Have you heard the one about the Muslims making a splash on the UK comedy scene?

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The Super Muslim Comedy Tour, which visited 11 cities across Britain, included three comedians with British-Arab backgrounds. (AN Photo/Sarah Glubb)
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(L-R) British comedian Guz Khan, Yousaf Razaq, Director of Partnerships, Challenges and Events at Penny Appeal, British-Moroccan Comedian Fatiha El-Ghorri and British-Kurdish Comedian Kae Kurd. (AN Photo/Sarah Glubb)
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Mother-of-two, Esther Manito, was born and raised in Essex, east of London, where she said “there were absolutely no ethnic minority groups around, let alone Arab ethnic minority groups.” (AN Photo/Sarah Glubb)
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The Super Muslim Comedy Tour returned in it's fifth year running, leaving audiences across the UK in stitches with a Halal-larious comedy line-up. (AN Photo/Sarah Glubb)
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British-Kurdish Comedian Kae Kurd hosted the show that featured five Muslim comedians, three of whom had Arab backgrounds. (AN Photo/Sarah Glubb)
Updated 19 November 2019
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Have you heard the one about the Muslims making a splash on the UK comedy scene?

  • New breed of comedians use their Arab origins to fuel culture-clash comedy routines and smash stereotypes
  • Super Muslim Comedy Tour visited 11 British cities to raise money to help impoverished children in crisis-hit countries

LONDON: Thanks to stars such as Billy Connolly, Eddie Izzard, Ricky Gervais, Dawn French and Jennifer Saunders, Britain has long been a hotbed of comedy talent.
Lately, a new crop of Arab Muslim stand-up comedians have taken to the stage across the country, representing the UK’s ethnic diversity and offering a fresh alternative on the comedy scene.
Fatiha El-Ghorri, Omar Hamdi and Esther Manito were among seven Muslim comedians that toured 11 British cities as part of the Super Muslim Comedy Tour. This charity event is organized by Penny Appeal, an international humanitarian organization that works to provide poverty relief in crisis-hit countries worldwide.
In their acts, the three performers challenge the stigmas and stereotypes associated with how the British public views Muslims and Arabs, and vice versa, using their own experiences and backgrounds as inspiration for their humor.
British-Moroccan comedian El-Ghorri, for example, uses comedy to break down the barriers that she has come up against as a Muslim and as a woman.
“I think in the West in general we have a perception of Muslim women as being weak and oppressed, especially with Muslim women that wear the hijab,” she said after a performance at Porchester Hall in Bayswater, London. “It’s difficult for women in general but it’s more difficult for a woman that looks so different, as I do, because people don’t want to take a chance on you.”




British-Moroccan comedian Fatiha El-Ghorri is challenging the stigmas that not only come with being a Muslim, but also a Muslim woman. (AN Photo/Sarah Glubb)

The comedy industry has long had a problem with female comics because promoters worry that audiences will not connect with their material, she said. At most of the events she has performed at she was the only woman on the bill, she added, and wearing a hijab makes it even harder to find a platform.
“So I like to challenge that and the perceptions people have of us as Muslims,” she said. “And also, within the Muslim community you have tribes: you have the Pakistani Muslims, the Arab Muslims, and we have traditions and cultures different to each other.”
Stepping onto the stage to the sound of a song by rapper Jay-Z, 38-year-old El-Ghorri kept the audience in stitches from the beginning to the end of her routine, as she merged eastern and western words and trends to come up with hybrid terms such as “Minder” (Muslim Tinder) and Mipster (Muslim hipster).
Despite the challenges and obstacles she has faced, she has no intention to give up her dream career.
“I’m not going to stop,” she said. “This is what I want to do and I’m gonna be here and I’m gonna do it. If one club won’t take me, another club will.”
The Super Muslim Comedy Tour, which is in its fifth year, kicked off in Aberdeen, Scotland, on Nov. 6 before heading south, stopping off in major cities before concluding in London on Nov. 17. Arab News caught up with the performers in the capital on the penultimate night of the tour.
Welsh-Egyptian comedian Omar Hamdi said one of the interesting things about stand up is that it takes him to places he would normally never go.
“This tour started in Aberdeen, which is like the northeast corner of Scotland — it’s practically Norway,” he said, adding that the “vibe there was different” to what he experienced in Bayswater, for example, a posh area in central London. “Even a distance of a few miles makes such a difference in the energy of the audience and what they’re into,” he explained.
This is the third time the 29-year-old has been part of the Super Muslim tour.




