#CancelNetflix backlash: The problem with ‘Cuties’ is more than just poor marketing

Maïmouna Doucouré’s ‘Cuties’ debuted on Netflix on Sept. 9. Supplied
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Updated 14 September 2020
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#CancelNetflix backlash: The problem with ‘Cuties’ is more than just poor marketing

DUBAI: In spite of the backlash Netflix received for its use of an inappropriate poster to promote French-language film “Cuties” (“Les Mignonnes”), the streaming giant has gone ahead with the Sept. 9 debut of Maïmouna Doucouré’s controversial, award-winning movie on its platform. 

“Cuties” premiered at the Sundance Film Festival in January to glowing reviews, taking home the World Cinematic Director Award. 

Then, Netflix US’s marketing team kicked off a firestorm online due to its promotion of the film. Social media users accused the streaming giant of using hyper-sexualization to promote the film on its platform, prompting Netflix to issue an apology. However, the problem with “Cuties” goes beyond just poor marketing. 




Social media users accused the streaming giant of using hyper-sexualization to promote the film on its platform. Supplied

The coming-of-age film tells the story of an 11-year-old Muslim immigrant girl named Amy (Fathia Youssouf), who shortly after accidentally learning that her father is taking another wife, joins a twerking dance group with three other young girls in an attempt to escape her family dysfunction and defy traditions.

At the time, the Senagalese-French filmmaker explained, the project was inspired after she witnessed a group of young girls performing what she described as “sensual” dances for an audience of their parents.

“The main message of the film is that these young girls should have the time to be children, to enjoy their childhood, and have the time to choose who they want to be when they are adults. You have a choice; you can navigate between these cultures and choose from the elements of both, to develop into your own self, despite what social media dictates in our society,” Doucouré told Deadline.




The coming-of-age film tells the story of an 11-year-old Muslim immigrant girl named Amy (Fathia Youssouf) who joins a twerking dance group. Supplied

Indeed, the message Doucouré attempts to convey is vital. Unfortunately, it is overwhelmed by the film’s poor execution.

Produced by Sylvain de Zangroniz, the movie uses disturbing methods to relay its point. 

The actors, who are barely teenagers — the central four range from 12 to 14-years-old — twerk, run their hands across their bodies, lick their fingers and touch each other inappropriately while wearing revealing clothing.

In one scene, Amy gets attacked by girls at school who pull her pants down and expose her underwear. Another sees the dance troupe busted for sneaking into laser tag. To persuade the security guards to let them go, Amy twerks for one of them — a middle-aged man.

The camera work during the dance scenes doesn’t focus on the children’s faces at all. Instead, viewers see repeated close ups of little girls’ rears and crotches amid leg-spreading and bending, rampant in the choreography — made even more concerning when one realizes the cinematographer behind the film was a man (Yann Maritaud).




Produced by Sylvain de Zangroniz, the movie uses disturbing methods to relay its point. Supplied

According to Reem Shaheen, LMHC counseling psychologist and founder and director of BE Psychology Center for Emotional Wellbeing in Dubai, the overt sexualization of children in consumer culture is damaging in many ways. 

“The hyper-sexualization of children both in mainstream and social media is causing an increase in the early development of depression, anxiety, low self-esteem, high risk behaviors, self-harm, substance use and abuse as well as eating disorders in children,” Shaheen explained.

“For example, the average onset age of eating disorder 20 years ago was 13-16, today the onset age is 7-9 years old. The same applies to the majority of mental illness,” she adds.

Now imagine how long it takes to film such explicit material. There are stage managers, choreographers, producers as well as the parents of the children involved, all who are seemingly okay with having young girls sexualize themselves day by day, hour upon hour, for the sake of social critique. 




The overt sexualization of children in consumer culture is damaging in many ways. Supplied

Did none of the adults involved see an issue? Or did they simply believe so much in the film’s message that they were willing to sacrifice young girls for the sake of art?

The film’s director assured Indiewire that a child therapist was involved, saying: “We worked with a child psychologist throughout the filming. She’s still working with the children, because I want to make sure that they can navigate this newfound stardom.” However, the sexualization of child actors in a celebrated film is still a matter of concern. 

Shaheen explains that it is the parent’s duty to protect children from sexualization because “a child pre-puberty doesn’t necessarily subscribe to a gender role and identification. A child is a child, but once you sexualize them, then you are taking away that stage of their lives, pushing them into a later stage that they are not ready or mature enough for.”




