Russian museum CEO: Archaeology in Saudi Arabia is at its peak

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The village of Rijal Alma is one of Saudi Arabia’s ancient treasures. (Shutterstock)
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Mikhail Piotrovsky, director of Russia’s State Hermitage Museum. (AN photo by Huda Bashatah)
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Eastern of Saudi Arabia Al-Hasa. (Shutterstock)
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Edge of the World, Kingdom of Saudi Arabia. (Shutterstock)
Updated 15 October 2019
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Russian museum CEO: Archaeology in Saudi Arabia is at its peak

  • Undiscovered archaeological treasures key to cooperation between Saudi Arabia and Russia

MOSCOW: Archaeology in Saudi Arabia has seen an unprecedented number of discoveries and findings in recent years. With over 44 Saudi and international missions working in the Kingdom this year alone, Russia’s State Hermitage Museum director, Mikhail Piotrovsky, commended the country’s efforts in presenting its hidden treasures to the world.
Arab News met with the director in Moscow to discuss the future of archaeology in Saudi Arabia and his interest in hosting one of its most famous exhibits, “AlUla: Wonder of Arabia.”
Piotrovsky, the urbane general director of the State Hermitage Museum located in Saint Petersburg, was appointed in 1992 by decree of the prime minister at the time.
He has a long history with the museum.
He took up the position following his father, Boris Piotrovsky, who was director from 1964 until his death in 1990.
Piotrovsky’s work at the museum is inspired by both his passion for the arts and a deeply rooted adoration for archaeology.
A graduate of Leningrad University, he spent a year taking part in archaeological explorations in Yemen, the Caucuses and central Asia, with over 200 scholarly publications, including catalogues of Arabic manuscripts.
A fluent Arabic speaker, he dedicated many years of his career to the archaeology of the Arab world, the spiritual and political history of Islam and Arab culture as well as medieval works and ancient inscriptions.
He told Arab News how the school of archaeology is always developing, and in order to achieve success in any excursion, it is key that teams coordinate with others to learn from their experiences.
“It is a very international field. If it is not, it will become too narrow and nationalistic,” Piotrovsky said.
“Archaeological departments are the most open bodies in every country. Be it Russia, Egypt, Iraq or Saudi Arabia, they are accustomed to working with different points of view and people from other civilizations. Openness is important for achieving success.”
The director said that many archaeologists from the Kingdom have been invited by the museum to partake in expeditions alongside Russian archaeologists to gain experience and exchange knowledge.
“AlUla is one of the jewels of archaeology,” he said. “It is a rare site, the Nabataeans controlled the routes from south to north. The Romans, Indians, ancient Palmyrians and Bedouins have been there.” The director told Arab News that they have been working in joint teams not only in archaeological diggings but also with plans to develop what they call an “archaeological park.”

NUMBER

4.5m - people visited the State Hermitage Museum.

The Russian State Hermitage Museum tells the story of Russia, its palaces, Peter the Great and many more significant historical moments. The museum also exhibits artifacts of different civilizations: Islamic, Buddhist, Catholic and others.
The museum’s message and goal is for “different civilizations to speak to each other and to us and make a connection,” he exclaimed.
Piotrovsky believes the same concept can be developed for AlUla.
Speaking to Arab News last January, Dr. Abdullah Al-Zahrani, general director of archaeological research studies at the Saudi Commission for Tourism and National Heritage, said that digs in Saudi Arabia are increasing at an unprecedented rate.
“Archaeology in the Kingdom is on the rise,” said the director.
“There is still a lot to be discovered and we are still in the period where you begin to dig and make a discovery, dig more and make another discovery. In the Arab world, everything is new and holds a base for the development of knowledge.”
Piotrovsky has been following the progress of archaeology in the Arab world for many years and he said that more archaeologists are going to Saudi Arabia now than at any point in the past 10 years.
Antiquities discovered in the Kingdom are known to come from one of the oldest areas of human settlements, with discoveries dating back 1.2 million years. In this past year alone, 15 new sites were discovered across the country.

FASTFACT

85,000-year-old discovery of a rare fossilized finger bone in the Nefud Desert is the oldest human fossil on record unearthed.

