How Saudi Arabia is leading Middle East’s fight against breast cancer

Medical advances promise a breast cancer breakthrough. (Shutterstock photo)
Updated 18 October 2019
Follow

How Saudi Arabia is leading Middle East’s fight against breast cancer

  • Advancements in medicine and technology are increasing rates of survival among patients
  • The Eastern Province accounts for the largest number of breast-cancer patients in Saudi Arabia

ABU DHABI: Cancer of the breast remains the most common form of the disease among women despite major advances in treatment coupled with improved screening and awareness campaigns. 

Rates of the disease are increasing in nearly every region globally as aging populations and factors such as obesity take their toll.

In 2018, more than 2 million new cases were reported worldwide of what is one of the biggest and most preventable killers of women.

Dr. Samer Abushullaih, an oncologist and physician manager at Johns Hopkins Aramco Healthcare in Dhahran, said that despite rising detection rates and the introduction of cutting-edge technology, health experts cannot afford to be complacent.

“In the past 20 years we have seen major advances in the survival of breast cancer patients around the world,” he told Arab News.

“It has been an amazing journey of heightened awareness, technological advances and changes in culture. Unfortunately, we are a long way away from defeating the disease.”

The Middle East is forecast to experience the fastest increase in cancer rates globally over the next two decades. By 2030, prevalence of breast cancer is expected to be double what it was in 2012, according to experts at the War on Cancer Middle East.

Regionally, Lebanon has the highest incidence among Arab countries, followed by Bahrain and Morocco. In the UAE, cancer is the third-biggest cause of death, with breast cancer being the most prevalent type.

As the world marks Breast Cancer Awareness Month, experts say that Saudi Arabia is leading the fight against the disease regionally. Even so, cancer incidence rose in the Kingdom by 49 percent between 2008 and 2017, and breast cancer remains the most common form of the illness among women.

FASTFACTS

2.1 MILLION - women diagnosed with breast cancer worldwide each year.

627,000 - An estimated 627,000 women died of breast cancer in 2018. (WHO)

50 - Women over 50 years old affected most, but younger women also at risk.

Abushullaih said that the Eastern Province of Saudi Arabia has the largest number of breast cancer patients in the country .

“The use of 3D mammography and advanced MRI images have improved early detection,” he said, adding that treatment of breast cancer has evolved significantly in the past few years.

“Surgery moved from the traditional mastectomy and lymph node dissection to more cosmetically friendly procedures such as lumpectomies and sentinel lymph node biopsy,” he said.

“Also, the new techniques of oncoplastic surgeries, such as skin sparing and nipple sparing mastectomies, spare a lot of women the physical and emotional agony of losing their breasts.”

According to Abushullaih, advancements in molecular profiling have improved the understanding of breast cancer. Physicians can tell who needs chemotherapy, sparing those who do not the dreaded side effects.

Drug development has also evolved in the field of targeted therapy. Medicines such Herceptin, suitable for women with a particularly fast-growing form of the disease, cut the risk of cancer returning by up to half. Tamoxifen, designed as a contraceptive, is now used to prevent breast cancer in women at high risk.

“These are drugs that target the cancer cells and spare the normal cells,” said Abushullaih.

He said that new medicines, targeted therapies such as radiotherapy, and advances in surgery, along with screening, have expanded the resources available to beat breast cancer.

“On the horizon, research and advances in immunotherapy, where the body’s immune system works with medication to fight the disease, are promising to advance survival and cure rates,” said Abushullaih.

When it comes to Saudi Arabia, Abushullaih said: “The Kingdom is in the lead in the fight against cancer and other diseases, both in the GCC and the Middle East.”




Early detection rates for breast cancer are relatively low in the Gulf. (Shutterstock) 

However, he said that heightened awareness will help in early detection of the disease, ensuring that women carry out regular self-examination and get screened early.

“I think our early detection rate is still very low compared with the West. More than 50 percent of all breast cancer cases in the Kingdom are still detected after it has spread to lymph nodes or other parts of the body,” said Abushullaih.

One of the biggest obstacles facing women is being proactive in requesting a mammography, even when it is not offered, he said.

