War Machine is the big hero at RUSH Gaming Festival cosplay contest in Riyadh

Ibrahim Al-Yafii scooped up the top prize for his cosplay. Huda Bashatah/Arab News
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Updated 10 November 2021
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War Machine is the big hero at RUSH Gaming Festival cosplay contest in Riyadh

  • Ibrahim Al-Yafii from Saudi Arabia won first prize in the solo competition with his impressive homemade version of War Machine
  • Two Saudi sisters won the group category with their portrayal of Ryoma and Xander from video game ‘Fire Emblem Fates’

RIYADH: Marvel superhero War Machine stole the show on Monday night during the cosplay competition at the RUSH Gaming Festival in Riyadh. Ibrahim Al-Yafii’s homemade version of the high-tech hero’s armor took top prize in the solo contest.

“I’m extremely happy, after slaving away for months, to find myself victorious today,” said the 27-year-old Saudi professional cosplayer. “It took me two months to make this costume.”

Al-Yafii beat out 22 other hopeful contestants to take home a prize of SR10,000 ($2,666) on the penultimate day of the five-day gaming festival at Riyadh Front Exhibition Center, billed as the biggest event of its kind in the region.

He said that just two days before he took to the stage, his War Machine helmet sustained some damage that put him under great pressure to fix properly in time for the competition. Fortunately he was able to patch it up and his efforts were rewarded with the top prize.




Al-Yafii took home a prize of SR10,000 ($2,666) on the penultimate day of the five-day gaming festival. Huda Bashatah/Arab News

Soumaya Awadh, from the UAE, was one of the judges of Monday’s competition, along with 25-year-old Makusha Yelyzaveta from Ukraine. They are professional cosplayers, better known by their respective nicknames Sumi and Makmaku.”

“I’m a gamer and have been playing video games since Atari,” said Awadh. “I was so excited to see cosplay happening here. The prizes are so big for the cosplayers — if I’m not mistaken, Saudi is giving the highest prize in the world, so this means a lot.”

She has more than 10 years of cosplay experience, and has portrayed more than 40 characters.

“Cosplay started 10 years ago in the Arab countries,” she said. “Before that it wasn’t something really well known. The first Comic-Con in Dubai was in 2010.”

Japan held the what is considered the first cosplay competition in the world in 2003, during the World Cosplay Summit. Awadh described this as the “Olympics” of cosplay competitions, with contestants from more than 30 countries participating.




The judges spent nearly an hour deliberating before announcing eight prize winners. Huda Bashatah/Arab News

In Riyadh on Monday, the judges spent nearly an hour deliberating before announcing eight prize winners.

Yelyzaveta, who judged a previous cosplay competition in Riyadh two years ago, said that among the main things she looks for as a judge are the makeup, wigs and the costumes.

“You don’t necessarily have to be great at sewing but if the whole look is good, I can live with it,” she said. “A good stage presence is also important. If you can’t portray your character well on stage it will be hard for the jury to understand why you chose the character.”

Two Saudi sisters, who chose not to share their real names but go by the stage names Hesakura and Sei, appeared on stage as Ryoma and Xander from the role-playing video game “Fire Emblem Fates” to take home the Best Cosplay Group prize, worth SR15,000 ($3,999), ahead of seven other entrants.




Saudi sisters Sei (L) and Hesakura (R) took home the Best Cosplay Group prize. Huda Bashatah/Arab News

“Winning was really unexpected; I’m still in shock,” said Hesakura, 31, who has been cosplaying since 2016. “I was so nervous and I lost a couple of (costume) pieces on stage … I’m still absorbing the whole feeling; it feels awesome.

“When me and my sister choose characters, we have to have a mutual love for (them). We play this game together and we love ‘Fire Emblem’ so much.”

She added that the costumes and their stage performance took them about four months to prepare.

