In the Iron Throne’s shadow: Arabs reflect on ‘Game of Thrones’ 10 years on

‘Game of Thrones’ topped the lists of most illegally viewed shows online, as many fans couldn’t afford or gain access to HBO’s streaming services.
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Updated 17 April 2021
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In the Iron Throne’s shadow: Arabs reflect on ‘Game of Thrones’ 10 years on

  • Middle Eastern fans look back on 10 years of a show that changed pop culture forever

RIYADH: Whether you loved it or hated it, followed it casually or watched every episode twice, chances are you’ve at least heard of the HBO smash hit series “Game of Thrones.” The eight-season fantasy epic, which began 10 years ago today, has secured its place in pop culture history as one of the most famous TV shows of all time.

The adaptation of George R. R. Martin’s A Song of Ice and Fire novels, the show began on April 17, 2011, to an audience of eager fans. Over the course of its run, the show has garnered 160 Emmy nominations, taking home 59 of them, making it one of the most successful shows in history.

Najla Hussam, an avid fantasy fan who cited Martin as one of her favorite authors, told Arab News that the show provided a way for her to bond with her father, who started reading A Song of Ice and Fire when the first volume was published in 1996.

“My dad tried for years to get me to read the novels, but I honestly just wasn’t that interested. When the TV series first came out, he asked me to watch the first season with him to see if he could get me to change my mind about it. I was hooked instantly, and once the season was over, I borrowed all the books from him so we could discuss our theories about how the future of the show might look,” she said.

The show has also gained notoriety for other reasons. Due to its exclusivity of being shown on the HBO network, the show is also famous for being the most pirated TV series of all time. Consistently throughout its run, Game of Thrones topped the lists of most illegally viewed shows online, as many fans couldn’t afford or gain access internationally to HBO’s viewing and streaming services.

In the MENA region, the show was broadcast on the Orbit Showtime Network (OSN), with previous seasons being made available via the network’s on-demand service, OSN Play. Leading up to the start of season 7, OSN launched a 24-hour binge-watching channel, with all of the previous seasons being made available.

However, in the Arab world, the show saw a lot of pirating activity for another, unusual reason; the OSN network broadcast the show in its full, uncensored version, which caused a lot of fans to hunt online for a version that removed or glossed over some of the more controversial themes.

Danya Assad, a 30-year old viewer from Riyadh, said that she only started watching the series around the start of the fourth season in 2013. She was only able to get into the fandom around the time censored episodes started to become available online.

“I heard about a Game of Thrones group online made up of fans who volunteered to censor some of the more unsavory content, and that was how I was able to start watching,” she said. “I loved the premise of the show, I’m a huge fan of fantasy television and I was definitely interested in watching, but the amount of sexual content and other disturbing themes really put me off.”

Assad said that while some fans might argue that she didn’t get the “authentic” experience of watching the show, she feels much more comfortable knowing that she was able to bypass the more controversial themes and still manage to enjoy the show.

“I loved Game of Thrones because of the political intrigue, for the richness and depth of the lore and the history, because of the unexpected plot twists like the Red Wedding, for things such as the fashion and the set dressing. By removing the gratuitous sexual content and some of the more violent scenes, I don’t think I missed out on much,” she said.




A man stands atop the ancient fortress of Ait-ben-Haddou, where scenes depicting the fictional city of Yunkai from ‘Game of Thrones’ were filmed. (Getty Images)

The show has seen its fair share of controversy over the past decade. Despite the accolades heaped on the show, the amount of violence portrayed in the series, including the deaths of many innocents and children, the sexual content, and heavy themes such as incest and rape, have drawn much ire from fans and critics alike.

“I couldn’t make it past the first few episodes, honestly,” Talal Ashour, another Saudi fantasy fan, said. “I can understand the appeal, but to me Game of Thrones just crossed way too many boundaries. It’s a beautifully crafted show, and I’m still amazed by certain aspects of it, like the CGI dragons or the fact that they created a whole new language for the Dothraki, but I couldn’t get passed the darker aspects of the show.”

But perhaps the biggest let-down for fans of the series was the ending, which many fans believe was a massive disappointment and a departure from the grandeur of the previous seasons.

“Game of Thrones ended for me after Season 7,” Hussam said. “The more they started to deviate from the books, the less I started to enjoy it. I think the writers did fine when they had more content from the original books to work with, but once they started doing their own thing, it all just went downhill.”

Martin, notorious among fans for being slow to produce new novels, published the latest book in A Song of Ice and Fire in 2011, the same year the show began. Martin told the press at the time that the novel had taken six years to write, and that a sixth novel out of a planned seven, “The Winds of Winter,” was still in the works.

