#CancelNetflix backlash: The problem with ‘Cuties’ is more than just poor marketing

Maïmouna Doucouré’s ‘Cuties’ debuted on Netflix on Sept. 9. Supplied
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Updated 14 September 2020
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#CancelNetflix backlash: The problem with ‘Cuties’ is more than just poor marketing

DUBAI: In spite of the backlash Netflix received for its use of an inappropriate poster to promote French-language film “Cuties” (“Les Mignonnes”), the streaming giant has gone ahead with the Sept. 9 debut of Maïmouna Doucouré’s controversial, award-winning movie on its platform. 

“Cuties” premiered at the Sundance Film Festival in January to glowing reviews, taking home the World Cinematic Director Award. 

Then, Netflix US’s marketing team kicked off a firestorm online due to its promotion of the film. Social media users accused the streaming giant of using hyper-sexualization to promote the film on its platform, prompting Netflix to issue an apology. However, the problem with “Cuties” goes beyond just poor marketing. 




Social media users accused the streaming giant of using hyper-sexualization to promote the film on its platform. Supplied

The coming-of-age film tells the story of an 11-year-old Muslim immigrant girl named Amy (Fathia Youssouf), who shortly after accidentally learning that her father is taking another wife, joins a twerking dance group with three other young girls in an attempt to escape her family dysfunction and defy traditions.

At the time, the Senagalese-French filmmaker explained, the project was inspired after she witnessed a group of young girls performing what she described as “sensual” dances for an audience of their parents.

“The main message of the film is that these young girls should have the time to be children, to enjoy their childhood, and have the time to choose who they want to be when they are adults. You have a choice; you can navigate between these cultures and choose from the elements of both, to develop into your own self, despite what social media dictates in our society,” Doucouré told Deadline.




The coming-of-age film tells the story of an 11-year-old Muslim immigrant girl named Amy (Fathia Youssouf) who joins a twerking dance group. Supplied

Indeed, the message Doucouré attempts to convey is vital. Unfortunately, it is overwhelmed by the film’s poor execution.

Produced by Sylvain de Zangroniz, the movie uses disturbing methods to relay its point. 

The actors, who are barely teenagers — the central four range from 12 to 14-years-old — twerk, run their hands across their bodies, lick their fingers and touch each other inappropriately while wearing revealing clothing.

In one scene, Amy gets attacked by girls at school who pull her pants down and expose her underwear. Another sees the dance troupe busted for sneaking into laser tag. To persuade the security guards to let them go, Amy twerks for one of them — a middle-aged man.

The camera work during the dance scenes doesn’t focus on the children’s faces at all. Instead, viewers see repeated close ups of little girls’ rears and crotches amid leg-spreading and bending, rampant in the choreography — made even more concerning when one realizes the cinematographer behind the film was a man (Yann Maritaud).




Produced by Sylvain de Zangroniz, the movie uses disturbing methods to relay its point. Supplied

According to Reem Shaheen, LMHC counseling psychologist and founder and director of BE Psychology Center for Emotional Wellbeing in Dubai, the overt sexualization of children in consumer culture is damaging in many ways. 

“The hyper-sexualization of children both in mainstream and social media is causing an increase in the early development of depression, anxiety, low self-esteem, high risk behaviors, self-harm, substance use and abuse as well as eating disorders in children,” Shaheen explained.

“For example, the average onset age of eating disorder 20 years ago was 13-16, today the onset age is 7-9 years old. The same applies to the majority of mental illness,” she adds.

Now imagine how long it takes to film such explicit material. There are stage managers, choreographers, producers as well as the parents of the children involved, all who are seemingly okay with having young girls sexualize themselves day by day, hour upon hour, for the sake of social critique. 




The overt sexualization of children in consumer culture is damaging in many ways. Supplied

Did none of the adults involved see an issue? Or did they simply believe so much in the film’s message that they were willing to sacrifice young girls for the sake of art?

