Scholarship targeting global singers, including Saudis, launched by Community Jameel

The Andrea Bocelli Foundation and Community Jameel launch a new scholarship. AFP
Updated 26 November 2019
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Scholarship targeting global singers, including Saudis, launched by Community Jameel

  • The Andrea Bocelli Foundation and Saudi Arabia-based Community Jameel have partnered up to launch a new scholarship
  • The scholarship targets singers seeking to study at the Royal College of Music in London, including budding Saudi talents

DUBAI: The Andrea Bocelli Foundation (AFB) and Saudi Arabia-based organization Community Jameel have partnered up to launch a new scholarship targeting singers seeking to study at the Royal College of Music (RCM) in London, including budding Saudi talents.

Open to students from around the world, including Saudi Arabia, the Andrea Bocelli Foundation-Community Jameel Scholarship supports students who study full-time at the RCM and will be awarded on merit at audition and need.

The ABF supports students who study full-time at the London musical institute. It was founded by the world-famous tenor in 2011 to empower people and communities affected by poverty, illiteracy and social exclusion.

Meanwhile, Community Jameel is an organization that focuses on creativity, entrepreneurship, innovation and youth that was founded by Saudi business leader Mohammed Jameel. Last year, during Bocelli’s performance at the Winter in Tantora festival in AlUla, the singer shared on-stage how Jameel had inspired him to pursue philanthropy and launch the scholarship.  

“Community Jameel is committed to supporting access to education for young Saudis, in line with Vision 2030,”  Fady Jameel, the international president of Community Jameel, said to Arab News.

“Whether through this new scholarship, or Art Jameel's traditional arts programme in Jeddah, or with King Abdulaziz University joining the MIT Abdul Latif Jameel World Education Lab, we are working to ensure Saudi students and creative talents have the best opportunity to thrive.”

Echoing on his statement, RCM Director Professor Colin Lawson thanked the ABF and Community Jameel, stating that “philanthropic partnerships such as this is vital to the vision.”

In recent months, and in line with Vision 2030, Saudi Arabia has taken steps to bolster the nation’s musical creatives. Last January, Egyptian violinist Mahmoud Sorour launched a musical institute in Riyadh, with support and sponsorship from the Kingdom’s government, that focuses in providing violin classes and houses a recording studio available for artists and students alike to record their music.

At the request of Crown Prince Mohammed bin Salman, Sorour plans to train 50 Saudi violinists who will go on to perform at a new opera house in Jeddah, due to be completed by 2022.


Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’

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Netflix drops trailer for Nadine Labaki-starring ‘Sand Castle’

DUBAI: Netflix has just dropped the trailer for “The Sand Castle,” a highly anticipated mystery thriller starring Lebanese multi-hyphenate Nadine Labaki, set to drop on the streaming platform on Jan. 24.

US Emmy-nominated director Matty Brown — whose shorts have won accolades — makes his feature film debut with “The Sand Castle.”

The film, which premiered at the Red Sea International Film Festival in December 2024, revolves around a family of four stranded on an island. The mother of the family, Yasmine, played by Labaki, is on the lookout for signs of a boat so that the family can escape the island. The father, Nabil, portrayed by Palestinian actor Ziad Bakri (“Meet the Barbarians”), tries to radio for help. The couple’s two children, Adam and Jana, are depicted by Labaki-directed “Capernaum” stars Zain and Riman Al-Rafeea.

“As events spiral out of control and the line between reality and fiction blurs, the family is forced to confront harsh truths and difficult choices, testing their resilience and their hopes of making it back home,” reads the official synopsis.

Brown co-wrote “Sand Castle” with Jordan’s Yassmina Karajah and Egyptian-Qatari writer-director Hend Fakhroo.

Meanwhile, Labaki had a busy 2024, serving as a jury member at the 77th Cannes Film Festival, alongside jury president Greta Gerwig.

Labaki, recipient of the Jury Prize at the 2018 Cannes Film Festival for “Capernaum,” shares a long history with the festival.

She began her relationship with Cannes in 2004, writing and developing her first feature, “Caramel,” at the Cinefoundation Residency before showcasing the film at the Director’s Fortnight in 2007. Both of Labaki’s subsequent films — “Where do We Go Now?” in 2011 and “Capernaum” in 2018 — debuted at the festival, each in increasingly competitive categories.

“I feel like I’m their baby, in a way. With a baby, you start watching their first steps, see them grow, protect them, push them … They’ve accompanied me in this journey and recognized and encouraged me. It’s great — I really love this festival. I think it’s the best festival in the world,” Labaki told Arab News in an earlier interview on the sidelines of the Cannes Film Festival in 2019.


