How the 1979 siege of Makkah unfolded

Makkah’s Grand Mosque under attack in November 1979. Armed men seized the mosque, locking 100,000 pilgrims and residents inside. (AFP)
Updated 20 November 2019
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How the 1979 siege of Makkah unfolded

JEDDAH: Throughout October 1979, close to a million Muslims from around the world had flooded into Makkah for Hajj, the pilgrimage to the spiritual heart of Islam that every physically and financially able believer is obliged to complete at least once in their lifetime.

On the morning of Nov. 20, the call to the first prayer summoned pilgrims from far and wide to the courtyard of the Grand Mosque.

Some were locals, others were visitors who had finished their Hajj pilgrimage two weeks earlier and delayed their departure to take part in this once-in-a-lifetime event, before bidding farewell to a place that for centuries had seen countless millions like them come and go.

It was a little after 5:15 a.m. The first shots rang out across the courtyard moments after the imam, 55-year-old Sheikh Mohammed Al-Subayil, had finished the fajr, the first prayer of the day.

Worshippers stood side by side, forming a circular formation around the Kaaba, as they welcomed the dawn of the new Islamic century. But among their number was a group of fanatics the like of which the Holy Mosque had never seen before.

In the courtyard behind where Al-Subayil stood, the siege of the mosque claimed its first victims — two unarmed police guards gunned down at their posts.

As chaos ensued and the worshippers began to disperse, some managing to flee from the mosque in the confusion before the gates were closed by the attackers, three armed men pushed their way through the crowd toward the imam.

One, dressed in a short, ragged traditional dress, took the microphone and began issuing orders over the mosque’s loudspeakers.  “Get on the minarets! Position the snipers! Close the doors! Deploy the guards! Position the guards and sentinels in front of the doors!”

It was the ring-leader, Juhayman Al-Otaibi. Then he handed the microphone to another man, and what he had to say shocked the imam and all who heard it.

The Mahdi, in the shape of Mohammed bin Abdullah Al-Qahtani, had arrived to wipe the world of its evils and was here among the armed men who had seized the mosque and were now locking inside 100,000 pilgrims and residents. The speaker rejected the authority of the Saudi royal family and the ulema, the senior theologians of Islam, as illegitimate. Now everyone present, he said, must come forward to swear the oath of allegiance to the Mahdi.

The man himself, carrying an automatic weapon, stepped forward. He stood near the Kaaba, as the false prophecy adopted by the renegades had predicted the Mahdi would. Juhayman’s men took it in turns to swear their allegiance and then began forcing the worshippers to follow suit.

In the confusion, the imam blended into the crowd and made his way to his office in the mosque. There, he called Sheikh Nasser bin Hamad Al-Rashid, president of the General Presidency for the Affairs of the Two Holy Mosques, and told him what was going on — and held the phone up so he could hear the gunshots that were ringing out.

At first, the official response to the wholly unanticipated outrage was confused.

“When these individuals took over the mosque, the first people to deal with them were the mosque police, who at that time were simply unarmed, and there to direct people where to go rather than to enforce security,” said Prince Turki, the then head of the General Intelligence Directorate who at the time of the attack was in Tunis, attending an Arab League summit with Crown Prince Fahd bin Abdul Aziz (later King Fahd).




The National Guard and the Saudi Army began arriving at the Grand Mosque in force to try to retake the building. (Asharq Al-Awsat)

Prince Abdullah bin Abdul Aziz (later King Abdullah), then head of the National Guard, was in Morocco. An early-morning phone call from Sheikh Nasser,
the senior cleric in charge of Makkah and Madinah, woke King Khaled to the news that the mosque had been seized. 

The king immediately ordered two senior members of the government, Defense Minister Prince Sultan bin Abdul Aziz, and Interior Minister Prince Naif bin Abdul Aziz, to assess the situation on the ground.

By 9 a.m. they had joined Makkah’s regional governor, Prince Fawwaz bin Abdul Aziz, in the holy city. Prince Turki, meanwhile, was on the first plane back to Jeddah. In Makkah the National Guard and the Saudi Army had begun arriving at the mosque in force.