This is the third year Welsh-Egyptian comedian Omar Hamdi has joined Penny Appeal’s Super Muslim Comedy Tour. (AN Photo/Sarah Glubb)

“Every year it’s different but it’s always fun,” he said. “I think because it’s been going a few years it’s become a bit of a brand. People come along more excited about the show, they have more expectations and it just gets bigger and better.
“The interesting thing is that wherever you go, people are there to laugh but they’re also there to support an amazing charity.”
Hamdi has also performed at Dubai Opera and the Royal Albert Hall in London. He is a presenter on the British Academy of Film and Television Arts (Bafta) Award-winning BBC Wales consumer-affairs show “X-Ray,” and has a comedy special, “Omar Hamdi: British Dream,” on Amazon Prime in the UK.
During his routine on the Super Muslim tour, Hamdi, who was born in Cardiff, jokes about how his parents ended up living in Wales, which is not the most obvious destination for Egyptian immigrants.
Esther Manito, meanwhile, was born and raised in Essex, east of London.
“There were absolutely no ethnic minority groups around, let alone Arab ethnic minority groups,” she said. With a Lebanese father and a mother from Newcastle, in the northeast of England, her parents’ cultural differences, in particular their very different ways of speaking, provide a rich source of inspiration for her comedy.
“My style of comedy is very much observational,” said Manito. “It’s about family life, family dynamics and identity, and growing up with dual heritage, so all of that comes into play when I’m doing stand-up. My surroundings have given me so much comedy material.”




The Super Muslim Comedy Tour was held at Porchester Hall in Bayswater, London, after touring 10 other cities across the UK. (AN Photo/Sarah Glubb)

Kae Kurd, from south London, is the host of the show. The 29 year-old, who hosts a YouTube show called “Kurd Your Enthusiasm,” was six months old when his parents moved to the UK in 1990. They were part of the resistance that fought against Saddam Hussein’s regime in Iraq.
He said the response from audiences has been very positive throughout the tour, even if it occasionally takes a little time for them to warm up.
“Sometimes, I think people are nervous to laugh because they’ve probably never been to a comedy show before, so they don’t understand that they can laugh out loud,” he said. “But it’s been fun and everybody’s really enjoyed it.”
The proceeds from this year’s tour will help the Forgotten Children campaign, which aims to get young people in places such as Lebanon, Senegal, Pakistan and Bangladesh off the streets and into safer environments.
Sisters Ripa and Nazifa Hannan, from Hackney said it was the first time they attended a Muslim comedy show.
Ripa, 34, particularly liked El-Ghorri set and was able to relate to all her jokes, especially as they are from the same are in London.




British-Moroccan comedian Fatiha El-Ghorri (C) with fans Ripa Hannan (L) and her sister Nazifa (R). (AN Photo/Sarah Glubb)

“You know when women can kind of relate to another woman especially when, we come from Hackney too, so we got every single joke of hers and so it resonates for us,” she said.
Nazifa, 27, said they often attend comedy shows but tend to see acts like Trevor Noah or Russell Howard.
“This is the first Muslim comedy show and it was fantastic, hilarious and the fact they spoke (for a) very good cause,” she added.


Princess Iman of Jordan is expecting her first child 

Updated 24 January 2025
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Princess Iman of Jordan is expecting her first child 

DUBAI: Jordan’s Princess Iman bint Abdullah II and her husband, Jameel Alexander Thermiotis, are expecting their first child.

Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.

This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.


Oscar nomination for Palestinian documentary ‘No Other Land’

Updated 24 January 2025
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Oscar nomination for Palestinian documentary ‘No Other Land’

DUBAI: The Palestinian documentary “No Other Land” has been nominated for the Best Documentary at this year’s Oscars.

The film was directed by a collective of four Israeli and Palestinian filmmakers — activists Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor — and marks their directorial debut.

“No Other Land” follows the story of Adra, a young Palestinian activist from Masafer Yatta in the West Bank, as he fights against the mass expulsion of his community by Israeli forces. Since childhood, Adra has documented the demolition of homes and displacement of residents in his region under military occupation.

The film also explores his unlikely partnership with Abraham, an Israeli journalist who supports his efforts. However, their alliance is tested by the stark inequality between them — Adra lives under constant occupation, while Abraham enjoys freedom and security.

The film has dominated the pre-Oscar awards circuit, winning major accolades such as the top honor at the Cinema Eye Honors, Best Documentary and Best Director at the IDA Awards, Best European Documentary at the European Film Awards, and Best Documentary at the Berlin Film Festival, where it premiered last February.

This year’s Academy Awards ceremony will take place on March 3.


