Lebanon's Beit El Hamra is a home away from home

Beit El Hamra is located on the ground floor of a 1950s yellow villa. (Supplied)
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Updated 13 December 2019
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Lebanon's Beit El Hamra is a home away from home

  • The latest addition to Kamal Mouzawak’s mini-empire offers tranquility in one of the city’s busiest areas

BEIRUT: You get a sense that Kamal Mouzawak, one of Lebanon’s most fascinating social entrepreneurs, doesn’t like to stand still for too long. Since founding Souk El Tayeb in 2004, he has built a small but precise hospitality empire, one that has sought to transform people’s lives through food.

Originally a farmers’ market, Souk El Tayeb has grown to encompass a network of restaurants (called Tawlets) and guesthouses (Beits), and works to promote and preserve the culinary traditions, rural heritage and natural environment of Lebanon. It’s a mission that has proved extremely popular, particularly the Tawlet element, with its constantly changing menus and rotation of chefs.

In comparison to the other elements of the organization, Souk El Tayeb’s guesthouses are relatively new. The first — Beit Douma, a traditional 19th-century Lebanese house high up in the mountains of Batroun District — took three months to renovate and was opened in 2015. Beit Ammiq and Beit El Qamar followed the same year, but it was at Beit Douma that Mouzawak first combined architectural preservation with culinary tradition.




From its eclectic artwork and vintage furniture, to its original fabrics and confidently colorful wallpapers, it is a triumph of interior design. (Supplied)

Now Beit El Hamra, the latest addition to Souk El Tayeb’s collection of guesthouses, has opened in Beirut’s most cosmopolitan neighborhood. Located on the ground floor of a 1950s yellow villa, it has added a distinctive dose of style not only to Baalbeck Street but to Hamra as a whole.   

Much like Beit Douma, Beit El Hamra is exceptionally well curated. It has an attention to detail that is hard to find anywhere else in Lebanon, let alone in Beirut. From its eclectic artwork and vintage furniture, to its original fabrics and confidently colorful wallpapers, it is a triumph of interior design. There is not a single desultory object to be found and its two en-suite rooms have been adorned with carefully chosen ornaments. “It’s the small details that make a difference. It enhances the experience,” Mouzawak once told me.




Beit El Hamra is the latest addition to Souk El Tayeb’s collection of guesthouses. (Supplied)

Who would have thought that a color spectrum driven largely by dynamic yellows, reds and greens would be so homely? Who would have thought that two guest rooms lying in such close proximity to Tawlet El Hamra, the newest of Souk El Tayeb’s restaurants, would work? Yet they do. And they do so largely because, much like the organization’s other guesthouses, Beit El Hamra has been designed as a home away from home, not simply as a place to eat and sleep. That’s why fresh flowers and plants are dotted throughout, why a fireplace keeps you warm in the colder months, and why a courtyard garden provides a sense of serenity in an otherwise lively neighborhood.

There is also an enduring sense of space. The ceilings are high, the rooms large, the terraces long, and the garden expansive. There is a sense of grandeur, too, although the hustle and bustle of Hamra does occasionally creep in.




Beit El Hamra opened in Beirut’s most cosmopolitan neighborhood. (Supplied)

At the heart of it all, of course, is food. It’s almost impossible to separate Beit El Hamra from Tawlet El Hamra. They are, in essence, one and the same thing. Which is understandable considering Lebanese cuisine is central to everything Mouzawak and Souk El Tayeb have ever done. There is something wonderful about the original Tawlet in Mar Mikhael, which all but shuns the staples of popular Lebanese cuisine, favoring instead the food of the home. Its dishes are regional, seasonal, simple. There are stews and salads, pastries and desserts, all served as part of an all-encompassing daily buffet.

At Tawlet El Hamra, it’s different — although the commitment to taste and quality remains. There is no buffet, just an à-la-carte menu offering some of the finest food in Beirut. That means everything from eggs cooked in clay pots to batata harra, kibbeh batata, and oven-baked chicken with potatoes. Everything, as expected, tastes wonderful.

You get a sense that life is just as it should be at Beit El Hamra, and a large part of that is thanks to the staff. Friendly and attentive, yet quiet and unobtrusive, they are universally exceptional. It’s to them that Souk El Tayeb should doff its hat. 


Haql Summer Festival boosts tourism, economy

Updated 14 July 2025
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Haql Summer Festival boosts tourism, economy

  • Festival offers a wide range of attractions, including an amusement park with electric and inflatable rides
  • Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience

JEDDAH: With schools on summer holiday, children and parents are embracing a season of relaxation, exploration, and entertainment.

