Muslim comedians tour UK to help people get over the pandemic

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British-born Fatiha El-Ghorri, originally from Morocco, is known for pushing the boundaries with her comedy. (AN Photo/Sarah Glubb)
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Organized by the UK-based Penny Appeal, this year’s proceeds and funds raised will go toward the international humanitarian charity’s Thirst Relief campaign. (AN Photo/Sarah Glubb)
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Headliner Azeem Muhammad, from St. Louis in Missouri, joined the Penny Appeal tour in 2018 and has been a growing success since. (AN Photo/Sarah Glubb)
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Updated 29 October 2021
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Muslim comedians tour UK to help people get over the pandemic

  • Starting in London, the Super Muslim Comedy Tour heads north and stops in 10 locations, including Manchester, Birmingham and Glasgow
  • This year’s lineup brings back some of the old favorites, along with some new performers, but none of them were interested in centering their jokes around the pandemic

LONDON: After almost two years of lockdowns, restrictions, isolation, and highly contagious variants, could laughter be the best medicine?
The UK Super Muslim Comedy Tour hopes to prove just that, while celebrating the powers of Muslim comedy in aid of charity.
“We weren’t able to do the tour last year because of the COVID-19 pandemic and it was difficult for a lot of people because they couldn’t get their entertainment fix that they would normally get — their therapy,” the show’s host, British-Pakistani actor and comedian Abdullah Afzal told Arab News on the sidelines of the tour in Wembley.
“Also for us comedians, because we’re so used to being on stage and performing and suddenly, that was taken away from us, so all the energy that we missed out on last year, we’re bringing it forward into this year, so double the amount of energy, and hopefully we can entertain the crowd double the amount as well.”
Afzal, who is 32 and from Manchester, has hosted the show, which is in its sixth year, but it was canceled in 2020, much like everything else, due to the pandemic. 




(L-R) Comedians Salman Malik, Prince Abdi, Abdullah Afzal, and Fatiha El-Ghorri performed for crowds in east and west London. (Supplied)

Starting in London, the tour heads north and stops in 10 locations, including Manchester, Birmingham and Glasgow — with all tickets sold out.
“We really hope people come out and really celebrate the diversity in our routine, in our stand up, and the people that come on the stage as well,” said Afzal, who features heavy audience participation in his sets and uses his origin to blend jokes about conventional marriage and modern romance.
This year’s lineup brings back some of the old favorites, along with some new performers, but none of them were interested in centering their jokes around the pandemic.
British-born Fatiha El-Ghorri, originally from Morocco, was back for the second time. Her career has taken off since 2019. She has performed on the Jonathan Ross show “Comedy Club” and on Comedy Central at the Edinburgh Fringe. And then, when the pandemic hit, she took on Zoom.
“The pandemic has been really difficult, but during that time, I was doing a lot of Zoom and online gigs,” she said. “It’s a completely different format, the stage is different, the audience is not in front of you, so it’s really odd when you first do it.”
Relieved and excited to be back to performing physical shows, the 40 year-old from east London is known for pushing the boundaries with her comedy and jokes about her experiences and observations of marriage, relationships, dating, and wearing the hijab.

“I do like to challenge people in my comedy and I like to break stereotypes, but obviously they’re halal jokes because it’s a Muslim tour,” she said, adding that she decided she was not going to use coronavirus as a basis for her jokes during the tour “because it was quite a difficult time for everybody, so I couldn’t see any humor in anything that was happening and I’m just glad it’s starting to get better.”
However, she admitted it was really nerve-wracking because they had not been performing live for a long time.
“You’ll always have nerves because we care about what we do so I’m always nervous on stage, but now I feel like we are all quite nervous being back on stage, but it’s nice to see that it’s packed out, lots of people are here, people have come to laugh.” 
Salman Malik, from south London, was relieved that Zoom shows were now reverting back to live ones, and he was happy to see audiences come out in “great numbers.”
In his first time participating in the tour, the 35 year-old Bahraini-Pakistani, who moved to the UK in 2004, uses his Arab-Asian background as a base for most of his material, along with his immigration experience, interracial marriage, and fathering three children.
“I perform comedy in four languages. I do Urdu, English, Punjabi, Hindi and it’s really nice to see that the opportunities are endless and working on my craft, (so) my comedy is basically about my journey coming into the UK, legally.” 