The film’s director assured Indiewire that a child therapist was involved in the filming process. Supplied

However sometimes, parents can be complicit. “In many ways parents unknowingly contribute to these kinds of exploitations, for instance buying a toddler heels or make up, and exposing them to television material that is congruent with their age,” Shaheen said. “In today’s hyper-sexualized world, parents should be hyper-vigilant about the material their children are exposed to. They should always make sure that toys, clothes, and media material should be age appropriate.”

Many people took to social media to express their outrage over the film, calling it “child pornography” and sparking the hashtag #CancelNetflix. A Change.org petition to boycott the service has over 600,000 virtual signatures at the time of writing.

On the other side of the spectrum, many people are defending the film, justifying its controversial material by suggesting that the director is simply exposing hyper-sexualization and exploitation of children.

While that may be true, the welfare of children comes before any kind of social commentary. One would hope that there are better ways to bring attention and awareness to the sexual exploitation of children, other than to sexually exploit children.


REVIEW: ‘Squid Game’ enters a holding pattern 

Updated 03 January 2025
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REVIEW: ‘Squid Game’ enters a holding pattern 

  • Second season of the hit Netflix show feels tentative, ahead of its upcoming finale 

LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first? 

Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives. 

It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.  

But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.  


Incoming: The hottest TV shows set to air in 2025 

Updated 03 January 2025
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Incoming: The hottest TV shows set to air in 2025 

  • From long-awaited returns to emotional send-offs, via some intriguing new material, here are the series we can’t wait to see this year 

‘Severance’ season 2 

Starring: Adam Scott, Zach Cherry, Britt Lower 

The first season of this darkly humorous sci-fi tinged psychological thriller brought deserved critical acclaim for its creator Dan Erickson, and directors Ben Stiller and Aoife McArdle, as well as its brilliant cast. The show focuses on a group of employees at a mysterious corporation who have agreed to undergo a procedure known as “severance,” which divides their memories between their time in and out of work, thus creating two different lives, with distinct personalities, but who begin to question both the ethics of the procedure, and their own reasons for accepting it.  

‘The Last of Us’ season 2 

Starring: Bella Ramsey, Pedro Pascal, Gabriel Luna 

Not just a great video game adaptation, but a great show in general. This post-apocalyptic drama is set a couple of decades into a pandemic in which a fungal infection turns its hosts into zombie-like monsters and centers on a teenage girl (Ellie) who is somehow immune to infection and the smuggler (Joel) who agreed to escort her on a journey across the US and gradually becomes a father figure to her. The chemistry between Ramsey as Ellie and Pascal as Joel is utterly convincing and the series, like the games it is based on, is a quietly devastating work of art. 

‘Stranger Things’ season 5 

Starring: Winona Ryder, David Harbour, Millie Bobby Brown 

One last visit to the Upside Down, and one last visit to Hawkins, Indiana, to catch up with psychokinetic Eleven and her friends as they fight to save the Earth from the aforementioned alternate dimension. Over the last decade, “Stranger Things” has been one of the biggest shows in the world — an irresistible mix of horror, sci-fi, coming-of-age drama, and Eighties nostalgia. Here’s hoping showrunners The Duffer Brothers can stick the landing. 

‘The Bear’ season 4 

Starring: Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri 

After the dizzying heights reached in its first two seasons, the third outing of this hyper-tense kitchen-based drama (it barely seems worth repeating that — despite its Emmy categorization — “The Bear” really isn’t a comedy) was something of a stagnant disappointment. But a disappointing episode of “The Bear” still beats the best efforts of 90 percent of what’s on television, and it wouldn’t be a great surprise if season four is a triumphant return to form for ace chef Carmy Berzatto as he strives to make a success of his family’s titular restaurant. There’s a lot on the line, though, with season three ending just as Carmy starts to read the make-or-break restaurant review that could mean he loses his financial backer.  

‘Zero Day’  

Starring: Robert De Niro, Lizzy Caplan, Jesse Plemons 

A political conspiracy thriller that looks like being one of the most intriguing new shows of 2025. With a stellar cast and some serious pedigree among the creators — showrunner Eric Newman (“Narcos”), former NBC News president Noah Oppenheim, and The New York Times’ Washington correspondent Michael S. Schmidt — this story focuses on a former US president, George Mullen (De Niro), who is called out of retirement to investigate a cyberattack responsible for killing thousands of Americans.  

