Three agreements signed to shoot Hollywood, Saudi movies in AlUla

Saudi Arabia’s attractive landscapes, including its historical heritage, play a key role in promoting the development of the local film industry. (AN file photo)
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Updated 11 June 2021
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Three agreements signed to shoot Hollywood, Saudi movies in AlUla

  • ‘Film Commission is doing all it can to help local talents to harness the benefits of modern technology’

RIYADH: The Film AlUla department at the Royal Commission for AlUla has signed agreements to shoot three films in the governorate — an American movie directed by and featuring big Hollywood names and two Saudi movies.

The Saudi projects are “In Sands” directed by Muhammad Al-Atawee and “Nourah” directed by Tawfeeq Al-Zayedi. The Hollywood film has not yet been named.

The Film Commission at the Ministry of Culture will finance both Saudi films in full and will coordinate with Film AlUla to meet all shooting requirements in AlUla.

The agreements were signed following the great success of the American movie “Cherry” directed by Anthony and Joe Russo. Scenes from “Cherry” were shot in AlUla and Riyadh, a first for Saudi Arabia, in collaboration with Film AlUla, which is working hard to attract Saudi and global talents to shoot movies here.

Mohammad Al-Asmari, a documentary film director, said that the exchange of expertise in the filmmaking industry is a great stimulant for Saudi talent, noting that the industry is a lucrative source of income and a stimulant for domestic and foreign investors.

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The Saudi projects are ‘In Sands’ directed by Muhammad Al-Atawee and ‘Nourah’ directed by Tawfeeq Al-Zayedi. The Hollywood film has not yet been named.

The agreements were signed following the great success of the American movie ‘Cherry’ directed by Anthony and Joe Russo. Scenes from ‘Cherry’ were shot in AlUla and Riyadh, a first for Saudi Arabia, in collaboration with Film AlUla, which is working hard to attract Saudi and global talents to shoot movies here.

Al-Asmari commended the Film Commission for encouraging the success of Saudi production and setting up the regulatory framework to help Saudis make their dreams come true.

The Film Commission is doing all it can to help local talents to develop their filmmaking skills and to harness the benefits of modern technology, Al-Asmari said.

The Film Commission was established in February last year. Its board of directors chaired by the minister of culture is responsible for developing the film sector in the Kingdom and encouraging individuals, institutions and companies to develop content.

Tariq Al-Khawaji, a cultural consultant at Ithra Programs, said the Kingdom’s attractive landscapes, including its historical heritage, have played a key role in promoting the development of the film industry.

Since Saudi Arabia started issuing tourist visas, it has been visited by numerous movie and television production companies exploring shooting in AlUla and other locations.

AlUla’s landscapes are among the best filming locations in the world and Film AlUla is seeking to establish AlUla as international filming and content destination and to create a film infrastructure in northwestern Saudi Arabia.

It provides a package of services to attract international filmmakers. This includes a team of film experts in AlUla to facilitate production and build a suitable ecosystem for filmmaking.

On the practical side, it can handle film crew visas, secure ground and air transportation, facilitate the import and export of cameras and other production equipment, sort out accommodation in Riyadh and AlUla and grant permits.

In addition to its cultural heritage dating back more than 200,000 years, AlUla has a fascinating diversity of terrains covering an area of more than 22,500 km that includes charming valleys and amazing rock formations created by wind and water over millions of years. The governorate’s farms, villages and cities with their range of old and new architecture offer a variety of options for filmmakers.

Film AlUla also works to stimulate local film production, in partnership with other government agencies, based on the Royal Commission’s endeavor to empower national talents in the film industry.


Lyna Khoudri supports French Arab directors ahead of Cesar Awards

Updated 1 min 8 sec ago
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Lyna Khoudri supports French Arab directors ahead of Cesar Awards

DUBAI: French Algerian actress Lyna Khoudri took to social media to drum up support for “Bye Bye Tiberias,” which is eligible in the documentary category at the 50th Cesar Awards in France.

France’s answer to the Academy Awards, the Cesar Awards will be held on Feb. 28, with voting for all categories closing on Jan. 28.

The awards are voted on by a cohort of 4,000 professionals in the film and media industries.

