SEOUL: “Squid Game,” a brutal Netflix survival drama about desperate adults competing in deadly children’s games for a chance to escape severe debt, hit a little too close to home for Lee Chang-keun.
The show has captivated global audiences since its September debut on its way to becoming Netflix’s biggest hit ever. It has struck raw nerves at home, where there’s growing discontent over soaring personal debt, decaying job markets and stark income inequalities worsened by financial crises in the past two decades.
In the dystopian horrors of “Squid Game,” Lee sees a reflection of himself in the show’s protagonist Seong Gi-hun, a laid-off autoworker coping with a broken family and struggling with constant business failures and gambling problems.
Seong gets beaten by gangster creditors into signing off his organs as collateral, but then receives a mysterious offer to play in a series of six traditional Korean children’s games for a shot at winning $38 million.
The South Korea-produced show pits Seong against hundreds of other financially distressed players in a hyper-violent competition for the ultimate prize, with losers being killed at every round.
It is raising disturbing questions about the future of one of Asia’s wealthiest economies, where people who once crowed about the “Miracle of the Han River” now moan about “Hell Joseon,” a sarcastic reference to a hierarchical kingdom that ruled Korea before the 20th century.
“Some scenes were very hard to watch,” said Lee, a worker at South Korea’s Ssangyong Motors who struggled with financial difficulties and depression after the carmaker laid him and 2,600 other employees off while filing for bankruptcy protection in 2009.
After years of protests, court battles and government intervention, Lee and hundreds of other Ssangyong workers returned to work in recent years. But not before a spate of suicides among co-workers and family members who were plunged into financial misery.
“In ‘Squid Game,’ you see characters scrambling to survive after being laid off at work, struggling to operate fried chicken diners or working as ‘daeri’ drivers,” who get paid for driving drunk people home in their own cars, Lee said. “That reminded me of my co-workers who died.”
Lee said he and his colleagues struggled to find work and were backlisted by other auto companies that considered them militant labor activists.
A 2016 report by Korea University medical researchers said at least 28 laid-off Ssangyong workers or their relatives died of suicide or severe health problems, including those linked to post-traumatic stress disorder.
“Squid Game” is one of many South Korean shows inspired by economic woes. Its dark tale of inequality and class has drawn comparisons with Bong Joon-ho’s Oscar-winning “Parasite,” another pandemic-era hit with stunning visuals and violence exposing the underside of South Korea’s economic success story.
Netflix tweeted Wednesday that “Squid Game” has become its biggest original series launch after reaching 111 million fans.
South Korea’s rapid rebuilding from the devastation of the 1950-53 Korean War has been spectacular — from Samsung’s emergence as a global technology giant to the immense popularity of K-pop and movies that’s expanding beyond Asia — though millions of South Koreans now grapple with the dark side of that rise.
“Class problems are severe everywhere in the world, but it seems South Korean directors and writers tackle the issue with more boldness,” said Im Sang-soo, a film director.
In “Squid Game,” Seong’s troubles trace back to his firing a decade earlier from the fictional Dragon Motors, a nod to Ssangyong, which means “double dragon.”
Hundreds of workers, including Lee, occupied a Ssangyong plant for weeks in 2009 to protest the layoffs before being dispersed by riot police who besieged them, assaulted them with batons, shields and water-cannons and dropped liquified tear gas by helicopter.
That violent standoff injured dozens and is woven into the “Squid Game” narrative. Seong has flashbacks about a Dragon coworker killed by strikebreakers while organizing fellow game participants to create barricades with dormitory beds to block murderous sneak night attacks by more vicious opponents looking to eliminate the competition.
Ultimately, it’s every person for themselves in a cruel battle royale between hundreds of people willing to risk even their lives for a shot at freeing themselves from the nightmare of insurmountable debts.
The show features other crushed or marginalized characters, like Ali Abdul, an undocumented factory worker from Pakistan with severed fingers and a boss who refuses to pay him, epitomizing how the country exploits some of the poorest people in Asia while ignoring dangerous working conditions and wage theft.
And Kang Sae-byeok, a pickpocketing North Korean refugee who had known nothing but rough life on the streets and is desperate for money to rescue her brother from an orphanage and to smuggle her mother out of the North.