This is the first time that Bahraini-Pakistani comedian Salman Malik, from south London, joined the Super Muslim Comedy Tour. (AN Photo/Sarah Glubb)
 

Organized by the UK-based Penny Appeal, this year’s proceeds and funds raised will go toward the international humanitarian charity’s Thirst Relief campaign, which helps to provide safe and clean drinking water for deprived communities around the world.
Comedian Prince Abdi, 32, who is known for working with some of the biggest names in the game including Dave Chappelle, Trevor Noah and Chris Rock, wowed the crowd with his impressions and anecdotes of his pranks and antics.
“I’m Somali-British, so I talk about growing up in the ghetto of south London, which is not really a ghetto because I’m from Somalia, you know,” he said.
Abdi came into comedy as part of a bet with friends and, after several failed attempts at the same brutal comedy club, he finally got his first laugh and then “never looked back.”
He has toured Africa, including Nigeria, South Africa and Kenya, and has also performed in the UAE, and said he would love to go all around the Middle East and tell some Arab jokes one day.
“Nothing is easy in life, you have got to work for it, and even now, comedy is still hard and you’re only as good as your last show,” he said.
Abdi joked about his experience of being bored during the pandemic and playing pranks on people to test their racial and cultural curiosity, including walking around town with a picture of himself and asking white people if “they had seen this man?”




Headliner Azeem Muhammad, from St. Louis in Missouri, joined the Penny Appeal tour in 2018 and has been a growing success since. (AN Photo/Sarah Glubb)

“Everyone’s coming together, which is good because laughter is the best medicine. We all need to laugh, especially with all that’s going on around the world.”
Headliner Azeem Muhammad, from St. Louis in Missouri, joined the Penny Appeal tour in 2018 to see if his comedy would “transcend” from the US to Britain, and he has been a growing success ever since.
The fast-talking father-of-seven had the audience in stitches with his family-orientated jokes and audience interactions — and those “who could not keep up (it) was their own fault as they should have gone to university.”
Muhammad, 48, converted to Islam at the age of 17 and, nine years, later embarked on his comedic career. 
In 2004, he became one of the founding members of the very first Muslim comedy tour in the world called “Allah Made Me Funny,” which also featured Preacher Bryant Moss and Azhar Usman.
He said that, throughout the years with the tour, he had developed nuances to better translate to the UK’s predominantly Muslim audiences about what it’s like to be a Muslim from the US.
“And then to realize that no matter where we are from, the things that I talk about, which are marriage, divorce, children, jobs, health, the Sunnah (traditions and practices of Prophet Muhammad), those particular things are relatable, they’re universal, and so what normally would separate us now brings us that much closer together.”




Organized by the UK-based Penny Appeal, this year’s proceeds and funds raised will go toward the international humanitarian charity’s Thirst Relief campaign. (AN Photo/Sarah Glubb)

Keyaan Hussain, who is 13 and from London, said he found the show really enjoyable, very funny, and quite entertaining, adding his favorite was Muhammad “because of how he interacted more with the audience.”
Ifrah Quraishi, also from London, said it was the first comedy show she had ever been to and was already inquiring about next year’s tour.
“I thought it was amazing, genuinely, my cheeks are hurting (because) I couldn’t stop laughing,” Quraishi, 26, said. “For sure I am definitely up for going to more comedy events like this (and) definitely hoping to come to the next one.”


Iconic works on show ahead of Sotheby’s auction in Riyadh

‘Then What??’ by Louay Kayyali. (Sotheby's)
Updated 02 February 2025
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Iconic works on show ahead of Sotheby’s auction in Riyadh

RIYADH: On Feb. 8, Sotheby’s will host “Origins,” which it is billing as “the first international auction in Saudi Arabia’s history.” Key pieces from the auction are on display in the accompanying exhibition at Diriyah’s Bujairi Terrace that is free and open to the public.

Ashkan Baghestani — senior vice president and head of contemporary day sale, contemporary art, New York & Middle East — told Arab News of the importance of offering a diverse array of lots, from sculptures to paintings. 

"In terms of fine art, I think it was important for us to show the wide breath of the fields we represent at Sotheby’s,” he said, adding “in the last three years, every time I have been coming I have been seeing more international artists and curators, events, integrated with Arab culture.”

René Magritte is famed for his intriguing images combining everyday objects in whimsical and thought-provoking contexts. “L’État de veille” belongs to a series of dreamlike gouaches featuring several emblematic motifs. (Sotheby's)

While curating the auction and exhibit, Baghestani sought to bring the "greatest Arab and Saudi artists to an international audience … don’t forget, we don’t only cater toward the local audience and Saudi audience … a lot of our clients are looking at the sale."

