Alia Aldahlawi, member of Saudi Arabia’s Shoura Council
Updated 27 March 2020
Arab News
Alia Aldahlawi has been a member of the Consultative Assembly of Saudi Arabia, or Shoura Council, since December 2016.
Aldahlawi received her bachelor’s degree in 1988 and her master’s degree in 1998 in biological sciences from King Abdul Aziz University (KAU) in Jeddah.
In 2005, she obtained her Ph.D. in health and life sciences from King’s College London, UK.
Aldahlawi served as professor at KAU for nine years, teaching immunity, serology, and general microbiology, among other courses.
She began her career in 2007 as supervisor of the microbiology department at the Faculty of Science at KAU until 2009.
Later, she was promoted as vice dean of student affairs at KAU, a position she held until 2014.
Aldahlawi also worked as an emergency and disaster coordinator at KAU from 2011 to 2014. She was assigned in 2013 to the role of general supervisor of assessment and evaluation administration until 2016.
Since 2010, Aldahlawi has been the head of the immunology unit she founded at the King Fahad Medical Research Center.
Leaders from the G20 on Thursday held a videoconference chaired by King Salman to “advance a coordinated global response to the coronavirus disease (COVID-19) pandemic and its human and economic implications.”
Earlier, Aldahlawi said: “The extraordinary initiative undertaken by King Salman is critical, as the world is going through a major crisis with this pandemic, one that we have never seen the likes of before.”
“At the present time, a global coordinated response in cooperation with all health agencies and institutions must put standards in place to confine the spread, reduce infection rates and gain control over the pandemic,” she added.
Rare Vatican artifacts on show at Islamic Arts Biennale in Jeddah
More than 500 historic items, contemporary artworks on display
1685 Nile map’s journey to Jeddah a ‘cultural milestone’
Updated 25 January 2025
Jasmine Bager
JEDDAH: A six-meter map of the Nile believed to be more than 300 years old has left its home in the Vatican archives for the first time to become the centerpiece of the second Islamic Arts Biennale launched in Jeddah on Saturday.
Visitors to Jeddah’s Western Hajj Terminal, the biennale venue, can see the map along with 10 other artifacts from the Vatican Library.
The historic chart, drawn with watercolor ink on Venetian paper and depicting historic sites along the Nile, has been dated to around 1685.
Its inclusion in the biennale marks a cultural milestone, showcasing the Vatican’s commitment to interreligious and intercultural dialogue, according to Vatican archivist and librarian Angelo Vincenzo Zani.
The map underwent restoration by the Vatican before making the journey to Jeddah. It is displayed alongside a sister map of the Arabian Gulf from the National Library of Qatar.
Both maps are believed to have been acquired in the 1700s in Constantinople by Giuseppe Alemanni, a Lebanese librarian who later became the Vatican Library’s prefect.
HIGHLIGHTS
• Organized by the Diriyah Biennale Foundation, the exhibition in Jeddah explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.
• More than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.
Zani attended the biennale’s opening ceremony and later told Arab News that the artifacts highlight a rich history of cultural exchange and shared knowledge.
“I think this Islamic Arts Biennale is very important. The concept of art is very important — to expand knowledge and creativity. Art is an emotion that we can all understand. It can cross over in a dialogue that is ‘in between’.”
The 2025 biennale’s theme, “And all that is in between,” draws from the Qur’anic verse “And God created the Heavens and the Earth and all that is in between.”
The Vatican Library is also showcasing several works from its collections in “The Art of Numbers” display at Al-Madar section of the biennale.
Al-Madar, or “The Orbit” section, features items from 20 institutions with significant Islamic art collections worldwide.
The section examines the role of numbers in collective history, exploring their origins in natural calculations and applications across Islamic culture, mathematics, architecture, music, design, celestial and terrestrial mapping, ocean navigation, trade and geometric patterns in Qur’anic decoration.
Heather Ecker, Al-Madar’s curator, said the Vatican Library, which was established in the Middle Ages, is the oldest taking part in Al-Madar.
“The Vatican has Arabic manuscripts on virtually any subject, and has a large collection of early Qur’ans. It has early translations of the Qur’an, of which we are exhibiting several,” she said.
Ecker said the Nile map appears to have been linked to a travel log and is a visual record of a journey.
“The maps were created from the written text and from memory, apparently,” she said.
“It’s not a map as we conceive it, because it is image with text, with annotations that correspond to observations made during the voyage and notes taken. It collapses geography in a certain way, so it scrunches up the land between the Nile and the Red Sea, for example, in order to include more sites such as Jeddah.”
The map has been in the Vatican since the late 18th century, but had never been restored and was first shown in 2021, Ecker said. The Diriyah Biennale Foundation helped fund its restoration and conservation.
“It’s much brighter now,” Ecker said. “The paper is much more supple now, so it’s really vastly improved, and it’s much easier to exhibit and for people to appreciate. That was a big undertaking, and important in the field of conservation preservation.”
