New York millionaire Robert Durst declared guilty of best friend’s murder

Real estate heir Robert Durst is shown in this Jan. 6, 2017, file photo. (Mark Boster/Los Angeles Times via AP/Pool)
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Updated 18 September 2021
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New York millionaire Robert Durst declared guilty of best friend’s murder

  • Durst faces a mandatory term of life in prison without parole after he was convicted of first-degree murder
  • Prosecutors painted a portrait of a rich narcissist who ruthlessly disposed of people who stood in his way

INGLEWOOD, California: A Los Angeles jury convicted Robert Durst on Friday of murdering his best friend 20 years ago, a case that took on new life after the New York real estate heir participated in a documentary that connected him to the slaying that was linked to his wife’s 1982 disappearance.
Durst, 78, was not in court for the verdict from the jury that deliberated about seven hours over three days. He was in isolation at a jail because he was exposed to someone with coronavirus.
Durst, who faces a mandatory term of life in prison without parole when sentenced Oct. 18, was convicted of the first-degree murder of Susan Berman. She was shot at point-blank range in the back of the head in her Los Angeles home in December 2000 as she was prepared to tell police how she helped cover up his wife’s killing.
Berman, the daughter of a Las Vegas mobster, was Durst’s longtime confidante who told friends she provided a phony alibi for him after his wife vanished.
Prosecutors painted a portrait of a rich narcissist who didn’t think the laws applied to him and ruthlessly disposed of people who stood in his way. They interlaced evidence of Berman’s killing with Kathie Durst’s suspected death and the 2001 killing of a tenant in a Texas flophouse where Robert Durst holed up while on the run from New York authorities.
“Bob Durst has been around a lot of years, and he’s been able to commit a lot of horrific crimes. We just feel really gratified that he’s been held accountable,” Deputy District Attorney John Lewin said.
Lewin met with jurors after the verdict and said they thought prosecutors had proven Durst had killed his wife and had murdered both Berman and his Texas neighbor in an effort to escape justice.
He said jurors did not find Durst credible as a witness.
Durst was arrested in 2015 while hiding out in a New Orleans hotel on the eve of the airing of the final episode of “The Jinx: The Life and Deaths of Robert Durst,” in which he was confronted with incriminating evidence and made what prosecutors said was a confession.
Durst could be heard muttering to himself on a live microphone in a bathroom: “There it is. You’re caught.”
Durst’s decision to testify in his own defense — hoping for a repeat of his acquittal in the Texas killing — backfired as he was forced to admit lying under oath, made damning admissions and had his credibility destroyed when questioned by the prosecutor.
Defense lawyer David Chesnoff said Friday they believed there was “substantial reasonable doubt” and were disappointed in the verdict. He said Durst would pursue all avenues of appeal.
The conviction marks a victory for authorities who have sought to put Durst behind bars for murder in three states. Durst was never charged in the disappearance of his wife, who has never been found, and he was acquitted of murder in Galveston, Texas, where he admitted dismembering the victim’s body and tossing it out to sea.
The story of Durst, the estranged scion of a New York real estate developer, has been fodder for New York tabloids since his wife vanished. He provided plot twists so numerous that Hollywood couldn’t resist making a feature film about his life that eventually led to the documentary and discovery of new evidence in Berman’s slaying.
Durst ran from the law multiple times, disguised as a mute woman in Texas and staying under an alias at a New Orleans hotel with a shoulders-to-head latex mask for a presumed getaway. He jumped bail in Texas and was arrested after shoplifting a chicken sandwich in Pennsylvania, despite having $37,000 in cash — along with two handguns — in his rental car.
He later quipped that he was “the worst fugitive the world has ever met.”
Durst escaped close scrutiny from investigators when his wife disappeared. But his troubles resurfaced in late 2000 when New York authorities reopened the case.
His lawyer told him to be prepared to be charged in the case, and he fled a life of luxury to Galveston, Texas, where he rented a cheap apartment as “Dorothy Ciner,” a woman he pretended couldn’t speak. He eventually dropped the disguise after mishaps that included walking into a men’s restroom and igniting his wig at a bar while lighting a cigarette.
Just before Christmas, he testified that he traveled to LA to visit Berman for a “staycation” with plans to see some of the tourist sites.
Durst, who had long denied ever being in LA at the time of Berman’s death, testified at trial that he found her dead on a bedroom floor when he arrived.
Berman, a writer who had been friends with Durst since they were students at the University of California, Los Angeles, had serious financial problems at the time. Durst had given her $50,000, and prosecutors suggested she was trying to leverage more money from him by telling him she was going to speak with the cops.
Nine months after her death, Durst killed his Galveston neighbor Morris Black, in what he said was either an accident or self-defense. Durst said he found Black, who he had become friends with, in his apartment holding Durst’s .22-caliber pistol.
Durst was acquitted after testifying the 71-year-old was killed in a struggle for the gun. Durst then chopped up Black’s body and tossed it out to sea. He was convicted of destroying evidence for discarding the body parts.
After the trial and the ghastly evidence of the dismemberment, Durst found he was a pariah, he said. Despite an estimated $100 million fortune, he was turned away by multiple condominium associations and said the Los Angeles County Museum of Art wouldn’t take his money unless he donated anonymously.
Durst thought a 2010 feature film based on his life, “All Good Things,” starring Ryan Gosling as him and Kirsten Dunst as Kathie, had been largely accurate and painted a sympathetic portrait, despite implicating him in three killings. He only objected that he was depicted killing his dog — something he would never do.
He reached out to the filmmaker and agreed to sit for lengthy interviews for a documentary. He encouraged his friends to do the same and gave the filmmakers access to boxes of his records.
He came to deeply regret his decision after “The Jinx” aired on HBO in 2015, calling it a “very, very, very big mistake.”
The documentary filmmakers discovered a crucial piece of evidence that connected him to an anonymous note sent to police directing them to Berman’s lifeless body.
Durst, who was so confident he couldn’t be connected to the note, told filmmakers “only the killer could have written” the note.
Filmmakers confronted him with a letter he sent Berman a year earlier. The handwriting was identical and Beverly Hills was misspelled as “Beverley” on both. He couldn’t tell the two apart.
The gotcha moment provided the climax of the movie as Durst stepped off camera and muttered to himself on a live microphone in the bathroom: “Killed them all, of course.”
During 14 days of testimony that was so punishing Judge Mark Windham called it “devastating,” Durst denied killing his wife and Berman, though he said he would lie if he did.
He tried to explain away the note and what prosecutors said was a confession during an unguarded moment.
For the first time, Durst admitted on the witness stand that he sent the note and had been in Los Angeles at the time of Berman’s death.
Durst said he sent the note because he wanted Berman to be found but didn’t want anyone to know he had been there because it would look suspicious.
He acknowledged that even he had difficulty imagining he could have written the note without killing Berman.
“It’s very difficult to believe, to accept, that I wrote the letter and did not kill Susan Berman,” Durst testified.
A prosecutor said it was one of the truest things Durst said amid a ton of lies.