When asked how she plans to spend the prize money, Hesakura said: “Me and my sister are going to split it. I couldn’t have done it without her. Of course (we will share it) with my mom and dad; they are our biggest supporters … And the rest, of course, I will put it toward buying new materials for the next cosplay (contest).”

Other highlights during the competition included Saudi friends Mustafa Al-Jamal and Ibrahim Al-Saadoon, who were first runners-up in the Best Group category with their Genji and Hanzo costumes inspired by the popular multiplayer video game “Overwatch.”




Saudi friends Mustafa Al-Jamal and Ibrahim Al-Saadoon were first runners-up in the Best Group category. Huda Bashatah/Arab News

“This is an amazing feeling,” said 24-year-old Al-Saadoon. “The audience are fantastic and finally, after the coronavirus pandemic, we are witnessing an outstanding exhibition of this magnitude where we get to do what we love most.”

In order to qualify for the cosplay competition, the contestants have to make every part of their costumes themselves, Al-Jamal explained. He added that he and Al-Saadoon are preparing to represent Saudi Arabia at the World Cosplay Summit in Japan next year.

A total prize pool of SR64,000 ($17,062) was split between the top three contestants in each of the solo and group categories. In the solo contest, the prize for first place was SR10,000 ($2,666), followed by SR7,000 ($1,866) for second and SR5,000 for third. In the group competition, first prize was SR15,000 ($3,999), second was SR10,000 ($2,666) and third SR7,000 ($1,866). Two other prizes, worth 5,000 ($1,333) each, were awarded for best-crafted cosplay and best stage show.


Saudi artist Ahmed Mater on his solo show at Christie’s London 

Updated 33 min 50 sec ago
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Saudi artist Ahmed Mater on his solo show at Christie’s London 

  • ‘Chronicles’ runs July 17 to August 22 and features a selection of work from the Nineties to the present day  

DUBAI: On July 17, Christie’s London will inaugurate a mid-career retrospective of one of Saudi Arabia’s most significant conceptual artists, Ahmed Mater. Showcasing photography, works on paper, and installation art, the “Chronicles” exhibition will feature a selection of Mater’s creations dating back to the Nineties, when he first started experimenting with painting.  

“Art is a time machine that everyone is looking for. Art can take us to the past and imagine the future, which is a powerful thing,” Mater tells Arab News.   

Mater was born in 1979 and worked as a doctor before rising to prominence in the art world with his X-Ray and magnet artworks, providing social commentary on changes happening within the Kingdom.  

Saudi Arabian contemporary artist Ahmed Mater. (Supplied)

“I always admired the work of Dr. Ahmed, who is from my generation and my age,” says the exhibition’s curator, Dr. Ridha Moumni, who is the chairman of Middle East and North Africa at Christie’s. “He’s an introspective artist that works on ideas, rather than mediums.  

“He’s an artist who can speak very well about his work, but, for me, he’s an artist who produces work that speaks to everyone in a different language,” Moumni continues. “His process of maturation can be seen on many layers — be it social, cultural, religious or political — that are present in his country and, by extension, in the Arab world.”    

Here, Mater discusses five pieces from his show, which runs until August 22. 

‘The Book of Magnetism’ 

This is a new artwork that I wanted to introduce in this exhibition. It is a continuation of an earlier magnet artwork I made, on a small scale, of the Ka’aba in Makkah. For me, “The Book of Magnetism” is important because it tells the story of knowledge and how it shapes our life and culture. The oldest invention known to mankind is the book. I presented this book in a way that emanates the holiness of religious books.  

‘Desert of Pharan’ 

This is one of the pieces in my “Desert of Pharan” series, a project related to Makkah, where I put hundreds of found objects, photographs and video art about the city into a single room. This photograph is called “Nature Morte.” The project as a whole tells the story of Islamic Makkah, one of the most visited cities on Earth, as well as showing a study of urban planning in the city. I’m showing how new urban phenomena has changed the city, and how Makkah will influence the future of Islamic cities around the world.  (Image courtesy of the Dalloul Art Foundation.)