The film’s director assured Indiewire that a child therapist was involved, saying: “We worked with a child psychologist throughout the filming. She’s still working with the children, because I want to make sure that they can navigate this newfound stardom.” However, the sexualization of child actors in a celebrated film is still a matter of concern. 

Shaheen explains that it is the parent’s duty to protect children from sexualization because “a child pre-puberty doesn’t necessarily subscribe to a gender role and identification. A child is a child, but once you sexualize them, then you are taking away that stage of their lives, pushing them into a later stage that they are not ready or mature enough for.”




The film’s director assured Indiewire that a child therapist was involved in the filming process. Supplied

However sometimes, parents can be complicit. “In many ways parents unknowingly contribute to these kinds of exploitations, for instance buying a toddler heels or make up, and exposing them to television material that is congruent with their age,” Shaheen said. “In today’s hyper-sexualized world, parents should be hyper-vigilant about the material their children are exposed to. They should always make sure that toys, clothes, and media material should be age appropriate.”

Many people took to social media to express their outrage over the film, calling it “child pornography” and sparking the hashtag #CancelNetflix. A Change.org petition to boycott the service has over 600,000 virtual signatures at the time of writing.

On the other side of the spectrum, many people are defending the film, justifying its controversial material by suggesting that the director is simply exposing hyper-sexualization and exploitation of children.

While that may be true, the welfare of children comes before any kind of social commentary. One would hope that there are better ways to bring attention and awareness to the sexual exploitation of children, other than to sexually exploit children.


Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

Updated 15 November 2024
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Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

  • The founder of London’s Hijazi Corner was hopeless in the kitchen, but his move abroad sparked a desire to recreate the cuisine of his homeland 

LONDON: Ayman Al-Zubaidi — the acclaimed chef behind Hijazi Corner, London’s first Saudi Arabian restaurant — has cooked for dignitaries, diplomats, celebrities and even the Kingdom’s royal family. But his most discerning critics were waiting for him much closer to home. 

In 2021, after several years living in London, Al-Zubaidi came home to Jeddah. But instead of the football shirt his family had pictured him wearing after his UK studies in sports science, he returned in chef whites. It was a transformation that no one saw coming — least of all him. 

Growing up in Jeddah’s Al-Sabeel district with his sister and three brothers, Al-Zubaidi could barely boil his own water. The kitchen was strictly his mother’s territory, and his late-night culinary ventures didn’t go far beyond packets of instant noodles. But now, the tables had turned, and his mother was seated as his guest. 

Hijazi Corner is London’s first Saudi Arabian restaurant. (Supplied)

“When I first moved to the UK, I was clueless in the kitchen, so I called her for help,” Al-Zubaidi tells Arab News from his restaurant in London’s de facto Arab district of Edgware Road. It was her loving mentorship that laid the foundations for his culinary journey, shaping his path to becoming one of London’s most distinctive chefs. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny and looks amazing — even just talking about it now I become hungry,” Al-Zubaidi says. “But even if I had the same ingredients and made it the same way, hers would always taste better.” 

Building on family recipes honed over decades by his ancestors in Yemen, Al Zubaidi’s Hijazi Corner is the only place in the UK capital where Saudis can find a true taste of home. 

Lined with thick carpets and ornate window paneling evoking the buildings of Jeddah’s Al-Balad historical district, its menu is full of comforting favorites drawn from across the Kingdom’s western coastal region — chicken seelag, slow-roasted lamb haneeth and delicate, flaky samboosek. 

Al-Zubaidi with Saudi Ambassador to the UK Prince Khalid and the latter's wife. (Supplied)

“From the richest person to the poorest person in Saudi Arabia, we eat the same food,” he says. “When we celebrate, when we grieve, when we are happy or sad, we get masoub (banana pudding) or motabbaq (thin layers of pastry stuffed with meat).” 