At about 8 a.m., a lone police officer approaching the mosque in a jeep was wounded by sniper fire. Minutes later, a fusillade of fire from snipers posted on rooftops and in minarets greeted more officers who arrived on another side of the mosque, killing eight and wounding 36 more.

The behavior of the militants appalled all who witnessed it. In one incident, one of Juhayman’s snipers in a minaret had been shot dead by the security forces outside the mosque and was callously pushed to the ground from the balcony by his compatriots.

It later emerged that weapons, ammunition and food had been smuggled into the mosque before the siege. Some guns had been hidden in large construction containers. But others, taking advantage of the tradition of Islamic funeral prayers conducted by the imam within the sacred mosque, had been concealed in coffins.

“Using coffins of the dead to smuggle arms into the Grand Mosque — who could have thought of exploiting this?” said Rashed Al-Shashai, an artist who as a young boy heard tales of the siege from his grandfather, who worked at the mosque and narrowly avoided being taken hostage.

Inside the mosque, fear and confusion reigned. Juhayman’s men had begun allowing some of the hostages to leave, but it was clear that they had no intention of freeing any Saudis. Many were forced to swear allegiance to the so-called Mahdi.

With others, Al-Shashai’s grandfather moved toward the north of the mosque. As the infamous Mahdi “sermon” blared out of the speakers and occasional shots rang out, they hid behind pillars and looked for a way out.

“They had one of two choices,” said Al-Shashai. “Either they believe in the salvation of Juhayman or believe in their own salvation, search for it themselves and get out of the dilemma they found themselves in.”

They chose the latter and continued moving from one pillar to the next, heading toward the northern end of the Safa-Marwa gallery. It was here that several people, including Al-Shashai’s grandfather, were able to escape. 

By now the courtyard of the Grand Mosque, normally teeming with worshippers by this time on the first day of the new year, was eerily empty.

Juhayman’s men had forced men, women and children into the corridors of the mosque, and the silence was broken only by the crack of bullets as snipers fired on the surrounding security forces.

Juhayman: 40 years on
On the anniversary of the 1979 attack on Makkah's Grand Mosque, Arab News tells the full story of an unthinkable event that shocked the Islamic world and cast a shadow over Saudi society for decades

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Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

Updated 28 June 2025
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Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

  • Saudi Ministry of Foreign Affairs: Kingdom hopes accord would meet “the hopes and aspirations of two peoples for development and prosperity”

RIYADH: Saudi Arabia has welcomed the signing of a peace agreement between Rwanda and the Democratic Republic of the Congo, in a deal facilitated by the United States with support from Qatar, the Saudi Press Agency reported.

In a statement issued on Saturday, the Saudi Ministry of Foreign Affairs said the Kingdom hoped the accord would meet “the hopes and aspirations of the two peoples for development and prosperity,” and contribute to “regional and international security and peace.”

The ministry also praised “the diplomatic efforts and constructive role played by the United States of America and the State of Qatar in this regard.”

The agreement, finalized on Friday, aims to de-escalate long-running tensions between Rwanda and the DRC, which have intensified in recent years over accusations of mutual support for armed rebel groups operating along their shared border.

The most prominent of these is the M23 militia, which Kinshasa has accused Rwanda of backing — a charge Kigali denies.

Efforts to mediate between the two neighbours have gained urgency amid a worsening humanitarian crisis in eastern DRC, where conflict has displaced more than seven million people.

The US and Qatar have played key roles in recent months in bringing the two sides to the table for talks, culminating in the formal agreement to ease hostilities and commit to renewed dialogue.


Jeddah exhibition gives internet cafes an artistic reboot

Seventeen artists and collectives have had their work on display at ‘Internet Cafe,’ an exhibition inspired by the digital age.
Updated 54 min 36 sec ago
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Jeddah exhibition gives internet cafes an artistic reboot

  • Local artists revive communal, quirky, deeply human qualities of early web era

JEDDAH: Internet cafes in Jeddah were once popular spots with pay-by-the-hour internet access; they have now provided the inspiration for the city’s latest exhibition.

In a collaboration between Kham Space and Estiraha, 17 artists and collectives have had their work on display at “Internet Cafe,” an eight-day exhibition which explored the concept of connection and intimacy in the digital age.