REVIEW: ‘Indiana Jones and the Great Circle’ puts you in the dusty boots of the famous archeologist

Updated 15 January 2025
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REVIEW: ‘Indiana Jones and the Great Circle’ puts you in the dusty boots of the famous archeologist

LONDON: “Indiana Jones and the Great Circle” is a bold attempt at blending classic adventure tropes with modern gaming sensibilities, although its bland title hardly does justice to the grand scope of its ambition.

This globe-trotting 1930s adventure is steeped in intrigue, setting players on a path to uncover a secret order of giants hidden beneath the Vatican, with the ever-looming menace of Nazi antagonists turning the stakes even higher.

Fans of the “Tomb Raider” series will find themselves on familiar terrain here, although the game also sprinkles in elements reminiscent of “Metal Gear Solid.” However, instead of espionage-heavy stealth, “The Great Circle” leans into satisfying puzzles and visceral hand-to-hand combat. The result is a game that feels rooted in the past — both in its narrative themes and its retro gameplay touches.

The game’s combat is refreshingly physical, emphasizing fistfights over gunplay. The punches land with gratifying impact, accompanied by retro sound effects that evoke arcade classics. It’s an unusual focus in a genre often dominated by firearms, and it works surprisingly well — although the simplicity of enemy AI detracts from the experience. Combat can sometimes feel clunky, with enemies behaving erratically, and often hilariously, as doors inexplicably lock or bodies pile up in awkward positions.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Puzzles are another highlight, designed to strike a balance between challenge and accessibility. They won’t leave players stumped for hours but provide enough complexity to feel rewarding. The puzzles’ old-fashioned mechanics, like physically turning keys or deciphering simple codes, give a nostalgic charm that ties into the game’s 1930s setting.

An upgrade tree powered by collectible “adventure points” adds a sense of progression, allowing players to enhance abilities as they go. The system is straightforward but effective, offering enough variety to make exploration worthwhile without overwhelming casual players.

“The Great Circle” thrives on its pulp-inspired storytelling. The global backdrop feels suitably grand, with locales such as nighttime Rome brought to life in stunning detail. The plot blends historical mysteries with fantastical elements, and while it may tread familiar ground for seasoned fans of the genre, the banter and dialogue keep things fresh as Indy looks to thwart the Nazis’ evil plans.

The protagonist channels Indiana Jones-style sass with ease, while a determined and witty female companion ensures the dynamic never grows stale. The interplay between the two characters is sharp and effective, adding much-needed levity to a story that could otherwise veer into melodrama.

However, the game’s identikit fascist enemies lack nuance, serving as little more than cannon fodder. For a story with such an ambitious concept, it’s disappointing that the antagonists don’t feel more distinctive.

Where “The Great Circle” truly shines is in its environments. From the cobbled streets of Rome to the Pyramids of Giza, the attention to detail is remarkable. The game also makes clever use of its camera, offering subtle hints during exploration and rewarding players with fascinating historical tidbits.

The Great Circle is a film fan’s dream, packed with nods to adventure classics and brimming with nostalgic charm. For newcomers to the genre, it may feel less engaging due to its dated mechanics and occasional lack of polish. Still, it’s a satisfying romp for those willing to embrace its retro roots and cinematic flair.


Highlights from Sotheby’s first-ever international auction in Saudi Arabia 

Updated 15 January 2025
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Highlights from Sotheby’s first-ever international auction in Saudi Arabia 

  • A selection of lifestyle lots from the Kingdom’s first international auction 

DUBAI: On Feb. 8, Sotheby’s will host “Origins,” which it is billing as “the first international auction in Saudi Arabia’s history.” Alongside works from famed international artists such as Rene Magritte and Andy Warhol, and regional luminaries including Etel Adnan and Mohammed Al-Saleem, the auction will also feature a number of luxury items and sports-related lots. Many of the lots will be on display in the accompanying exhibition which runs from Feb. 1-8 in Diriyah’s Bujairi Terrace. Here, we highlight a few of the  items that will feature in the sale. 

Louay Kayyali’s ‘Then What??’ 

Anticipated to achieve an auction record, the expressive canvas from 1965 explores themes of exile, trauma and war, in relation to the plight of Palestinian refugees. The work will be offered from the Samawi Collection – one of the largest, and most long-standing, private collections of Modern and Contemporary Arab, Iranian and Turkish art.