Al-Zubaidi’s path to the kitchen was anything but conventional. As a teenager eager to learn English, he set his sights on the UK, drawn by what he called “a love for the accent,” and made the leap in 2017. After completing his language course, he switched tracks to study sports. But somewhere between lectures and life abroad, homesickness hit in the form of a craving for the familiar flavors of Arabia. 

“In London, you can find plenty of Turkish, Kurdish, Indian, even Malaysian options — but nothing from Saudi,” he explains. “So I decided to make it myself.” He began recreating the comforting dishes of home in his small Clapham flat, selling them cash-in-hand to fellow Saudis in search of an authentic taste of the Kingdom. 

But the secret didn’t stay a secret for long. Soon, his passion found a new platform — Snapchat. 

Al-Zubaidi shared short videos of his cooking process, garnishing each clip with personal moments and mouth-watering close-ups of Saudi dishes. His humble videos quickly gained a loyal fanbase, and orders poured in from every corner of the city — particularly as COVID took hold in the early months of 2020. 

“People from the Saudi embassy added me, people from Aramco working in London added me. Saudis living here, working here, growing up here — plus lots of foreign people who had been to my country and tried this food before.” 

What started as a side hustle quickly evolved into a pop-up, and by 2023, into a brick-and-mortar restaurant where Londoners could finally experience the authentic flavors of Saudi Arabia. 

During the pop-up stage, Al-Zubaidi’s Snapchat followers became more than fans; they became enablers of his culinary vision, bringing a piece of Saudi Arabia to his London kitchen. Whenever one of his followers planned a trip from Saudi to the UK, they’d reach out, asking if he needed any hard-to-find ingredients. 

Al-Zubaidi’s requests were simple but essential — fragrant spices, fresh dill, and most importantly, the special pastry sheets that he just couldn’t source in London.   

“I’d say ‘I need the real pastry for samosa.’ And they’d bring it for me,” he says. 

The enthusiasm was mutual. His followers were just as eager to bring these reminders of home, knowing he’d transform them into the dishes they missed. 

Yet not everyone was as supportive. As he juggled his studies and the pop-up, criticism began to surface, especially from former friends back home. 

“They mocked me,” he recalls. “They’d say things like, ‘You went to the UK to study, and now you’re just selling food?’” 

Influencers he approached for social-media support brushed him off with dismissive remarks. But Al-Zubaidi was undeterred, finding new friends and switching his studies from sport to cooking. With a network of loyal clients and the backing of a few new investors he had met along the way, he began seriously considering a restaurant. 

One wealthy friend, who had seen the young chef’s determination, urged him to take the plunge. After months of hard work studying knife skills, mastering Saudi dishes, and learning the restaurant business inside out, Al-Zubaidi took the leap. 

Two years after opening its doors, Hijazi Corner is a definite success, becoming one of London’s top-rated Middle Eastern eateries. It’s perpetually packed with diners, and has become a go-to spot for celebrities, diplomats, and dignitaries from the Arab world and beyond, all seeking an authentic taste of Saudi Arabia. 

After showcasing Saudi cuisine at several festivals and events, on National Day this September, Al-Zubaidi received a special honor — an invitation to the Kingdom’s embassy in London. 

The recognition came after HRH Prince Khalid Bin Bandar Al-Saud, Saudi Arabia’s ambassador to the UK, visited Hijazi Corner and was so impressed that he mentioned it by name in his National Day speech. Al-Zubaidi, overcome with pride, shed tears of joy.  

“I am proud of what I’ve achieved, but I haven’t finished yet,” he says. “This is just the beginning—there’s so much more of Saudi culture I want to share with the world.” 


Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

Updated 15 November 2024
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Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

  • ‘My designs are a heartfelt expression,’ says Shouq Almubarak

RIYADH: Saudi fashion designer Shouq Almubarak is dreaming big, both for the Kingdom’s fashion industry and for her own brand, Pavone.  