Baghestani also broke down the different types of auctions to be held: Online, day and evening sales. 

"The evening sale auction is probably the highest caliber in terms of quality, featuring the most expensive, museum-quality, and rarest works. However, in terms of volume, it is usually the smallest."

“O' God, Honour Them and Do Not Honor an Enemy Over Them” by Saudi artist Mohammed Al-Saleem. (Sotheby's)

One of the pieces set to be auctioned is by Saudi artist Mohammed Al-Saleem (1939-1997), a key contributor to the evolution of the Kingdom’s art scene.

His painting, titled “O' God, Honour Them and Do Not Honor an Enemy Over Them” is inspired by the gradating skyline of Riyadh from the desert, with both the skyline and calligraphy blended into mosaic-like designs.

The auction will also include works from icons such as Rene Magritte and Andy Warhol, and regional art pioneers including Etel Adnan.

 


Dubai Fashion Week’s opening night hosts diverse designs

Updated 02 February 2025
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Dubai Fashion Week’s opening night hosts diverse designs

DUBAI: Set to run until Feb. 6, the opening night of Dubai Fashion Week saw designers show off their Autumn/Winter 2025-26 collections in the city on Saturday.  

The opening night’s line-up included an ode to Paris by Manel, founded by Dubai-based designer Manel Aboudaoud; a tribute to batik craftsmanship by Indonesian brand Toton; and a nod to Moscow and the Silk Road by Dubai-based Filipino designer Angelo Estera.  

From flowing gowns to structured silhouettes, Iraqi designer Zaki presented a collection marked by subdued, elegant hues. Zaki — who has dressed celebrities including Kris Jenner, Ciara and Tyra Banks — created a number of ombre gowns for her latest line, which also included metallic evening wear amid nude-colored looks. Rouching was seen in many of the figure-hugging gowns, with a creamy beige menswear look turning heads on the runway.

Iraqi designer Zeena Zaki presented a collection marked by subdued, elegant hues. (Supplied)

Meanwhile, Toton Januar collaborated with batik artisans from Tuban and Cirebon, Indonesia, for a collection that combined traditional artistry with upcycled fabrics and innovative use of materials such as paper clay.

Toton Januar collaborated with batik artisans from Tuban and Cirebon, Indonesia. (Supplied)

Aboudaoud made a winning debut at Dubai Fashion Week with the “Paris Day to Night” collection, a tribute to her Parisian upbringing and Arab roots. The collection combined elegant tailoring, luxurious fabrics, and versatile designs that can transition from day to night. The colour palette drew inspiration from Parisian winters, blending earthy tones with opulent hues. Textured velvet, jacquard, Chantilly lace, and satin were employed across the collection to create a refined, yet wearable line.  

Manel Aboudaoud made a winning debut at Dubai Fashion Week with the “Paris Day to Night” collection. (Supplied)

For his part, Estera fused traditional Russian elements with Eastern influences in a show inspired by the ancient trade routes connecting the East and West.  The Autumn/Winter 2025-26 collection featured a rich colour palette of red, black, and gold, representing luck, mystery, and cultural prosperity, according to the show notes.   

Angelo Estera fused traditional Russian elements with Eastern influences. (Supplied)

 


1-54 Contemporary African Art Fair returns to Marrakech for sixth edition

Updated 01 February 2025
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1-54 Contemporary African Art Fair returns to Marrakech for sixth edition

  • 30 exhibitors include galleries from Africa, Europe, India and for the first time, the Gulf

MARRAKECH: The sixth edition of the 1-54 Contemporary African Art Fair has returned to the opulent La Mamounia Hotel bringing together collectors and art aficionados from across Africa, the Middle East and Europe.

The smallest of the 1-54 fairs — which are also held in London and New York — the Marrakech edition, which opened on Jan. 30, presents a more intimate, upscale experience.

There is a great focus on establishing connections between the Marrakech art scene and greater Africa and its diaspora, the Middle East and Europe.

1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)

Running until Feb. 2, the event is being held at both the La Mamounia Hotel and multidisciplinary art space DaDa, located within the famous bustling Jemaa El-Fnaa square and marketplace in the city’s Medina quarter.

The latter highlights predominantly art concepts from across Morocco whereas within the lavish halls of La Mamounia, both international and Moroccan galleries present works by local African and international artists.

