Lebanon's Beit El Hamra is a home away from home

Beit El Hamra is located on the ground floor of a 1950s yellow villa. (Supplied)
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Updated 13 December 2019
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Lebanon's Beit El Hamra is a home away from home

  • The latest addition to Kamal Mouzawak’s mini-empire offers tranquility in one of the city’s busiest areas

BEIRUT: You get a sense that Kamal Mouzawak, one of Lebanon’s most fascinating social entrepreneurs, doesn’t like to stand still for too long. Since founding Souk El Tayeb in 2004, he has built a small but precise hospitality empire, one that has sought to transform people’s lives through food.

Originally a farmers’ market, Souk El Tayeb has grown to encompass a network of restaurants (called Tawlets) and guesthouses (Beits), and works to promote and preserve the culinary traditions, rural heritage and natural environment of Lebanon. It’s a mission that has proved extremely popular, particularly the Tawlet element, with its constantly changing menus and rotation of chefs.

In comparison to the other elements of the organization, Souk El Tayeb’s guesthouses are relatively new. The first — Beit Douma, a traditional 19th-century Lebanese house high up in the mountains of Batroun District — took three months to renovate and was opened in 2015. Beit Ammiq and Beit El Qamar followed the same year, but it was at Beit Douma that Mouzawak first combined architectural preservation with culinary tradition.




From its eclectic artwork and vintage furniture, to its original fabrics and confidently colorful wallpapers, it is a triumph of interior design. (Supplied)

Now Beit El Hamra, the latest addition to Souk El Tayeb’s collection of guesthouses, has opened in Beirut’s most cosmopolitan neighborhood. Located on the ground floor of a 1950s yellow villa, it has added a distinctive dose of style not only to Baalbeck Street but to Hamra as a whole.   

Much like Beit Douma, Beit El Hamra is exceptionally well curated. It has an attention to detail that is hard to find anywhere else in Lebanon, let alone in Beirut. From its eclectic artwork and vintage furniture, to its original fabrics and confidently colorful wallpapers, it is a triumph of interior design. There is not a single desultory object to be found and its two en-suite rooms have been adorned with carefully chosen ornaments. “It’s the small details that make a difference. It enhances the experience,” Mouzawak once told me.




Beit El Hamra is the latest addition to Souk El Tayeb’s collection of guesthouses. (Supplied)

Who would have thought that a color spectrum driven largely by dynamic yellows, reds and greens would be so homely? Who would have thought that two guest rooms lying in such close proximity to Tawlet El Hamra, the newest of Souk El Tayeb’s restaurants, would work? Yet they do. And they do so largely because, much like the organization’s other guesthouses, Beit El Hamra has been designed as a home away from home, not simply as a place to eat and sleep. That’s why fresh flowers and plants are dotted throughout, why a fireplace keeps you warm in the colder months, and why a courtyard garden provides a sense of serenity in an otherwise lively neighborhood.

There is also an enduring sense of space. The ceilings are high, the rooms large, the terraces long, and the garden expansive. There is a sense of grandeur, too, although the hustle and bustle of Hamra does occasionally creep in.




Beit El Hamra opened in Beirut’s most cosmopolitan neighborhood. (Supplied)

At the heart of it all, of course, is food. It’s almost impossible to separate Beit El Hamra from Tawlet El Hamra. They are, in essence, one and the same thing. Which is understandable considering Lebanese cuisine is central to everything Mouzawak and Souk El Tayeb have ever done. There is something wonderful about the original Tawlet in Mar Mikhael, which all but shuns the staples of popular Lebanese cuisine, favoring instead the food of the home. Its dishes are regional, seasonal, simple. There are stews and salads, pastries and desserts, all served as part of an all-encompassing daily buffet.

At Tawlet El Hamra, it’s different — although the commitment to taste and quality remains. There is no buffet, just an à-la-carte menu offering some of the finest food in Beirut. That means everything from eggs cooked in clay pots to batata harra, kibbeh batata, and oven-baked chicken with potatoes. Everything, as expected, tastes wonderful.

You get a sense that life is just as it should be at Beit El Hamra, and a large part of that is thanks to the staff. Friendly and attentive, yet quiet and unobtrusive, they are universally exceptional. It’s to them that Souk El Tayeb should doff its hat. 


French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

Updated 22 January 2025
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French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

  • French Algerian model attends menswear show in Paris
  • Williams teams up with Japanese fashion designer Nigo

DUBAI: French Algerian model Loli Bahia continues to strengthen her ties with Louis Vuitton, months after walking for the brand, by showing support for its menswear creative director Pharrell Williams.

This week, Bahia attended the menswear Fall/Winter 2025/2026 show during Paris Fashion Week, which runs through Jan. 26.

Williams hosted the event in a rear courtyard of the Louvre Museum after dark, setting the stage for a vibrant fall-winter collection that reimagined streetwear.

Models strode around the set to marching music, parading chunky wool suits, short bomber jackets, leather bermudas and coats in pastels, autumn tones and psychedelic renditions of the brand’s signature logo patterns.

There were colorful speedy bags, lobster-claw charms, pearl embellishments, thick jewelry and utility pockets in suede leather.

