LONDON: Saudi artist Lulwah Al-Homoud has received the Rawabi Holding Award for her contribution to promoting Saudi-British cultural relations.
She was awarded by Abdulaziz Al-Turki, chairman of Rawabi Holding. The award ceremony was held in the presence of Prince Khalid bin Bandar bin Abdul Aziz, Saudi ambassador to the UK.
Al-Homoud told Arab News that she was “humbled and honored to be presented with the award,” and that “it came as a complete surprise.”
She said she had “never worked toward an award or to be recognized,” adding that she was just doing what she believes in.
Al-Homoud said she feels a sense of responsibility to continue using art to strengthen cultural exchange.
She has dedicated years to introducing Saudi art to the West and the wider world. Her artwork has been acquired by galleries and museums including the British Museum, and has been auctioned at Sotheby’s, Christie’s and Bonham’s.
Much of her work is precision Arabic calligraphy that merges with geometric shapes in an abstract form, creating intricate formations that appear simple.
“Geometry and pattern are in nature, authentic and pure. A universal language. This universal language is reflected in my work,” Al-Homoud said.
The prestigious Rawabi Holding Award ceremony was organized by the Saudi-British Society and held at London’s Institute of Directors.
Sir William Patey, Saudi-British Society chairman and former UK ambassador to Saudi Arabia, spoke at the event.
He stressed the importance of further strengthening Saudi-British friendship through cultural initiatives, and congratulated Al-Homoud on her achievement.
Annually, the awards go to one Saudi and one British citizen for their efforts in strengthening cultural relations between the two countries through their work.
Dignitaries, members of the Saudi-British Society and the media were among those who attended the ceremony.
Artist awarded for fostering Saudi-UK cultural ties
https://arab.news/5vxxt
Artist awarded for fostering Saudi-UK cultural ties
- Lulwah Al-Homoud honored at prestigious event in London
- Much of her work is precision Arabic calligraphy that merges with geometric shapes in an abstract form
New deal to provide disability support in Yemen
RIYADH: The Children with Disability Association and the Saudi Development and Reconstruction Program for Yemen signed a cooperation agreement to support Yemenis with disabilities and improve the skills of workers in the field.
Prince Sultan bin Salman, special adviser to King Salman and chairman of the association, and Mohammed Al-Jaber, the program’s general supervisor, signed the agreement in Riyadh.
Prince Sultan said that the memorandum builds on the association’s efforts to address disability-related challenges.
It aims to provide advisory services for launching medical rehabilitation centers for people with different disabilities, according to the Saudi Press Agency.
Prince Sultan acknowledged King Salman’s support for the association, which has helped it expand services across the Kingdom.
The agreement also aims to share expertise, promote partnerships and organize activities to improve community integration for children with disabilities, the SPA reported.
The collaboration is part of the program’s broader efforts to support individuals with disabilities and other groups in Yemen.
Hail’s traditional doors and carvings draw crowds to Handicrafts Festival
- The pavilion also features Islamic plaster engravings inspired by the local environment
RIYADH: Visitors from across the region and beyond are being drawn to the wooden doors and gypsum carvings pavilion at the Handicrafts Festival in Hail, all keen to see the craftsmanship behind the traditional works.
Inspired by Saudi Arabia’s Vision 2030 and the designation of 2025 as the “Year of Handicrafts,” the festival celebrates the rich heritage of such skills and highlights their cultural and economic significance.
Craftsman Abdullah Al-Khazam explained that creating wooden doors and carvings, including those of old Hail houses made from tamarisk and other woods, demanded exceptional skill and attention to detail.
He highlighted the difference the difference between Najdi doors, made with three beams, and Hail doors, which are crafted with four, reported the Saudi Press Agency.
The pavilion also features Islamic plaster engravings inspired by the local environment, a hallmark of Najdi architecture used to adorn buildings, entrances, and majlis, or council rooms.
Replicas of traditional engravings from historical Hail majlis are on display, with many visitors expressing an interest in acquiring the pieces to decorate their own homes.
Also on display are drawings and engravings from ancient clay houses, including Qur’anic verses, sayings, decorative patterns, and depictions of trees and plants.
The festival takes place at Qishlah Palace in Hail until Jan. 9.
Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings
- Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says
RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.
Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.
The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).
This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.
Saudi artist breaks from signature style with ‘W’ard’ exhibition
- Dammam collection running until Jan. 10 features sculpture, video and imagery
DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.
Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.
In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.
Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.
HIGHLIGHTS
• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.
• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.
Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.
At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.
He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”
This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.
For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.
Hussain Alismail, Saudi artist
Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.
“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.
Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.
His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”
Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.
His academic background enriches his creative practice, fueling his artistic exploration.
Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.
His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.
Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.
“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.
For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.
Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”
Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.
With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.
“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”