15 years on, has Twitter done more harm than good in the Middle East?

Twitter has arguably become a toxic breeding ground for hate speech it has become, especially in the Arab world. (File/AFP)
Short Url
Updated 28 March 2021
Follow

15 years on, has Twitter done more harm than good in the Middle East?

  • Despite Twitter’s updated policy against hate speech, accounts that do just that are still present on the platform

LONDON: One week ago, Twitter’s staff worldwide were awarded a day off in celebration of the social networking platform’s 15th anniversary.

However, while they enjoyed the spoils of the company’s success, the same can’t be said for the many who have suffered from the barrage of negativity and harmful content the microblogging site has failed to counter time and again.

“They (Twitter) don’t dedicate as much effort to see that their own content is actually violating their own policies in Arabic, as they would in English, which is a big issue,” media researcher Azza Masri told Arab News.

Indeed, the platform has arguably become a toxic breeding ground for hate speech it has become, especially in the Arab world.

Despite Twitter’s updated policy on hate speech, which clearly states that users must “not promote violence against or directly attack or threaten other people on the basis of race, ethnicity, national origin,” accounts that do just that are still present on the platform.

“There is a definite laissez-faire attitude with the application or the enforcement of these community standards on Arabic language content, but also, any kind of non-English, or non-European language. That is an issue,” Masri said.

Accounts in the Arab world, such as those of exiled Egyptian cleric Yusuf Al-Qaradawi and terrorist-designated Qais Al-Khazali – both of whom have featured in Arab News’ Preachers of Hate series – remain active.

“Throughout history, God has imposed upon them (the Jews) people who would punish them for their corruption,” Al-Qaradawi said in one of many hate-filled fatwas.

“The last punishment was that of Hitler. This was a divine punishment for them. Next time, God willing, it will be done at the hands of the faithful believers,” he added.

Even accounts belonging to regular users with not a big following have been found to harass and abuse others online without having their tweets taken down immediately or soon enough.

In one instance highlighted by Masri, content doxing – revealing identity information about someone online – of a Lebanese individual from October 2019 still remained on Twitter despite repeated flags to the company’s policy teams.

Meanwhile a Twitter spokesperson told Arab News that “Increasing the health of the public conversation has been an essential focus area for years. If people don’t feel their conversations are safe from abuse and harassment, we know they won’t feel comfortable participating in the public conversation.”

“Our focus is in three key areas - product, policies and enforcement. We’ve simplified our rules, we’ve expanded our policy and enforcement to address the rise of misinformation around the world, and we’ve focused on enforcing our rules proactively.”

Not just Twitter, not just Arab world

The problem is not unique to accounts in the Arab world. In India, for example, social media platforms, including Facebook, have been continuously criticized for fostering space that allows users to spread hate speech.

“These platforms and these companies don’t take the measures to protect people or users – all of its users – from harm, then the work starts at the platform level, not at the user level,” Masri added.

BBC journalist and author, Gavin Esler, told Arab News: “If you have something on your platform, you in some way must be accountable for it.

“We’ve got these very, very big organizations who somehow claim that they are not responsible for the things that we get from them, which is just logically unacceptable to me,” he said.




This image posted by the office of Iran's supreme leader Ayatollah Khamenei on Twitter shows a figure of former US President Donald Trump playing golf under the shadow of a warplane alongside a pledge to avenge a deadly 2020 drone strike the former president ordered. (Twitter photo)

In early January, Twitter took measures and banned then-outgoing US President Donald Trump following the Capitol Hill riots for his tweets that were alleged to have incited violence from a mob of far-right protesters.

Although Twitter has a specific mandate for dealing with the accounts of world leaders, it insists they are not immune to its enforcement policies. Yet some continue to tweet and post comments considered objectionable – and even dangerous – by many.

Iran’s Supreme Leader Ayatollah Ali Khamenei, for example, cannot be compared to Trump in terms of number of followers or reach on Twitter, but his activity on the platform follows a similarly dangerous pattern.

In January, Khamenei posted false claims across his multiple accounts – in English, Spanish, Farsi, Arabic, and Russian – that coronavirus disease (COVID-19) vaccines developed in the US and the UK were “completely untrustworthy,” that France had “HIV-tainted blood supplies,” and it was “not unlikely that they (Western countries) would want to contaminate other nations.”

This followed years of similarly dangerous and damaging tweets in which Khamenei incited violence against other nations. In May last year, he said that Iran would “support and assist any nation or any group anywhere who opposes and fights the Zionist regime.”

And the list goes on. Lebanon’s deputy speaker of parliament, Elie Ferzli, recently used offensive language to respond to a tweet criticizing him.

Even in the US, the platform has become a space for company leaders to indirectly threaten employees, with the country’s National Labor Relations Board on Friday finding that a 2018 tweet from Tesla CEO Elon Musk unlawfully threatened workers with loss of stock options if they chose to be represented by the United Auto Workers union.

Way forward?

Regardless of Twitter, Facebook, and other social media platforms’ claims that they only act as content aggregators rather than content producers, the problem remains.

“That’s like saying any kind of news organization is just an aggregator of all the stuff that various journalists happen to want to have (on their sites). Facebook makes it sound as if it is some kind of urinal, in which case people pee in every so often,” Esler added.

Russia recently acted and threatened to block Twitter for one month if the social media giant failed to remove banned content, which included the suicide of minors and indecent images of children, as well as information on drug use.

While the platform has complied and started taking down the content, Russia’s state regulator Roskomnadzor argued that the speed of removal was “unsatisfactory,” given that two-thirds of all demands were still being ignored.

In a statement, the regulator said: “Roskomnadzor reported that, after the adoption of measures to slow Twitter traffic on March 10, the social network began work on removing content banned in Russia, but only one-third. The rate at which the social network deletes banned information is unsatisfactory.

“We regret that only the use of technical enforcement measures to enforce Russian laws forced the American social network to recognize the existence of information that is absolutely evil in all countries of the world, and to take measures to remove it.”

Actions such as these, as well as Australia’s bitter standoff with Facebook over a proposed law that would force it to pay news publishers for content, have sparked fierce debate over the ethical standpoint of these platforms – namely when it comes to freedom of speech.

Esler said: “Nobody has the freedom of speech in a crowded theater to shout bomb or fire, that’s not freedom of speech.”


Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Updated 17 November 2024
Follow

Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
Follow

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
Follow

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
Follow

Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
Follow

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.