The Kiswa: The story behind the covering of the holy Kaaba

The General Presidency for the Affairs of the Two Holy Mosques has lifted the lower part of the Kiswa by about 3 meters and covered the raised area with white cotton fabric (approximately two meters in width from the four sides). (SPA)
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Updated 23 July 2020
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The Kiswa: The story behind the covering of the holy Kaaba

  • The Kiswa is replaced once a year on the 9th day of the month of Dul Hijjah after the pilgrims go to Mount Arafat

MAKKAH: On behalf of King Salman, Makkah Gov. Prince Khalid Al-Faisal on Wednesday handed over the Kaaba Kiswa (black cloth) to the senior caretaker of the Kaaba, Saleh bin Zain Al-Abidin Al-Shaibi.
The Kiswa will be replaced on the ninth day of the month of Dul Hijjah, following in the footsteps of the Prophet Muhammad and his companions. 

It was reported that after the conquest of Makkah in the ninth Hijri year, the Prophet covered the Kaaba in Yemeni clothes as he performed his farewell pilgrimage.

The Kiswa is replaced once a year during Hajj after the pilgrims go to Mount Arafat, in preparation for receiving worshippers the next morning, which coincides with Eid Al-Adha.

Meanwhile, the General Presidency for the Affairs of the Two Holy Mosques has lifted the lower part of the Kiswa by about 3 meters and covered the raised area with white cotton fabric (approximately two meters in width from the four sides).

The move was designed as a precaution to maintain the cleanliness and safety of the Kiswa and prevent tampering with it.

The colors of the Kaaba’s coverings have seen regular changes through the ages.




The General Presidency for the Affairs of the Two Holy Mosques has lifted the lower part of the Kiswa by about 3 meters and covered the raised area with white cotton fabric (approximately two meters in width from the four sides). (SPA)

The Prophet Muhammad covered it with white-and-red striped Yemeni cloth, and Abu Bakr Al-Siddiq, Umar ibn Al-Khattab, and Uthman ibn Affan covered it with white. Ibn Al-Zubayr covered it with red brocade.

During the Abbasid era, it was draped once with white and once in red, while the Seljuk Sultan covered it with yellow brocade. The Abbasid Caliph Al-Nassir changed the Kiswa’s color to green and later to black brocade, and this has remained its color to the present day.

Dr. Fawaz Al-Dahas, director of the Center of Makkah History, told Arab News: “The Kaaba was covered once in white, once in red, and once in black, and the choice of color was based on the financial means in every era.”

Qubati fabric was brought from Egypt and was one of the best types of fabric used to cover the Kaaba. The Yemeni Kiswa was also a quality cloth and most famous at the time.

On why the colors changed over the ages, Al-Dahas said that white was the brightest color, but it was not durable. It often became torn, dirty, and impure as pilgrims touched it and because it was not practical or long-lasting it was replaced with black-and-white brocade and shimla, which was used for covering Arab tents.

“The varying financial means controlled the type of fabric used for the Kaaba’s Kiswa,” Al-Dahas added.

He noted that the way humans perceived the Kiswa evolved after that, and it was replaced with a red brocade and qubati Egyptian cloth. Also, an antaa, which is a rug of leather, or a musouh, a collection of rough clothes, would be added to it.

“The Kiswa used to get changed from time to time whenever the fabric was available. This has been the case in the eras of the Rashidun Caliphate, the Umayyads, and the Abbasids,” he said.

Black was finally chosen at the end of the Abbasid era because it was durable and could withstand being touched by visitors, pilgrims, and people from different cultures from around the world.

With the continuation of the Umrah season, Al-Dahas said that the Kiswa was lifted to the middle of the Kaaba to preserve it and to prevent people from touching it.

History books speak of the first man to cover the Kaaba in pre-Islamic times, Tubbaa Al-Humairi, the king of Yemen. They mention that he covered the Kaaba in pre-Islamic times after he visited Makkah and entered it obediently.

Historians specialized in the Kaaba’s history mention in some accounts that Al-Humairi covered the Kaaba with a thick cloth called khasf and later with Maafir, which is originally named after an ancient city in Yemen where Maafir cloth was made. He then covered it with milaa, a soft, thin one-piece cloth known as rabitah. After that, he covered the Kaaba with wasael, a red-striped Yemeni cloth.

Al-Humairi’s successors used leather and qubati coverings with many others in the pre-Islamic era covering the Kaaba and considering it a religious duty and great honor.

