strips of fatty tissue. Another drew blood.
Each sample was sealed and labelled before the bear was fitted with a satellite collar.
Scientists said that while the study monitors all the bears, only females were tracked with GPS collars as their necks are smaller than their heads — unlike males, who cannot keep a collar on for more than a few minutes.
For the scientists aboard the Norwegian Polar Institute’s research vessel Kronprins Haakon, these fleeting encounters were the culmination of months of planning and decades of Arctic fieldwork.
In a makeshift lab on the icebreaker, samples remained usable for several days, subjected to controlled doses of pollutants and hormones before being frozen for further analysis back on land.
Each tissue fragment gave Pirard and her colleagues insight into the health of an animal that spent much of its life on sea ice.
Analysis of the fat samples showed that the main pollutants present were per- and polyfluoroalkyl substances (PFAS) — synthetic chemicals used in industry and consumer goods that linger in the environment for decades.
Despite years of exposure, Svalbard’s polar bears showed no signs of emaciation or ill health, according to the team.
The local population has remained stable or even increased slightly, unlike parts of Canada, where the Western Hudson Bay group declined by 27 percent between 2016 and 2021, from 842 to 618 bears, according to a government aerial survey.
Other populations in the Canadian Arctic, including the Southern Beaufort Sea, have also shown long-term declines linked to reduced prey access and longer ice-free seasons.
Scientists estimate there are around 300 polar bears in the Svalbard archipelago and roughly 2,000 in the broader region stretching from the North Pole to the Barents Sea.
The team found no direct link between sea ice loss and higher concentrations of pollutants in Svalbard’s bears. Instead, differences in pollutant levels came down to the bears’ diet.
Two types of bears — sedentary and pelagic — feed on different prey, leading to different chemicals building up in their bodies.
With reduced sea ice, the bears’ diets have already started shifting, researchers said. These behavioral adaptations appeared to help maintain the population’s health.
“They still hunt seals but they also take reindeer (and) eggs. They even eat grass (seaweed), even though that has no energy for them,” Jon Aars, the head of the Svalbard polar bear program, told AFP.
“If they have very little sea ice, they necessarily need to be on land,” he said, adding that they spend “much more time on land than they used to... 20 or 30 years ago.”
This season alone, Aars and his team of marine toxicologists and spatial behavior experts captured 53 bears, fitted 17 satellite collars, and tracked 10 mothers with cubs or yearlings.
“We had a good season,” Aars said.
The team’s innovations go beyond biopsies. Last year, they attached small “health log” cylinders to five females, recording their pulse and temperature.
Combined with GPS data, the devices offer a detailed record of how the bears roam, how they rest and what they endure.
Polar bears were once hunted freely across Svalbard but since an international protection agreement in 1976, the population here has slowly recovered.
The team’s findings may help explain how the bears’ world is changing, and at an alarming rate.
As the light faded and the icebreaker’s engines hummed against the vast silence, the team packed away their tools, leaving the Arctic wilderness to its inhabitants.
Fortnite video game returns to iPhone app store in US, ending exile imposed by Apple
- The legal wrangling is all part of a bitter feud that is still boiling
The popular video game Fortnite has returned to the iPhone app store in the US, ending a prolonged exile that was triggered by a legal showdown over the lucrative fees that Apple had been collecting for years through a payment system that it has been forced to change.
Fortnite hailed its app’s long-awaited restoration to the iPhone and iPad in a Tuesday pos t, marking the first time it will be available on those devices since it was ousted in 2020 for trying to avoid the 15 percent to 30 percent commissions that Apple collects on in-app transactions.
The video game featuring a virtual fight on a digital island is coming back to the iPhone just a few days after its parent company, Epic Games, filed a motion asking a federal judge to order its return as part of a civil contempt of court finding issued against Apple late last month.
In a brief statement filed in court late Tuesday, Apple said the dispute that had been keeping Fortnite off its iOS software for the iPhone had been resolved. The Cupertino, California, company didn’t immediately respond to a request for further comment.
The legal wrangling is all part of a bitter feud that is still boiling.
Epic filed a lawsuit alleging Apple had turned its app store into an illegal monopoly — a claim that it lost under a 2021 ruling made by a federal judge after a month-long trial.
Although she decided Apple wasn’t breaking antitrust laws, US District Judge Yvonne Gonzalez Rogers ordered the company to loosen control over in-app payments and allow links to other options that might offer lower prices.
After exhausting an appeal that went all the way to the US Supreme Court, Apple last year introduced a new system that opened the door for links to alternative payment options while still imposing a 27 percent commission on in-app transactions executed outside its own system.
