TikTok grows in GCC despite global controversy

the most popular TikTok influencers in the GCC have emerged on the platform itself rather than crossing over from more established social media channels, such as Instagram. (Shutterstock)
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Updated 01 September 2020
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TikTok grows in GCC despite global controversy

Short-form mobile video platform TikTok is seeing phenomenal growth across the Gulf Cooperation Council (GCC), with the app ranking among the top downloads in regional Apple and Google Play Stores despite the controversy surrounding the Chinese-owned platform in the US and elsewhere.

TikTok App Store Rankings, August 1, 2020

Country

Apple App Store

Google Play Store

UAE

6

3

Bahrain

8

5

Kuwait

6

6

Oman

4

3

Qatar

6

7

KSA

3

5

                                            Source: similarweb.com

The region’s top content creators are continuing to grow their follower base and generate fan engagement.

Latest figures from analytics and technology consultancy Anavizio, which has been tracking TikTok’s growth in the GCC throughout this year, shows that new influencers on the platform are enjoying phenomenal fan growth, with a number of top content creators from Saudi Arabia and the UAE increasing their fanbase by a million or more between February and August. This includes influencers such as UAE-based Sarahh Miladd (@sarahhmiladd), who has seen her fanbase surge from 4 million in February to 6.6 million as of mid-August, with an average of 126,000 hearts and 2,000 comments per video.

Influencers in other GCC countries, while perhaps not seeing the same follower growth numbers in absolute terms due to smaller fanbases, are nevertheless seeing incredible growth in percentage terms.

TikTok Follower Growth (select GCC Influencers)

Country

Username

Feb 2020

Jul 2020

Aug 2020

% Change
(Feb-Aug)

UAE

@ jumana_khan_

7,300,000

8,300,000

8,400,000

15%

UAE

@ sarahhmiladd

4,000,000

6,200,000

6,600,000

65%

Saudi Arabia

@ a5_l

1,300,000

2,900,0002

3,000,000

131%

Saudi Arabia

@dooj214

1,200,000

2,400,000

2,600,000

117%

Bahrain

@hamood_90

648,700

1,500,000

1,600,000

147%

Bahrain

@khay.33

396,200

864,200

876,700

121%

Oman

@iqrahussainshaikh

291,700

432,800

549,600

88%

Kuwait

@moon.toon

291,200

325,800

486,300

67%

Kuwait

@lucita_consumisyon

152,600

204,900

260,100

70%

Source: TikTok

As seen from the table above, influencers have continued to increase their fanbase between July and August despite an executive order from the US that could see TikTok banned in the country or the recent prosecution of five TikTokers in Egypt for indecency.

Of note is that the most popular TikTok influencers in the GCC have emerged on the platform itself rather than crossing over from more established social media channels, such as Instagram. This new breed of influencers by and large appears to be younger than on other platforms and more in tune with TikTok’s Generation Z audience.

Beauty industry mogul Huda Kattan (@hudabeauty) is one of the few celebrities or influencers to have successfully crossed over, ranking among the top UAE-based TikTok influencers with 2.1 million followers (although this pales in comparison to her 47 million Instagram followers).

However, this is not for a lack of trying; many GCC celebrities and established influencers have flocked to TikTok over the past year. It may therefore simply be a question of time before the better-known personalities establish themselves on the app. Examples include Saudi Arabian TV personality Lojain Omran (@lojain_omran), with 9 million followers on Instagram compared to 66,000 on TikTok, or Emirati singer Ahlam Al-Shamsi (@ahlamalshamsi), who has 12 million Instagram followers and just under 140,000 on TikTok.

At the same time, the more successful cross-over influencers who have gained a million or more followers on TikTok — such as Huda Kattan, Saudi fashion model Model Roz (@modelroz, 1.4 million TikTok followers) or Emirati internet couple Khalid & Salama (@khalidandsalama, 1.7 million followers on TikTok) — are in a race against the new TikTok stars who remain a step ahead by continuing to rapidly grow their follower base.

