Year 2020 sees the revival and growth of Arabic calligraphy
Year 2020 sees the revival and growth of Arabic calligraphy/node/1777376/saudi-arabia
Year 2020 sees the revival and growth of Arabic calligraphy
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Several Saudi cities are offering sessions for both men and women, allowing participants to reconnect with the heritage of Arabic calligraphy. (Photos/Supplied)
Year 2020 sees the revival and growth of Arabic calligraphy
Artists stress importance of learning the art form to boost pride in Arab culture
Updated 21 December 2020
Tareq Al-Thaqafi
MAKKAH: With the Kingdom’s declaration of 2020 as the Year of Arabic Calligraphy, the art form is seeing a revival.
Several Saudi cities are offering sessions for both men and women, allowing participants to reconnect with the heritage of Arabic calligraphy, which continues to gain popularity among art enthusiasts. Other platforms to receive and support ideas and submissions have also been launched.
Arabic calligraphy:
Ancient craft,
modern art
For the Saudi Ministry of Culture's Year of Arabic Calligraphy in 2020/21, we take an in-depth look at how the craft has developed from ancient to modern times.
When asked about the reason why many women are currently interested in reviving Arabic calligraphy, calligrapher Reem Al-Qahtani told Arab News: “It is due to their love for beauty.”
Aesthetics, however, were not the sole motivation. Those who take up calligraphy soon learn that it is “characterized by order, balance and proportions” and that it requires patience to execute.
It is a priority for us, the people of the Two Holy Mosques, to preserve this great heritage.
Reem Al-Qahtani
Interaction between men and women has increased during the Year of Arabic Calligraphy initiative, Al-Qahtani said, especially due to the diverse activities that were made available to all segments of society.
“This passion will surely remain with all those who had the honor of learning about Arabic calligraphy and Islamic patterning,” she told Arab News.
On how to preserve this heritage among young people, Al-Qahtani pointed out that Arabic calligraphy is historically related to writing revelations.
Before becoming a form of art on its own, calligraphy was a tool of documentation, she explained.
“It is a priority for us, the people of the Two Holy Mosques, to preserve this great heritage. We should learn it and pass it down to younger generations so that they may take pride in our long-standing Islamic values,” said the calligrapher.
She called on all government and private institutions to launch various activities and initiatives in order to boost the role of Arabic calligraphy.
Grand Mosque calligrapher Ibrahim Al-Rafei told Arab News that “in light of modern technological development, the importance of Arabic calligraphy resides in the fact that it is considered a means of communication that an increasing number of people are learning despite all the rapid advancements.”
FASTFACT
The art of Arabic calligraphy developed from two major styles: Naskh and Kufic. Originating in the Iraqi city of Kufa in or around the 7th century CE, Kufic is the earliest example of a universal calligraphic style.
Al-Rafei added that no matter how old the calligrapher’s tools are, he can integrate them with computer technology.
While computer letters are standardized, however, the calligrapher’s letters are his alone. “The calligrapher has his own imprint. His lines express his identity, personality, uniqueness and pride as he mixes classical writing with the era’s spirit and aesthetics.”
Writing in Arabic preserves the language and continuity of its usage as a means of communication, said Al-Rafei, adding that one of the language’s most important tools, aesthetically and visually, is Arabic calligraphy, which even catches the eyes of non-Arabic speakers.
He stressed the importance of teaching Arabic calligraphy to younger generations, as it boosts their confidence and pride in Arab culture.
“Throughout my 32 years of experience in learning Arabic calligraphy, starting from the Grand Mosque, where I have been learning for the past 17 years, all segments of society have demonstrated a passion for learning the different styles of Arabic calligraphy,” he said.
Aesthetically, Arabic calligraphy develops the student’s artistic taste.
Ibrahim Al-Rafei
He added that some of the students are highly determined, and this gives them great writing skills as well as the discipline necessary to pursue the art form.
“Aesthetically, Arabic calligraphy develops the student’s artistic taste,” the calligrapher added.