‘Ashab Al-Lal’ 


This project is based on the idea of the mirage. It’s a project I’m creating for Wadi AlFann in AlUla. In the London exhibition, I’m showing this sculptural maquette of this upcoming artwork. It’s a form of public art. It’s a very environmental piece, connected to the land. I usually work with the ideas of exposure, the body and photography. This piece, using mirrors, reflects our bodies to the sky, like a real mirage. The idea is that you go inside a place in the desert, and when you are in the middle of this artwork, our bodies will reflect for other people to see. There is something theatrical about it too.  (Image courtesy of the Royal Commission for AlUla.)

‘Lightning Land’ 

“Lightning Land” is a photograph that has a very nice landscape with lightning happening in the middle. I took this photograph on the way to Dammam in Saudi Arabia. I was actually just taking a picture of the oil refinery and tent that you see in the image. On that afternoon, it was stormy and dusty, and I wanted to this take a picture for a dramatic effect. I didn’t edit anything. I kept it as it was. When the lightning happened, it felt like a good gift. It’s an image that says a lot. The image is poetic evidence of the transformation that is happening in Saudi Arabia.  

‘Our Mother House’ 

This is an old, patterned artwork that the curator Dr. Ridha found in my studio and decided to show in the exhibition. It’s not my painting, but my mother’s. She is a mural painter of ‘Al-qatt al-Asiri’ — painting on the walls of homes, which women do in the southern part of the Kingdom. It’s very symbolic and decorative. Each mural elegantly tells the story of a family and its social background.    


Saudi TV personality Sara Murad launches her own fragrance brand 

Updated 05 July 2024
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Saudi TV personality Sara Murad launches her own fragrance brand 

  • The Saudi TV personality branches out into entrepreneurship 

DUBAI: Saudi media personality Sara Murad has been a mainstay in Arab households for more than a decade, most recently as the presenter of MBC morning show “Sabah Alkhair Ya Arab.” 

“When someone tells me that I made a change in their life, it feels so rewarding and makes me want to give more,” Murad tells Arab News. 

As part of that effort to ‘give more,’ Murad decided last year to launch her own fragrance brand, By Sara Murad. 

The first fragrance from her brand is Black Oud. (Supplied)

“I’ve always wanted to be a businesswoman; I just never had the time or the right team to take the step. Putting everything together feels so exciting and gave me the drive to launch a brand,” Murad, who is now a Dubai resident, says. 

“Everyone loves fragrance, it’s embedded in our culture. And I have always been passionate about collecting them. But with By Sara Murad, I wanted to create something that would showcase our culture with a modern twist that could reach the world. And I wanted to create something with my name that I’ve been working on for so long,” she added. 

The first fragrance from her brand — Black Oud — is “a harmonious melding of French elegance and the pride of Saudi Arabia,” according to the publicity blurb, “blending notes of Oud, amber, wood and leather.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by By Sara Murad (@bysaramurad)

“Saudi Arabia is all the inspiration — including the change, the openness and invitation to the world, the inspiration that the country is giving to the youth and the empowerment that is giving us as women,” she says. “To see the Kingdom’s growth has been fascinating and makes me so proud. To see the opportunity that’s been given to women and men… it’s definitely a chance for the young to grow.” 

When she was a young adult, Murad would have never imagined she would find a career as a TV presenter. She graduated as a graphic designer and was interested primarily in advertising and production work. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by By Sara Murad (@bysaramurad)

“I never thought of (trying to get) a job in front of the camera. I believe everyone gets an opportunity but sometimes it is so out of our comfort zone that we reject it,” she says. “When I got offered the job, I challenged myself to try it, thinking that I had nothing to lose and that it would be an experience. And here I am,12 years later.” 

Her success was hard-won. “Honestly, it’s not a field where you meet people who want to help you grow, so I counted on myself and learned a lot — most of it the hard way,” she says. 