However, one must also bear in mind the format and lighthearted nature of content on TikTok. New influencers on the platform are all highly innovative content creators, putting out skits and routines on a range of topics such as fashion, beauty, comedy or dance. While these subjects, particularly fashion and beauty, align with the interests of popular influencers on other platforms, the key is to package the content in a way that appeals to the generally younger audience on TikTok.

Creating the right content and presenting it in new and engaging ways applies as much to brands as it does to celebrities and mainstream influencers. Brands in the GCC region have yet to take to TikTok in a big way, with product promotions making up just 1 percent out of a sample of 8,000 influencer posts analyzed by Anavizio.

TikTok as a whole is popular among Generation Z, whose members have strong notions about such things as brand purpose and who may not necessarily engage with content that is blatantly promotional. Should brands, therefore, wish to capitalize on the TikTok growth trend, they would need to tweak their existing influencer marketing strategy to suit the platform, focusing on whom they want to reach and speaking their language.

At the same time, brands need to allow influencers creative license to create content in their own unique styles, which fans have come to love and expect. While this would need to be done within agreed parameters that protect a brand’s image and reputation, seeking too much control stifles creativity, rendering influencer marketing ineffective and backfiring among the intended audience. On no platform is this more important than TikTok, where success is so tightly linked with creativity.

However, prior to taking the TikTok plunge, the bigger question for brands will be the fate of the platform in the US. While Tiktok’s global problems have not yet had an impact on its usage and growth in the Middle East, it would be prudent for brands to take a wait-and-see approach over the next few months. If, for instance, American companies are banned from dealing with TikTok, as the recent White House executive order suggests may happen, then the app will presumably be removed from the Apple and Google app stores. Such a development would obviously have a worldwide impact irrespective of any given government’s stance on the matter. Nevertheless, that should not stop brands who would otherwise be willing to enter the TikTok fray from starting to think creatively about how to engage on the platform once the time is right.

The research is based on a sample of 8,000 videos posted by the most popular TikTok users — based on follower numbers — in each of the six GCC countries between January 15 and August 15, 2020.


New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting

Updated 05 May 2025
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New York Times wins 4 Pulitzers, New Yorker 3; Washington Post wins for coverage of Trump shooting

  • The Pulitzers honored the best in journalism from 2024 in 15 categories, along with eight arts categories including books, music and theater

NEW YORK: The New York Times won four Pulitzer Prizes and the New Yorker three on Monday for journalism in 2024 that touched on topics like the fentanyl crisis, the US military and last summer’s assassination attempt on President Donald Trump.
The Pulitzers’ prestigious public service medal went to ProPublica for the second straight year. Kavitha Surana, Lizzie Presser, Cassandra Jaramillo and Stacy Kranitz were honored for reporting on pregnant women who died after doctors delayed urgent care in states with strict abortion laws.
The Washington Post won for “urgent and illuminating” breaking news coverage of the Trump assassination attempt. The Pultizers honored Ann Telnaes, who quit the Post in January after the news outlet refused to run her editorial cartoon lampooning tech chiefs — including Post owner Jeff Bezos — cozying up to Trump.
The Pulitzers honored the best in journalism from 2024 in 15 categories, along with eight arts categories including books, music and theater. The public service winner receives a gold medal. All other winners receive $15,000.
The Times’ Azam Ahmed and Christina Goldbaum and contributing writer Matthieu Aikins won an explanatory reporting prize for examining US policy failures in Afghanistan. The newspaper’s Doug Mills won in breaking news photography for his images of the assassination attempt. Declan Walsh and the Times’ staff won for an investigation into the Sudan conflict. Alissa Zhu, Nick Thieme and Jessica Gallagher won in local reporting, an award shared by the Times and The Baltimore Banner, for reporting on that city’s fentanyl crisis.
The New Yorker’s Mosab Abu Toha won for his commentaries on Gaza. The magazine also won for its “In the Dark” podcast about the killing of Iraqi civilians by the US military and in feature photography for Moises Saman’s pictures of the Sednaya prison in Syria.
 