Many South Koreans despair of advancing in a society where good jobs are increasingly scarce and housing prices have skyrocketed, enticing many to borrow heavily to gamble on risky financial investments or cryptocurrencies.
Household debt, at over 1,800 trillion ($1.5 trillion), now exceeds the country’s annual economic output. Tough times have pushed a record-low birth rate lower as struggling couples avoid having babies.
Squid Game’s global success is hardly a cause for pride, Se-Jeoung Kim, a South Korean lawyer based in Poland, wrote in a Seoul Shinmun newspaper column.
“Foreigners will come to you, saying they too watched Squid Game with fascination, and may ask whether Ali’s situation in the drama could really happen in a country that’s as wealthy and neat as South Korea, and I would have nothing to say,” she said.
Kim Jeong-wook, another Ssangyong worker who spent months with Lee perched atop a chimney at a Ssangyong factory in 2015, demanding the company to rehire the fired workers, said he couldn’t watch Squid Game after episode one.
“It was too traumatic for me,” he said.
‘Squid Game’ strikes nerve in debt-ridden South Korea
https://arab.news/wdu4h
‘Squid Game’ strikes nerve in debt-ridden South Korea
- Household debt, at over 1,800 trillion ($1.5 trillion), now exceeds South Korea’s annual economic output
Istanbul’s historic baths keep hammam tradition alive
- For centuries, hammams were central to Ottoman society, and while they fell out of use in Turkiye with the advent of running water
ISTANBUL: For centuries, hammams were central to Ottoman society, and while they fell out of use in Turkiye with the advent of running water, many are being restored to revive an ancient ritual bathing tradition.
Often featured in older Turkish films, hammam scenes are highly entertaining, with women not only bathing but enjoying these historical bathhouses as a place to socialize, eat, drink and even dance.
Last year, the 500-year-old Zeyrek Cinili Hammam — built during the reign of Suleiman the Magnificent by the celebrated Ottoman architect Sinan — reopened to the public after a painstaking 13-year restoration.
Alongside a functioning hammam, it also houses a museum explaining its history and the Ottoman ritual of bathing.
“The restoration somehow turned into an archaeological dig” that gave insight into how the hammam once looked, museum manager Beril Gur Tanyeli told AFP.
“Around 3,000 pieces of missing tiles were found which helped solve the puzzle of why this hammam was called Cinili” — Turkish for “covered with tiles.”
The beautiful Iznik tiles that once lined its walls were exclusively produced for the hammam, with no other bathhouse having such a rich interior, museum officials say.
Although most were damaged by fires or earthquakes, or sold off to European antique dealers in the 19th century, some are still visible.
The restoration also exposed several Byzantine cisterns beneath the hammam.
“Sinan the Architect is believed to have built the hammam on top of these cisterns to use them as a foundation and as a source of water,” Tanyeli said.
In ancient Rome, bathing culture was very important and it was “traditional for traders to wash before entering the city, especially in baths at the (city) entrance,” archaeologist Gurol Tali told AFP.
During the Ottoman empire, bathing culture had its golden age, with the ritual symbolising both bodily cleanliness and purity of soul.
In Islam, a Muslim must wash before praying, in an act known as ablution.
Hammams were also a place for celebrating births and weddings.
“Baths were used not only for cleansing the body but for socialising, relaxing, healing and even celebrating important life events,” with special rites for brides, soldiers and those who had undergone circumcision, Tali said.
Since households at the time did not have running water, hammams were an essential part of life until the 19th century, with census figures from 1638 showing there were 14,536 public and private baths in Istanbul, the museum says.
And that tradition has survived until today.
“You come here to get clean and leave handsome,” said Zafer Akgul, who was visiting one of the city’s hammams in the city with his son, telling AFP he visited often, particularly during religious feasts or for a wedding.
“We don’t want this tradition to die.”
That is where Istanbul’s ancient hammams can serve a bigger purpose, Tali said.
“Restoring historical baths in Istanbul and putting them to use may be the most effective way to transfer cultural heritage to future generations,” he said.
Another nearby bath house from the same era, the Beyazid II Hammam, underwent years of restoration and reopened as a museum in 2015.
One of the largest hammams in the city at the time, some historians believe it was where a notorious male bathing attendant, or “tellak,” called Halil plotted an uprising that in 1730 overthrew Sultan Ahmed III.