Organized by the Diriyah Biennale Foundation, the Jeddah exhibition explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.
The event has built on the success of the first biennale, and is bigger in scale and ambition, Aya Al-Bakree, CEO of the foundation, told Arab News.
This year, more than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.
“The biennale is rooted in Saudi Arabia and has become a clear landmark on the international stage as well. We are excited to share this exhibition with audiences from near and far,” Al-Bakree added.
Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations.
The inaugural Islamic Arts Biennale in 2023 attracted more than 600,000 visitors. The 2025 edition will feature more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world.
The 2025 curatorial team is led by Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, with Saudi artist Muhannad Shono as curator of contemporary art.
Saudi minister emphasizes Islamic unity at Khair Ummah conference in Bangkok
Sheikh Abdullatif Al-Asheikh calls on scholars, preachers to ‘reinforce core principles of Islamic faith’
Kingdom committed to fostering a culture of coexistence, cooperation among Muslims, forum told
Updated 25 January 2025
Arab News
RIYADH: Saudi Arabia’s Islamic Minister Sheikh Abdullatif Al-Asheikh inaugurated the third Khair Ummah conference of the Association of Southeast Asian Nations in Bangkok on Saturday.
The event was attended by Thai National Assembly President Wan Muhamad Noor Matha, along with several ministers, muftis, and leaders of Islamic universities, centers, and associations.
Al-Asheikh emphasized that the conference aimed to strengthen Islamic unity and adherence to the truth, promoting solidarity that upholds Islamic identity, the Saudi Press Agency reported.
He said that scholars bear a significant responsibility in light of global challenges and the intellectual, political, social, and security changes facing the world.
“This situation calls for a real response from scholars and researchers to clarify the right religious stance against sedition and to reinforce the core principles of the Islamic faith,” Al-Asheikh said.
He added that the responsibility of scholars and preachers is growing due to global calls for intellectual and ideological deviation, requiring careful reflection to realign efforts, uphold Shariah, safeguard the Prophet’s Sunnah, promote Islamic values, and combat extremism.
Al-Asheikh reaffirmed that under its leadership, the Kingdom has diligently fulfilled its responsibility toward the Two Holy Mosques and the holy sites.
“Saudi Arabia is committed to serving pilgrims, visitors, and Umrah performers by implementing substantial projects that enhance their experience and facilitate their rituals. The Kingdom is also dedicated to printing and distributing the Holy Qur’an in multiple languages worldwide,” he said.
Several participants delivered speeches thanking Saudi Arabia for its service to Islam and Muslims, emphasizing the importance of promoting tolerance, combating violence and extremism, and fostering cooperation among Muslims.
Meanwhile, the Central Islamic Council of Thailand awarded Al-Asheikh the First-Class Medal for Influential Global Islamic Personality of 2024. The medal was presented by Bangkok Islamic Affairs Committee President Arun Boonchom.
The award recognized Al-Asheikh’s distinguished contributions to serving Islam, promoting moderation and tolerance, and combating hate speech and extremism, SPA reported.
Al-Asheikh expressed his gratitude to the Sheikhul Islam of Thailand for his efforts in spreading noble Islamic values and fostering a culture of coexistence.
Saudi ambassador meets Sweden’s International Development Cooperation Agency chairman
“The two kingdoms, Saudi Arabia and Sweden, are major players on the humanitarian assistance field, with vast opportunities for shared experiences and best practices in the field
Updated 25 January 2025
Arab News
RIYADH: Saudi Ambassador to Sweden and Iceland Enass Al-Shahwan recently met chairman of the Swedish International Development Cooperation Agency and former minister for international development cooperation, Gunilla Carlsson.
“The two kingdoms, Saudi Arabia and Sweden, are major players on the humanitarian assistance field, with vast opportunities for shared experiences and best practices in the field, the Saudi ambassador wrote on X.
Meanwhile, Saudi Minister of Islamic Affairs, Dawah and Guidance Dr. Abdullatif Al-Alsheikh met Thailand’s National Assembly President Wan Muhamad Noor Matha, in Bangkok on Friday, the Saudi Press Agency reported.
Matha expressed his appreciation for the Kingdom’s leading role in serving Islam and Muslims, and for its support of interfaith and intercultural dialogue.
Italian Prime Minister Meloni begins official visit to Saudi Arabia
Updated 25 January 2025
Arab News
JEDDAH: Italian Prime Minister Giorgia Meloni began an official visit to Saudi Arabia on Saturday.
Meloni arrived in Jeddah where she was met at the airport by the Deputy Governor of Makkah Region Prince Saud bin Mishaal bin Abdulaziz among other officials, the Saudi Press Agency reported.
Her visit comes after Saudi Arabia and Italy signed an agreement earlier this month to boost energy cooperation.
The deal includes a possible supply to Europe of green hydrogen made in the Kingdom.
Saudi Minister of Energy Prince Abdulaziz bin Salman met with Italy’s Minister of Energy and Environment Gilberto Pichetto Fratinon on Jan. 14 to sign the memorandum of understanding.
