BELGRADE: Austrian writer Peter Handke’s Nobel literature prize win on Thursday sparked outrage in Albania, Bosnia and Kosovo, where he is widely seen as an admirer of late Serbian strongman Slobodan Milosevic.
In the 1990s, Handke emerged as a vocal defender of the Serbs during the bloody collapse of the former Yugoslavia, even comparing them to Jews under the Nazis, a remark he later retracted.
His 1996 travelogue “A Journey to the Rivers: Justice for Serbia,” caused a storm, and in 1999 he returned Germany’s prestigious Buechner prize in protest at NATO’s bombing of Belgrade.
“Never thought would feel to vomit because of a Nobel Prize,” Albanian Prime Minister Edi Rama wrote on Twitter.
“Given disgraceful choice made from a moral authority like the Nobel Academy, shame is sealed as a new value. No, we can’t become so numb to racism and genocide.”
The Muslim member of Bosnia’s joint presidency Sefik Dzaferovic labelled the decision to award Handke “scandalous and shameful.”
“It is shameful that the Nobel Prize committee easily neglected the fact that Handke was justifying and protecting Slobodan Milosevic and his executors (Bosnian Serb wartime leader) Radovan Karadzic and (his army chief) Ratko Mladic sentenced by a UN court ... for the most severe war crimes including genocide,” he said in a statement.
By awarding Handke the Academy’s Nobel committee has “completely lost its moral compass,” Dzaferovic added.
Bosnian actor Nermin Tulic, who was seriously injured during the 1992-1995 siege of Sarajevo by Bosnian Serb forces, greeted the award by tweeting an emoticon of a smiley vomiting.
Liberal Sarajevo politician Reuf Bajrovic said he could not understand that a jury thought that “Handke is a great writer and that his support to Slobo (Milosevic) and genocide makes part of his work great.”
Emir Suljagic, a survivor of the massacre of more than 8,000 Muslim males from Srebrenica by Serbs, echoed him.
“A Milosevic fan and notorious genocide-denier gets Nobel prize in literature ... What a time to be alive,” Suljagic, a Sarajevo-based professor of international relations tweeted in English.
The 1995 Srebrenica massacre, the worst atrocity in Europe since World War II, was deemed genocide by international justice.
The reaction was similar in Kosovo, which was devastated by the 1998-1999 war between Serb forces and pro-independence ethnic Albanian guerillas.
“The decision of Nobel Prize brought immense pain to countless victims,” Kosovo President Hashim Thaci said on Twitter.
“Milosevic’s supporter and denier of Serbian genocide receives the Nobel Literature Prize,” the main Koha Ditore newspaper said.
At the 2006 funeral of Milosevic — who died while on trial for crimes against humanity, and who wanted Handke to testify in his defense — the writer made a speech in front of thousands of mourners.
Some stood up for Handke, including Nobel-winning compatriot Elfriede Jelinek. But many others, including Susan Sontag, lined up to lambast him.
Serbia newspapers hailed that the Nobel Prize was awarded to a “friend of Serbs” who has been a member of the country’s academy of sciences and arts since 2012.
Outrage in Albania, Bosnia, Kosovo over Handke’s Nobel win
https://arab.news/y4gtc
Outrage in Albania, Bosnia, Kosovo over Handke’s Nobel win
- In the 1990s, Handke emerged as a vocal defender of the Serbs during the bloody collapse of the former Yugoslavia
- At the 2006 funeral of Milosevic — who died while on trial for crimes against humanity — the writer made a speech in front of thousands of mourners
Saudi content creators win big at TikTok Awards in Dubai
DUBAI: Two Saudi content creators made a mark at the TikTok Awards ceremony on Wednesday.
Mohammed Hemex was honored with the Sports Creator of the Year Award, while Emad Ramen earned the title of Food Creator of the Year.
The event drew a star-studded crowd, including US-Iraqi entrepreneur and fragrance mogul Mona Kattan, accompanied by her co-stars from Netflix’s “Dubai Bling.” Among them were Ebraheem Alsamadi, who decorated the venue with centerpieces from his brand Forever Rose, Safa Siddiqui, Danya Mohammed, Marwan Al-Awadhi (DJ Bliss), and Jwana Karim. Also in attendance were “Love is Blind Habibi” stars Mohammed AlKiswani and Nour El-Hajj.
The Creator of the Year award was presented to Yara Aziz. Ahead of her win, Aziz, who boasts 6.5 million TikTok followers, told Arab News: “I started everything on TikTok. It’s been five years now, and this is my first award ever with them. I am nervous, I am excited, I am happy, I am content and I am grateful.”
Originally a medical student, the TikToker attended the event wearing a dress handmade by her grandmother, a process she documented on TikTok for her followers.
Reflecting on the experience, Aziz described the process as “extremely stressful.” She explained, “Honestly, it was stressful for my grandma, she felt like she was under pressure to make something quick and fast. But honestly, it turned out perfect.”
Before the announcement, Aziz mentioned that winning this award would mark the most memorable moment of her social media career — and it did.
The night included performances by Haitian-French artist Naika, known for the viral hit “Sauce,” and Egyptian rapper Marwan Moussa, a TikTok favorite, who thrilled the audience with tracks such as “Tesla,” “Batal Alam” and “Hob Khenaa,” joined by co-singer Nourine Abouseada for the latter.
The night celebrated other talents including Syrian Canadian Osama Marwah, who won the Video of the Year, while Egyptian singer Tul8te was named Breakthrough Artist of the Year. Lebanese chef Abir El Saghir received the Visionary Content Award, Abdullah Annan was honored as Changemaker of the Year, Shihab Al-Hashemy won Education Creator of the Year, and Nouran El-Sayed took home the Fashion & Beauty Creator of the Year award.