‘A Knight of the Seven Kingdoms’ 

Starring: Peter Claffey, Dexter Sol Ansell, Finn Bennett 

If “House of the Dragon” isn’t enough “Game of Thrones” universe for you, then here’s another prequel, this time based on George R.R. Martin’s “Tales of Dunk and Egg” novellas — set almost a century before the events of “Game of Thrones. The show will focus on hedge knight Ser Duncan the Tall (Dunk) and his young squire Aegon Targaryen (Egg), who will grow up to become King Aegon V and sit the Iron Throne, and their wanderings across Westeros. Martin has given the show his seal of approval, saying after visiting the set that the cast seemed to have “walked out of the pages of my book.” The approval of the fans may be harder to earn. 

‘Black Mirror’ season 7 

Starring: Awkwafina, Paul Giamatti, Emma Corrin 

Season seven of the acclaimed sci-fi/horror anthology series created by Charlie Brooker is confirmed as returning this year with a run of six episodes, two of which, Brooker told the audience at Netflix’s Geeked Week event in September, are “basically feature-length.” There’s little information about the stories so far, but the little we have is pretty exciting — one will be a sequel to one of the show’s most-loved episodes, the season four opener “USS Callister” (pictured).  


REVIEW: ‘Beast Games’ — the biggest prize in TV history, and a telling snapshot of our times

Updated 03 January 2025
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REVIEW: ‘Beast Games’ — the biggest prize in TV history, and a telling snapshot of our times

DUBAI: It’s a high bar, but “Beast Games” might be the most cynical TV show ever produced. Amazon — owned by Jeff Bezos; estimated net worth $251 billion — throws a reported $100 million at 26-year-old social-media behemoth Jimmy Donaldson (aka MrBeast; estimated net worth $500 million) so he can make a reality competition show that borrows heavily from a hugely successful fictional South Korean show and gives the “largest ever cast” (1,000 participants) the opportunity to win $5 million (the “largest ever single prize”) and a host of other ‘smaller’ (i.e. still huge) prizes along the way.

Why? Probably not because the studio execs — or Bezos himself — are huge MrBeast fans. But think of all the data to be mined when the latter’s 340 million YouTube subscribers sign up to Amazon Prime — that’s the kind of payoff that makes it worthwhile (and $100 million for Amazon is kind of like a regular person’s $5). 

And what do the audience get in return for surrendering their personal info to the rapacious advertiser and retailer? Basically “Squid Game” without any deaths, but with much of that show’s energy and aesthetics. Donaldson and his crew of long-time friends/assistants have built careers out of giving away huge amounts of money to people for completing challenges (or snatching it from them if they fail), and now they’re doing it with higher production values.

The tasks (at least in the first three episodes) are straightforward, childish even (catch a ball; throw a ball into a receptacle…), but the mind games are intense — often, competitors must sacrifice themselves so others can continue. Those that choose to do so look absolutely bereft. If you’re wondering whether anyone involved in “Beast Games” picked up on the fact that “Squid Game” was intended to satirize the spiritual vacuum of late-stage capitalism via the portrayal of the gleeful exploitation of desperate, cash-strapped people for entertainment, we’re guessing the answer’s no.

Still, as a TV show, “Beast Games” is compelling in its way — think “Ultimate Fail” videos crossed with “The Traitors.” It’s slickly packaged and fast-moving (within the first half-hour, half of the contestants are culled), like MrBeast’s YouTube content. The psychology is fascinating — the weird notion so many of the contestants have that they’re “destined” to win a game of mostly chance and not much skill, or that, somehow, “needing” it enough will see them through; or the way that, within a matter of hours, herd mentality and peer pressure make people forget that they’re competing to try and secure life-changing money for their loved ones rather than impress a group of almost-strangers to whom they owe nothing.  

“Beast Games” keeps you engaged, then, but it doesn’t keep you invested. That’s partly because Donaldson and co., who come across as affable and a bit goofy online, haven’t made the jump to “traditional” media comfortably. Particularly Donaldson, who, as a gameshow host, lacks warmth and charisma and spends much of his time shouting dystopian catchphrases (“Everyone has a price!” or, gazing down on the contestants from the wall of Beast City, “They look like ants!”).