Asaad Badawi’s installation paid tribute to early programmer culture. (Supplied)

Abeer Sultan, who curated the exhibition alongside Mbarak Madhi and Fai Ahmed, spoke to Arab News about the early process in contemplating the theme.

The idea for the exhibition, which concluded on Saturday, stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

HIGHLIGHTS

• The idea for the Jeddah exhibition stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

• Some of the works were meant to act as ‘hyperlinks’ to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.

She said: “We wanted to do something that is about us now, and maybe the future as well; not only going back to things for nostalgia or the good old days, as they say.

‘Closed eyes under a sunny sky I’ by Zahiyah Alraddadi. (Supplied)

“Maybe it has something that we can use today, especially now that there’s a movement of people trying to slow down, using dumbified devices throughout the internet.”

Instead of creating a literal internet cafe, the curators focused more on the nuances a cybercafe used to have.

"F.A.R." by Dalal Madhi's work. (Supplied)

Their approach to the space was categorized into three themes: “Disconnected Understanding, Linked Source,” “In the Shadow of a Doubt, Light My Screen,” and “Whirling Algorithms of a Distant Dream.”

Artist Zahiyah Alraddadi, who usually paints works focusing on the significance of the mundane, took oil to canvas to paint “Closed Eyes Under a Sunny Sky I” and “Familiar Features.”

The a piece by Ahaad Alamoudi, “Land of Dreams” takes a humorous approach. (Supplied)

Her work feels meditative and was intended to slow visitors down as they walked through the space — much like the feel of a buffering screen page.

Some of the works were meant to act as “hyperlinks” to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.   

Studio bin Hattan, which is led by artist Elham Dawsari, displays “Cultural Override” derived from her father’s archives from the 80s, who was interested in computer graphics. (Supplied)

Anhar Salem’s work “After Now” was a curtain imprinted with thumbnails of YouTube videos. The artist conducted a survey asking people between the ages of 18 and 40 to share their YouTube video recommendations, making up a curtain of information overload.

Next to that, Tara O‛Conal’s video installation was a film sequence — but the catch is, nothing really happened. The film continued to load, glitch, and reload, perhaps suggesting commentary on our constant yearning for contact.

Hayfa Al-Gwaiz’s “Long Distance” is a painted form of FaceTime video calls. The work explores digital intimacy by centering not the callers’ faces, but the ceilings above them. (Supplied)

“Compared to Anhar’s work, (Tara’s) feels like a pond, in a way, to look at,” Sultan said.

Some works were inspired by computer graphics. Asaad Badawi paid tribute to early programmer culture via telephone-book-inspired art, and his father, who is a programmer.

Madhawi Al-Gwaiz's works are painted in a graphic style that is reminiscent of early 00s and '10s graphics styles. (Supplied)

Studio bin Hattan, which is led by artist Elham Dawsari, displayed “Cultural Override,” derived from her father’s archives from the 1980s. Madhawi Al-Gwaiz paints in a style that echoes digital graphics from the early 2000s.

Others took a more distanced approach. ThirdSpace’s “Untitled Table” was a physical object, but the research behind it was about keyboards that then shifted to Hijazi architecture, drawing on the iconography and architectural languages across the history of the region.  

Tara O‛conal’s video installation is a film sequence in nature—but the catch is, nothing really happens. The film continues to glitch and reload, perhaps suggesting commentary on our constant yearning for contact. (Supplied)

Hayfa Al-Gwaiz’s “Long Distance” was a painted form of facetime video calls. The work explored digital intimacy by showcasing not the callers’ faces, but the ceilings above them — a scene that’s familiar to anyone who has taken up a long-winded video call with a loved one and set down the phone to cater to life’s more immediate demands.

While the exhibition tackled the digital boom personified through cybercafes, it notably avoided artificial intelligence.

Sultan explained: “It is the idea of being fast and efficient, which is what we are resisting with AI …  It’s dominating the internet in a weird way, and we wanted a space where people customized things manually, going back to montadayat (domains) where people had to do things by themselves. There’s no template.”