Bahia shared highlights from the show on Instagram, offering her followers a glimpse of the night’s fashion and energy.

For this collection, Williams, who is also famous as a musician, teamed up with his longtime collaborator, Japanese fashion designer Nigo, currently creative director of another LVMH-owned label, Kenzo.

The pair have been active in street culture for decades, founding the label Billionaire Boys Club in 2003 and playing a role in streetwear’s rise to prominence with their blend of music and fashion.

In the front row, LVMH CEO Bernard Arnault sat between his wife, Helene Mercier, and NBA basketball player Victor Wembanyama, who was seen tapping his foot to the music.

The show was also attended by Hollywood stars Adrien Brody and Bradley Cooper, K-pop sensations J-Hope and Jackson Wang, and rap legends Travis Scott, J Balvin and Future.

Bahia last walked for Louis Vuitton in October, showcasing their spring/summer collection.

She graced the runway wearing a black jumpsuit with a relaxed, tailored fit and a deep V-neckline, allowing a metallic, iridescent top to peek through underneath. The shiny fabric of the top, visible on the sleeves and chest, contrasted with the matte texture of the jumpsuit.

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Beyond the runway, Bahia has also appeared in Louis Vuitton’s campaigns, including the Spring/Summer 2024 campaign released in February 2024.

In the promotional clip, she showcased the brand’s creations, pairing a vibrant orange Dauphine bag crafted from supple leather with an oversized blazer dress featuring multiple buttons.

The look was completed with white stockings and heels.


Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Updated 22 January 2025
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Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 25.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Qatar exhibition explores relationship between AI and humanity

Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Updated 21 January 2025
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Tiffany Trump stuns in Zuhair Murad gown during inauguration week

  • Tiffany is married to Lebanon-born Michael Boulos
  • Married in 2022, they are expecting their first child

DUBAI: Tiffany Trump, the daughter of US President Donald Trump, turned heads this week in a dress by Lebanese designer Zuhair Murad at the Inaugural Candlelight Dinner, hosted at the National Building Museum in Washington, D.C.

Traditionally held on the eve of a US presidential inauguration, the black-tie event honors the incoming administration with an evening of celebration and speeches.

For the occasion, Tiffany, who is expecting her first child with husband Michael Boulos, chose a custom, chocolate-brown chiffon gown with an asymmetric one-shoulder neckline, and a cape-like sleeve that flowed dramatically.

The dress was cinched at the waist and highlighted by intricate draped detailing on the bodice.

On Monday morning, Tiffany and Boulos attended services at St. John’s Church in Washington, D.C., a longstanding tradition for incoming presidents and family members.

Later in the day, she joined her family at the swearing-in ceremony, which was held indoors at the Capitol Rotunda due to extreme cold weather.

She also attended the inaugural parade at the Capital One Arena and the inaugural balls that evening.

For the day’s events, she wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots.

She wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots. (Getty Images)

Tiffany and Boulos tied the knot in 2022. For her special day, the bride wore a custom-made Grecian-style gown by Lebanese designer-to-the-stars Elie Saab.

Tiffany chose her wedding dress as a nod to Boulos’ heritage. “It’s a Lebanese-American wedding, so we were so happy to have Elie Saab create the magic,” said mother of the bride Marla Maples at the time, according to People magazine.

Boulos is of Lebanese and French descent and grew up in Lagos where his father, Massad, runs Boulos Enterprises and is the CEO of SCOA Nigeria.

The family is also linked to the world of Hollywood through Michael’s brother Fares, who is an actor and appeared in a 2017 episode of “The Crown.”

Boulos and Tiffany were engaged in January 2021, the day before Trump left office following defeat in the 2020 election.


Camila Alves McConaughey shines in Elie Saab at Riyadh event

Updated 20 January 2025
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Camila Alves McConaughey shines in Elie Saab at Riyadh event

DUBAI: Lebanese couturier to the stars Elie Saab took to Instagram to give a shoutout to model Camila Alves McConaughey, who wore the label to the recent concert “Life is a Dream,” led by Hollywood giant Anthony Hopkins in Riyadh.

“@camilamcconaughey attended the ‘Life Is A Dream’ concert composed by Sir Anthony Hopkins with the Royal Philharmonic Orchestra alongside her husband Matthew in an ELIE SAAB Spring Summer 2025 look,” the label captioned the Instagram post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Alves McConaughey, who attended the event with her actor husband Matthew McConaughey, wore a striking yellow gown to the event, with flowing caped sleeves and a plunging neckline.

Meanwhile, US pop sensation Christina Aguilera, who performed at the Joy Awards ceremony over the weekend in Riyadh, also opted for an Elie Saab creation for the first part of her performance.

Aguilera took to the stage in a dramatic burgundy gown from Elie Saab’s Haute Couture Autumn Winter 2024 collection. The glittering gown saw Aguilera channeling old-school 1920s Hollywood glamour. The dress flowed into a feathered train, and she completed the look with a chiffon scarf, draped over her head and shoulders.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

The same event saw Alves McConaughey opt for another yellow gown, this time from Oscar de la Renta.

As for the symphony concert, in a captivating blend of art and humanity, Hollywood icon Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As Salaam o Alaikum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”