 


BBC to investigate Arabic service over allegations of antisemitism

Updated 05 May 2025
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BBC to investigate Arabic service over allegations of antisemitism

  • The Telegraph reported last week that freelance contributors had made antisemitic comments or expressed support for Hamas

LONDON: The BBC is preparing to launch an independent investigation into its Arabic-language service following allegations that it has featured contributors accused of antisemitic remarks and support for Hamas.

BBC Chairman Dr. Samir Shah confirmed over the weekend that the corporation would appoint an external figure to lead a review into the broadcaster’s coverage of the Israel-Gaza conflict and examine the issues raised by a recent report in The Telegraph.

“The Arabic service, we are looking at it, we’ve been examining it,” Shah told Times Radio. “I think this whole business of how we’ve covered Israel-Gaza is a proper thing to examine thoroughly, which is why we’re going to identify … we’re going to get hold of an independent figure to look at our coverage.”

According to BBC sources cited by UK media, the review will be “independent and published in full” and presented to the BBC board as part of a broader evaluation of its Middle East reporting.

Shah, who became chairman of the BBC in March 2024, said the corporation must remain vigilant regarding bias but maintained that the BBC continues to be a trusted source for impartial news.

The announcement follows a report by The Telegraph that some contributors to BBC Arabic had made antisemitic comments or expressed support for Hamas, a group proscribed as a terrorist organization by the UK, US, EU, and others, including Saudi Arabia.

One contributor, Gaza-based journalist Samer Elzaenen, reportedly posted in 2011 that Jews should be burned “as Hitler did.” Another, Ahmed Qannan, allegedly praised a 2022 shooter who killed five people in Israel and expressed hope that victims of a 2023 synagogue shooting would die.

The BBC has said that neither contributor is a member of staff but did not deny their appearances on air. Both are understood to be freelance contributors.

The broadcaster is also facing criticism over a recent documentary on the war in Gaza, after it was revealed that the narrator was the son of a Hamas government minister — information that was not disclosed in the film. The BBC said it was unaware of the familial connection at the time of production.

The documentary has since been removed from its on-demand platform pending a separate review.

The incident has reignited debate over the BBC’s editorial stance on the Israel-Palestine conflict, with critics on both sides accusing it of bias. Hundreds of media figures have defended the film, arguing that a narrator’s family connections should not disqualify them from participating or undermine their testimony and criticizing the BBC for pulling an “essential piece of journalism” that offers “a rare perspective on the lived experiences of Palestinians.”

The BBC, which has been marred by controversy since conflict broke out between Hamas and Israel in October 2023, has also faced political pressure over its decision not to label Hamas a terrorist organization in its reporting.

Defending the approach, Shah told Times Radio the BBC board had agreed to use the term only when it is attributed to a source, consistent with the broadcaster’s editorial guidelines.


State of the Saudi media sector and investment opportunities it offers

Updated 04 May 2025
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State of the Saudi media sector and investment opportunities it offers

RIYADH: The General Authority for Media Regulation has released a report, “The State of the Saudi Media Sector and Investment Opportunities for 2024,” which provides an overview of the media landscape in the Kingdom and highlights the significant transformations the sector is undergoing to keep pace with Saudi Vision 2030.

The report reflects promising investment opportunities, in addition to the technical and regulatory shifts that support the growth and sustainability of the sector. It also illustrates the magnitude of the boom in the Saudi media sector, which has achieved remarkable development driven by digital transformation and technological advance, improving the efficiency of media content and enhancing its global competitiveness.

The media authority’s estimates in the report indicate that the contribution of the media sector to the direct and indirect gross domestic product increased to 0.57 per cent in 2024, amounting to SAR16 billion ($4.26 billion), compared with 0.52 per cent in 2023.

The authority continues to work towards achieving its ambitious goals of raising this percentage to 0.8 percent by 2030. In terms of investment in human capital, job growth reached 67,000 jobs, with a rate of 22 percent by the end of 2024, with the aim of reaching 160,000 jobs by 2030.

The report also identified six key transformations in the media industry in the Kingdom, including the increasing demand for local content, developing media infrastructure, adopting modern technologies such as artificial intelligence and augmented reality, improving the regulatory environment, supporting national talents and competencies, and expanding investment opportunities.