“I think the writers thought they could go off what they had and that the sixth book would be out by the time the series caught up,” Assad said. “It’s such a shame that they couldn’t or wouldn’t delay the series until the book came out. A lot of fans were unhappy with the way the series ended. I feel like we deserved better.”

Assad is not alone in that. A change.org petition appealing to HBO with a request to remake the final season with “competent writers” began circulating online the day the final episode debuted, with almost 2 million people signing and the numbers still increasing two years later.

However, despite the controversies and the overall disappointment with the way the series ended, the show has retained a strong fanbase in the Middle East.

“I had a Game of Thrones-themed birthday party in 2019,” Hussam said. “I dressed up as Daenerys, all of my friends came in costume, and my cake was a replica of the box that held Dany’s dragon eggs in it, including three edible cake eggs. It’s the best birthday I’ve ever had.”

“I don’t think one bad season can ruin the whole series,” said Assad. “Even if the ending was disappointing, the other seasons are still incredible to behold. Maybe in time I’ll be able to go back and watch the show and enjoy it even more. And if the ending still disappoints me after the second time, I can always hold out hope for ‘The Winds of Winter.’”


Cynthia Erivo wears Ashi Studio at Tony Awards

Updated 09 June 2025
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Cynthia Erivo wears Ashi Studio at Tony Awards

  • Show’s major highlight sees cast of hit musical ‘Hamilton’ reunited

DUBAI: British singer-songwriter and actor Cynthia Erivo picked Saudi-helmed Parisian label Ashi Studio for two of her electrifying looks as she hosted the 2025 Tony Awards, the annual ceremony celebrating the best in Broadway theater, held at the Radio City Music Hall in New York.

Erivo’s first Ashi Studio look featured an oversized black coat dress dotted with bedazzled details, which she wore over black pants and a tube top.

Her second look was a black and gold snakeskin-print tailored trench coat with voluminous sleeves and an oversized collar, cinched by a fitted corset from the SS25 Ashi Studio collection. She wore the look to welcome Auli'i Cravalho to the stage.

“Maybe Happy Ending,” “Purpose,” “Sunset Blvd.” and “Eureka Day” took the top prizes at the awards, winning best musical, best play, best musical revival, and best play revival, respectively.

The ceremony also saw Sarah Snook (“The Picture of Dorian Gray”), Cole Escola (“Oh, Mary!”), Darren Criss (“Maybe Happy Ending”), and Nicole Scherzinger (“Sunset Blvd.”) win the lead acting awards for plays (Snook and Escola) and musicals (Criss and Scherzinger).

“Maybe Happy Ending” won a total of six awards after going into the night tied with “Buena Vista Social Club” and “Death Becomes Her” for the most nominations, with 10 apiece.

“Buena Vista Social Club” won four awards, while “Death Becomes Her” only took home one trophy, for Paul Tazewell’s costume design, which was presented in the “Tony Awards: Act One” pre-show.

Amal and George Clooney at the 2025 Tony Awards. (AFP)

Also in attendance at the event as British Lebanese human rights lawyer Amal Clooney, along with actor-husband George Clooney. The couple’s arrival at the Tonys came hours after George closed his record-breaking Broadway show, “Good Night, and Good Luck.” Amal wore an off-the-shoulder white gown with strands of pearls draped across the fabric, which she accessorized with a matching clutch.

A major highlight of the show saw the cast of the hit musical “Hamilton” reunited for a special performance in honor of its 10th anniversary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Lin-Manuel Miranda, the creator and star of the Tony-winning show, was joined by more than two dozen members of the original cast, including Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renee Elise Goldsberry, Anthony Ramos, Christopher Jackson, Jonathan Groff, and Ariana DeBose.

The performance began with Miranda and Odom Jr. performing a snippet from the song “Non-Stop.” The show continued with a medley of tracks from the “Hamilton” score, including “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where it Happens” and “History Has Its Eyes on You.”


Gerard Butler on bringing Stoick to life in live-action ‘How to Train Your Dragon’

Updated 09 June 2025
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Gerard Butler on bringing Stoick to life in live-action ‘How to Train Your Dragon’

RIYADH: Scottish actor Gerard Butler is returning to the Viking Isle of Berk, but this time he is trading his animated voice for full costume and presence in the live-action adaptation of “How to Train Your Dragon” — a remake of the beloved DreamWorks franchise, helmed by three-time Oscar nominee Dean DeBlois.

In this new retelling, which releases on June 12, Mason Thames plays the inventive Hiccup, a young Viking who defies tradition to befriend Toothless, a Night Fury dragon. Butler reprises his role as Stoick the Vast, Hiccup’s formidable father, stepping from the recording booth into full-bodied performance.

“It’s a big change,” Butler told Arab News. “When I’m doing the recording, the animation, I could pretty much turn up in my pajamas if I wanted to. But there’s no getting away with that here. It was all of me. There’s no excuses.”