For Manolya Gokgoz, who does publicity for Cemberlitas Hammam, another 16th-century bathhouse built by the royal architect Sinan, the connection is more personal: her grandmother worked there as a “natir” — a woman’s bathing attendant.
“When I was two or three years old, I would go to the baths in the morning, wash and play by myself until the evening without getting bored,” she told AFP.
For Gokgoz, the tradition lives on — although mostly among tourists, which for her is a shame.
“In the past, we used to go to the hammam with our mothers and grandmothers. Now 70 percent of our customers are foreign tourists and 30 percent locals,” she said.
These days, the hammam experience — which lets bathers relax in hot, warm or cool pools alongside extras like massages or peeling — is quite expensive, with the basic service costing around $100.
Celebrities, both Turkish and international, often visit Cemberlitas, with the last being Spanish actor Pedro Alonso — the character Berlin in the Netflix hit “Money Heist” — who visited in September.
“Hammam is not a luxury, but a need,” Gokgoz said.
“Yes, it’s not like in the past because we have hot water at our fingertips, but we need to keep this tradition alive.”
John Krasinski named People magazine’s ‘sexiest man alive’
- The actor was especially excited to tell Blunt the news, saying “there was a lot of joy involved in me telling her“
Actor and director John Krasinski was named People magazine’s “sexiest man alive” for 2024 on Wednesday, taking over the mantle from “Grey’s Anatomy” actor Patrick Dempsey.
“Just immediate blackout, actually. Zero thoughts,” Krasinski told People in reaction to the news. The actor is perhaps best known for his sardonic nice guy role in the television comedy “The Office.”
“Other than maybe I’m being punked. That’s not how I wake up, thinking, ‘Is this the day that I’ll be asked to be Sexiest Man Alive?’ And yet it was the day you guys did it. You guys have really raised the bar for me,” he added.
Krasinski, 45, said that out of all of the opportunities he’s had as an actor, being a real-life family man is most rewarding.
He prefers being a husband and father who happily lives in Brooklyn with his wife of 14 years, actress Emily Blunt, 41, and their daughters Hazel, 10, and Violet, 8.
The actor was especially excited to tell Blunt the news, saying “there was a lot of joy involved in me telling her.”
Blunt joked that she plans to wallpaper their house with the cover of Krasinski if he received the title.
“It’s that beautiful thing where when you’re married to someone, you’re constantly learning and changing and evolving,” he said.
“And I’m so lucky to go through all that with her,” he added.
Recently, Krasinski has directed the comedy “IF” and the dramas “A Quiet Place” and “A Quiet Place Part II,” both featuring Blunt in a leading role.
However, he noted that the new title will change things very little around the house.
“I think it’s going to make me do more household chores,” he joked.
The announcement is included in this link: http://people.com/sexiestmanalive
The 2025 Grammy Award nominations are about to arrive. Here’s what to know
- The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles
NEW YORK: The 2025 Grammy Award nominations are just around the corner — who will compete for the top prizes?
Nominees will be announced during a video stream live on the Grammy website and the Recording Academy’s YouTube channel on Friday at 8 a.m. Pacific and 11 a.m. Eastern, kicking off with a pre-show 15 minutes earlier.
A host of talent is on deck to announce the nominees, including Gayle King, Jim Gaffigan and a long list of past Grammy winners: Brandy Clark, Kirk Franklin, David Frost, Robert Gordon, Kylie Minogue, Gaby Moreno, Deanie Parker, Ben Platt, Mark Ronson, Hayley Williams and last year’s best new artist recipient, Victoria Monét.
Only recordings commercially released in the US between Sept. 16, 2023 through Aug. 30, 2024 are eligible for nominations, so don’t expect to see album nods for Future’s “Mixtape Pluto” (though Future and Metro Boomin’s “We Don’t Trust You” is very likely to score a nomination), George Strait’s “Cowboys and Dreamers,” Tyler, the Creator’s “Chromakopia,” or “Warriors,” Lin-Manuel Miranda’s first full post-“Hamilton” musical with Pulitzer finalist Eisa Davis.
There’s plenty of unknowns going into the announcements: Will Beyoncé and Post Malone receive nominations in the country music categories following the success of their massive albums “Cowboy Carter” and “F-1 Trillion,” respectively, even though they are megastars previously not directly associated with the genre?