Ramy Youssef’s animated series to have world premiere in Texas

Updated 24 January 2025
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Ramy Youssef’s animated series to have world premiere in Texas

  • ‘#1 Happy Family USA’ explores experiences of Muslim-American family in early 2000s

DUBAI: Egyptian American actor Ramy Youssef’s animated series “#1 Happy Family USA” will make its world premiere at the South by Southwest Film Festival in Austin, Texas, which runs from March 7 to 15.

The show explores the experiences of a Muslim-American family in the early 2000s.

Youssef voices Rumi Hussein, a 12-year-old boy with big dreams and a desire to fit in. Rumi, named after the 13th century poet, also has a hard time living up to the name.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by A24 (@a24)

Youssef also voices Rumi’s father, a former cardiothoracic surgeon who now runs a halal cart.

The series stars actress Alia Shawkat, who is of Iraqi, American, Irish, Italian and Norwegian descent, Egyptian-Canadian comedian Salma Hindy, US singer-actress Mandy Moore, “Ramy” actress Randa Jarrar, and US comedians Chris Redd, Akaash Singh and Whitmer Thomas.

Youssef is the co-creator of the series with US writer and TV producer Pam Brady. The pair are the executive producers of the show with Iraqi-British journalist Mona Chalabi. A24 and Amazon Studios co-produced.


Who’s who at the Diriyah Islamic Arts Biennale 

Updated 24 January 2025
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Who’s who at the Diriyah Islamic Arts Biennale 

  • A rundown of the artists whose work will be displayed at this year’s event, which runs until May 25 

JEDDAH: The second edition of the Diriyah Islamic Arts Biennale begins today, showcasing more than 500 “historical objects and contemporary artworks” across five exhibition halls and outdoor spaces.  

This year’s theme is “And All That Is In Between,” a phrase the organizers say “encapsulates the vast and awe-inspiring scope of God’s creation as experienced by humankind.”  

Over the next four months, the event will, according to the website, present “a profound exploration of how faith is lived, expressed, and celebrated … inviting visitors to reflect on the divine’s wonders and humankind’s connection to it.” 

 Abdelkader Benchamma's 'Au Bord des Mondes' on display at the Pompidou Center in Paris this year. (Supplied)

The biennale will include new commissions from more than 30 artists, both local and international. The most prominent Saudi artist on the roster is Ahmed Mater, who was the subject of a mid-career retrospective — “Chronicles” — at Christie’s in London last year. Participation in a biennale such as this fits with Mater’s philosophy. In 2020, he told Arab News: “I see exploration, sharing and learning between cultures as vital. Culture is about sharing and progress. It is not static; it is dynamic.”  

Mater’s fellow Saudi artist, the printmaker and educator Fatma Abdulhadi will also be presenting works at the biennale. Her prints, she told the Berlin Art Institute in 2021, consist of “layer upon layer of deeper meanings which are expressed through the use of color. Each layer of color is a mirror that allows you to see the others clearly and accept them for what they are.” 

Saudi contemporary interpretive dancer Bilal Allaf told Arab News in 2021 why he prefers his improvisational approach to classical dance. “I feel I can express my emotions better,” he said. “I think it’s a pure art form of storytelling — a form of non-verbal communication. As a performer it’s a very profound expression.” 

Bilal Allaf. (Supplied)

Bahraini-American artist Nasser Alzayani was the winner of Louvre Abu Dhabi’s inaugural Richard Mille Art Prize in 2021. His practice, the Louvre said at the time, “is a research-driven documentation of time and place through text and image.” Alzayani told Canvas the following year: “I see the work that I’m making as a way of adding to the resources available.” 

Makkah native Ahmad Angawi is, according to art collective Edge of Arabia, “inspired by the colorful diversity of the culture of Hejaz.” He is the son of an architect, and has “adopted the concept of … the belief in the fundamental principle of balance, as a state of mind, as well as the belief in its application in the field of design.” 

Abdelkader Benchamma, born in France to Algerian parents, creates “delicately executed and dynamic drawings of states of matter,” Edge of Arabia’s website states. “His drawings take their inspiration from visual scenarios that stem from reflections on space and its physical reality.” 

Abha native Saeed Gebaan is an industrial engineer by trade, and a co-founder of PHI Studio. “Through installations, programming and movement systems, Gebaan invites viewers to consider the intersection of science and society,” according to Riyadh Art. 

Nasser Alzayan, Seeing Things. (Supplied)

Louis Guillaume uses found materials to create his sculptures and “sees his creations as living works destined to evolve over time,” the website of Paris’ Cité International Des Artes states. 