“In this edition, there is a very good balance between African, international and local Moroccan galleries,” fair director and founder Touria El Glaoui, the daughter of the late celebrated Moroccan modernist painter Hassan El Glaoui, told Arab News.

1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)

“This year presents 14 galleries from Africa … in addition to a gallery from Kuwait City, Tokyo, two galleries from Milan, and the Kalhath Foundation from Mumbai, India, presenting Moroccan artist Amina Benbouchta.”

Newcomers this year include Milan-based C+N Gallery CANEPANERI; space Un from Tokyo, Japan; and GALERIE FARAH FAKHRI from Abidjan, Cote d’Ivoire.

Also represented for the first time will be Galerie Medina from Bamako, Mali; Hunna Art from Kuwait City, Kuwait; Le Violon Bleu Gallery from Sidi Bou Said in Tunis, Tunisia; and Rabat-based Abla Ababou Galerie.

1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)

On view at Le Violon Bleu from Tunisia are also paintings by Hassan El Glaoui. The display marks the first time the artist’s works are exhibited at the fair. 

The Gulf is represented this year through the debuting Hunna Art from Kuwait City.

In addition, a talk, titled “AlUla a New Laboratory for Contemporary Art,” will be delivered by French curator Arnaud Morand who has staged exhibitions and residencies for several years in the ancient Saudi Arabia desert region.

1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)

Also from the Gulf will be a special performance titled “Le Miroir (Acte I)” by renowned artist Miles Greenberg, to be staged at the historic El-Badi Palace, commissioned by ICD Brookfield Place Arts Program in Dubai.

Since its launch in Morocco in 2018, 1-54 has grown into a global event bringing collectors, major art institutions and artists from across the world to Morocco.

The fair, as El Glaoui noted, is also building on Marrakech’s rich cultural and art scene which has been expanding over the years. Of note this year is the reopening of the Museum of African Contemporary Art Al-Maaden alongside numerous exhibitions and museum shows and performances.

“Marrakech has a strategic geographic location serving as a meeting point for audiences from the Middle East, Africa and the rest of the world,” said El Glaoui.

“Morocco has a vibrant art scene that has significantly grown over the years. I think between its auction houses, museums, private foundations and the various galleries we have in each city, it has become an important international contender for modern and contemporary art.”


Nadhim Zahawi reflects on his journey from Baghdad to Britain at Dubai literature festival

Updated 31 January 2025
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Nadhim Zahawi reflects on his journey from Baghdad to Britain at Dubai literature festival

  • Zahawi, who is a chemical engineer by background, recounted to the audience how he fled Iraq for the UK at the age of 11
  • Zahawi’s father fled to the UK first, and a few months later, Zahawi, his mother and sister joined him there, seeking refuge

DUBAI: Iraqi-born British former politician Nadhim Zahawi took the stage on Friday for a conversation moderated by Faisal J. Abbas, editor-in-chief of Arab News, during the 17th Emirates Airline Festival of Literature at the InterContinental Dubai Festival City.
The talk, “Nadhim Zahawi: The Boy From Baghdad,” shared its name with his book, in which Zahawi reflected on his journey from Baghdad to Britain, his career in business and politics, and the challenges of identity and belonging.
Zahawi, who is a chemical engineer by background, recounted to the audience how he fled Iraq for the UK at the age of 11, after his family was forced to escape their home under threat from Saddam Hussein’s regime.
He said: “At that age, you remember quite vividly, especially traumatic events … I really remember, one Sunday lunch at my aunt’s home, whose husband broke the news to my father that they’re going to come and get him tomorrow morning. Literally all he had was hours to get out of the country.”
“He packed a small bag, he wrote on the wall in our home: ‘My name is Hareth Al-Zahawi’ and a verse from the Qur’an, and that one day he will come back and see his home,” he recalled.
“We went to the airport with him; myself, my older sister and my mother. I remember vividly, the Baghdad International Airport … had a viewing platform, where in the late ’70s you would see the aircraft. There weren’t these sophisticated arms that come out. You had to walk to the plane and they put the steps up. We watched him go up the steps and we had to sort of pretend to say goodbye as if he was going on holiday because you don’t know who is watching you at the airport.”