Qatar exhibition explores relationship between AI and humanity
DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning.
Running until May 15, the exhibition brings together over 20 works by international and regional artists.
Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.
“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”
On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).
“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.
The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”
As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.
“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”
Italian sculptress Arianna Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture
RIYADH: With the theme “Then and Now: Joy in the Struggle of Making,” the sixth edition of the Tuwaiq Sculpture symposium has brought together 30 sculpture artists from around the world.
Among them is Italian artist Arianna Palmieri, whose piece “Motion of Revolution” was inspired by the movement of the solar system around the sun. Depicting the inevitable cycles of birth and death, the work contemplates the notion that birth is conditioned by assured fatality.
“It’s all about the circularity of life — you are born, you are a child, then you are an adolescent, then you grow older, and then you die. But your life will continue after this, and we give life to other things. So it’s more about how everything is connected and a circularity of life; as humans move within the planets, the planets are moving around the sun,” Palmieri told Arab News.
Originally from Milan, Palmieri moved to Carrara, a town known worldwide for its white marble, to study sculpting. She graduated in 2023 and the 26-year-old is one of the youngest artists amongst the group at the symposium.
She says it is an opportunity to learn and grow as an artist.
“It’s like a dream. I didn't think they would choose me because I am so young,” she said. “The last edition was more about people that had experience. This edition, they tried to concentrate more (on) the artwork and the background of the artist,” she said.
The finished works will be exhibited from Feb. 12-24 and moved to various locations across the city as part of Riyadh Art’s initiative to beautify the capital.
“Public art is the main thing that our sculptures can achieve because you can do big stuff and they will be like a journal in some way. I’m really, really happy that I can do something so big that will stay there so much longer than me,” she said.
Palmieri’s work is not merely a reflection of planetary movement but contemplates the existence of the human race and its role within a larger picture. Her work itself is a representation of this thought: As every human diminishes, remnants of them and their work on earth will be set in stone — waiting to be discovered by another.
“I thought about nature a lot, and all of humanity. I hope at least that my art can get through this idea, to connect all the people,” she said.
Ian McDiarmid, Hideo Ishikawa to headline Middle East Film & Comic Con 2025
DUBAI: Scottish actor and director Ian McDiarmid, known for his portrayal of Emperor Palpatine in the “Star Wars” saga, has been announced as the first confirmed celebrity guest for the Middle East Film & Comic Con (MEFCC) 2025.
The region’s largest pop culture event will take place from April 18 to 20, 2025, at the Abu Dhabi National Exhibition Centre (ADNEC).
In addition to his role as the “Star Wars” saga, McDiarmid is also known for his performances in films such as “Sleepy Hollow” and “Dirty Rotten Scoundrels,” as well as his extensive work in theater, including his Olivier Award-winning role in “Faith Healer.”
Anime fans are also in for a treat with the announcement of Japan’s leading voice actor, Hideo Ishikawa, best known as the voice of Itachi Uchiha from “Naruto.”
His notable roles include Toyotomi Hideyoshi in “Samurai Warriors,” Kyo-ya Onizuka in “Aesthetica of a Rogue Hero,” Ray Penber and Hideki Ide in “Death Note,” and Squall Leonhart, Auron, and Cait Sith in the “Final Fantasy” series.
Loy Pinheiro, show director of MEFCC said in a statement: “MEFCC 2025 is set to be our most diverse and engaging event yet. From casual fans to devoted collectors, we’ve created an experience that celebrates every aspect of pop culture with something for everyone.”
The event is organized in partnership with the Department of Culture and Tourism in Abu Dhabi.
Review: ‘Unstoppable’ is a predictable, feel-good outing
- Story of Anthony Robles, championship-winning wrestler born with one leg, makes for a satisfying biopic
LONDON: It is easy to forget that, sometimes, all you want from a movie is a healthy dose of good vibes — and few genres are better suited to that than the sports biopic.
The film “Unstoppable” tells the real-life story of Anthony Robles, an American wrestler who won the 125-pound (57 kg) US National college wrestling championship in 2011 despite being born with one leg.
Directed by William Goldenberg (a storied screenwriter and editor, making his directorial debut here), “Unstoppable” stars Jharrel Jerome (“Moonlight,” “When They See Us”) as Robles, with Jennifer Lopez as his mother Judy and Bobby Cannavale as his stepfather Rick.
Already a talented high-school wrestler, Robles misses out on his dream college scholarship, but opts instead to pay to attend Arizona State University and win a place on their feted wrestling team.
Despite dealing with Rick’s abusive behavior at home, Robles continues to win over his teammates. And, backed by his mom’s unending belief, and that of his high-school coach (played by Michael Pena), he proves himself not only worthy of his spot, but an athlete capable of performing on the national stage.
Here is the thing with sports movies (or the good ones, at least), you have to really lean into every single cliche and embrace all the heartstring-plucking tropes. Because, if you do — and if the film has a decent cast doing an earnest job — the payoff is worth it.
And so it is with “Unstoppable,” a movie that is as determined as its real-world protagonist. Sure, there are a few story beats that get teased and then dropped. Sure, the by-the-numbers buildup to the climactic showdown is beyond predictable.
But this movie has a stellar lead performance from Jerome (helped by absolutely seamless effects and stunt work, which sees Robles himself performing some of the wrestling sequences), and an immensely talented supporting cast.
Lopez, Cannavale and Pena are all great, but Don Cheadle also deserves his share of the plaudits for his turn as Robles’ college coach and mentor.
Is this the most sophisticated exploration of the world of collegiate wrestling? Nah. But is it a heartwarmingly decent movie that will make you feel good? Absolutely.