Some accounts point out that the Kiswa at the time was layered on the Kaaba, and when it became heavy or worn out, it was removed or divided.

Historians confirm in an account that the Prophet was the first in Islam to cover the Kaaba with qubati, which is a thin white cloth made in Egypt and named after the Copts.

The accounts mention that in the conquest of Makkah, the Prophet kept the old Kiswa used in the era of the polytheists and did not replace it until a woman burned it while trying to scent it with incense. It was then covered with a Yemeni cloth.

Muslim kings and sultans then continued to undertake covering the Kaaba and caring for it.

During the Saudi era, the Kiswa has received great attention. The Islamic state that existed in Egypt at the time continued to send the Kiswa for centuries.

The Saudi founder King Abdul Aziz gave directions for the establishment of a private house for making the Kiswa in Ajyad neighborhood close to Makkah’s Grand Mosque, the first house dedicated to weaving the Kiswa in the Hijaz since the Kaaba was covered in the pre-Islamic era until the present era.

It was the factory where the first Kiswa in the Saudi era was manufactured in Makkah. Production was later moved to Umm Al-Joud. The new location was equipped with the latest advanced machines in the weaving industry at the time and continued to produce Kiswas that surpassed all previous ones.

A royal decree was issued by King Salman to change the name of the Kaaba Kiswa factory to the King Abdul Aziz Complex for the Kaaba’s Kiswa.

The desalination department is the first of the complex’s sections. It is responsible for the purity of water, which reflects on the quality and texture of silk, and the desalination of groundwater for washing and dyeing silk.

The dyeing process starts after the removal of the waxy layer coating the silk threads. The silk is then dyed in black and green using hot tubs and special chemicals mixed and weighted in specific rations to ensure the required degree of color stability.

The cotton lining of the Kiswa is also washed and the silk is then dyed with black for the outer drape and with green for the inner one, as is the case for the covering of the Prophet’s chamber. Every Kiswa requires 670 kg of natural silk.

Various tests are carried out on silk and cotton threads to ensure their conformity to required standards in terms of the strength of silk threads and their resistance to erosion and climatic conditions. Tests on the silver-coated threads are also conducted to ensure their suitability and high quality.

With regard to machine textile manufacturing, the complex is equipped with advanced Jacquard machines, which create woven Qur’anic verses and produce black silk engraved with verses and prayers as well as plain silk made for printing verses and silver-thread and gold-plated embroidery. These machines use 9,986 threads per meter to weave the Kiswa in record time.

In the printing department, the process of placing the first drawing starts from printing the Qur’anic verses and Islamic motifs on the Kaaba’s belt. The section also prepares the manasij, two sides made of solid wood, and white raw fabric is pulled between them. The plain silk is then placed on top and the belt of the Kiswa is printed on it before the Kaaba’s door and the embroidery are added. Workers use silkscreen printing for the Qur’anic verses with white and yellow ink.

The belt department takes care of embroidering the gold, silver, and motifs. This process is carried out by placing cotton threads of different densities over the threads and the motifs printed on the black fabric. Technicians then begin making the necessary stitches of fillings and domes using silver wire coated with gold.

Sixteen pieces are produced for the Kaaba’s belt with Qur’anic verses written on them; six pieces of different sizes under the belt; four firm pieces for the Kaaba’s corners; 12 lamps below the belt; five pieces above the corner of the Black Stone, and the outside curtain of the Kaaba’s door.


Sudan’s army chief receives Saudi deputy foreign minister in Port Sudan

Sudan’s army chief Abdel Fattah Al-Burhan receives Saudi Arabia’s Deputy Foreign Minister Waleed Al-Khuraiji in Port Sudan.
Updated 1 min 54 sec ago
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Sudan’s army chief receives Saudi deputy foreign minister in Port Sudan

  • During the meeting, Al-Khuraiji stressed the keenness of the Kingdom’s leadership on restoring security and stability in Sudan

RIYADH: Sudan’s army chief Abdel Fattah Al-Burhan received Saudi Arabia’s Deputy Foreign Minister Waleed Al-Khuraiji in Port Sudan on Tuesday.

During the meeting, Al-Khuraiji stressed the keenness of the Kingdom’s leadership on restoring security and stability in Sudan.

The minister’s visit to the country comes as part of the Kingdom’s ongoing efforts to address the crisis in Sudan, reach a ceasefire, and restore stability to the country. 