From coastal getaways to mountain retreats, families across Saudi Arabia are making the most of summer with fun, adventure, and unforgettable memories.

The Haql Summer Festival, being held at Prince Fahd bin Sultan Park, runs until mid-September. It offers a wide range of attractions, including an amusement park with electric and inflatable rides, a family seating area, and an open-air theater featuring traditional performances, competitions, and daily prizes.

Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience, the Saudi Press Agency reported.

The festival aims to boost tourism in Haql, stimulate the local economy, increase commercial activity, and create job opportunities, positioning the region as a unique and attractive destination.

Haql, located in northwest Saudi Arabia in the Tabuk region and overlooking the Gulf of Aqaba, boasts clear views of several neighboring countries’ coastlines.

The festival is part of the Saudi Summer program, which runs until September and showcases the Kingdom’s diverse tourism offerings — from mountains and beaches to international events and exclusive deals, catering to all travelers.


Miniature model helps bring Saudi history to life

Updated 14 July 2025
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Miniature model helps bring Saudi history to life

  • Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time
  • Artist and craft trainer Abdullah Al-Khazam, a native of Hail, presented a clay model of the ancient commercial area of Hail city at the event

RIYADH: The Beit Hail Festival, which runs until July 29, is showcasing unique works which reflect the region’s rich historic archaeological legacy, the Saudi Press Agency has reported.

Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time, highlighting the details of daily life and the beauty of historic architecture.

Artist and craft trainer Abdullah Al-Khazam, a native of Hail, has presented a clay model of the ancient commercial area of Hail city at the event.

The model has attracted the attention of thousands of visitors and illustrates the techniques used to craft such works, enriching the festival’s depiction of the Kingdom’s heritage.

Al-Khazam based the model on historic sources, using precise measurements and conducting field visits. He also consulted historians, researchers, and elderly residents for accuracy.

The model features key landmarks, including Barzan Palace, a mosque, the commercial square, and various government offices, the SPA added.

Built with traditional materials such as clay and palm trunks, the model uses classic construction techniques and incorporates period ornaments and engravings, effectively recreating the city center of the past.


The UK’s longest-running Arab arts festival returns 

Updated 14 July 2025
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The UK’s longest-running Arab arts festival returns 

DHAHRAN: The Liverpool Arab Arts Festival, or LAAF, the UK’s longest-running annual celebration of Arab arts and culture, returns this month with a theme that feels both timely and timeless: “Nostalgia.”

Now two decades in, the festival has grown from grassroots beginnings into an internationally recognized celebration.

Running through to July 20, this year’s program explores how memory, heritage and longing shape artistic expression across the Arab world and its diasporas. 

The dynamic, bilingual line-up spans film, music, literature, performance, food and family activities — all underscored by deeper reflections on identity, loss and cultural continuity.

Arab News spoke with Taher Qassim, originally from Yemen, who founded LAAF in 1998 as a community-led effort to foster cultural pride and preserve Arab identity in Liverpool.

“The theme of ‘nostalgia’ is a reflection of both how far we’ve come and where we began,” Qassim said. “Twenty-three years ago, we set out on a path that was uncertain but filled with excitement and purpose. We knew we wanted to create something that represented the Yemeni and Arab presence in Liverpool, but we didn’t yet know how to express it.”

What began as a handful of cultural activations has since evolved into a platform for Arab artists. “From those humble beginnings … the festival began to blossom,” he said. “Today, we proudly offer a platform to artists from across the Arab world, Europe, the US, and beyond — something we could only have dreamed of.”

Two events stand out for him: ‘Arabs Are Not Funny’ and ‘The Book of Sanaa.’ The former, he says, “directly challenges the long-held stereotype that Arabs lack a sense of humor. It’s refreshing, bold and liberating — exactly what the festival stands for.”

The latter brings together literature, poetry, food, and a model of Yemen’s historic capital.

“The richness of this event would’ve felt like a fantasy to us two decades ago. Now, it’s a reality — something we’ve made possible through years of dedication and community.”

Qassim, who was awarded an MBE (Member of the Order of the British Empire) in 2008 for services to community cohesion, handed over the festival’s leadership to his daughter, Afrah, who now steers LAAF with the same vision and care.

Today, LAAF is no longer seen solely as a festival for the Arab community. “That perception has shifted dramatically,” Qassim said. “People from all backgrounds and ages attend and engage. The festival has become a space for dialogue, curiosity and connection.” As he put it, “Conversations happen naturally — before, during and after events.”