“The future holds endless possibilities, and I have ambitious plans aligned with the growth of the Kingdom’s fashion industry,” Almubarak told Arab News on the sidelines of Riyadh Fashion Week in October. “I aim to continue expanding my work with larger projects that seamlessly blend authenticity with modern creativity. My ultimate vision is to reach a global audience, sharing the beauty and pride of the Saudi identity.” 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event, which took place from Oct. 17 to Oct. 21. 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event. (Supplied)

“Being part of Riyadh Fashion Week is a true honor and a moment of immense pride,” she said. “It’s not just about presenting my designs, but about contributing to the rise of Saudi fashion on the global stage. It’s an opportunity to leave my mark and help shape the future of fashion in the Kingdom.” 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” She told Arab News that much of her inspiration — aside from seeing beautiful things that spark her imagination — comes from within. 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia. (Supplied)

“I draw from moments that leave a lasting impact — whether it’s an emotion, a scene, or just a quiet moment of reflection. I then transform these moments into tangible works of art that capture and reflect the essence of those experiences. My designs are a heartfelt expression,” she said. 

Those “artistic pieces” include her couture collection “Lina,” which she presented at last year’s Riyadh Fashion Week and which she describes as one of her greatest accomplishments as a designer. 

“This collection was a breakthrough for me, as it challenged me to explore new, unconventional ideas,” Almubarak said. “‘Lina’ is more than just a fashion line — it symbolizes the beginning of an exciting new chapter in my career, full of opportunities; a defining moment that has shaped my journey as a designer.” 

Almubarak established Pavone with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” (Supplied)

The biggest challenge Almubarak has faced so far, she said, is finding partners who not only understand her vision but also share her commitment to exceptional quality. 

“Ensuring that every design was brought to life with meticulous attention to detail and delivering the level of excellence my clients deserve has always been the goal I strive to achieve,” she said. 

Discussing tips for aspiring designers, she said: “My key advice is to prioritize quality; you have to select the right factory and partners. Design isn’t just about the concept — it’s about translating creativity into a finished product with precision and craftsmanship that aligns with the customer’s expectations.” 


Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

Updated 15 November 2024
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Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

DUBAI: Here are three highlights from the winning entries in this year’s Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award.

Youmn Mohammed Almanla 

The Saudi photographer claimed second place in the ‘Color’ category of this year’s HIPA awards for this stunning image of horse riders firing rifles against a twilight sky — an example of the ancient Moroccan equestrian art known as ‘tbourida,’ which is included on UNESCO’s list of Intangible Cultural Heritage. It is, Almanla said in his statement, “a breathtaking display of skill, bravery, and the untamed spirit of the desert.” 

Liping Cao 

The Chinese photographer picked up the Grand Prize at this year’s awards (staged under the theme ‘Sustainability’) for this dramatic black-and-white shot he named “Quiet Power.” It shows an Australian wind farm. “The dry riverbed below the turbines adds depth, while serving as a reminder of the importance of sustainable practices,” a statement from HIPA reads. 

Fatma Alzahra Shbair 

The Palestinian photographer won first prize in the “Portfolio” category for a collection of scenes from the Gaza Strip taken over the months since Israel launched its assault on the enclave in October 2023. “Through telling the stories of others, the storyteller realized they were also sharing their own — an intertwined account of survival and collective suffering,” a HIPA statement reads.  


Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

Updated 15 November 2024
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Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

RIYADH: The only thing sparkling brighter than the stars on the red carpet and performers on stage were the dresses on the runway as Lebanese icon Elie Saab put on a spectacle on Wednesday night in Riyadh with Jennifer Lopez, Celine Dion and Halle Berry hitting the stage in addition to a runway show of his creations.

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab,” an homage to the 1001 nights collection of Middle Eastern folktales.

Celine Dion was spotted on the red carpet at the event. (AN Photo/ Jafer Alsaleh)

Former French Vogue editor Carine Roitfeld styled all the looks for the runway.

Guests were given a surprise when stars Lopez, Camila Cabello, Nancy Ajram, Amr Diab, and the legendary Celine Dion took to the stage in celebration of Elie Saab.