The work of Lebanese multidisciplinary artists Joana Hadjithomas and Khalil Joreige has covered film, photography, sculpture, installations, performance lectures and texts. They have written that they “question storytelling, the fabrication of images and representations, the construction of imaginaries, and the writing of history.” 

Jeddah-based visual artist Bashaer Hawsawi works with mixed media and found objects. Her practice, according to theartists.net, is centered around “notions of cultural identity, cleansing, belonging and nostalgia.” 

Libyan artist Nour Jaouda, the Venice Biennale website states, “relishes in the slow, physical, and felt processes of fabricating hand-dyed textiles. (Their) inherent connectivity begets their association with the eternal and the divine; to the artist, textiles have no beginning or end.” 

Lebanese-French interdisciplinary artist Tamara Kalo was raised in Riyadh. “She works with photography, video and sculpture to investigate narratives that shape home, history and identity,” Riyadh Art states. 

Nour Jaouda's 'The Light In Between'. (Supplied)

Raya Kassisieh is a London-based artist of Palestinian heritage who says she “explores the politics of the body in a multidisciplinary practice that presents a deeply personal interrogation of form.” Her work “proposes that the body is the ultimate tool for reimagination and creation.” 

The Japanese artist Takashi Kuribayashi creates large-scale installations. The central theme of his work, he has said, is the “invisible realm” and its boundary. “The truth resides in places that are invisible. Once you are aware that there is a different world out of sight, you will be living in a different way.” 

Saudi photographer and filmmaker Hayat Osamah “seeks to challenge conventional norms and celebrate diversity,” Riyadh Art states, while Jeddah-born multidisciplinary artist Anhar Salem also works primarily in film, often using phone-shot videos “to question self-representation and image production in communities that have been marginalized as a result of migration and economic policies,” according to Cité International Des Artes. 

This year’s roster also includes Argentinian artist Gabriel Chaile; Amman-based Kuwaiti artist and curator Ala Younis; Asim Waqif, an Indian artist based in New Delhi; Taiwanese multidisciplinary artist Charwei Tsai; Lahore-based duo Ehsan ul Haq and Iqra Tanveer; Eurasian art collective Slavs and Tatars; Italian visual artist Arcangelo Sassolino; British architect and multidisciplinary artist Asif Khan; French-Iraqi artist Mehdi Moutashar; German-Iranian photographer and sculptor Timo Nasseri; Multimedia poet-musician duo Hylozic/Desires (Himali Singh Soin and David Soin Tappeser); Colombian multidisciplinary artist Nohemi Pérez; Pakistani artist Imran Qureshi, whose work is inspired by the miniature paintings of Mughal courts; Brazilian artist Lucia Koch; and the British interdisciplinary artist Osman Yousefzada. 


REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

Updated 24 January 2025
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REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

JEDDAH: It’s hard to know quite what to make of “Ad Vitam.” Maybe because its creators don’t seem to have decided quite what they were making.

Co-writer Guillaume Canet stars as Franck Lazarev, whose wife Leo is just days away from giving birth to their first child. Franck is working a civilian job checking historical buildings for structural cracks (which makes for some stunning opening shots of Paris). A few days after finding their apartment has been ransacked, they are attacked by masked intruders, who kidnap Leo and tell Franck that unless he hands over “the key,” she will die and he will be framed for her murder. It all makes for a gripping 30 minutes.

Then the story goes back a full decade. Leo and Franck are trainees for the GIGN (essentially the French police’s anti-terrorist unit). They become ace agents, bond with certain colleagues, fall in love… you get the picture. It’s a montage — but one that takes around 20 minutes when it could have taken two. It throws off the momentum considerably.

Next, we jump ahead nine years to find Franck leading a team of agents who are called to a hotel where gunshots have been heard. Things escalate rapidly. Two perpetrators are killed, but so is Franck’s best friend, and his protégé is seriously wounded. Franck is fired.

But he can’t let it go. He gets his friend’s badge tested for DNA (explaining a notable focus on badges in the earlier flashback sequence) and discovers that one of the two perps was actually a government agent. A conspiracy begins to unravel. The key demanded by the kidnappers opens the locker where Franck has stashed the evidence.

Back to the present: Franck rushes to save Leo, and we’re back to frantic action, this time with mediocre parkour scenes and a paragliding sequence that is hilarious (unintentionally). Canet clearly fancies himself an all-action hero in the Tom Cruise mold. He doesn’t pull it off. Like the film itself, Canet is best when playing it small and gritty.

Credit to the makers for taking some big swings, but they don’t come off. And while “Ad Vitam” is entertaining enough, it’s also instantly forgettable.