Will Shaboozey’s “A Bar Song (Tipsy),” the biggest song of the year that combines his country twang with the familiar sample of J Kwon’s 2004 rap hit “Tipsy” dominate?
The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles.
Prison break: Monkeys escape from South Carolina medical research facility
- Alpha Genesis provides primates for research worldwide at its compound
- Alpha Genesis $12,600 in 2018 after dozens of primates escaped
Forty-three monkeys escaped from a compound used for medical research in South Carolina but the nearby police chief said there is “almost no danger” to the public.
“They are not infected with any disease whatsoever. They are harmless and a little skittish,” Yemassee Police Chief Gregory Alexander said Thursday morning.
The Rhesus macaque primates escaped from the Alpha Genesis facility Wednesday when a new employee didn’t fully shut an enclosure, Alexander said.
The monkeys are females weighing about 3 kilograms and are so young and small that they haven’t been used for testing, police said.
Alpha Genesis employees “currently have eyes on the primates and are working to entice them with food,” police said in a statement issued around noon Thursday.
The company usually handles escapes on site, but the monkeys got outside the compound about 1.6 kilometers from downtown Yemassee, Alexander said.
“The handlers know them well and usually can get them back with fruit or a little treat,” Alexander said by phone.
But rounding up these escapees is taking some more work. Alpha Genesis is taking the lead, setting up traps and using thermal imaging cameras to recapture the monkeys on the run, the chief said.
“There is almost no danger to the public,” Alexander said.
People living nearby need to shut their windows and doors so the monkeys can’t find a place to hide inside and if they see the primates, call 911 so company officials and police can capture them.
Alpha Genesis provides primates for research worldwide at its compound about 80 kilometers northeast of Savannah, Georgia, according to its website. The company did not respond to an email asking about Wednesday’s escape.
In 2018, federal officials fined Alpha Genesis $12,600 after dozens of primates escaped as well as for an incident that left a few others without water and other problems with how the monkeys were housed.
Officials said 26 primates escaped from the Yemassee facility in 2014 and an additional 19 got out in 2016.
The group Stop Animal Exploitation Now sent a letter to the US Department of Agriculture asking the agency to immediately send an inspector to the Alpha Genesis facility, conduct a thorough investigation and treat them as a repeated violator. The group was involved in the 2018 fine against the company.
“The clear carelessness which allowed these 40 monkeys to escape endangered not only the safety of the animals, but also put the residents of South Carolina at risk,” Michael Budkie, the executive director of the group, wrote in the Thursday morning letter.
Trump victory renews interest in ‘The Handmaid’s Tale’ and other fictional dystopias
- Margaret Atwood’s dystopian classic about a country in which women are brutally repressed has been high on the Amazon.com best seller list
NEW YORK: “The Handmaid’s Tale” is selling again.
Since President-elect Donald Trump clinched his return to the White House, Margaret Atwood’s dystopian classic about a country in which women are brutally repressed has been high on the Amazon.com best seller list. “The Handmaid’s Tale” was popular throughout Trump’s first term, along with such dark futuristic narratives as George Orwell’s “1984” and Ray Bradbury’s “Fahrenheit 451,” both of which were in the Amazon top 40 as of Thursday afternoon. Another best-seller from Trump’s previous time in office, Timothy Snyder’s “On Tyranny: Twenty Lessons from the Twentieth Century,” was in the top 10.
Pro-Trump books also were selling well. Former first lady Melania Trump’s memoir, “Melania,” was No. 1 on the Amazon list, and Vice President-elect JD Vance’s “Hillbilly Elegy” was in the top 10. Donald Trump’s photo book “Save America” was in the top 30.
At Barnes & Noble, “Fiction and non-fiction books that feature fascism, feminism, dystopian worlds and both right-and-left leaning politics rocketed up our sales charts with the election results,” according to Shannon DeVito, the chain’s director of books. She cited “Melania,” “On Tyranny” and Bob Woodward’s latest, “War,” which covers the responses of Trump and President Joe Biden to the conflicts in Ukraine and the Middle East.
DeVito also cited “a massive bump in dystopian fiction,” notably for “The Handmaid’s Tale” and “1984.”