It will be an enormous success.


Incoming: The hottest movies set for release before summer 2025

Updated 02 January 2025
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Incoming: The hottest movies set for release before summer 2025

DUBAI: From fortune-making franchises to family-friendly fun, here are some of the biggest films coming out in the next few months.

‘Snow White’ 

Director: Marc Webb 

Starring: Rachel Zegler, Gal Gadot, Andrew Burnap 

The latest in a flurry of live-action remakes of classic Disney animated movies (see also “Lilo & Stitch,” due out in late May) sees Zegler take on one of the most iconic fairytale princesses from the company’s considerable catalogue. Disney has certainly invested wisely in its writers — the musical fantasy was penned by Erin Cressida Wilson (“Secretary”) and Greta Gerwig (“Lady Bird,” “Barbie”) — and with a nostalgia-hungry audience pretty much guaranteed to turn up in theaters, this will likely be one of the year’s biggest hits with families. 

 

‘Paddington in Peru’ 

Director: Dougal Wilson 

Starring: Ben Whishaw, Hugh Bonneville, Emily Mortimer 

This third instalment of the hugely popular franchise based on Michael Bond’s children’s books sees Paddington and his adoptive family, the Browns, head to Paddington’s homeland of Peru, where — they have learned — Paddington’s Aunt Lucy is pining for him. When they arrive, though, Aunt Lucy has gone missing in the jungle, and during their search for her, Paddington and the Browns are separated. 

 

‘Captain America: Brave New World’ 

Director: Julius Onah 

Starring: Anthony Mackie, Danny Ramirez, Shira Haas 

Onah says this fourth installment in the “Captain America” film series will show Sam Wilson (previously The Falcon) “stepping up to be the leader as Captain America” having been handed the iconic shield by Steve Rogers in “Avengers: Endgame.” When Wilson finds himself at the center of an international incident involving the president, he must use everything he’s learned about being a hero to put things right. 

 

‘Mickey 17’  

Director: Bong Joon-ho 

Starring: Robert Pattinson, Mark Ruffalo, Toni Collette 

This long-delayed feature from acclaimed South Korean director Bong Joon-ho (whose 2019 black comedy “Parasite” picked up Best Picture and Best Director Oscars) keeps the dark humor, but shifts to a sci-fi setting. It stars Robert Pattinson as the title character, an ‘expendable’ space traveler sent on a dangerous mission to colonize an ice planet. When one Mickey dies, another is cloned with most of his memories intact. But when the titular 17th iteration accidentally survives, problems naturally arise. 

 

‘Black Bag’ 

Director: Steven Soderbergh 

Starring: Cate Blanchett, Michael Fassbender, Marisa Abela 

Modern indie cinema pioneer Soderbergh has become one of the planet’s finest crime-thriller directors, so giving him actors of the caliber of Blanchett and Fassbender for this spy thriller about a pair of married intelligence agents — George and Kathryn Woodhouse — should pay off handsomely. When Kathryn is accused of betraying her country, George’s loyalties are tested to their limits. 

 

‘The Amateur’ 

Director: James Hawes 

Starring: Rami Malek, Rachel Brosnahan, Caitriona Balfe 

British director Hawes helms this adaptation of Robert Littell’s 1981 novel. It’s a thriller about a CIA cryptographer Charles Heller (Malek) whose wife is killed in a terrorist attack. Realizing that his bosses are paralyzed by conflicting priorities, Heller blackmails them into training him as a field agent, then sets out to exact his revenge on those responsible for his wife’s death. 

 

‘Mission: Impossible — The Final Reckoning’ 

Director: Christopher McQuarrie 

Starring: Tom Cruise, Hayley Atwell, Ving Rhames 

Ethan Hunt and the gang return (and, despite the title, probably not for the last time) in this direct sequel to 2023’s “Dead Reckoning — Part One.” It continues the story of Hunt's battle against the Entity, a rogue AI capable of controlling Earth’s defense and financial networks. Cruise will be hoping that the relatively disappointing box-office performance of “Dead Reckoning” was just a blip in the long-running franchise’s success.  

