LONDON: Britain’s Prince Harry has written the foreword for a new book aimed at the children of frontline workers who died in the COVID-19 pandemic, sharing the pain he suffered as a boy after the death of his mother, Princess Diana.
Harry wrote that losing his mother at age 12 left “a huge hole inside of me,” according to excerpts of the book printed in the Times of London. Diana died in a Paris car accident in August 1997.
“Hospital by the Hill,’’ by Chris Connaughton, is the story of a young person whose mother worked at a hospital and died during the pandemic. It is being given to children who have experienced similar losses.
“While I wish I was able to hug you right now, I hope this story is able to provide you comfort in knowing that you’re not alone,” Harry wrote in the foreword. “When I was a young boy I lost my mum. At the time, I didn’t want to believe it or accept it, and it left a huge hole inside of me. I know how you feel, and I want to assure you that over time that hole will be filled with so much love and support.”
Harry has on several occasions reflected on the enduring pain he experienced from his mother’s sudden death. He has made mental health awareness a key part of his charitable work.
“We all cope with loss in a different way, but when a parent goes to heaven, I was told their spirit, their love and the memories of them do not,” Harry wrote. “They are always with you, and you can hold on to them forever. I find this to be true.”
Prince Harry gives advice to grieving children in new book
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Prince Harry gives advice to grieving children in new book
- Harry wrote that losing his mother at age 12 left “a huge hole inside of me”
- Diana died in a Paris car accident in August 1997
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Although the climates of other worlds are extremely diverse, the chemical and physical processes that shape their dynamics are the same.
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First published in 1994, the novel is often regarded as one of Murakami’s masterpieces, encapsulating his signature blend of magical realism, psychological depth, and cultural introspection.
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Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal. The novel’s structure mirrors this duality, as Toru navigates his increasingly strange reality while descending into dreamlike underworlds, mysterious wells, and symbolic landscapes.
These moments are imbued with Murakami’s distinctive sense of unease, where the boundaries of the tangible and intangible blur, leaving the reader questioning the nature of reality itself.
One of the novel’s great strengths is its ability to juxtapose the deeply personal with the historically and culturally significant.
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“The Wind-Up Bird Chronicle” also delves into themes of connection and alienation, power and vulnerability, and the search for meaning in a world that often feels inexplicable. Toru’s journey is not just a physical quest but a spiritual and emotional odyssey, forcing him to confront the unseen forces that shape his life and the lives of those around him.
Murakami’s use of symbolism and recurring motifs — cats, wells, and the titular wind-up bird — adds layers of mystery and interpretive richness to the novel. These elements, coupled with the novel’s nonlinear structure and surreal interludes, create a reading experience that is both immersive and disorienting, drawing readers into a world that is as unsettling as it is beautiful.
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