REVIEW: Heritage, power and urban sophistication — Aston Martin DBX

British car maker Aston Martin has made an SUV that will appeal to Mr. and Mrs. Bond, says Arab News reviewer Frank Kane. (Aston Martin)
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Updated 01 May 2021
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REVIEW: Heritage, power and urban sophistication — Aston Martin DBX

  • The British car maker has made an SUV that will appeal to Mr. and Mrs. Bond

DUBAI: I was privileged to get a glimpse of the Aston Martin DBX a few years back at the carmaker’s main production plant in Warwickshire in the UK when it was just in the concept stage, and it looked a knock-out then.

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A super SUV from the maker of the vehicle of choice of James Bond, the legendary British spy? Who would say no to that idea? Certainly not elite car aficionados in the Middle East, that’s for sure, and I recall telling Aston executives back then that they should get the car to the Gulf as quick as possible, because it was sure to be a winner.

A lot has happened at Aston since then, but it is reassuring to know that the company has lived up to the promise of the super SUV, which can now be seen and bought in the cities of the Gulf. It’s also reassuring to know that my judgement back then has been proved correct — the DBX is a real show-stopper.

Aston has come under new management over the past year, to help it through another bout of financial pressure brought on by a combination of Brexit, stock market woes, and the shock of the COVID-19 pandemic.

But it has not let those problems distract it from the main job — designing, manufacturing and selling top-class vehicles that have a distinctive British flavor, as well as an edge of excitement and — even — danger that other elite marks do not possess. The Bond heritage.

But how to combine that with the comfort, accessibility and adaptability of an SUV? Other super-car manufacturers have tried it, with varying degrees of success, but I think the DBX has produced an all-terrain vehicle that retains the pizzazz and glamour of its sports car stablemates better than most.

In the DBX, you could imagine Mrs Bond dropping the kids at school and doing a supermarket shop before handing the keys back to James for a spot of clandestine espionage. Mr Bond would be pleased to have the chance to drive it, I’d guarantee.

The one that I was lucky enough to test in Dubai was a real head-turner. My favorite hotel valet man at one of Dubai’s glitzy five-star hotels — who knows a thing or two about elite cars, having parked all of them — took a sharp intake of breath at the matt Xenon grey body paint that made the DBX look quite sinister, but also very muscular and powerful.

The wheels are big, even by SUV standards and would be sure to get you to the crest of even the most demanding sand dune, if that was your aim, or just to add to the road-holding qualities the DBX has even at high speeds and sharp corners.

A 4.0 litre V8 turbocharged engine — from Aston’s German partner Mercedes — speeds you from 0 to 100km in 4.5 seconds and deliver a top speed of just under 300kph. Mrs Bond will be fine with that. James might want just a little a bit more but that’s a minor quibble — and in any case he could flick it into Sport+ mode when in hot pursuit of a villain.

Aston’s sound system — encased in leather like the rest of the interior — belts out the decibels through 14 strategically placed speakers that allow you to hear the music even above the distinctive deep-throated growl of the engine.

It is an SUV for sure, with plenty of space and comfort in the back and a boot that will carry everything you’ll want, including the dog. (One option is a pet-package that includes a washing facility for muddy post-walk paws, which would be equally useful for sandy feet.)

One thing I really liked was a huge sliding roof that pulled back to give you a skyline view and instantly made the interior look even more spacious. Great for night-time cruising in the high-rise cities of the Middle East.

The DBX starts at AED837,000 ($228,000), but extras — courtesy of Aston’s Q department — will probably make it a near AED1 million investment. That’s well worth it for a car that combines heritage, power and urban sophistication in one very head-turning package.


Kneecap delivers pro-Palestine message at Coachella

Updated 9 sec ago
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Kneecap delivers pro-Palestine message at Coachella

DUBAI: Irish band Kneecap took to the stage at the second week of the Coachella music festival in California to shine a light on Israel’s war against Palestine.

“Israel is committing genocide against the Palestinian people,” read a projection during the hip-hop trio’s performance. “It is being enabled by the US government who arm and fund Israel despite their war crimes.”

"The Palestinians have nowhere to go. It's their home, and they're bombing it from the sky. If you're not calling it a genocide, what are you calling it?" said Kneecap rapper Moglai Bap, who was wearing a keffiyeh.

The musician went on to lead the audience in a "free, free Palestine" chant.


Saudi-supported film to screen at Cannes parallel section ACID

Updated 21 April 2025
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Saudi-supported film to screen at Cannes parallel section ACID

DUBAI: ACID, a Cannes Film Festival parallel section, has announced the lineup for its 2025 edition, which includes the Red Sea Film Foundation-supported film “Life After Siham” from Egyptian filmmaker Namir Abdel Messeeh.

The autobiographical hybrid-documentary – supported by Saudi Arabia’s Red Sea Fund – follows the director as he grieves his mother’s death while dealing with a creative impasse as he leads a writing workshop in Egypt.

