JEDDAH: In her debut novel “Good Girl,” German-born poet Aria Aber writes a raw tableau of contemporary German society, plunging readers into post-9/11 psyche through the eyes of Nila, a 19-year-old Afghan German girl.

As Nila stumbles through Berlin’s underground techno scene, the city emerges as a character that, like her, is fractured and being forged anew. Berlin seems to be in the throes of struggling to reinvent itself amidst rising Islamophobia and neo-Nazi violence, while Nila’s quest for selfhood emerges in her rebellion against the suffocating expectations imposed on Afghan girls and the identity crisis born out of living in a society that seems suspicious of her presence.

It's a tale as old as the human desire for movement and refuge: Nila is too Afghan for German society, and too German for the Afghan community, with both watching her every move. Aber’s raw and fragmented narrative style mirrors her character’s splintered identity while capturing her “violent desire” to live and her aching need to belong and to be accepted as she is.

Though the novel occasionally stumbles with uneven pacing and moments that may seem repetitive or overwritten, what sets it apart is the author’s refusal to sanitize or sermonize. Nila’s messy, unconventional path to self-discovery remains unapologetically hers.

The emotional core of the novel lies in the tension between expectations placed on girls and the honor-based abuse that simmers beneath. Nila’s parents, progressive by diaspora standards, permit her artistic pursuits and eschew strict traditions. Yet their insistence on a “good girl” image still carries an undercurrent of control that constrains her freedom.

Ultimately, “Good Girl” is a young woman’s howl against a world that demands she shrink, marking Aber as a writer to watch.

DUBAI: British singer-songwriter and actor Cynthia Erivo picked Saudi-helmed Parisian label Ashi Studio for two of her electrifying looks as she hosted the 2025 Tony Awards, the annual ceremony celebrating the best in Broadway theater, held at the Radio City Music Hall in New York.

Erivo’s first Ashi Studio look featured an oversized black coat dress dotted with bedazzled details, which she wore over black pants and a tube top.

Her second look was a black and gold snakeskin-print tailored trench coat with voluminous sleeves and an oversized collar, cinched by a fitted corset from the SS25 Ashi Studio collection. She wore the look to welcome Auli'i Cravalho to the stage.

“Maybe Happy Ending,” “Purpose,” “Sunset Blvd.” and “Eureka Day” took the top prizes at the awards, winning best musical, best play, best musical revival, and best play revival, respectively.

The ceremony also saw Sarah Snook (“The Picture of Dorian Gray”), Cole Escola (“Oh, Mary!”), Darren Criss (“Maybe Happy Ending”), and Nicole Scherzinger (“Sunset Blvd.”) win the lead acting awards for plays (Snook and Escola) and musicals (Criss and Scherzinger).

“Maybe Happy Ending” won a total of six awards after going into the night tied with “Buena Vista Social Club” and “Death Becomes Her” for the most nominations, with 10 apiece.

“Buena Vista Social Club” won four awards, while “Death Becomes Her” only took home one trophy, for Paul Tazewell’s costume design, which was presented in the “Tony Awards: Act One” pre-show.

Also in attendance at the event as British Lebanese human rights lawyer Amal Clooney, along with actor-husband George Clooney. The couple’s arrival at the Tonys came hours after George closed his record-breaking Broadway show, “Good Night, and Good Luck.” Amal wore an off-the-shoulder white gown with strands of pearls draped across the fabric, which she accessorized with a matching clutch.

A major highlight of the show saw the cast of the hit musical “Hamilton” reunited for a special performance in honor of its 10th anniversary.

Lin-Manuel Miranda, the creator and star of the Tony-winning show, was joined by more than two dozen members of the original cast, including Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renee Elise Goldsberry, Anthony Ramos, Christopher Jackson, Jonathan Groff, and Ariana DeBose.

The performance began with Miranda and Odom Jr. performing a snippet from the song “Non-Stop.” The show continued with a medley of tracks from the “Hamilton” score, including “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where it Happens” and “History Has Its Eyes on You.”