“Treating breast cancer at an early stage is much easier. Saudi Arabia and many of the countries in the Middle East fare the same way with regard to screening. However, in the Kingdom it is slowly improving.”

Another obstacle in patient care is the cost of therapy, said Abushullaih. “Here, the Kingdom fares better than most, if not all, the countries in the region as the government invested heavily early on in providing for cancer patients,” he said.

Dr. Nazura Siddiqi, a specialist in obstetrics and gynecology at the UAE’s Bareen International Hospital, said the first step to a diagnosis is self-examination.

“Women should check for lumps and change in size or other signs linked to breast cancer,” she said.

“The other forms include visiting a health care facility and getting clinical breast examination by a physician, ultrasound, MRI or mammogram.”

Siddiqi quoted research by the American Cancer Society that showed almost one in eight women suffers from breast cancer.

“In fact, according to the World Cancer Research Fund International’s statistics, 12 percent of all new cancer cases and 25 percent of all cancers in women could be linked to breast cancer,” she said.

The risk doubles for women who have one first-degree female relative (sister, mother, daughter) diagnosed with breast cancer. If two first-degree relatives have been diagnosed, the risk is five times higher than average.

“There is also a group of women who don’t have family history, yet can develop breast cancer,” Siddiqi said. “Therefore, it is highly recommended to undergo regular screening in order to detect the condition in its early stages.”

Hormonal factors such as early menarche, late menopause or late childbirth are also potential risk factors, said Siddiqi.

Use of oral contraceptives and hormone replacement therapy are also believed to raise breast cancer risks.

Lifestyle is another issue, said Siddiqi. “Research shows that factors that contribute to breast cancer and resulting mortality include alcohol use, obesity and physical inactivity,” she said.

According to the Saudi Cancer Registry of the King Faisal Specialist Hospital and Research Center, breast cancer has a prevalence rate of 21.8 percent in the Kingdom.

Earlier this year, Tareef Yousef Alaama, of the Saudi Ministry of Health, told Arab News that a string of cancer-prevention measures were planned in the Kingdom.

These included the roll-out of advanced screening programs, increased palliative care and greater public awareness about risk factors associated with the illness.


French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

Updated 22 January 2025
Follow

French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

  • French Algerian model attends menswear show in Paris
  • Williams teams up with Japanese fashion designer Nigo

DUBAI: French Algerian model Loli Bahia continues to strengthen her ties with Louis Vuitton, months after walking for the brand, by showing support for its menswear creative director Pharrell Williams.

This week, Bahia attended the menswear Fall/Winter 2025/2026 show during Paris Fashion Week, which runs through Jan. 26.

Williams hosted the event in a rear courtyard of the Louvre Museum after dark, setting the stage for a vibrant fall-winter collection that reimagined streetwear.

Models strode around the set to marching music, parading chunky wool suits, short bomber jackets, leather bermudas and coats in pastels, autumn tones and psychedelic renditions of the brand’s signature logo patterns.

There were colorful speedy bags, lobster-claw charms, pearl embellishments, thick jewelry and utility pockets in suede leather.

Bahia shared highlights from the show on Instagram, offering her followers a glimpse of the night’s fashion and energy.

For this collection, Williams, who is also famous as a musician, teamed up with his longtime collaborator, Japanese fashion designer Nigo, currently creative director of another LVMH-owned label, Kenzo.

The pair have been active in street culture for decades, founding the label Billionaire Boys Club in 2003 and playing a role in streetwear’s rise to prominence with their blend of music and fashion.

In the front row, LVMH CEO Bernard Arnault sat between his wife, Helene Mercier, and NBA basketball player Victor Wembanyama, who was seen tapping his foot to the music.

The show was also attended by Hollywood stars Adrien Brody and Bradley Cooper, K-pop sensations J-Hope and Jackson Wang, and rap legends Travis Scott, J Balvin and Future.

Bahia last walked for Louis Vuitton in October, showcasing their spring/summer collection.

She graced the runway wearing a black jumpsuit with a relaxed, tailored fit and a deep V-neckline, allowing a metallic, iridescent top to peek through underneath. The shiny fabric of the top, visible on the sleeves and chest, contrasted with the matte texture of the jumpsuit.