Strauss’ ‘Blue Danube’ is beamed into space as Vienna celebrates with a concert

Updated 01 June 2025
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Strauss’ ‘Blue Danube’ is beamed into space as Vienna celebrates with a concert

  • The European Space Agency’s big radio antenna in Spain beamed the waltz into the cosmos Saturday
  • Operators aimed the dish at Voyager 1, the world’s most distant spacecraft more than 24 billion kilometers away

VIENNA: Strauss’ “Blue Danube” waltz has finally made it into space, nearly a half-century after missing a ride on NASA’s twin Voyager spacecraft.
The European Space Agency’s big radio antenna in Spain beamed the waltz into the cosmos Saturday. Operators aimed the dish at Voyager 1, the world’s most distant spacecraft more than 15 billion miles (24 billion kilometers) away. Traveling at the speed of light, the music was expected to overtake Voyager 1 within 23 hours.
The Vienna Symphony Orchestra performed the “Blue Danube” during the space transmission, which actually sent up a version from rehearsal. It’s part of the yearlong celebration marking the 200th birthday of Johann Strauss II, who was born in Vienna in 1825. The Strauss space send-off also honors the 50th anniversary of ESA’s founding.
Launched in 1977 and now in interstellar space, each of the two Voyagers carries a Golden Record full of music but nothing from the waltz king. His “Blue Danube” holds special meaning for space fans: It’s featured in Stanley Kubrick’s 1968 sci-fi film “2001: A Space Odyssey.”