 

‘A Minecraft Movie’ 

Director: Jared Hess 

Starring: Jack Black, Jason Momoa, Emma Myers 

Given the success of films based on video games or board games in recent years, a movie based on “Minecraft” — the pop-culture phenomenon sandbox game that has sustained its popularity for more than a decade now — was all but inevitable. The resulting adventure comedy centers around a team of misfits who are “pulled through a mysterious portal into the Overworld: a bizarre cubic wonderland that thrives on imagination,” according to a Warner Bros. synopsis. “To get back home, they’ll have to master this world … while embarking on a magical quest with an unexpected, expert crafter.” 


The Year Ahead: Five of the hottest games coming your way in 2025 

Updated 02 January 2025
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The Year Ahead: Five of the hottest games coming your way in 2025 

Dubai: A look at the hottest games coming our way in 2025.

‘Grand Theft Auto VI’ 

Rockstar Games’ open world action-adventure series has become one of those creative works that transcends its medium — so the release of “GTA VI” will likely be gaming’s biggest moment of 2025, as likely to make broadcast news headlines as to whip up a social-media frenzy. Its reveal trailer already smashed YouTube records for non-music videos, racking up 46 million views within 12 hours, and 101 million within two days, and sparked a huge spike in Spotify streams for its featured track, Tom Petty’s “Love Is a Long Road.” The game will feature the series’ first female protagonist in a quarter of a century — Lucia, a Latina woman — and her male partner as they try to evade law enforcement around the fictional state of Leonida (a thinly disguised Florida), including Vice City (a thinly disguised Miami) and visit South America too. Expect the usual blend of amoral/immoral action and pop-culture parodies (social-media influencers are apparently a major theme) along with gameplay that will keep you engaged for weeks. 

 

‘Assassin’s Creed: Shadows’  

The 14th major installment in Ubisoft’s action-adventure franchise takes the action over to 16th-century Japan, towards the end of a long period of civil wars. Considering how big a part stealth plays in all “Assassin’s Creed” games, ninjas seem a natural fit, and indeed, one of the two central figures of “Shadows” is Naoe, a female shinobi (the game’s stealth mechanics have undergone a major and welcome upgrade, too). The other is Yasuke, an African samurai apparently inspired by an historical figure of the same name. Players will once again be embroiled in the millennia-long conflict between the peace-and-freedom-seeking Assassin Brotherhood and the Templar Order, who believe peace can only be attained through control. After a difficult year for the French publisher, there’s a lot riding on this title. 

 

‘Tales of the Shire: A The Lord of the Rings Game’ 

Games based on J.R.R. Tolkien’s “The Lord of the Rings” tend, unsurprisingly, to be foreboding, violent affairs focused on the great battles between good and evil. So this life simulation game from Take-Two Interactive Software will make a refreshing change, allowing you to play a Hobbit without any great responsibility beyond making your idyllic corner of Middle Earth as welcoming and homely as possible — foraging in the forest, fishing in the crystal-clear lakes, gardening, trading with the townsfolk, and cooking for your fellow Hobbits to help build friendships.  

 

‘Death Stranding 2: On the Beach’ 

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Game designer Hideo Kijima is one of the biggest stars in the gamers’ galaxy. He first made a name for himself as the creator of “Metal Gear” at Konami before setting up his own studio, Kojima Productions, and releasing the genre-defying, slow-burn epic “Death Stranding” in 2019, in which the vast majority of the player’s time was spent trekking across post-apocalyptic mountainous landscapes to deliver parcels to isolated communities and attempt to reconnect the shattered chiral network (the internet, basically). Logistical skills were vital. It wasn’t for everyone, but if you bought into it, it was hugely rewarding and surprisingly emotional. Comparisons with some of the isolation felt worldwide during the COVID-19 pandemic, which arrived shortly after the game’s release, were inevitable, and Kijima has reportedly leaned into that for the sequel, which once again has a stellar cast. Norman Reedus and Léa Seydoux return as main protagonist Sam Bridges and his ally Fragile, while Elle Fanning also joins. 

 

‘Like a Dragon: Pirate Yakuza’  

The latest spinoff from the “Like a Dragon” action-adventure series sees fan favorite Goro Majima, a former Yakuza, taking the helm of his own pirate ship — and crew — after losing his memory. He goes in search of a fabled hidden treasure in islands surrounding Hawaii, including Honolulu, where last year’s excellent installment “Infinite Wealth” was set. Naturally, the game includes sea combat as well as the series’ regular beat ’em up combat style, and also sees the return of a few favorite minigames, including karaoke.