​​​​​​​

Beyond the runway, Bahia has also appeared in Louis Vuitton’s campaigns, including the Spring/Summer 2024 campaign released in February 2024.

In the promotional clip, she showcased the brand’s creations, pairing a vibrant orange Dauphine bag crafted from supple leather with an oversized blazer dress featuring multiple buttons.

The look was completed with white stockings and heels.


Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Updated 22 January 2025
Follow

Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 26.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Qatar exhibition explores relationship between AI and humanity

Updated 21 January 2025
Follow

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Updated 21 January 2025
Follow

Tiffany Trump stuns in Zuhair Murad gown during inauguration week

  • Tiffany is married to Lebanon-born Michael Boulos
  • Married in 2022, they are expecting their first child

DUBAI: Tiffany Trump, the daughter of US President Donald Trump, turned heads this week in a dress by Lebanese designer Zuhair Murad at the Inaugural Candlelight Dinner, hosted at the National Building Museum in Washington, D.C.

Traditionally held on the eve of a US presidential inauguration, the black-tie event honors the incoming administration with an evening of celebration and speeches.

For the occasion, Tiffany, who is expecting her first child with husband Michael Boulos, chose a custom, chocolate-brown chiffon gown with an asymmetric one-shoulder neckline, and a cape-like sleeve that flowed dramatically.

The dress was cinched at the waist and highlighted by intricate draped detailing on the bodice.

On Monday morning, Tiffany and Boulos attended services at St. John’s Church in Washington, D.C., a longstanding tradition for incoming presidents and family members.

Later in the day, she joined her family at the swearing-in ceremony, which was held indoors at the Capitol Rotunda due to extreme cold weather.

She also attended the inaugural parade at the Capital One Arena and the inaugural balls that evening.

For the day’s events, she wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots.

She wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots. (Getty Images)

Tiffany and Boulos tied the knot in 2022. For her special day, the bride wore a custom-made Grecian-style gown by Lebanese designer-to-the-stars Elie Saab.

Tiffany chose her wedding dress as a nod to Boulos’ heritage. “It’s a Lebanese-American wedding, so we were so happy to have Elie Saab create the magic,” said mother of the bride Marla Maples at the time, according to People magazine.

Boulos is of Lebanese and French descent and grew up in Lagos where his father, Massad, runs Boulos Enterprises and is the CEO of SCOA Nigeria.

The family is also linked to the world of Hollywood through Michael’s brother Fares, who is an actor and appeared in a 2017 episode of “The Crown.”

Boulos and Tiffany were engaged in January 2021, the day before Trump left office following defeat in the 2020 election.


Camila Alves McConaughey shines in Elie Saab at Riyadh event

Updated 20 January 2025
Follow

Camila Alves McConaughey shines in Elie Saab at Riyadh event

DUBAI: Lebanese couturier to the stars Elie Saab took to Instagram to give a shoutout to model Camila Alves McConaughey, who wore the label to the recent concert “Life is a Dream,” led by Hollywood giant Anthony Hopkins in Riyadh.

“@camilamcconaughey attended the ‘Life Is A Dream’ concert composed by Sir Anthony Hopkins with the Royal Philharmonic Orchestra alongside her husband Matthew in an ELIE SAAB Spring Summer 2025 look,” the label captioned the Instagram post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Alves McConaughey, who attended the event with her actor husband Matthew McConaughey, wore a striking yellow gown to the event, with flowing caped sleeves and a plunging neckline.

Meanwhile, US pop sensation Christina Aguilera, who performed at the Joy Awards ceremony over the weekend in Riyadh, also opted for an Elie Saab creation for the first part of her performance.

Aguilera took to the stage in a dramatic burgundy gown from Elie Saab’s Haute Couture Autumn Winter 2024 collection. The glittering gown saw Aguilera channeling old-school 1920s Hollywood glamour. The dress flowed into a feathered train, and she completed the look with a chiffon scarf, draped over her head and shoulders.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

The same event saw Alves McConaughey opt for another yellow gown, this time from Oscar de la Renta.

As for the symphony concert, in a captivating blend of art and humanity, Hollywood icon Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As Salaam o Alaikum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”