“It is a very important region which is still undiscovered properly. We all know the first man, according to our theories, was born in Africa and then we see its traces moving to Europe and Asia through the Arabian Peninsula,” said Piotrovsky.
“Ancient archaeology is very important but I think for this time period it should be the archaeology of the written period. Archaeology of the trade routes, coming from India and Africa, trade routes from Iraq and Palestine and Syria. There were fantastic kingdoms and sites.”
The museum’s keen interest in Saudi Arabia’s archaeological findings are a reflection of the director’s move to enhance cooperation between the countries.
It is planning on bringing the Kingdom’s first international exhibition dedicated to the human and natural heritage of AlUla titled “AlUla: Wonder of Arabia” to Saint Petersburg.
In 2011, the museum hosted the third leg of the “Saudi Archaeological Masterpieces through the Ages” exhibition after the successful exhibitions at the Louvre Museum in Paris and the La Caixa Foundation in Barcelona.
Aimed to introduce the historical and cultural importance of the Kingdom, the 450 relics were displayed for the first time outside of Saudi Arabia. They date back to a time between the Palaeolithic era and the pre-Islamic ages.
Since the launch of the Vision 2030 reform plans, many steps have been taken to present Saudi Arabia’s modern culture and ancient wonders to the world.
There is history lying beneath the Kingdom’s vast sand dunes, and a dig will not suffice, there is more to be done for the world to connect with the Kingdom.
“Opening up to the world is a little bit dangerous, but a museum recipe is a good one,” said Piotrovsky.


Saudi authorities seize drugs, arrest two suspects in Riyadh

Updated 25 December 2024
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Saudi authorities seize drugs, arrest two suspects in Riyadh

  • Authorities sezied 35 kg of hashish and 32,338 controlled medical tablets

RIYADH: Saudi Arabia’s drug control authority seized quantities of narcotics and arrested two suspects for drug promotion in Riyadh on Tuesday.

The General Directorate of Narcotics Control reported the seizure of 35 kg of hashish, 32,338 controlled medical tablets, as well as amphetamine and methamphetamine drugs.

It said that it had arrested two suspects in the case — a Syrian resident and a national — in Riyadh’s region, and referred them to prosecution, the Saudi Press Agency reported.

Saudi security authorities are urging people to report any activities related to drug smuggling or promotion by calling 911 in the Makkah, Riyadh and Eastern Province regions, and 999 in the rest of the Kingdom.

Alternatively, information can be emailed to [email protected]. All reports are treated in confidence.


KSrelief concludes urology surgery project in Yemen

Updated 24 December 2024
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KSrelief concludes urology surgery project in Yemen

  • Project included nine volunteers from different medical specialties
  • KSrelief medical team successfully performed 109 specialized urology surgeries

RIYADH: King Salman Humanitarian Aid and Relief Center has completed a medical project for urology surgeries in Yemen’s Aden governorate.

The project included nine volunteers from different medical specialties and was carried out from Dec. 15-22 in collaboration with the Saudi Program for the Development and Reconstruction of Yemen.

The KSrelief medical team examined 53 cases and successfully performed 109 specialized surgeries, the Saudi Press Agency reported.

KSrelief’s project is one of Saudi Arabia’s medical initiatives to assist the Yemeni people and ease their suffering amid the humanitarian crisis.


Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

Updated 24 December 2024
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Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

  • Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani
  • He honored the winners of the festival’s elite rounds with King Abdulaziz Cup

RIYADH: Prince Abdulaziz bin Saud bin Naif, Saudi minister of interior and chairman of the Saudi Falcons Club, honored on Tuesday the winners of the 2024 King Abdulaziz Falconry Festival.

Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani, the Saudi Press Agency reported.

He also honored the winners of the festival’s elite rounds, who received the King Abdulaziz Cup. The champions included Al-Mansouri, Amin Abdullah Al-Mallah, Mohammed Hafez Al-Marri, Fahd Mohammed Al-Mansouri, Mohammed Ibrahim Al-Buainain, and Hamid Mohammed Al-Mansouri, the SPA added.

Additional awards were given to winners in the Mazayen falcon beauty pageant, covering both amateur and professional rounds, the SPA reported.

Prince Abdulaziz also honored the sponsors of the 2024 Saudi Falcons Club events at the end of the ceremony.

King Abdulaziz Falconry Festival was held from Dec. 3-19 at the club’s headquarters in Malham, north of Riyadh.

The event drew 1,032 falconers from nine countries, including 160 international participants, and showcased 3,322 falcons from countries such as Saudi Arabia, Kuwait, the UAE and Italy.

The festival featured 138 rounds in Al-Malwah, highlighting falcon speed and talent, along with Mazayen competitions. It awarded more than SR 36 million ($9.6 million) in prizes, marking a record-breaking year for the festival.


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 24 December 2024
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Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.

 


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 24 December 2024
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Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region. (AN photo)

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”