The film follows two parallel tracks, mixing family footage the director shot before and after his mother’s passing against the fictional backdrop of a creative retreat set at the late Egyptian director Youssef Chahine’s one-time residence.

“The film will also be a portrait of contemporary Egypt,” Messeeh told Variety in an earlier interview. “Depicting a younger generation as they develop their own creative projects in post-revolution Egypt. Through them we’ll explore different facets of the modern country.”


Jennifer Lopez turns heads at F1 Saudi Arabian Grand Prix 

Updated 20 April 2025
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Jennifer Lopez turns heads at F1 Saudi Arabian Grand Prix 

JEDDAH: US superstar Jennifer Lopez turned heads at the F1 Saudi Arabian Grand Prix in Jeddah ahead of her after-race performance.

The “Kiss of the Spider Woman” actress and singer made an appearance at the final practice on Saturday in a pink catsuit with a zipper down the front.

She performed on stage on Saturday night with a string of her most famous hits as part of an after-race concert lineup including Usher, Major Lazer, Peggy Gou and PartyNextDoor, alongside Arab stars such as Marwan Pablo, Tul8te, Hisham Abbas, Mostafa Amar and Hamid El-Shaeri.

Jennifer Lopez performed in Jeddah on Saturday night. (Supplied)

Widely regarded as one of the world’s most influential entertainers, Lopez has made her mark across music, film and television. She remains the only female artist to simultaneously top both the US box office and music charts, with over $3 billion in global box office earnings, more than 80 million records sold and billions of streams and views across her music catalogue.


Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

Updated 20 April 2025
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Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

DHAHRAN: Animation lovers attending the 11th Saudi Film Festival this week were treated to a masterclass by Oscar-nominated Japanese director Koji Yamamura.

Yamamura gave a masterclass titled “Giving Shape to Invisible Light” on Saturday.

While the Saudi Film Festival typically focuses on local and regional cinema, it also offers audiences a chance to engage with global voices. This year, Japan holds a special place in the lineup, with the festival running until April 23.

Masterclass attendees watched as Yamamura explained his process and shared several of his shorts, which he dissected, offering guidance and insight into his creative approach.

Yamamura, regarded as one of Japan’s most successful animation filmmakers, began creating films at just 13 years old. After six painstaking years and thousands of drawings, his 10-minute 2002 film “Mt. Head” earned him an Oscar nomination in the Best Short Film category.

The story follows a man who eats cherry pits to avoid waste, only to have a cherry tree sprout from his head. What begins as a nuisance quickly escalates into chaos as strangers flock to picnic and swim atop his head.

Narrated in the traditional rakugo style — with a single voice and sparse instrumentation — the work blends classical storytelling with modern themes. Beneath the dark humor lies a critique of isolationism, environmental degradation, and the illusion of control. The more the man tries to resist change, the more disorder he invites, leading to a haunting end.

Yamamura explained that many of his works were inspired by traditional tales that are over 150 years-old—stories where the beginning and end are already known — so the creative challenge lies in how he fills the space.

His work moves fluidly between absurdity and clarity, often occupying a Kafkaesque space that encourages the viewer to dive in until the narrative fully takes hold.

After the masterclass, he sat down to answer questions by moderator Naoures Rouissi of the Arab Film Festival Zurich, and the audience was invited to take part in a Q&A portion.

Abdulrahman Al-Qarzaee, a fluent Japanese speaker who is Saudi, translated.

“I’m very interested in Arabic culture. It is my first time in Saudi Arabia — I would like to sketch it. I think the landscape is very different from Japan,” Yamamura told Arab News after the session.

When Arab News asked if he might create a new work inspired by his visit to the Kingdom, he didn’t hesitate.

“Probably, yeah. This is a very special and different experience for me,” he concluded with a smile.


Saudi comedy film ‘Ambulance’ to get sequel

Updated 19 April 2025
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Saudi comedy film ‘Ambulance’ to get sequel

DUBAI: A sequel is already in the works for “Esaaf” (“Ambulance”), the new comedy starring Saudi actor and stand-up comedian Ibrahim Al-Hajjaj and directed by British filmmaker Colin Teague.

The film premiered on Tuesday, making history as the first Arabic-language movie to be released by Imax. 

The plot revolves around two Saudi paramedics who discover a briefcase containing holding SR2 million (around $533,300) and find themselves caught up in a dangerous kidnapping scheme.

The movie is written by Alberto Lopez and produced by Al-Hajjaj’s House of Comedy, Saudi producer Talal Anazi’s Black Light Operations and former MBC Studios chief Peter Smith in tandem with Saudi Media Company. 

The film marks Al-Hajjaj’s first major release since “Sattar,” the 2023 wrestling film which grossed over $30 million, primarily from Saudi audiences.