The Kingdom continues to support the humanitarian response efforts to alleviate the suffering of the Sudanese people, Saudi Press Agency said. 


Saudi pavilion at UNESCO Arab Week in Paris celebrates Kingdom’s camel culture

Updated 05 November 2024
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Saudi pavilion at UNESCO Arab Week in Paris celebrates Kingdom’s camel culture

  • It shows how the role of the camel evolved from essential means of transport and provider of resources to a cultural icon embodying the Kingdom’s values

PARIS: The Saudi pavilion at UNESCO’s Arab Week event in Paris this week featured a showcase of the Kingdom’s deep-rooted connection to camel culture.

It explored the role of the animals as a vital part of the nation’s heritage, identity and civilization, and offered a glimpse into their enduring place in society, the Saudi Press Agency reported on Tuesday.

The exhibits showed how the role of the camel has evolved from essential means of transport and provider of resources to a cultural icon that embodies the Kingdom’s values, and the ways in which camels are embedded in Saudi customs, traditions and literature, including poetry and proverbs.

The Saudi Ministry of Culture designated 2024 “The Year of the Camel” to highlight and reinforce the status of the animal as a national symbol and cornerstone of the Arabian cultural identity. Camels are regularly celebrated across the country through dedicated festivals, race events, clubs and research centers.

UNESCO’s Arab Week, which features 22 Arab nations, was initiated by Saudi Arabia. Guests at the official opening of the event on Monday included Saudi envoys, ambassadors representing other nations, Arab and other international diplomats stationed in France, and officials from UNESCO.


AI makes media industry more efficient and drives growth, expert says

Martin Sorrell, founder and executive chairman of S4 Capital, speaks to Arab News at the Athar Festival of Creativity.
Updated 05 November 2024
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AI makes media industry more efficient and drives growth, expert says

  • Martin Sorrell: ‘AI speeds up writing processes, increasing efficiency’
  • New tech allows for increasingly personalized content

RIYADH: Artificial intelligence is being used more effectively and efficiently to drive higher economic development in the media industry, said Martin Sorrell, founder and executive chairman of S4 Capital.

At a panel session at the Athar Festival of Creativity Sorrell described how media agencies, such as S4 Capital and its subsidiary, Media.Monks, are using AI in a number of ways.

One application of AI in media, he said, is in “speeding the execution of copywriting and visualization.”

Time to market is drastically decreasing: “What took us literally days is now taking us three hours,” he said. Yet this produces another problem because reducing the time of procurement cuts costs, but this also means it is necessary to move to a model that increases gains in outputs,” he said.

Another application is in personalizing content for consumers. Sorrell told Arab News: “Individualization, hyper personalization, are going to become more important. Knowing the consumer in excruciating detail, using data, using the signals from the platforms, using first-party data, it becomes even more important.”

Using Netflix audience feedback algorithms as an example, Sorrell pointed out that AI enables these algorithms to produce larger and more accurate quantities of output, for example, recommendations based on user profile readings.

“We charge on a per asset used basis. Price of the asset may come down, but total revenue grows because we’re using multiple assets,” he said.

A growing area is in “media planning and buying.” Sophisticated algorithms can far more efficiently choose the distribution of planning and buying than individual media planners.

Technological capital and human capital, however, go hand in hand.

“We as agencies have to validate the algorithm’s analysis. We have to make sure that the client’s money is spent in the right way.”

Another benefit of AI is its ability to improve organizational efficiency. Where organizational silos once kept departments and specializations separate, AI opens up information to the majority of users.

To maintain the emotional connection and trust of the brand-consumer relationship in a technologically driven world, according to Sorrell, understanding individual motivation is increasingly crucial.

“Insights into culture, insights into language, into custom, into belief, into family, into country, that knowledge becomes critically important, far more so in a globalized world,” he said.

The diversity and knowledge of global and local organizations are essential for the success of any company, but the value of personalization means that local knowledge may take the lead, he added.

Quoting Harvard Business School professor Ted Levitt, Sorrell continued: “because remember, consumers will consume everything in the same way everywhere.”

Advising young professionals in tech, media and other industries operating in an AI-powered future, Sorrell said that rather than stripping away opportunities from creatives, avoiding the risk of “bombarding” consumers with much of the same, AI means “creativity becomes even more important.”