Khoudri does not feature in “Bye Bye Tiberias,” French Palestinian Algerian filmmaker Lina Soualem’s documentary feature that follows Palestinian actress Hiam Abbass. Best known for her roles in HBO’s “Succession” and Hulu’s “Ramy,” as well as films including “Munich” and “Blade Runner 2049.” Abbass grew up in the Galilean village of Deir Hanna. In her early 20s, she made the decision to leave her family home and follow her dream of becoming an actress in Europe. Behind her she left her mother, grandmother, and seven sisters. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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It is this decision that is central to “Bye Bye Tiberias.” Reflecting on Abbass’ chosen exile and the ways in which the women of her family have influenced her and her mother’s lives, Soualem’s film portrays four generations of daring Palestinian women, including her great grandmother, Um Ali, her grandmother Nemat, and her great aunt Hosnieh. 

“When my mother reads a poem about my great grandmother, we can feel that she is overwhelmed by emotion,” Soualem, who is also Abbass’ daughter, previously told Arab News.

“And the story of my great aunt combines all the tragedy of our family, because it’s the loss of place, it’s the separation from family, it’s the body separated from the soil. I couldn’t imagine being separated from my mother and sister for 30 years. And what is impressive is that, despite all of this, my great aunt seems to be a model of femininity and positivity for my mother. The one who lost the most is the one who taught her the most.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Khoudri also took to Instagram to promote director Hakim Atoui’s “Blood Ties” in the Best Short Fiction Film category.

“When Ali and Leila visit their mother, who has just been discharged from hospital, they have some revelations to make. They are shocked to discover that she is now living with Elyo, a medical assistance robot. Lunch with this strange machine soon turns into a family feud,” the logline of the film reads.


Limitless Orchestra marks world premiere at Dubai Opera with show honoring Johann Strauss, Hans Zimmer

Updated 11 January 2025
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Limitless Orchestra marks world premiere at Dubai Opera with show honoring Johann Strauss, Hans Zimmer

DUBAI: Dubai Opera played host to a world premiere this week that reimagines orchestral music for a new generation of music lovers.

“Global Waltzing — from Johann Strauss to Hans Zimmer,” presented by The Limitless Orchestra, took place at the intimate venue at the heart of Dubai on Jan. 10 and 11.

The brainchild of Russian-German violinist and composer Aleksey Igudesman, the orchestra enjoys the distinguished patronage of legendary film composer Hans Zimmer, who also made a special guest appearance on stage on both nights.

The orchestra enjoys the distinguished patronage of legendary film composer Hans Zimmer, who also made a special guest appearance on stage on both nights. (Supplied)

Under Igudesman’s innovative “fail forward” approach, “The Limitless Orchestra” breathes new life into the traditional boundaries of symphonic artistry, blending timeless musical techniques with contemporary creativity to deliver an experience that is as daring as it is transformative.

“The world definitely does not need another orchestra, for sure, but I think the world needs this orchestra and other orchestras like it,” Igudesman said ahead of the show.

“The orchestra essentially has not changed, or an orchestra has not changed its format more or less for 150 years. It has become an institution, a very vital cultural institution. But everything that stays the same becomes stagnant and becomes a museum, and then dies eventually, and we do not want an orchestra to die. So, for me, I think launching the ‘Limitless’ orchestra with the help of my great friends is something that I just had to do, because I did not want to have the things that I love so much die, and I wanted to show a possible new way of doing things.”

The show sees the orchestra revitalize the timeless works of Johann Strauss. (Supplied)

The show sees the orchestra revitalize the timeless works of Johann Strauss, skillfully blending the cherished compositions of the Austrian king of the waltz with the epic film music of Hollywood legend Zimmer.

Zimmer, displaying his trademark humility, said: “I don’t think there are limitations to classical music. I would hate to go about ruining Bach or Mozart. That’s their music and we can have new music.

“I’m just a peasant of music. I write film music. But the weird thing is that every day I get to go out and hire an orchestra. I get to go out and play in arenas for 20,000 people. So, something is working with what I’m doing. I’m adding instruments to the orchestra, I’m adding playfulness.”

“Global Waltzing — from Johann Strauss to Hans Zimmer” took place at the intimate venue at the heart of Dubai on Jan. 10 and 11. (Supplied)

The program will showcase a dazzling fusion of classical and cinematic music through an innovative selection of compositions, including the opening piece, “Emperor Waltz, Sultan Style,” by Igudesman and Tristan Schulze, inspired by Johann Strauss.