Rene Magritte’s ‘L’Etat de veille’

One of the world’s best-known and best-loved Surrealist artists, René Magritte is famed for his intriguing images combining everyday objects in whimsical and thought-provoking contexts. “L’État de veille” belongs to a series of dreamlike gouaches featuring several emblematic motifs: a sky filled with clouds, window frames and a house façade.

Refik Anadol’s ‘Machine Hallucinations: Mars’

The auction also features extraordinary digital art, by one of the medium’s most sought-after artists, Refik Anadol. “Machine Hallucinations: Mars” (estimate: $800,000 – $1,200,000) is a real-time generative AI painting that builds from data from a space telescope with visual memories of Mars and endlessly reinterprets this to generate hallucinatory landscapes – a reflection on the relationship between technology, AI and space exploration.

Mohammad Al-Saleem’s ‘O' God, Honour Them and Do Not Honor an Enemy Over Them’

A true pioneer, Saudi arist Mohammad Al-Saleem greatly contributed to the evolution of art in the Kingdom and currently holds the world record for any Saudi artist (set at Sotheby’s in London in 2023). “O' God, Honour Them and Do Not Honor an Enemy Over Them” is inspired by the gradating skyline of Riyadh from the desert, with both the skyline and calligraphy blended into mosaic-like designs across the surface.

Michael Jordan’s 1998 playoffs shirt 

One of the auction’s top lots — expected to fetch around $1 million (SRA 3,753,740) — is this iconic No. 23 shirt, worn by the greatest basketball player of all time in the NBA playoffs of his final season with the Chicago Bulls, which has come to be known as ‘The Last Dance.’ It is, Sotheby’s states in the auction notes, “perhaps the most beloved period for the champion, as he reached the apex of his popularity and powers.” Artifacts from this period are, the auction house says, “both highly rare and coveted.” 

Ruby and diamond bracelet 

Among the many high-end jewelry pieces on offer at “Origins,” including an Art Deco sapphire and diamond bracelet, and a sapphire and diamond ring from Cartier, is this ruby and diamond bracelet attributed to US jewelry house Harry Winston, described as “an impressive and highly flexible piece crafted circa 1972.” It is expected to sell for between $210,000 and $300,000. 

Cristiano Ronaldo jerseys 

“Origins” will feature several shirts worn by one of the greatest football players in history: Cristiano Ronaldo. The Portuguese legend — who now lives in Riyadh and plays for Al-Nassr — has won FIFA’s Ballon D’or five times (only Lionel Messi has more) and has become synonymous with the number 7 shirt, such as this one, the Portugal jersey Ronaldo wore in the 2024 UEFA European Championships quarterfinal against France, which is expected to fetch over $50,000.  

Unique commissioned Cartier Crash 

“Cartier is renowned worldwide as the king of jewelers and the jeweler of kings,” the auction notes say. “Among their most famous creations is the Crash, the subject of an enduring mystique and cultural relevance.” These watches, with surrealist-inspired warped faces, were only ever produced in small quantities, and this particular model, which is expected to fetch between $130,000 and $260,000, is a true one-off, custom made in 2007 for “a top private client of the Maison.” 

Hermès handbags 

The auction will include several bags from the venerated French luxury fashion house famed for its exclusive handmade products/status symbols. Among them will be this limited edition Jaune de Naples Swift and Osier Wicker Mini Picnic Kelly, which is expected to fetch around $50,000 at auction, as well as “four exquisite Diamond Himalaya Birkin, Himalaya Kellys, and Constance of various sizes,” Sotheby’s says. 


Hend Sabri to host acting masterclass in Jeddah

Updated 14 January 2025
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Hend Sabri to host acting masterclass in Jeddah

JEDDAH: Actress Hend Sabri is set to host a masterclass organized by the Saudi Ministry of Culture’s Film Commission on Jan. 17.
The Egyptian Tunisian actress was featured on the BBC’s 100 Women list for 2024, featuring the British broadcaster’s 100 most influential women.
The BBC described Sabri “as one of the most famous women in Arab cinema” in its listing. In 2019, the actress became the first Arab woman to serve as a judge at the Venice Film Festival.
With titles such as “Finding Ola” and the Oscar-nominated “Four Daughters” under her belt, Sabri is well placed to speak to industry insiders at the event in Jeddah on Friday.
According to the Film Commission, she will discuss the interplay between actors and directors and how the former can employ various acting techniques to serve the filmmaker’s vision.
The session is the latest in a stellar lineup of activities for those involved in Saudi Arabia’s burgeoning film scene — last week, Saudi actresses Sumaya Rida, Adwa Bader and Mila Al-Zahrani participated in a workshop hosted by the California-based drama school Ivana Chubbuck Studio in Riyadh. 
The workshop is part of the Ministry of Culture and the Film Commission’s Filmmakers Program, which runs until the end of January.