Bee alert: US police warn after 250 million insects escape

Updated 31 May 2025
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Bee alert: US police warn after 250 million insects escape

  • Roads in the region, which nestles the border with Canada and is just 30 miles from Vancouver, have been closed as bee experts help with the clean-up

LOS ANGELES, United States: A truck crash that set 250 million bees free has sparked warnings in the western US, with police telling people to avoid swarms of the stinging insects.
The accident happened in Washington state in the far northwest of the country, when a semi trailer carrying a load of hives overturned.
“250 million bees are now loose,” wrote Whatcom County Sheriff on its social media page.
“AVOID THE AREA due to the potential of bee escaping and swarming.”
Roads in the region, which nestles the border with Canada and is just 30 miles from Vancouver, have been closed as bee experts help with the clean-up.
While some beekeepers aim only to produce honey, many others rent out their hives to farmers who need the insects to pollinate their crops.


In Marseille, a shadow becomes art in Banksy’s latest street mural

Updated 31 May 2025
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In Marseille, a shadow becomes art in Banksy’s latest street mural

  • On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account

MARSEILLE, France: The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: “I want to be what you saw in me.”
Banksy had struck again.
On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille’s 7th arrondissement, near the sea.
Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look.
There is no official explanation for the phrase. But its emotional pull is unmistakable — a quiet plea for recognition, love or redemption. Some speculate it references a country ballad by Lonestar. Others call it a love letter. Or a lament. Or both.
The image is deceptively simple: a lone lighthouse, dark and weathered, casting a stark white beam. But what gives it power is the way it plays with light — the real and the painted, the seen and the imagined. The post in front of the wall becomes part of the piece. Reality becomes the frame.
Marseille’s mayor, Benoît Payan, was quick to react online. “Marseille x Banksy,” he wrote, adding a flame emoji. By midday, the hashtag #BanksyMarseille was trending across France, and beyond.
Though often political, Banksy’s art is just as often personal, exploring themes of loss, longing and identity. In recent years, his works have appeared on war-ravaged buildings in Ukraine, in support of migrants crossing the Mediterranean and on walls condemning capitalism, Brexit, and police brutality.
The artist, who has never confirmed his full identity, began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His mischievous and often satirical images include two male police officers kissing, armed riot police with yellow smiley faces and a chimpanzee with a sign bearing the words, “Laugh now, but one day I’ll be in charge.”
His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. In December 2023, after Banksy stenciled military drones on a stop sign in south London, a man was photographed taking down the sign with bolt cutters. Police later arrested two men on suspicion of theft and criminal damage.
In March 2024, an environmentally themed work on a wall beside a tree in north London was splashed with paint, covered with plastic sheeting and fenced off within days of being created.
Despite the fame — or infamy — at least in Marseille, not everyone walking past noticed it. Some didn’t even know who Banksy was, according to the local press.
On Instagram observers say this Marseille piece feels quieter. More interior.
And yet, it is no less global. The work arrives just ahead of a major Banksy retrospective opening June 14 at the Museum of Art in nearby Toulon featuring 80 works, including rare originals. Another exhibit opens Saturday in Montpellier.
But the Marseille mural wasn’t meant for a museum. It lives in the street, exposed to weather, footsteps and time. As of Friday evening, no barriers had been erected. No glass shield installed. Just a shadow, a beam and a message that’s already circling the world.


Ex-assistant testifies Sean ‘Diddy’ Combs sexually assaulted her and used violence to get his way

Updated 30 May 2025
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Ex-assistant testifies Sean ‘Diddy’ Combs sexually assaulted her and used violence to get his way

  • “I was going to die with this. I didn’t want anyone to know ever.”