Calligraphy is a social experience, Al-Rafei explained, as the art brings people together, with many asking the artist to write out their names or expressions of their choice.
“This is what connects a calligrapher to others; the more he masters his craft, the more he becomes connected to all groups in society,” he added.
KSrelief distributes aid to most needy in Lebanon, Chad and Syria
Updated 9 sec ago
Arab News
RIYADH: Saudi aid agency KSrelief has delivered more aid to those most in need in Lebanon, Chad and Syria, reported the Saudi Press Agency.
In Chari-Baguirmi, Chad, the agency delivered 1,600 food parcels that benefitted 9,600 people. A further 333 food aid parcels and 333 hygiene kits were distributed in the Idlib region of Syria to help 1,998 individuals from 333 families who were affected by last year’s devastating earthquake.
And in Lebanon, winter clothing vouchers were given to 300 orphans and people with special needs in Akkar governorate. These will help them buy clothing for the forthcoming winter.
Saudi defense minister meets with Chinese envoy to Kingdom
Session attended by several high-ranking officials from both sides
Updated 17 November 2024
Arab News
RIYADH: Saudi Minister of Defense Prince Khalid bin Salman met with Chinese ambassador to the Kingdom Chang Hua on Sunday.
The meeting focused on reviewing the strong relations between the two nations and discussing various issues of mutual interest, Saudi Press Agency reported.
The session was attended by several high-ranking officials from both sides, SPA added.
King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries
Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims
Updated 17 November 2024
Arab News
RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.
The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.
The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.
The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.
He added it would strengthen the bonds of brotherhood among Muslims in various parts of the world and develop fruitful communication between scholars and influential figures who are hosted by the program.
The program has benefitted people from more than 140 countries since it was launched, the minister said.
Old school, new love: Analog tech captures hearts in Saudi Arabia
Community bound by love of old gadgets that help enrich the present
Updated 17 November 2024
Waad Hussain
RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.
Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.
Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.
For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”
Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.
Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”
HIGHLIGHTS
• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.
• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.
This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.
The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.
Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”
Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.
Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.
He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”
Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.
For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”
With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.
Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.
Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”
For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.
“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.
For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.
Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.
Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.
“With analog, people reconnect with something real, something authentic.”
This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.
The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.
She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”
For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.
As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.
Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.
In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.
For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.
Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.
Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.
With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.
In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.
While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.
Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.
As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.
The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.
JEDDAH: Saudi Arabia’s counter-narcotics authorities on Sunday foiled attempts to smuggle $2 million worth of Captagon drugs and nearly half a million unlicensed Pregabalin and Tramadol pills.
The Zakat, Tax and Customs Authority said in a statement that it had seized the illegal drugs and unlicensed pills at King Abdulaziz International Airport in Jeddah; the inland Dry Port in Riyadh; and Al-Batha Port.
Authorities at the airport in Jeddah found 200,000 Captagon pills hidden in mail parcels containing household utensils. The drugs have a street value ranging from $2 million to $5 million.
Captagon, a type of amphetamine, is used by young men and teenage boys across the Middle East and has a street value of between $10 and $25 a pill, according to research by the International Journal of Addiction Research.
The attempt to smuggle Captagon into the Kingdom was the second in less than a week. Counter-narcotics authorities uncovered a shipment of 12 million amphetamine pills on Wednesday at the Red Sea port of Jeddah which had been hidden inside a container of building materials.
The authorities also thwarted the smuggling of 403,124 unlicensed Pregabalin pills at the inland Dry Port near Riyadh. Pregabalin is a prescription-only drug for anxiety, epilepsy, and nerve pain treatment, but its abuse has led to several deaths in Saudi Arabia, the UAE and Jordan. In countries such as the UK it is illegal to buy or possess Pregabalin without a medical prescription.
An attempt to smuggle 1,990 unlicensed Tramadol pills — a prescription-only painkiller — and 500 grams of Shabu was thwarted at Al-Batha Port. The Customs Authority said the Shabu was found hidden in a shipment of washing machines.
The Customs Authority and the General Directorate of Narcotics Control have announced the arrest of 10 people in connection with the drug smuggling cases.