Other pieces include “Sherlock Holmes Fantasy,” “From Time to Time — Inception Waltz,” and “The Banker’s Waltz.”

Igudesman, celebrated for his electrifying performances and whimsical approach to classical music, will perform original works and innovative compositions, accompanied by the mesmerizing voice of soprano Ekaterina Shelehova.


Saudi-backed film to screen at International Film Festival Rotterdam

Updated 11 January 2025
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Saudi-backed film to screen at International Film Festival Rotterdam

DUBAI: The International Film Festival Rotterdam this week revealed its line-up for the 2025 edition, featuring the Red Sea Film Foundation-supported “Dead Dog” by Lebanese director Sarah Francis.

The film follows Walid and Aida, a husband and wife reunited after his long absence abroad. As they confront the emotional distance between them, secrets come to light, including Aida’s silence about their beloved dog Punto. Set against a backdrop of shifting dynamics and unspoken truths, “Dead Dog” explores themes of estrangement, trust, and the complexities of marriage.

The festival is set to take place from Jan. 30 to Feb. 9.


Netflix unveils season 2 trailer for ‘Mo’

Updated 11 January 2025
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Netflix unveils season 2 trailer for ‘Mo’

DUBAI: Netflix this week released the trailer for the highly anticipated second season of Palestinian-American comedian Mohammed Amer’s award-winning series “Mo,” announcing its debut on Jan. 30.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The new trailer showcases the show’s signature humor and heartfelt moments as Mo Najjar, played by Amer, continues to navigate life as a Palestinian refugee in the US.

In season 2, he finds himself stuck on the other side of the border, desperately trying to make it back to Houston in time for his family’s important asylum hearing. With no passport and few options, he faces a series of unexpected challenges, including a new rival who jeopardizes his relationship with Maria and his signature falafel taco recipe.

 


Bella Hadid’s childhood home destroyed in LA fires

Updated 11 January 2025
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Bella Hadid’s childhood home destroyed in LA fires

DUBAI: US Dutch Palestinian model Bella Hadid took to Instagram this week to share a devastating moment as her childhood home in Los Angeles caught fire.

The model posted a photo on her Instagram Story showing flames and smoke engulfing the house, accompanied by the caption: “Childhood bedroom,” with a sad face emoji.

In a following Story, Hadid shared an aerial view of the house after the fire had been extinguished, revealing the extent of the damage. The once-familiar home was visibly charred, with remnants of the fire still evident.

The model posted a photo on her Instagram Story showing flames and smoke engulfing the house, accompanied by the caption: “Childhood bedroom,” with a sad face emoji. (Instagram)

While Bella did not provide further details, her posts offered a glimpse into the heartbreaking loss of a place filled with cherished childhood memories.

The Malibu property, where her mother Yolanda Hadid once lived and raised Bella and her sister Gigi, frequently appeared on “The Real Housewives of Beverly Hills.”

In a following Story, Hadid shared an aerial view of the house after the fire had been extinguished, revealing the extent of the damage. (Instagram)

Hadid is not the first celebrity to experience such a loss. Billy Crystal lost his Pacific Palisades home, where he had lived since 1979. Paris Hilton watched her Malibu beach mansion burn live on television.

Perennial Oscars host Crystal and his wife Janice said they were heartbroken to lose the Pacific Palisades house where they had raised their children and grandchildren.

Media personality Hilton said she was “heartbroken beyond words” to lose her beachfront mansion.

“Sitting with my family, watching the news, and seeing our home in Malibu burn to the ground on live TV is something no one should ever have to experience,” she wrote on X.

The list of celebrities impacted by the worst fires in Los Angeles history reads like a Hollywood who’s who: Jamie Lee Curtis, James Woods, Mandy Moore, Mark Hamill, and Maria Shriver all publicly shared their experiences of being forced to evacuate as flames tore through some of the city’s most exclusive neighborhoods.

The Palisades Fire between Santa Monica and Malibu on the city’s western flank and the Eaton Fire in the east near Pasadena rank as the most destructive in Los Angeles history, consuming more than 35,000 acres (14,164 hectares) — or some 54 square miles — and turning entire neighborhoods to ash.