Oscar-winner Halle Berry hit the stage. (AN Photo/ Jafer Alsaleh)

Opening the show was none other than Hollywood actress Berry wearing the same Elie Saab gown she wore when she won her first Oscar in 2002, making her the first Black woman to win the award for Best Actress.

Prior to the show, Berry was seen on the red carpet talking about how this was her first time meeting Saab in person, “That was the highlight of this trip for me to finally meet this man who I have been inextricably connected to for 22 years, and to give him a hug and tell him thank you.”

Pop icon Jennifer Lopez performed at the event. (AN Photo/ Jafer Alsaleh)

Celebrity stylist Law Roach, known for styling Hollywood A-listers like Zendaya, Anya Taylor Joy, Bella Hadid, and Celine Dion, talked to Arab News about Elie Saab’s ability to transcend eras.

“Elie Saab is one of the few couturiers whose clothes can be passed down to generations and generations and be reinterpreted.”

Models gather on stage at the Elie Saab show in Riyadh. (AN Photo/ Jafer Alsaleh)

“Maybe someone got married in it (a dress), and maybe generations down the granddaughter of someone gets married in the same dress, it has that possibility of just being timeless and forever,” he said.

Saudi French model Amira Al-Zuhair was spotted on the runway. (AN Photo/ Jafer Alsaleh)

The spectacle began with a performance by Lopez, a frequent wearer of Saab’s creations. The first designs exhibited an array of black-and-white dresses adorned in classic crystals, a signature touch in most of his designs.

Next up was “an ode to the female figure”, where dresses in different shades of pink and green were lit up on stage with the help of singer-songwriter Camila Cabello. This section of the show featured what looked like a garden theme, detailing the beauty of the natural world as it interconnects with the beauty of women.

The tale continued into a silver and blue chapter, where the audience was given a touch of Arab culture with Lebanese singing icon Nancy Ajram, a nod to Elie Saab’s Lebanese heritage as well, followed by Egyptian star Amr Diab.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Elie Saab, the name introduces itself. When we say Elie Saab we say elegance… when I wear Elie Saab I look at myself in the mirror more often and find myself more beautiful,” Ajram stated before her performance.

“I am also happy that a Lebanese creative deserves to be honored, is very successful, and we all see ourselves in him.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

The show concluded with a showcase by Dion, who gave an emotional and empowering performance that had the entire audience on their feet.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Being here (in Riyadh) for the first time is kind of a dream come true,” Dion said.

“His (Elie Saab’s) generosity, his talent, he has been singing with me because I have been wearing his dresses, his talent, for many, many, years.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

Elie Saab Jr., CEO of Elie Saab, said: “We have been thinking a lot about how to create an international event in high fashion in the heart of Riyadh. And I believe it is a one of a kind event, not just for Riyadh, but for the whole world and the whole fashion industry.”

The evening was attended by more than 1,000 guests, including Egyptian actress Youssra; Italian star Monica Bellucci; British models Rosie Huntington-Whiteley, Poppy Delevingne  and Jourdan Dunn, supermodels Adriana Lima, Candice Swanepoel and Helena Christensen, and Arab actresses Nadine Njeim, Cyrine Abdel Nour, and Tara Emad.

Lebanese superstar Nancy Ajram on stage. (Supplied)

Mustafa Sammak, COO of Ohana Development, which collaborated with Elie Saab on the Waterfront Tower in Abu Dhabi, told Arab News at the event that the showcase “powerfully reflects Middle Eastern artistry and heritage, drawing global attention to the region’s luxury landscape and creative depth. It reminds us that design — whether in fashion or real estate — has the ability to tell stories and bridge cultures.”


Saudi digital artist Khaled Makshoush: ‘I chase an atmosphere’   

Updated 14 November 2024
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Saudi digital artist Khaled Makshoush: ‘I chase an atmosphere’   

  • Makshoush is one of the participants in the newly launched Diriyah Arts Futures 

DUBAI: Saudi Arabia’s Diriyah is now nurturing the Kingdom’s creative future. The UNESCO World Heritage site recently launched Diriyah Art Futures (DAF), an initiative aimed at empowering the next generation of Saudi digital artists.  