Just before the flight took off, Zahawi recalled, an army truck sped up to the plane, and he and his family feared that his father would be taken off the flight and arrested. However, the soldiers escorted someone else instead. Zahawi later learned from his father that the person removed was seated directly in front of him.
Zahawi’s father fled to the UK first, and a few months later, Zahawi, his mother and sister joined him there, seeking refuge. He shared how these formative experiences shaped his perspective and ambitions.
He then spoke about how refugees are not necessarily a burden on society and why he refuses to call himself a political refugee.
“I sometimes feel uncomfortable when I am introduced as a refugee to the United Kingdom. What I try to say is that we are actually first-generation immigrants to the UK,” he said.
He added that this label makes him feel like an “imposter” because most people’s vision or stereotype of a refugee is someone who may have come from a less privileged background than he did.
Transitioning to his professional journey, Zahawi discussed his ventures in international business. He also provided insights into his political career, shedding light on the policies and individuals that have significantly impacted the UK’s landscape.
Zahawi said that he got into politics by accident, as he had almost no political interest growing up. “I wanted to become a show jumper,” he said, recalling how he once tried to convince his father to invest in a riding school. His father dismissed the idea, telling him, “Well, you go into university, make your own money, and then you can go to a riding school.”
It was not until his first week at University College London that an unexpected encounter shifted his perspective. At the Freshers’ Fair, he was confronted by a Socialist Workers Party member handing out magazines. “I promise you that all I did was politely say, ‘No, thank you’ — not because I didn’t respect socialism, but because I wasn’t interested in politics … He was so aggressive, saying, ‘People of your color, you should be ashamed of yourself.’”
Instead of reacting with anger, Zahawi decided to explore his viewpoint.
“I remember in 1979 or 1980, my mother saying to me: ‘Son, a grocer’s daughter has just become prime minister. You can do anything in this country.’ And she was right,” he added.
Throughout the talk, themes of identity and belonging were prominent, as Zahawi reflected on navigating life between two cultures and the evolution of his adoptive homeland, Britain.
He praised the UK’s political system for offering opportunities regardless of background, contrasting it with the US.
“I can’t name any other country that has got to this level of achievement. In America, politicians will choose particular districts where they have a large ethnic group that may be beneficial to their background,” he said.
Zahawi highlighted his own experience as an example, recalling how he was selected as a Conservative candidate despite coming from an immigrant background. “I was selected in Stratford-on-Avon in a room full of Conservative members, pretty much white. The seat is 97 percent white, affluent middle-class, farming community. This is the birth and resting place of William Shakespeare, yet they selected Nadhim Zahawi, a boy from Baghdad, as their champion, their candidate.”
He emphasized how his political success reflected the country’s openness to diversity. “They voted him in the 2010 election, and then voted him back four times after that with increased majorities. That is a country that, in my view, is truly colorblind,” Zahawi said.
He also discussed identity: “I think in many ways I am a proud Brit of Kurdish background. I am very proud of my Kurdish roots. But, ultimately, the country that has defined my life, that has given me my opportunity in life, is the United Kingdom,” he said.


Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week

Updated 31 January 2025
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Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week

  • Couturier’s designs been worn by Queen Rania of Jordan, Beyonce
  • First designer from region to join Federation de la Haute Couture

DUBAI: Paris-based label Ashi Studio, founded by Saudi Arabia designer Mohammed Ashi, presented its Spring/Summer 2025 couture collection on Thursday during Paris Haute Couture Week, featuring sculptural silhouettes, intricate embroidery, and detailed craftsmanship.

The collection has a range of designs that incorporate voluminous structures, textural contrasts and embellishments.

Look 14. (Instagram)

Several looks emphasize architectural shapes, including a voluminous ivory skirt paired with an embroidered cropped jacket in shades of blue, adorned with floral beading and gold detailing.

Other designs include structured corseted gowns with sheer lace panels and sculpted sleeves.

Look 13. (Instagram)

The collection also features darker tones, with black and gold embroidery on form-fitting dresses. Strapless gowns include intricate hand embroidery with landscape motifs.

Metallic fringe elements and shimmering embellishments contribute to the textural variation within the lineup.

Look 9. (Instagram)

Alongside heavily adorned pieces, the collection includes streamlined silhouettes, such as a deep burgundy velvet strapless gown and a turquoise column dress with matching gloves.

Ashi became the first couturier from the region to join the Federation de la Haute Couture in Paris as a guest member in 2023.

The couturier’s designs have been worn by celebrities including Beyonce, Lady Gaga, Jennifer Hudson, Kylie Minogue, Penelope Cruz, Deepika Padukone, Sonam Kapoor, and Queen Rania of Jordan.