Ivana Chubbuck, founder and director of the studio, is a US acting coach and creator of the widely adopted Chubbuck Technique, known for its role in Oscar-winning and nominated performances. 
She heads the drama school in Los Angeles and conducts acting workshops worldwide.
Chubbuck has worked with renowned actors such as Charlize Theron, Brad Pitt, Sylvester Stallone, Terrence Howard, James Franco, Jake Gyllenhaal, Elisabeth Shue, Catherine Keener, Halle Berry, and Jared Leto, among others. 
She is also the author of the best-selling book “The Power of the Actor,” published by Penguin Books’ Gotham division, which has been translated into 20 languages.

Chubbuck’s Riyadh workshop was also attended by Saudi actor and comedian Fahad Albutairi, who shared a carousel of images from the event on Instagram. Among the pictures was a signed note from Chubbuck that read: “Fahad, you are so talented and (I) look forward to continuing our journey together.”

 


Doha museum explores life and work of painter and sculptor Jean-Leon Gerome

Updated 14 January 2025
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Doha museum explores life and work of painter and sculptor Jean-Leon Gerome

DOHA: Mathaf: Arab Museum of Modern Art houses what could be described as an unlikely find for the Qatar-based institution.

“Le Barde Noir” — “The Black Bard” — is an oil-on-canvas painting by Jean-Leon Gerome, a French painter and sculptor who lived from 1824-1904. Created in 1888, it is as instantly captivating as it must have been when first created.

'Le Barde Noir' by Jean-Leon Gerome. (Supplied) 

It features a character often said to be a Nubian musician, wrapped in pink fabric and sitting on a carpet as he stares out intensely. Behind him is an intricately tiled wall in blue hues, while his yellow shoes — similar to North African babouches — are placed neatly to one side.

The work, arguably one of Gerome’s most mesmerizing, bears many hallmarks of the Orientalist style pioneered by European artists in the 18th and 19th centuries that often featured imagined images of the eastern world.  

The concept is explored, pondered and contested in “Seeing Is Believing: The Art and Influence of Gerome.” The exhibition, which runs at the museum until Feb. 22, sheds light on the artist’s legacy — how his art has both positively and adversely influenced depictions of the Middle East, North Africa, and South Asia region and continues to do so today.

Gerome was one of the most commercially successful European artists of the 19th century. At the time, he was celebrated as a visual storyteller and historian who brought the faraway lands of Greece, Rome and the East to life through his work.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Ultimately, it would be the artist’s representations of North Africa and the wider Arab world that would constitute his legacy. From 1855 to 1880 he travelled to Egypt, Turkey and other areas to create some of Orientalism’s most poignant and memorable representations.

The show includes almost 400 works of art, many drawn from the forthcoming Lusail Museum’s impressive collection of Orientalist art, including European depictions of the Arab world dating from the 16th to 19th centuries. It also includes major loans from Qatar Museums’ General Collections and institutions worldwide such as the Metropolitan Museum of Art in New York and the Islamic Arts Museum in Malaysia.

The exhibition has been organized as a legacy of the Qatar–France 2020 Year of Culture, a year-long program of collaborations between institutions across both countries. It is jointly produced by the Lusail Museum, which is set to open in 2029, and Mathaf: Arab Museum of Modern Art, both in Doha.

The third section includes specially commissioned works by artistswho reinterpret Gerome for the 21st century. (Supplied)

It takes an in-depth look at Gerome’s practice and oeuvre through three sections. The first, “A Wider Lens, A New Gerome,” is curated by Emily Weeks and presents some of the artist’s most prominent paintings. “Between Gerome and Photography: Truth is Stranger than Fiction” is curated by Giles Hudson, curator of photographs at the Lusail Museum, and highlights his influence on photography of the Arab world. The final section, “I Swear I Saw That,” is curated by Sara Raza and explores Gerome’s impact on contemporary art.

The third section includes specially commissioned works by artists such as Babi Badalov from Azerbaijan and Nadia Kaabi-Linke from Tunisia, who reinterpret Gerome for the 21st century.

Guest curator Raza told Arab News that the opportunity was a chance “to reassess Gerome’s art within the context of the problems of the larger Orientalist genre and its continuation and manifestation in art and society.”

She said none of the artists in her section were interested in Gerome and added: “However, what they were interested in exploring was Orientalism’s continuation through their own visual languages and the ideas of free appropriation.”