Asharq’s GM Nabeel Khatib on channel launch, Bloomberg collaboration and regional competition

Nabeel Alkhatib, general manager of the new Asharq operation, sees a distinct need for the imminent channel, despite the fact that there are already 18 Arabic TV stations broadcasting in the Gulf region. (Supplied)
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Updated 11 November 2020
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Asharq’s GM Nabeel Khatib on channel launch, Bloomberg collaboration and regional competition

  • Nabeel Alkhatib explains the need for a new approach to Middle East media

DUBAI: Media launches are exciting and demanding events, but launching an entirely new multi-platform channel in the Middle East is a task of a different order of magnitude.
Nabeel Alkhatib soon will turn on the switch to start broadcasting Asharq News on television, the internet and across a variety of social media platforms in Arabic.
This ambitious project — an exclusive content agreement between the international information giant Bloomberg and the Saudi Research and Marketing Group, which also owns Arab News and the world’s biggest Arabic news outlet, London-based Asharq Al-Awsat, as well as several other titles in the Kingdom — has been some time in the planning.
Alkhatib, general manager of the new operation, sees a distinct need for the imminent channel, despite the fact that there are already 18 Arabic TV stations broadcasting in the Gulf region. “There are certain target groups who are not being catered to terms of the proper content, or with content that is not suitable for them,” he told Arab News.


Although Alkhatib is talking about the targeting of content, what is “suitable” for readers and viewers is at the heart of the debate that has been going on at Asharq since the launch was announced three years ago.
Bloomberg is a big, brash global news organization with 2,700 journalists and experts around the world, known for their independence of thought and a tendency to often take a counter-cyclical view in its business-oriented coverage. That could sometimes offend viewers, readers and, not least, governments and policymakers in the region.
How will Alkhatib approach the issue if Bloomberg content goes beyond what is normally considered acceptable in the Middle East?
“We have a mechanism for that. Whatever we think is suitable for the region, we take it as is. If we see an article of potential interest to our viewers or readers, we translate it as it stands. If it’s not suitable or appropriate for whatever reason, we don’t take it. But we either take  in full, or we don’t take it at all,” he said.
“What do we do if they (Bloomberg) publish something that is not suitable for us from an editorial perspective, or is politically sensitive, or maybe it contradicts the laws we abide by in the region? If so, we either take it as is or we don’t take it at all. We will not be modifying any of their content. We respect the integrity of their content,” he added.


On the crucial question of editorial decision-making, he is determined to abide by internationally accepted guidelines.
“Our editorial guidelines and directions in Asharq are that we try to publish anything that might be of real interest to our public appearing on Bloomberg as long as it is balanced, fair and accurate, and does not contradict any laws.
“Sometimes there might be a masterpiece, but a lawyer will say don’t run it because you will be under liability. But anything that is legally viable and is of real interest to our potential viewers or readers, we need to push for publishing,” he added.
Although these are standard editorial guidelines in many parts of the world, in the Middle East, he said, it amounted to “pushing the envelope.”
The new channel will be different from existing products in other ways, too, Alkhatib said, serving audiences that he believes are not well catered for at the moment.

“The first group is the main business leaders, entrepreneurs and political leaders who need to be aware of economic developments around the world, and how that might affect the Middle East and their respective countries.
“There is no such content in Arabic, believe it or not, because none of the players is giving priority to covering international markets, economic opportunities or challenges, and how they might affect the region,” he said.
The other target audience is the huge number of young Arabs overlooked by existing channels. A majority of the Arab-speaking population is under the age of 25.

*******

BIO

BORN: Palestine, 1962

EDUCATION: Undergraduate and doctoral qualifications from former Soviet Union

CAREER
Founder of journalism school at Birzeit University, Palestine
Lecturer at Jordan Media Institute and American University in Dubai
MBC News bureau chief, Jerusalem
Executive Editor, Al Arabiya
General Manager, Al Arabiya
General Manager, Asharq News

*******

 

“Everybody sees them, but nobody is catering for them. They are not being catered for by any mainstream media. We thought we should appeal to them and tackle their issues and concerns, and we will do that via lots of digital platforms, because this is the way they like to consume content,” he added.
After a life-long career in the senior echelons of regional journalism, Alkhatib believes a new approach is needed.
“We are not trying to be ‘TV-centric’ like the others. The others are stuck with TV. They have been there a long time and are stuck with workflows that cannot change very easily. We are new so have learned from the difficulties that others have been through, and we are trying to be ‘story-centric.’ That will help us become agile and more appealing,” he said.
By ‘story-centric’ he means a fresh way of looking at news coverage. “We do not concentrate on what suits TV, or what might suit a website. We think about the issue itself, the content, and we serve it with whatever it requires in terms of research and information. We always try to give a perspective of the event, and this is something that has rarely been done in Arabic-speaking news journalism,” he said.
“We try to give a 360-degree view on a story, ‘Connecting the Dots’ is the Asharq News slogan that drives its journalistic work and sets its ultimate goal. The dots at Asharq News connect the news to its context, geographical setting, historical dimension, political depth, economic impact and social reality.


This is something which has not been popular in the region,” he said, explaining that regional news coverage had relied too much on international news agencies for global coverage, without giving a regional context.
The other reason traditional regional media has come up short is, “in my very personal view”, political. “There are a lot of players in the region who are imprisoned by political polarization, and that limits the ability to tell a story the way it is. If you’re telling a story, you either try to be fair and balanced, or you try to cater for your own ideology,” Alkhatib said.
The flagship of the new venture will be a 24-hour news channel, with a strong business element largely provided by the Bloomberg content agreement. “There will be around 30 percent of business in the beginning, but there are no walls between business and non-business. The interesting thing is that we’ll be offering a morning show that is business led.
“For the first time in the region, and with all due respect, the two-hour morning show will not be catering for housewives, but for CEOs who like to know how North America closed last night, how the Asia markets are now working, and how this might affect our region, so they can have a panoramic view of what’s happening around the world,” he said.
The rest of the daily broadcasting schedule will consist of news, documentaries and investigative content. One segment, entitled “The Link,” will explain to viewers how political events are affecting business and economics, while another will explore the implications of global events for the Middle East. Another program, “East Circle,” will take a deep dive into areas such as politics, economics and technology.
The TV channel will be accompanied by a “very strong” digital operation, with content, including sports news, automatically tailored to individual users’ taste and interests.
“We don’t think people appreciate news organizations imposing on them what they think they will like,” he said. There will also be a video-on-demand platform for viewers to see Bloomberg and original content.
Alkhatib expects a big chunk of the coverage to be about Saudi Arabia, as the biggest economy in the region and a member of the G20 group of leading nations. But the operation will cover the whole of the Middle East and North Africa in depth, with offices in Riyadh, Dubai and Cairo, as well as a planned operation in Morocco.
Asharq News is headquartered in Riyadh, and with central offices in DIFC, Dubai, and in Washington D.C, But there is a big and expanding operation in Riyadh that Alkhatib believes will one day be the main operations base for a hub of satellite offices around the region and beyond.
“We are bringing Bloomberg content and a new approach, a new way of dealing with the other platforms. We would like to think we are offering viewers and readers something they will not see on other platforms in the region,” he said.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
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Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Updated 14 November 2024
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Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.