Saudi and French artists strengthen cultural ties through art
Updated 25 January 2025
Afhsan Aziz
JEDDAH: The Consulate General of France in Jeddah recently hosted a reception at the French Residence to celebrate friendship and cultural collaboration between Saudi and French artists.
The event coincided with the opening week of the second Islamic Arts Biennale. Esteemed guests included Jack Lang, president of the Institut du Monde Arabe (The Arab World Institute) and former French minister of culture, along with artists and key partners involved in the biennale.
The consul general of France in Jeddah, Mohammed Nehad, spoke to Arab News about the importance of the biennale as a cornerstone of cultural collaboration: “The Biennale of Islamic Art is a pivotal moment for France. We are deeply committed to building bridges between Saudi and French artists. This event allows us to bring these creative minds together, fostering a unique dialogue.
“With the participation of Mr. Lang, a cultural visionary, and renowned institutions like the Louvre and Centre Pompidou present, this gathering underscores our dedication to expanding cooperation.”
He also highlighted initiatives, including plans to organize a major exhibition in Paris dedicated to Al-Balad, Jeddah’s historic district.
“It’s our dream to showcase the rich heritage of Al-Balad in Paris,” he said. “We’ve already hosted Saudi artists in France, with some present during this biennale, and facilitated French artists’ residencies in Saudi Arabia, particularly in the Asir region. This cultural exchange enriches both nations and strengthens the bond between us.”
Speaking further on the cultural landscape of Saudi Arabia, Nehad added: “I am inspired by the energy and creativity of Saudi artists, and encouraged by the progress made. Having served in Saudi Arabia during different terms, I’ve witnessed a remarkable transformation, with institutions and artists now more connected globally. It’s an honor to support and be part of this incredible cultural renaissance.”
Lang, a frequent visitor to Saudi Arabia and an advocate for cultural exchange, shared his admiration for the biennale and the Kingdom’s transformation. “This biennale is extraordinary, showcasing unparalleled creativity and architectural brilliance,” he told Arab News. “Over the past decade, I’ve witnessed Saudi Arabia’s cultural evolution, which is nothing short of revolutionary. The country has become a global hub for museums, theaters, cinema and visual arts. It’s unique and remarkable.”
Reflecting on the relationship between Saudi Arabia and France, he added: “Our collaboration is rich and longstanding. At the Institut du Monde Arabe, we hosted a landmark exhibition on AlUla, which ran for a year.”
Lang, who has also served on the Advisory Council of the Royal Commission for AlUla, said: “This growing partnership reflects the shared vision and passion of both nations.”
Raphael Justine, counselor for cooperation and cultural action at the French Embassy, expressed his enthusiasm for the biennale’s role in enhancing cultural partnerships.
“This is an exciting time for French-Saudi relations in the arts. The biennale provides a platform for artists from both nations to collaborate and create meaningful works,” he told Arab News. “During President Emmanuel Macron’s state visit, we signed over 10 cultural agreements, further solidifying our dedication to fostering collaboration.”
He highlighted the importance of artistic collaboration: “One of our main objectives is to bring French and Saudi artists together, enabling them to co-create and shape the cultural production of the Kingdom in the years to come.
“With so many museums being built, exhibitions being planned and cultural initiatives taking shape across the Kingdom, not just in AlUla, Riyadh and Jeddah, but throughout Saudi Arabia, there is tremendous potential for joint creative endeavors. I am confident that artists from both nations will deliver exceptional work that resonates globally.”
Laure Confavreux-Colliex, founding partner and managing director of Manifesto Middle East, lauded the biennale’s thoughtful execution and its impact on cultural exchange. “The choice of the Hajj Terminal as the venue is profound and symbolic,” she said. “The entire project is thoughtfully curated, and the biennale is a transformative moment for Saudi Arabia. I attended the first edition and was amazed by the quality and depth of the event.
“This year’s biennale has created invaluable opportunities for artists like Abdelkader Benchamma, a French artist whose stunning work at the biennale was the result of multiple visits and on-site collaboration. These exchanges foster deeper connections and understanding, unlocking creative potential across borders.”
Manifesto has worked to support artists and public art projects for more than a decade. Its branch in Riyadh has collaborated with Saudi cultural institutions to facilitate artist residencies and exhibitions. For instance, Bashaer Hawsawi and Reem Al-Nasser, who exhibited at the Hafez Gallery, spent three months at POUSH, a dynamic artistic hub in Paris hosting more than 300 artists as part of the intermix program developed by the Visual Arts Commission.
“There, they became part of a vibrant ecosystem, which has now culminated in their exhibition in Jeddah,” Confavreux-Colliex said. “This kind of long-term dialogue and immersive experience is essential to building a strong cultural ecosystem.
“We’ve hosted around 15 Saudi artists in Paris through residency programs and welcomed French artists to AlUla and Riyadh. These sustained exchanges not only enrich individual artists’ journeys, but also strengthen the cultural fabric between our nations,” she added.