Epic fired back by alleging Apple was thumbing its nose at the legal system, reviving another round of court hearings that lasted nearly a year before Gonzalez Rogers delivered her stinging rebuke that included a ban on collecting any kind of commission on alternative payment options.
That appeared to clear the way for Fortnite’s return to the iPhone and iPad, but Epic last week said the video game was still being blocked by Apple. After Apple contended that keeping Fortnite was still permissible while it pursues an appeal of Gonzalez Rogers’ contempt ruling, Epic forced the issue by asking the judge for another order that would make clear the video game should be allowed back on the iPhone and iPad.
Gonzalez Rogers on Monday asked why Apple was still blocking Fortnite without an order from the appeals court authorizing that action. She scheduled a May 27 hearing in Oakland, California, to hear Epic’s latest motion while noting “Apple is fully capable of resolving this issue without further briefing or a hearing.”
Gazan twins in Cannes warn ‘nothing left’ of homeland
CANNES: Twin Gazan filmmakers Arab and Tarzan Nasser said they never thought the title of their new film “Once Upon A Time In Gaza” would have such heartbreaking resonance.
“Right now there is nothing left of Gaza,” said Tarzan when it premiered on Monday at the Cannes film festival.
Since militants from Palestinian group Hamas attacked Israel on October 7, 2023, more than 18 months of Israeli bombardment has ravaged large swathes of the Palestinian territory and killed tens of thousands of people.
Israel has vowed to “take control of all” the besieged territory of more than two million inhabitants, where United Nations agencies have warned of famine following Israel’s two-month total blockade.
Israel allowed in several aid trucks on Monday but the UN said it was only “a drop in the ocean” of needs.
The Nasser brothers, who left Gaza in 2012, said their new film set in 2007, when Hamas Islamists seized control of the strip, explains the lead-up to today’s catastrophic war.
“Once Upon A Time In Gaza,” which screened in the festival’s Un Certain Regard section, follows friends Yahia and Osama as they try to make a little extra cash by selling drugs stuffed into falafel sandwiches.
Using a manual meat grinder that does not rely on rare electricity, student Yahia blends up fava beans and fresh herbs to make the patty-shaped fritters in the back of Osama’s small run-down eatery, while dreaming of being able to leave the Israeli-blockaded coastal strip.
Charismatic hustler Osama meanwhile visits pharmacy after pharmacy to amass as many pills as he can with stolen prescriptions, pursued by a corrupt cop.
Israel first imposed a blockade on Gaza in June 2006 after militants there took one of its soldiers, and reinforced it in September 2007 several months after Hamas took power.
“The blockade was gradually tightened, tightened until reaching the genocide we see today,” said Tarzan.
“Until today they are counting the calories that enter,” he added.
An Israeli NGO said in 2012 that documents showed Israeli authorities had calculated that 2,279 calories per person per day was deemed sufficient to prevent malnutrition in Gaza.
The defense ministry however claimed it had “never counted calories” when allowing aid in.
Despite all this, Gazans have always shown a love of life and been incredibly resilient, the directors said.
“My father is until now in northern Gaza,” Tarzan said, explaining the family’s two homes had been destroyed.
But before then, “every time a missile hit, damaging a wall or window, he’d fix it up the next day,” he said.
In films, “the last thing I want to do is talk about Israel and what it’s doing,” he added.
“Human beings are more important — who they are, how they’re living and adapting to this really tough reality.”
In their previous films, the Nasser twins followed an elderly fisherman enamoured with his neighbor in the market in “Gaza Mon Amour” and filmed women trapped at the hairdresser’s in their 2015’s “Degrade.”
Like “Once Upon A Time in Gaza,” they were all shot in Jordan.
As the siege takes its toll in “Once Upon A Time In Gaza,” a desolate Yahia is recruited to star in a Hamas propaganda film.
In Gaza, “we don’t have special effects but we do have live bullets,” the producer says in one scene.
Arab said, long before Gazan tap water became salty and US President Donald Trump sparked controversy by saying he wanted to turn their land into the “Riviera of the Middle East,” the coastal strip was a happy place.
“I remember when I was little, Gaza actually was a riviera. It was the most beautiful place. I can still taste the fresh water on my tongue,” he said.
“Now Trump comes up with this great invention that he wants to turn it into a riviera after Israel completely destroyed it?“
Hamas’s October 2023 attack resulted in the deaths of 1,218 people on the Israeli side, mostly civilians, according to an AFP tally based on official figures.
Militants also took 251 hostages, 57 of whom remain in Gaza including 34 the military says are dead.
Israel’s retaliatory offensive has killed 53,486 people in Gaza, mostly civilians, according to Gaza health authorities, whose figures the United Nations deems reliable.
Gaza health authorities said at least 44 people were killed there in the early hours of Tuesday.