NEW YORK: Sean “Diddy” Combs ‘ former personal assistant testified Thursday that the hip-hop mogul sexually assaulted her, threw her into a swimming pool, dumped a bucket of ice on her and slammed a door against her arm during a torturous eight-year tenure.
The woman, testifying at Combs’ sex trafficking trial under the pseudonym “Mia,” said Combs put his hand up her dress and forcibly kissed her at his 40th birthday party in 2009, forced her to perform oral sex while she helped him pack for a trip and raped her in guest quarters at his Los Angeles home in 2010 after climbing into her bed.
“I couldn’t tell him ‘no’ about anything,” Mia said, telling jurors she felt “terrified and confused and ashamed and scared” when Combs raped her. The assaults, she said, were unpredictable: “always random, sporadic, so oddly spaced out where I would think they would never happen again.”
If she hadn’t been called to testify, Mia said, “I was going to die with this. I didn’t want anyone to know ever.”
Speaking slowly and haltingly, Mia portrayed Combs as a controlling taskmaster who put his desires above the wellbeing of staff and loved ones. She said Combs berated her for mistakes, even ones other employees made, and piled on so many tasks she didn’t sleep for days.
“It was chaotic. It was toxic,” said Mia, who worked for Combs from 2009 to 2017, including a stint as an executive at his film studio. “It could be exciting. The highs were really high and the lows were really low.”
Asked what determined how her days would unfold, Mia said: “Puff’s mood,” using one of his many nicknames.
Mia said employees were always on edge because Combs’ mood could change “in a split second” causing everything to go from “happy to chaotic.” She said Combs once threw a computer at her when he couldn’t get a Wi-Fi connection.
Her testimony echoed that of Combs’ other personal assistants and his longtime girlfriend Cassie, who said he was demanding, mercurial and prone to violence. She is the second of three women testifying that Combs sexually abused them.
Cassie, an R&B singer whose legal name is Casandra Ventura, testified for four days during the trial’s first week, telling jurors Combs subjected her to hundreds of “freak-offs” — drug-fueled marathons in which she said she engaged in sex acts with male sex workers while Combs watched, filmed and coached them.
A third woman, “Jane,” is expected to testify about participating in freak-offs. Judge Arun Subramanian has permitted some of Combs’ sexual abuse accusers to testify under pseudonyms for their privacy and safety.
The Associated Press does not identify people who say they’re victims of sexual abuse unless they choose to make their names public, as Cassie has done.
Combs, 55, has pleaded not guilty to sex trafficking and racketeering charges. His lawyers concede he could be violent, but he denies using threats or his clout to commit abuse.
Mia testified that she saw Combs beat Cassie numerous times, detailing a brutal assault at Cassie’s Los Angeles home in 2013 that the singer and her longtime stylist Deonte Nash also recounted in their testimony. Mia said she was terrified Combs was going to kill them all, describing the melee as “a little tornado.”
The witness recalled jumping on Combs’ back in an attempt to stop him from hurting Nash and Cassie. Mia said Combs threw her into a wall and slammed Cassie’s head into a bed corner, causing a deep, bloody gash on the singer’s forehead. Other times, she said, Combs’ abuse caused Cassie black eyes and fat lips.
Mia said Combs sometimes had her working for up to five days at a time without rest as he hopped from city to city for club appearances and other engagements, and she started relying on her ADHD medication, the stimulant Adderall, as a sleep substitute.
Combs, with residences in Miami, Los Angeles and the New York area, let Mia and other employees stay in his guest houses — but she wasn’t allowed to leave without his permission and couldn’t lock the doors, she testified.
“This is my house. No one locks my doors,” Combs said, according to Mia.
Mia didn’t appear to make eye contact with Combs, who sat back in his chair and looked forward, sometimes with his hands folded in front him, as she testified. Occasionally, he leaned over to speak with one of his lawyers or donned glasses to read exhibits. Mia kept her head down as she left the courtroom for breaks.
She testified that she remains friends with Cassie.


Rescued giant moths emerge from cocoons in Mexico’s sprawling capital

Updated 30 May 2025
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Rescued giant moths emerge from cocoons in Mexico’s sprawling capital

MEXICO CITY: Two moths the size of a hand, their wings patterned with brown and pink around four translucent sections, mate for hours hanging from a line alongside cocoons like the ones they emerged from just hours earlier.
“When I get here and find this, I jump with delight,” said María Eugenia Díaz Batres, who has been caring for insects at the Museum of Natural History and Environmental Culture in Mexico City for nearly six decades.
The mating pair of “four mirrors” moths as they’re popularly known in Mexico, or scientifically as Rothschildia orizaba, are evidence that the museum’s efforts to save some 2,600 cocoons rescued from an empty lot were worth the trouble.


The moths, whose numbers have fallen in Mexico City due to urbanization, have cultural relevance in Mexico.
“The Aztecs called them the ‘butterfly of obsidian knives,’ Itzpapalotl,” Díaz Batres said. “And in northern Mexico they’d fill many of these cocoons with little stones and put them on their ankles for dances.”
These cocoons arrived at the museum in late December.
“They gave them to us in a bag and in a box, all squeezed together with branches and leaves, so my first mission was to take them out, clean them,” Díaz Batres said.
Mercedes Jiménez, director of the museum in the capital’s Chapultepec park, said that’s when the real adventure began since they had never received anything like this before.
Díaz Batres had the cocoons hung in any place she thought they might do well, including her office where they hang from lines crisscrossing above her table. It has allowed her to watch each stage of their development closely.


The moths only survive for a week or two as adults, but they give Díaz Batres tremendous satisfaction, especially when she arrives at her office and new moths “are at the door, on the computer.”
So she tries to help them “complete their mission” and little by little their species recovers.