He described the live-action shift as “a chance to bring Stoick’s bigness and smallness” to life in a whole new way.

Butler praised his co-stars, including Nico Parker as Astrid and Nick Frost as Gobber, and especially young lead Thames.

He reflected on the dynamic between the father and son, saying: “Well, he’s an incredible young actor. And I feel like the characters and the relationships that our writer-director Dean DeBlois (has created), there’s a reason they became so beloved and people feel so strongly because they’re incredibly emotional.

“So, I think to play that Viking father who expects so much from his son, and his son who’s trying his best and actually has all these incredible characteristics that I just can’t see, was beautiful to delve into ... on sets with our clothes, with our costumes, and really believe that we were in that world. That was pretty epic.”

Returning to Saudi Arabia for the film’s press tour, Butler shared his affection for the Kingdom, saying: “I had an incredible experience here and made some really nice friends. AlUla is beyond. I became very attached to that place, to its energy, its history, and to the community there.”

Butler expressed his excitement for the audience, adding: “There’s so much … for them to see because there’s so much in this movie. I think that some of the scenes of the dragons flying are some of the most beautiful, immersive, powerful scenes that I’ve seen on a big screen. But on top of that, I think that we have very complex, emotional, heartfelt performances and a story that they can also climb into. I think we have a lot of modern references that we can all like; the characters are so relatable.

“It’s a big honor for me to be able to play this character again. I feel very lucky to be part of this franchise. I feel very protective of it because I was there. I was actually there even before Dean DeBlois was there, you know, because we had a different director way, way back. So I’ve been with it for a long, long time, and to see it start as just a little planet and then become a whole universe has been amazing.”


Bella Hadid turns spotlight onto powerful Ms. Rachel poem

Updated 08 June 2025
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Bella Hadid turns spotlight onto powerful Ms. Rachel poem

DUBAI: American Dutch Palestinian supermodel Bella Hadid has shared a powerful poem by popular children’s educator and YouTuber Rachel Griffin Accurso, known globally as Ms. Rachel, amplifying its message of hope and solidarity with Gaza.

The poem, titled “The People Were Brave,” went viral on social media for its stirring call to action urging people to show bravery and use their voices for good.

“The leaders were mostly silent. They were scared of what they might lose. The celebrities were mostly silent. They were scared of what they might lose. The media was mostly silent. They were scared of what they might lose. But the people were not silent. They were brave,” the poem begins.

“So never stop speaking up for those in need. Never wait for the world. It was ordinary people that became extraordinary. And changed everything. And moved us all. And saved us all,” it ends.

Last week, Ms. Rachel made headlines when she said she was willing to jeopardize her career to advocate for Palestinian children suffering under the Israeli bombardment of Gaza.

She said she had been targeted by online campaigns and faced calls for government investigation after voicing support for children affected by war in Gaza and elsewhere.

Despite growing criticism from some pro-Israel groups and conservative media, in a recent interview with WBUR, a Boston-based public radio station, she said she remained defiant.

“I would risk everything — and I will risk my career over and over to stand up for children,” she said.

“It’s all about the kids for me. I wouldn’t be Ms. Rachel if I didn’t deeply care about all kids.”

The YouTube star added a recent meeting with Palestinian mothers whose children remain trapped in Gaza had had a profound effect on her: “When you sit with a mother who’s FaceTiming her boys in Gaza who don’t have food, and you see that anguish, you ask yourself: What more can I do?”

A former teacher in New York, Ms Rachel said her work had always been rooted in the principle that all children, regardless of nationality or background, deserved dignity, safety, and access to basic needs.

“That’s the basis of everything for me — children are equal,” she said. 


Petals and thorns: India’s Booker prize author Banu Mushtaq

Updated 08 June 2025
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Petals and thorns: India’s Booker prize author Banu Mushtaq

  • Mushtaq won the coveted literature prize as the first author writing in Kannada — an Indian regional language
  • As a young girl worried about her future, she said she started writing to improve her “chances of marriage”

HASSAN, India: All writers draw on their experience, whether consciously or not, says Indian author Banu Mushtaq — including the titular tale of attempted self-immolation in her International Booker Prize-winning short story collection.
Mushtaq, who won the coveted literature prize as the first author writing in Kannada — an Indian regional language — said the author’s responsibility is to reflect the truth.
“You cannot simply write describing a rose,” said the 77-year-old, who is also a lawyer and activist.
“You cannot say it has got such a fragrance, such petals, such color. You have to write about the thorns also. It is your responsibility, and you have to do it.”
Her book “Heart Lamp,” a collection of 12 powerful short stories, is also her first book translated into English, with the prize shared with her translator Deepa Bhasthi.
Critics praised the collection for its dry and gentle humor, and its searing commentary on the patriarchy, caste and religion.
Mushtaq has carved an alternative path in life, challenging societal restrictions and perceptions.
As a young girl worried about her future, she said she started writing to improve her “chances of marriage.”
Born into a Muslim family in 1948, she studied in Kannada, which is spoken mostly in India’s southern Karnataka state by around 43 million people, rather than Urdu, the language of Islamic texts in India and which most Muslim girls learnt.
She attended college, and worked as a journalist and also as a high school teacher.