The last piece was by Ahaad Alamoudi, and “Land of Dreams” took a humorous approach to directing audiences to their dreams. As you walked toward the work, in an outdoor area outside the confines of the exhibition space, visitors were met with vinyl boards of the iconic Emirati singer Ahlam.

Sultan said: “The work accentuates the fact that the dream land is a subjective experience or idea, and everyone would have their own imagination of what that is, whether it's Ahlam or something else.”

The “Internet Cafe” was a love letter to a new digital age — one that is sustainable, communal, and deliberately slow.  

“This is our way of keeping in touch with other people. An exhibition space is also a space where people meet, even if it’s for a moment, to have these conversations together, which is really important,” Sultan said.

 


Rooted in earth: Rafha’s mud structures tell a story of sustainability

Updated 28 June 2025
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Rooted in earth: Rafha’s mud structures tell a story of sustainability

  • The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds

RIYADH: In the heart of northern Saudi Arabia, the mud buildings of Rafha stand as “a vibrant narrative of traditional architecture, reflecting authenticity, creativity, and cultural identity,” the Saudi Press Agency said in an article on Saturday.

These structures tell the story of an ancient past, “embodying traditional architectural ingenuity that connects people to the land.”

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

Located along one of the Kingdom’s most significant tourist routes, the buildings “integrate cultural heritage with the natural environment,” the SPA wrote, and “serve as living records of generational memory, preserved through architectural details.”

This makes them an appealing destination for anyone interested in history, heritage, and traditional craftsmanship.

FASTFACTS

• The buildings in Rafha were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds.

• Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value.

The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds. Their design responds to the local environment, maintaining balanced indoor temperatures during scorching summers and cooler winters. Most feature an inner courtyard, surrounded by rooms arranged in a circular layout, reflecting a strong sense of community.

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

These mud buildings illustrate “a deep harmony between humans and their environment,” the SPA wrote, adding that they also “reflect sustainable building principles that long predate modern green architecture.”

Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value while promoting them as distinct parts of the Saudi tourism landscape.

 


Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

Updated 28 June 2025
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Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

  • Tawfiq Al-Rabiah Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim

KUALA LUMPUR: Saudi Arabia’s Minister of Hajj and Umrah Tawfiq Al-Rabiah received the International Tokoh Ma’al Hijrah 2025 award in Malaysia on Friday, the Saudi Press Agency reported.

Malaysia grants the award — the name of which translates to Person of the Year for Hijrah — annually to an influential Muslim personality to recognize their contributions to Islamic causes.

Al-Rabiah won the award for his efforts in developing systems designed to make Hajj and Umrah run safely and smoothly for pilgrims.

Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim. Malaysian Prime Minister Anwar Ibrahim and Minister of Religious Affairs Mohammed Naeem bin Mukhtar were present at the ceremony.

The event was held in Kuala Lumpur on the occasion of Hijri New Year.

 


Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

Updated 28 June 2025
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Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

  • Organization describes actions as part of wider pattern of settler aggression

RIYADH: The Muslim World League on Saturday strongly condemned recent Israeli attacks on civilian shelters and ongoing violence against Palestinians in the Gaza Strip and the West Bank, the Saudi Press Agency reported.

The MWL has described the actions as part of a wider pattern of settler aggression carried out with impunity under the protection of the Israeli occupation forces, the SPA added.

The MWL’s Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa, who also chairs the Organization of Muslim Scholars, denounced in a statement issued by the MWL’s General Secretariat what he called “heinous crimes” committed against unarmed civilians, including recent attacks by settlers on the village of Kafr Malik, east of Ramallah.

He added that the “brutal assaults” were a “blatant violation of all human values as well as international laws and norms.”

He urged the international community to uphold its legal and moral responsibilities and take decisive action against what he described as the occupation government’s ongoing disregard for the rights and dignity of the Palestinian people.

Al-Issa also called for the immediate activation of international mechanisms to halt the violence and ensure accountability for those responsible for what he termed “horrific massacres.”

His comments came after Saudi Arabia’s Foreign Ministry issued a statement on Friday condemning the violence, denouncing “the continued violence perpetrated by Israeli settlers, under the protection of the occupation forces, against Palestinian civilians, including the attacks in the village of Kafr Malik.”