Among the select few to join DAF’s Emerging New Media Artists program is Saudi pixel artist Khaled Makshoush, who is now part of a project designed to establish Riyadh as a global capital of new media art. 

Cranes, 2024, Pixel Art. (Supplied)

The program, designed in collaboration with France’s Le Fresnoy Studio National des Arts Contemporains, provides artists like Makshoush with access to advanced equipment, production budgets, and mentorship from international digital art experts.  

Reflecting on this opportunity, Makshoush told Arab News how meaningful it feels to exhibit and evolve his pixel art within his homeland.  

“When I started creating digital art, especially pixel art, I never thought I would get an opportunity like this, with such a program and in my own city,” he said. “I am really grateful for that and to get the chance to actually put my pixel art out there.”  

Among the select few to join DAF’s Emerging New Media Artists program is Saudi pixel artist Khaled Makshoush, who is now part of a project designed to establish Riyadh as a global capital of new media art.  (Supplied)

Makshoush’s journey into pixel art began in 2015, when he and a friend explored the idea of creating video games. While his friend handled the programming, Makshoush took on the artistic side, initially choosing pixel art for its perceived simplicity.  

Over time, that initial foray transformed into a deeper passion. By 2016, he was dedicating himself fully to the medium, honing his skills through a disciplined daily painting practice, which pushed him to continually explore new ideas and techniques.  

“This forced me to ask myself, ‘What do I want to draw? What do I want to paint? And that, I think, was a big question. It kind of led me into a journey of discovering myself,” he said. 

Today, Makshoush’s art often centers around the landscapes and cityscapes of Riyadh.  

Petrochemical, 2020, Pixel Art. (Supplied)

“I focus on feeling the space. Like, how and why does it make me feel a certain way? When I’m outside and I see something interesting, I try to explore it,” he said. 

For Makshoush, the power of pixel art lies in its ability to capture and convey a distinct impression — a quality that he strives to evoke in each piece he creates.  

“I chase an atmosphere,” he explained. “My work represents my state of mind during the time that I create (an artwork).” 

His personal connection to, and love for, Riyadh is evident in his work, which manages to be both contemporary, but somehow nostalgic at the same time, perhaps because of his retro graphics style.  

Through the DAF program, Makshoush hopes to push his skills further by experimenting with larger scales as well as with new technologies.  

Saturday Morning, 2023, Pixel Art. (Supplied)

The mentorship component of the program, he said, is particularly exciting for him, as it offers a chance to explore intersections between pixel art and other digital forms. He would love to explore techniques like programming or ways to exhibit his work interactively. He envisions his art evolving into installations that blend the virtual and physical, bridging the gap between the online world, where digital art typically lives, and tangible exhibitions. 

“The idea of moving pixel art from the screen to the physical space is intriguing — finding a balance where it retains its digital essence while existing outside the internet,” he said. 

Pixel art, so heavily linked to vintage video games from “Space Invaders” and “Pac-Man” to “Super Mario Bros,” has evolved significantly in recent years, Makshoush believes. He noted that, especially since the early 2010s, social media has helped push pixel art into new realms, with artists worldwide reimagining it and taking it beyond its nostalgic associations. He described a movement primarily driven by Japanese and Western artists, characterized by serene, almost cinematic scenes that evoke a quiet beauty.  

“It’s about creating an atmosphere rather than reliving the nostalgia of video games,” he said.  

With his newfound access to resources and mentors, Makshoush is eager to contribute to Saudi Arabia’s burgeoning digital art scene, which he sees as increasingly dynamic and influential.  

“We have a lot of digital artists now in Saudi Arabia and it is only becoming bigger and bigger,” he said. “I hope my work can inspire others as I was once inspired.”