The report confirms that the Kingdom has become a prominent destination for media investment, providing a flexible regulatory environment and mega-projects aimed at enhancing the media industry.

It also addressed the opportunities available to investors in content production, the development of electronic games, investment in media infrastructure, and international partnerships in the Saudi media market. In addition, the continued innovation and adoption of modern technologies to enhance the competitiveness of Saudi media globally is a crucial factor because the sector has elements that make it one of the main drivers of economic and cultural development in the Kingdom.

The report details the opportunities and challenges in the sector and covers the five media divisions supervised by the General Authority for Media Regulation: publishing; audio; visual; advertising; and games sectors.

The authority, through the report, hopes to improve understanding of the local media landscape and provide clear and accurate data to media entities and local and international investors, to highlight the promising opportunities in the sector.

The report is a comprehensive reference for the state of media in the Kingdom and is provides a guide for local and international investors and researchers in the sector. The authority urges interested partis to view the report on its website at https://gmedia.gov.sa/ar/media-status-report


Algerian TV channel suspended for racism against African migrants

Echorouk News TV. (X @echoroukonline)
Updated 03 May 2025
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Algerian TV channel suspended for racism against African migrants

  • Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger

ALGIERS: Algerian authorities on Friday suspended broadcasts by a television news channel for 10 days after it used a racist word on social media to describe African migrants.
Echorouk News TV used the derogatory word in a Facebook post after police raids in which migrants from sub-Saharan Africa were detained.
The ANIRA broadcasting authority called the publication "extremely serious".
The report contained "a racist and discriminatory term, an attack on human dignity, conveying hate speech against a category of people because of their race," said ANIRA which demanded that the channel's management make an official apology.
Tens of thousands of undocumented African migrants have used Algeria as a staging post to attempt to get to Europe. Many have sought jobs in the North African country.
Since the start of April, Algeria has expelled some 5,000 Africans to neighbouring Niger, according to state television. About half were from Niger.
 

 


Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

Updated 02 May 2025
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Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

  • Fans will now be allowed to bring and display any flag that does not contain racist content, hate symbols
  • Iceland, Spain and Slovenia have all raised concerns about Israel’s participation at this year’s contest

LONDON: Organizers of the Eurovision Song Contest have lifted a ban on Palestinian flags for audience members, but maintained restrictions for participating artists, as pressure over Israel’s inclusion in this year’s event increased.

The change, confirmed by Danish broadcaster DR, marks a shift from the European Broadcasting Union’s longstanding rule prohibiting flags from non-competing countries and territories. That policy led to Palestinian flags being banned in previous years.

According to updated guidelines obtained by DR, fans will now be allowed to bring and display any flag that does not contain “racist and/or discriminatory content,” or symbols thought to incite hatred, violence, or linked to banned organizations.

In a statement to CNN, the EBU said the update seeks to “strike a balance to ensure that our audiences and artists can express their enthusiasm and identities,” while offering greater clarity for national delegations.

However, the relaxed policy applies only to the audience. Participating artists will still be restricted to displaying official national flags in all official Eurovision spaces, including the stage, green room, and Eurovision Village. Artists may show only the flag of the country they represent.

The revised policy comes amid growing criticism of Israel’s participation in this year’s contest to be held in Basel, Switzerland, with semifinals on May 13 and 15 and the final on May 17.

Officials in countries including Slovenia, Spain and Iceland have questioned Israel’s inclusion.

Icelandic Foreign Minister Porgerour Katrin Gunnarsdottir told a local outlet she found it “strange and actually unnatural that Israel is allowed to participate,” accusing the country of committing “war crimes” and “ethnic cleansing” in Gaza.

Despite these objections, the EBU has confirmed that Israel’s entry meets the competition’s rules. As with last year, large-scale protests are expected in Basel against Israel’s participation.

Despite pressure from pro-Israel organizations, Swiss authorities said demonstrations are permitted in principle, including those opposing Israel’s presence, provided they comply with public safety regulations.