Constricted life

But after marrying for love, Mushtaq found her life constricted.
“I was not allowed to have any intellectual activities. I was not allowed to write,” she said.
“I was in that vacuum. That harmed me.”
She recounted how as a young mother aged around 27 with possible postpartum depression, and ground down by domestic life, had doused petrol on herself and on the “spur of a moment” readied to set herself on fire.
Her husband rushed to her with their three-month-old daughter.
“He took the baby and put her on my feet, and he drew my attention to her and he hugged me, and he stopped me,” Mushtaq told AFP.
The experience is nearly mirrored in her book — in its case, the protagonist is stopped by her daughter.
“People get confused that it might be my life,” the writer said.
Explaining that while not her exact story, “consciously or subconsciously, something of the author, it reflects in her or his writing.”
Books line the walls in Mushtaq’s home, in the small southern Indian town of Hassan.
Her many awards and certificates — including a replica of the Booker prize she won in London in May — are also on display.
She joked that she was born to write — at least that is what a Hindu astrological birth chart said about her future.
“I don’t know how it was there, but I have seen the birth chart,” Mushtaq said with a laugh, speaking in English.
The award has changed her life “in a positive way,” she added, while noting the fame has been a little overwhelming.
“I am not against the people, I love people,” she said referring to the stream of visitors she gets to her home.
“But with this, a lot of prominence is given to me, and I don’t have any time for writing. I feel something odd... Writing gives me a lot of pleasure, a lot of relief.”

‘The writer is always pro-people’
Mushtaq’s body of work spans six short story collections, an essay collection and poetry.
The stories in “Heart Lamp” were chosen from the six short story collections, dating back to 1990.
The Booker jury hailed her characters — from spirited grandmothers to bumbling religious clerics — as “astonishing portraits of survival and resilience.”
The stories portray Muslim women going through terrible experiences, including domestic violence, the death of children and extramarital affairs.
Mushtaq said that while the main characters in her books are all Muslim women, the issues are universal.
“They (women) suffer this type of suppression and this type of exploitation, this type of patriarchy everywhere,” she said. “A woman is a woman, all over the world.”
While accepting that even the people for whom she writes may not like her work, Mushtaq said she remained dedicated to providing wider truths.
“I have to say what is necessary for the society,” she said.
“The writer is always pro-people... With the people, and for the people.”


Emirati artists perform in showcase at London’s Kensington Palace

Updated 07 June 2025
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Emirati artists perform in showcase at London’s Kensington Palace

LONDON: “If we do not tell our story, someone else will. And they will get it wrong,” said Huda Alkhamis-Kanoo, founder of the Abu Dhabi Music & Arts Foundation, following a performance in London on Friday that brought Emirati talent to a major international platform.

Emirati artists took to the stage at Kensington Palace to present a night of operatic performances. Fatima Al-Hashimi, Ahmed Al-Housani, and Ihab Darwish performed in multiple languages including Arabic, Italian and English. The performance was part of the Abu Dhabi Festival’s Abroad program in collaboration with the Peace and Prosperity Trust. The event was intended to promote Emirati cultural expression through classical music and cross-cultural collaboration.

Fatima Al-Hashimi, Ahmed Al-Housani, and Ihab Darwish performed in multiple languages including Arabic, Italian and English. (Supplied)

Alkhamis-Kanoo said an event like this is vital for cultural diplomacy and is not a one-off, but a commitment to placing Emirati talent on the world stage. 

“It’s about creating understanding, building dialogue, and showing the world the strength of our cultural identity through music,” she explained. “We invest in the young, we partner with the world, and we build cultural legacies that last.” 

The evening also included the premiere of Darwish’s latest composition “Ruins of Time,” which blended orchestral arrangements with traditional Arabic elements.

“Music is the fastest way to reach people. It creates peace, it creates understanding,” Darwish told Arab News. “Music removes boundaries. It creates a shared language, a dialogue of coexistence, peace, and tolerance. When people from different cultures come together to create music, it naturally fosters mutual understanding.”

Al-Hashimi explained the intention behind adapting a classical repertoire to reflect Arab identity. “Even while singing in Italian, I included Arabic lyrics to keep our signature present,” she said.

Al-Housani described the event as a “professional milestone,” adding: “Performing here is more than a concert, it’s a message. We’re here to show the world the strength and beauty of our culture.”