Saudi Film Festival puts KSA’s talent center stage

The Saudi Film Festival highlights desert cinema in an interactive artwork inspired by the Tuwaiq mountains. (SPA)
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Updated 07 July 2021
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Saudi Film Festival puts KSA’s talent center stage

  • The seventh round took place both virtually on the Ithra website and in the presence of a few selected guests

JEDDAH: Under the theme of “Desert Cinema,” the seventh edition of the Saudi Film Festival (SFF) has placed Saudi and international filmmakers center stage.

Held at the King Abdul Aziz Center for World Culture (Ithra) in partnership with the Saudi Arabian Society for Culture and Art (SASCA) of Dammam, the event features 57 films, 36 of which were produced by Saudi filmmakers and 21 from across the GCC.
Majid Samman, head of performance art and cinema at Ithra, told Arab News that opportunities in the filmmaking industry in Saudi Arabia are booming, especially with the arrival of cinema and movie theaters, a drastic shift from when YouTube was the go-to platform to showcase films, a hobby that not many thought could be a lucrative business.
“Nowadays, we are trying to make people understand that they can actually become professionals in the filmmaking industry and they make a living out of it.”
In previous rounds of the festival, Ithra produced more than 20 films all made by Saudi directors, resulting in 15 national and international awards. Ithra has also supported the funding and education of filmmakers through several related workshops.
Samman added: “We believed that we would elevate the Saudi talents from what they are doing now to higher standards, so that we can at least export that globally.”

HIGHLIGHTS

• 36 Saudi films and 21 Gulf films compete for the Golden Palm Award.

• 24 local, Arab and international production companies will receive feature films to develop.

The Saudi Film Festival highlights desert cinema in an interactive artwork inspired by the Tuwaiq mountains, in addition to a book that will be soon published titled “Cinema, the Desert and its Guide,” which includes research, articles and studies.
Alongside the festival, there were three desert-themed seminars presented on desert literature, poems, culture and films that were shot in deserts. One of the seminars was presented by Moath Alofi, a well-known Saudi desert explorer and artist. Alofi shared his story of producing his desert-focused films. “I really wanted to tell people about our Kingdom’s deserts, the diverse locations that are suitable for film shooting and how young film directors can get brilliant results out of it that will add a lot to their work.”
Alofi said: “Bear in mind that you have to respect the nature of the desert and deal with it cautiously.”
Ithra embraces Saudi talents and helps them to grow.
Ashraf Faqeeh, head of Ithra programs, said that what the center has aspired to do is promote film and work on developing an environment where talents can be discovered, to grow and compete.

BACKGROUND

• The first round of the Saudi Film Festival started back in 2008.

• The sixth round of the festival was held fully virtually in 2020.

• Five of the films produced during the previous rounds of the Saudi Film Festival have been shown on Netflix and one on Shahid.

“For the very first time we have film marches in the market, so whoever has a project, idea or a script is being introduced to a number of the best filmmakers. We have 24 production film entities across the national, regional and international levels,” Faqeeh added.
He said that Ithra is the biggest film producer in Saudi Arabia regarding the number and quality of films being produced. “It is not a matter of giving prizes, but rather proving ourselves in the market.”
The creative Saudi leap of faith rose quickly through various themes that feature culture and originality.
The Arabic long feature film “Forty Years and One Night” was first shown at the Malmo Arab Film Festival in Sweden and was translated into English. It was also screened at the Saudi Cinema Night hosted by the Red Sea Film Festival.
Saudi film director Mohammed Al-Hullail told Arab News: “It took us almost three years to develop the film. I have worked on many short films, but the one shown here at this festival is my very first long future film experience. Filming was very challenging and it helped me to engage with highly experienced directors and filmmakers.”
He added: “This festival has supported the filmmaking industry in Saudi Arabia and such initiatives are very appreciated.”
Al-Hullail has always been keen to take part in every round of the SFF since 2015, and describes starting off in the festival in “baby steps” that hold a special place in his heart.
On July 7, the film festival will celebrate winners of the best long and short films, as well as the best actors and actresses.
The seven-day festival aims to raise the level of competitiveness and productivity among filmmakers, as films compete to obtain the Golden Palm award, with financial prizes starting from SR75,000 ($20,000).
Faqeeh said: “The Saudi Film Festival is like the the Saudi Oscars for us, and we are more than delighted to be part of this.”
In 2017, an event called Josoor, which translates to bridges, was launched by Ithra to promote Saudi talent in different disciplines including comedy, cooking, scientific research and film making across 40 US cities.


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 07 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.