Additionally, creatives need to familiarize themselves with the skills and roles that are complementary to the new world: “I think every creative should learn Chinese. I think every creative should learn Spanish, probably Arabic too … and they should learn code.”

“The skills of the ‘Mad Men’, that Don Draper had or his colleagues … are very different to what you need now.”


Saudi Arabia has launched 22 new routes this year as part of tourism drive, ACP’s CEO says

The CEO of the Air Connectivity Program Majid Khan speaks at the Umrah+ Connect event in London on Monday November 4, 2024. (AN
Updated 25 min 14 sec ago
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Saudi Arabia has launched 22 new routes this year as part of tourism drive, ACP’s CEO says

  • Kingdom has attracted 12 new airlines to date in 2024

LONDON: Saudi Arabia has launched 22 new routes from various destinations to the Kingdom this year, increasing tourist seating capacity by nearly 2 million, the CEO of the Air Connectivity Program has said.

Speaking at the Umrah+ Connect business-to-business event in London on Monday, Majid Khan said the Kingdom had attracted 12 new airlines to date in 2024.

Khan said: “There has been good expansion out of the UK. Virgin Atlantic is going to start daily flights from Heathrow to Riyadh in March; British Airways launched flights to Jeddah yesterday; Wizz Air will also be operating Gatwick to Jeddah flights daily.

“We are definitely focusing on our own carriers as well, because they are definitely our first priority; Flynas, flyadeal, Saudia, and Riyadh Air in the future.

“But we are also proactively working with international carriers in order to help us to get a higher share of inbound tourism to the Kingdom, as they have their sales and marketing channels in this part of the world.

“We know that the majority of BA travelers are not Saudis. They are actually travelers from the UK market, from their network in Europe and North America.”

Saudi Arabia has a strong, strategic location and travelers can reach more than half of the world within a six-hour flight, Khan said. He added that the ACP was working to deliver 150 million tourists to the Kingdom as part of Saudi Vision 2030.

He said: “Saudi Arabia is like one continent. We have 1,700 km of coastline, the new Maldives that’s actually the Red Sea, the two holiest sites for Muslims in the world, and mountainous regions.

“In the south we have Abha and Jazan, which I would personally call the Switzerland of Saudi Arabia. So it’s definitely an untouched wonder.”

An exhibition at the event highlighted new tourism developments in the Kingdom that British pilgrims can enjoy, including religious sites and activities that promote an understanding of Saudi cultural heritage.

Khan said the ACP was trying to revolutionize the way pilgrims travel, allowing them to holiday in the Kingdom after performing their religious rituals.

He said: “If we take the UK market, travelers typically have one Umrah ticket in their pocket to perform the minor pilgrimage with their family and friends. They then come back again to the UK, and have a separate ticket to either Dubai, Istanbul, or Malaga.

“This is something we would like to change. Travelers can perform Umrah, see the sacred places, and then save their tickets and continue to travel around the Kingdom. That’s the way we try to position Saudi Arabia.”

Rashid Mohammed, the organizer of Umrah+ Connect, said that Monday’s event had provided an opportunity for Umrah travel agents to network and grow their businesses.

Rashid Mohammed, the organizer of Umrah+ Connect (fourth from right), poses with the team from the Pilgrim Experience Program. (Umrah+ Connect)

Mohammed said: “We’ve brought you a diverse experience here in London, and it’s for you to use these tools, through connecting with people, to create packages that enhance and enrich pilgrim experiences.

“We’re also grateful for the support of the Ministry of Hajj and Umrah, and the Umrah and Ziyarah Forum, who are here today and have really backed us to put on this show.”


Saudi minister receives German foreign ministry official

Updated 5 sec ago
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Saudi minister receives German foreign ministry official

  • Discussions focused on enhancing relations, regional and international developments and issues of common concern

RIYADH: Saudi Arabia’s Deputy Minister for Political Affairs Saud Al-Sati received Gregory Bledjian, head of the Middle East division at the German Foreign Ministry, and several accompanying officials, in Riyadh on Tuesday.

During the meeting, they discussed ways to enhance relations, regional and international developments, and issues of common interest, the Foreign Ministry wrote on X.

Meanwhile, Shoura Council Speaker Dr. Abdullah bin Mohammed Al-Asheikh received Turkiye’s Ambassador to the Kingdom Emrullah Isler in Riyadh on Tuesday, the Saudi Press Agency reported.