Why won’t Twitter ban Khamenei when it permanently suspended Trump?

Iran’s Supreme Leader Ayatollah Ali Khamenei is notorious for using his Twitter accounts to incite hate, violence and disinformation. Yet his many accounts in multiple languages still exist on the platform. (AN Design)
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Updated 22 March 2021
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Why won’t Twitter ban Khamenei when it permanently suspended Trump?

  • Twitter took action last year against ex-president Donald Trump by adding fact-checking and violence labels to his tweets and eventually suspending his account @realDonaldTrump permanently on January 8
  • On March 18, Twitter wrote in a blog post that it is “calling for public input” on its approach to world leaders

DUBAI: Iran’s Supreme Leader Ayatollah Ali Khamenei is notorious for using his Twitter accounts to incite hate, violence and disinformation. Yet his many accounts in multiple languages still exist on the platform.

These accounts, in languages including Persian, English, and Spanish, regularly post content that would – and should – violate Twitter’s policies.

In January, an account linked to Khamenei’s personal office posted a graphic threatening “revenge” while appearing to depict former President Trump under the shadow of a looming airstrike, which was retweeted by one of Khamenei’s personal accounts. Following public backlash, Twitter suspended the account that posted the tweet but not the personal account.

 

 

It said it suspended the account due to a violation of its policy against fake accounts.

“The justification that Twitter reportedly gave for why it shut down that particular account but not others was not just unpersuasive, it was preposterous,” David Weinberg, Washington director for international affairs of the US-based anti-hate organization Anti-Defamation League (ADL), told Arab News.

“For one thing, it was followed by and frequently retweeted by other central Khamenei accounts (which were not suspended). It had also been allowed to promote all kinds of problematic content for half a year until then. So, why all of a sudden did it get removed – just a day or two after posting material that was incitement to violence?” he said.

Following the incident, ADL wrote a letter to Twitter CEO Jack Dorsey calling to deplatform all accounts linked to Khamenei without delay for repeated violations of Twitter’s rules that prohibit incitement to hatred and violence.

The letter gave examples of how Khamenei’s tweets have continually violated three specific policies – Glorification of Violence, Hateful Conduct and COVID-19 Misleading Information – and urged Twitter to suspend the associated accounts.

Signed by ADL CEO and National Director Jonathan Greenblatt, the letter ends:

“But given that you have already suspended an American president from your platform earlier this month, and just removed one of Khamenei’s many Twitter accounts for its blatant and threatening violations of Twitter’s policies, that standard must urgently be applied to Khamenei’s panoply of other Twitter accounts, which so clearly pose a danger to public safety and routinely violate Twitter’s terms of service.”

Twitter took action last year against ex-president Donald Trump by adding fact-checking and violence labels to his tweets and eventually suspending his account @realDonaldTrump permanently on January 8.

“After close review of recent Tweets from the @realDonaldTrump account and the context around them — specifically how they are being received and interpreted on and off Twitter — we have permanently suspended the account due to the risk of further incitement of violence,” it said.

However, when US Senate Commerce Chair Roger Wicker asked Dorsey in a hearing last year about tweets from Khamenei that “glorified violence,” Dorsey defended the decision to keep them unlabeled on the platform.

He said, “We did not find those to violate our terms of service because we considered them ‘saber rattling,’ which is part of the speech of world leaders in concert with other countries.”

Weinberg commented: “The lesson over and over again from modern human history, as I read it, is that when a fanatical dictator responsible for the slaughter of thousands of his own citizens, as well as horrific violence, and calls for genocide against the other, says what they’re going to do, the international community needs to take that seriously; not just dismiss it as tough talk or posturing or playing to a domestic audience.”

 

 

He went on to add that sometimes when “murderous fanatics” say they’re going to commit genocide or eliminate countries or “demonize entire religions and nations of people,” it is genuine.

“It is an expression of their genuine worldview and their genuine intent.”

It was around the same time that Twitter had put labels on Trump’s tweets about widespread fraud in voting by mail and other tweets that it said violated its policies “regarding the glorification of violence based on the historical context of the last line, its connection to violence, and the risk it could inspire similar actions today.”

Replying to the Senator about the double standards of labeling Trump’s tweets but not those of other world leaders, Dorsey said, “We saw the confusion it might encourage and we labeled it accordingly. The goal of our labeling is to provide more context, to connect the dots so people can have more information so they can make decisions for themselves.”

On March 18, Twitter wrote in a blog post that it is “calling for public input” on its approach to world leaders.

“Politicians and government officials are constantly evolving how they use our service, and we want our policies to remain relevant to the ever-changing nature of political discourse on Twitter and protect the health of the public conversation.”

It said that it is consulting with human rights experts, civil society organizations, and academics and has released a public survey in 14 languages including Arabic, English, Spanish and Farsi.

“Ultimately, our aim is to have a policy that appropriately balances fundamental human rights and considers the global context in which we operate,” the post said.

Critics are asking why Twitter does not apply the same policies to all users whether they are private citizens or world leaders.

“Twitter should enforce its terms of service for all users, whether private citizen, elected official or unelected tyrant. Propagating hate, glorifying terrorism and encouraging Holocaust denial should get you kicked off Twitter permanently,” Weinberg said in an ADL blog post titled “Twitter Must De-Platform Iran’s Supreme Leader.”

While there certainly is public interest in being able to have free access to a broad array of information, “it is not in the public interest to have companies providing a platform for incitement to hatred and violence,” he told Arab News.

 

 

Furthermore, the public interest argument ignores the fact that “heads of states have their own ways to get their message out” from their own websites and media outlets to proxy organizations.

“To suggest that Khamenei needs to have a Twitter account so people can know his hateful and murderous messages is not just not serving the public interest, but it ignores the fact that he has many other avenues for spreading his propaganda,” said Weinberg.

This argument also misses the fact there is heavy censorship on Twitter within Iran.

“The main thing in terms of information in the public interest, as relates to the Iranian people, is that they should have free access to the Internet, which their government does not permit them to.”

A hearing titled “Disinformation Nation: Social Media’s Role in Promoting Extremism and Misinformation” by the Energy and Commerce Committee, scheduled for March 25, marks the start of a new inquiry on misinformation and disinformation plaguing online platforms.

Twitter CEO Jack Dorsey, Facebook CEO Mark Zuckerberg, and Google CEO Sundar Pichai will testify.

Soleimani’s shadow
Qassem Soleimani left a trail of death and destruction in his wake as head of Iran’s Quds Force … until his assassination on Jan. 3, 2020. Yet still, his legacy of murderous interference continues to haunt the region

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Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Updated 17 November 2024
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Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
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Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.