One event he hopes visitors will not miss is the now-iconic “Family Day” at the Palm House in Sefton Park. “It’s become the signature event of the Liverpool Arab Arts Festival — our legacy day,” he said. “Families travel from across the UK, Europe, and even further afield to be part of it. The atmosphere is joyful, welcoming, and truly inclusive … a vibrant, heartwarming celebration of Arab culture at its best.”

Some events require tickets, but “Family Day” — an afternoon of music, crafts, performances and community — is the grand finale and free to all.


May Calamawy promotes Palestinian film’s North American run

Updated 13 July 2025
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May Calamawy promotes Palestinian film’s North American run

DUBAI: Egyptian Palestinian actress May Calamawy took to social media on Saturday to promote Palestinian film “To A Land Unknown.”

Distributed by Watermelon Pictures, the film is directed by Mahdi Fleifel and stars Angeliki Papoulia, Mahmoud Bakri, Manal Awad and Aram Sabbah.

Watermelon Pictures was co-founded by Alana Hadid. (File/Getty Images)

May Calamawy took to Instagram Stories to share news that “To A Land Unknown” is on a 40-screen cinema run in North America this month, including showings in New York, Houston and Vancouver.

“Reda and Chatila are two Palestinian cousins hustling their way through the underbelly of Athens pursuing their dream of making it to Germany. But as their hardship grows, so too does their desperation. When Chatila hatches a reckless all-or-nothing plan, it strains their bond and pushes the limits of what they will do for freedom,” the film’s logline reads.

The film was awarded the Silver Yusr Award December’s Red Sea Film Festival in Saudi Arabia.

Watermelon Pictures was co-founded by Alana Hadid, the sister of supermodels Gigi and Bella Hadid. Hadid — along with brothers Badie Ali and Hamza Ali — co-founded Watermelon Pictures, a production company with a mission to create compelling, impactful stories that resonate with global audiences.

“I was honored to be asked to be the creative director of Watermelon Pictures. I think it’s not only a passion project for Hamza and Badie, but it is an opportunity for Palestinians to have a place to go to tell their stories … I get emotional about it. I think it’s just one of the most beautiful things that people have a place where they can put their stories. And we know that we have a safe place for that,” Hadid previously told Arab News.

For her part, Calamawy is known for her roles in US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly  and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.”

However, fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue.


Christie’s London to feature retrospective on Syrian artist Marwan

Updated 14 July 2025
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Christie’s London to feature retrospective on Syrian artist Marwan

DUBAI: Christie’s is poised to host a non-selling exhibition of work by late Syrian artist Marwan Kassab-Bachi, titled “Marwan: A Soul in Exile.”

Taking place from July 16- August 22, the show was curated by Ridha Moumni, chairman of Christie’s Middle East & Africa.

This retrospective exhibition will display more than 150 works on loan from museums, institutions and private collections in Europe and the Middle East. The exhibition traces the artist’s career, from his artistic beginnings in Syria to his prolific output in Germany, his adopted homeland, where he spent six decades of his life.

“I wanted to highlight the essential threads running through his career: from his iconic ‘Face Landscapes’ to the celebrated ‘Heads,’ his journey from Damascus to Germany, and the pivotal moments that shaped his legacy — including his major 1976 retrospective at Charlottenburg Schloss, which established his place in the German art scene,” Moumni told Arab News.

“Equally important is his enduring connection to Syria and the Arab world,” he added.

With paintings, works on paper, and editions from 1953 until 2014, this exhibition offers audiences in London the chance to explore the artist’s multi-disciplinary approach.  

“Over the past two years, our aim has been to introduce artists and artistic scenes to London that people here don’t often get to see. One of our deepest commitments is to highlight the richness of artists from the Arab world or of Arab heritage. Marwan embodies this mission beautifully: a towering figure from the Syrian diaspora, who built an extraordinary career in Germany, and had a big impact on modern portraiture,” Moumni said of Christie’s decision to spotlight the artist this summer.

In 1957, Marwan moved to Berlin and attended the Hochschule fur Bildende Kunste, graduating in 1963. The artist, who is referred to by his first name, joined a group of German expressionist painters that included Georg Baselitz and Eugen Schonebeck, but he retained his Syrian identity and engaged with social and political issues of the Middle East through his work. 

“For those who already know his work, I hope they uncover new depths — its poetic power, its meditations on exile, identity, and belonging. Above all, I hope visitors feel a true connection to Marwan’s work,” Moumni said.