GENEVA: Netflix has secured the US broadcasting rights to the Women’s World Cup in 2027 and 2031 as the streaming giant continues its push into live sports.

The deal announced Friday is the most significant FIFA has signed with a streaming service for a major tournament. The value was not given, though international competitions in women’s soccer have struggled to draw high-value offers.

“Bringing this iconic tournament to Netflix isn’t just about streaming matches,” its chief content officer Bela Bajaria said in a statement. “It’s also about celebrating the players, the culture and the passion driving the global rise of women’s sport.”

Netflix dipped into live sports last month with more than 60 million households watching a heavily hyped boxing match between retired heavyweight legend Mike Tyson and social media personality Jake Paul. Some viewers reported streaming problems, however.

Netflix also will broadcast two NFL games on Christmas Day: the Kansas City Chiefs at the Pittsburgh Steelers and Baltimore Ravens at the Houston Texans. That’s part of a three-year deal announced in May.

World Cups are typically broadcast on free-to-air public networks to reach the biggest audiences, and the last women’s edition in 2023 earned FIFA less than 10 percent of the men’s 2022 World Cup.

FIFA President Gianni Infantino had publicly criticized public broadcasters, especially in Europe, for undervaluing offers to broadcast the 2023 tournament that was played in Australia and New Zealand. That tournament was broadcast by Fox in the US

“This agreement sends a strong message about the real value of the FIFA Women’s World Cup and the global women’s game,” Infantino said.

The World Cup rights mark another major step in Netflix’s push into live programming. It’s recipe that Netflix has cooked up to help sell more advertising, a top priority for the company since it introduced a low-priced version of its streaming service that includes commercials two years ago. The ad-supported version is now the fastest growing part of Netflix’s service, although most of its 283 million worldwide subscribers still pay for higher-priced options without commercial.

But Netflix is still trying to sell more ads to boost its revenue, which is expected to be about $30 billion. Netflix executives have predicted it might take two or three years before its ad sales become a major part of its revenue.

Netflix expects to spend about $17 billion on programming this year — a budget that the Los Gatos, California, company once funneled almost entirely into scripted TV series and movies. But Netflix is now allocating a significant chunk of that money to sports and live events, a shift that has made it a formidable competitor to traditional media bidding for the same rights.

FIFA will likely use the Netflix deal to drive talks with European broadcasters that likely will be hardball negotiations.

Soccer finance expert Kieran Maguire, a co-host of The Price of Football podcast, suggested the deal was “a bit of a gamble” for FIFA and “saber-rattling” by Infantino.

“(Netflix) get experience of football broadcasting, FIFA can say, ‘we are now partnering with a blue chip organization, so watch out you nasty Europeans,’” Maguire, an academic at the University of Liverpool, said in a telephone interview.

FIFA and Infantino also want to raise the price of broadcast deals to help fund increased prize money and close the gender pay gap on the men’s World Cup.

At the men’s 2022 World Cup in Qatar, the 32 team federations shared $440 million in prize money. For the women’s 2023 tournament, FIFA had a $152 million total fund for prize money, contributions to teams’ preparation costs and payments to players’ clubs.

In FIFA’s financial accounts for 2023, the soccer body reported total broadcasting revenue of $244 million. In the year of the men’s 2022 World Cup it was almost $2.9 billion.

The next Women’s World Cup will be a 32-team, 64-game tournament in 2027, played in Brazil from June 24-July 25. The US originally bid jointly with Mexico.

The 2031 host has not been decided, though the US likely will bid for a tournament which FIFA is expected to try to expand to 48 teams. That would match the size of the 104-game format of the men’s World Cup that debuts in 2026 in the US, Canada and Mexico.

Spain won the 2023 Women’s World Cup after the US won the two previous titles — in France in 2019 and Canada in 2015.

More than 25 million viewers in the US watched the 2015 World Cup final, a 5-2 win over Japan, played in Vancouver, Canada, in a time zone similarly favorable to Brazil.

FIFA tried to sign Apple+ to an exclusive global deal to broadcast the inaugural 32-team Club World Cup which is being played in 11 US cities next June and July.

Broadcast networks showed little interest in the FIFA club event that will now be broadcast for free on streaming service DAZN, which is building closer business ties to Saudi Arabia.

Ahead of the next Women’s World Cup, Netflix will “produce exclusive documentary series in the lead-up to both tournaments, spotlighting the world’s top players, their journeys and the global growth of women’s football,” FIFA said.

LONDON: Pep Guardiola believes Erling Haaland will find his form so long as the rest of his Manchester City team-mates raise their game but has not ruled out January transfer window signings as he looks to revive the Premier League champions’ fortunes.
City are enduring a slump unlike any Guardiola has known in his celebrated managerial career, having lost eight and won just one of their last 11 games in all competitions.
The downturn has seen the usually prolific Haaland, a key figure while City were winning an unprecedented four successive Premier League titles, denied of service and chances while scoring just once in his last five appearances.
Guardiola, however, said he had no interest in reverting to the ‘false nine’ system that he has used to good effect in the past.
“I prefer to play with Erling,” said Guardiola ahead of Saturday’s Premier League trip to Aston Villa.
“I don’t think in the situation that I have that I don’t let Erling play — absolutely not. No, no, I didn’t think about that.
“Always I play false nines for the quality specifically of the players I have in that moment.
“In some games playing man to man, I love to play against false nines but I have an Erling, I have to adapt.”
The Catalan boss added: “I see him well, I see him fine. The reason why maybe he’s not so productive in this situation is for the way we are playing, that we don’t produce the amount of chances that we were able to do in the past.
“When he’s surrounded by two or three or four central defenders it’s not easy for him. We have to play better, to create the spaces for him.”
City have rarely ventured into the transfer market during the January window in Guardiola’s eight years in charge but he accepts that policy could change this time around.
“We’ll see,” he said. “I don’t know how many times in the last years we’ve gone into the winter (market) — maybe just Aymeric Laporte seven years ago.
“We’re not a big fan of that but the circumstances of this season have been special. We have to see if something is possible and if not we will wait until the summer time.”