In the beginning, there were people who were surprised to learn that she was a Saudi woman. “But now the whole world knows what a Saudi woman is capable of,” she adds. 

Juggling a full-time job with a new business is, of course, no mean feat, and Murad makes it work by being organized at all times. 

“My days are never (the same). My schedule is always changing. There is always something new happening, whether it is the show I’m presenting, or a photo shoot, or working on a new fragrance. There is nothing typical about my life. But I try to manage as far as I can to give everything my full attention. So, I’m very, very organized. And working with a great team also helps a lot to reach my goals,” she says. 

“When it comes to de-stressing, I try to take it easy. I shut down work. I mean, I never shut down, who am I kidding? But I play the piano — that helps,” she continues. “I like to read, that also helps. And I like to travel a lot and change scenery as well, even if it’s for work.” 


5 Dubai restaurants receive Michelin stars in 2024 guide

Updated 05 July 2024
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5 Dubai restaurants receive Michelin stars in 2024 guide

DUBAI: Five restaurants in Dubai on Thursday received a Michelin star in the guide’s third edition for the Emirati city.

Four restaurants won one star each, while one restaurant received two stars.

A ceremony was held at One&Only One Za’abeel hotel to mark the release of the third edition.

Row on 45, a new addition to the guide, immediately earned two Michelin stars. Launched by acclaimed British chef Jason Atherton, the restaurant is located on the 45th floor of Grosvenor House in Dubai. The eatery offers a tasting menu for just 22 guests, featuring refined dishes that blend Japanese ingredients with French techniques.

Atherton got emotional on stage as he received the award. “It is just a dream come true, it really is. It takes a lot to stay in the kitchen for 36 years as a chef. All these people in the room work tirelessly to maintain standards for our guests. There are so many people I want to thank. I am just looking at the stars on the screen, oh my god. It is really a dream come true,” he said, tearing up.

The three two-star restaurants — Il Ristorante - Niko Romito, known for its Italian fare, Stay by Yannick Alleno, which serves French cuisine, and Trssind Studio, renowned for its modern Indian cuisine — retained their ratings from last year.

One star was awarded to Smoked Room, Sagetsu by Tetsuya, La Dame de Pic Dubai and Orfali Bros, run by three Syrian brothers, which was promoted from the Bib Gourmand.

Chef Mohamad Orfali, who founded the eatery with his two brothers, Wassim and Omar, said on stage as he received the award: “(We are) super happy and super excited. (We have a) big responsibility right now. Thank you so much to Dubai, the Michelin Guide and to everyone who supports us. Thank you to the community. I give this (award) to all the young Arab chefs, especially in Syria.”

Smoked Room entered the guide with a Michelin star. In 2024, chef Dani Garcia introduced Dubai diners to the sister restaurant of his flagship in Madrid, showcasing dishes prepared using fire and grilling techniques.

Sagetsu by Tetsuya, led by chef Tetsuya Wakuda and his team, combines Japanese and French culinary influences in serene surroundings. The restaurant earned a Michelin star in its first entry into the guide.

La Dame de Pic, acclaimed chef Anne-Sophie Pic’s debut in Dubai, was awarded a Michelin star for its modern French cuisine. Pic incorporates subtle local influences into some of her renowned signature dishes, bringing a unique twist to her celebrated culinary creations.

The restaurants that maintained their one-star rating from last year’s list are 11 Woodfire, Al-Muntaha, Armani Ristorante, Avatara, Dinner by Heston Blumenthal in Atlantis The Royal, Hakkasan, Hoseki, Moonrise, Ossiano, Tasca by Jose Avillez and Torno Subito.

Six new establishments were added to the 2024 Bib Gourmand distinction list: Persian venue Berenjak, DUO Gastrobar, Korean spot Hoe Lee Low, ramen house Konjiki Hototogisu, REIF Japanese Kushiyaki at Dubai Hills and Indian dining spot Revelry.

The restaurants that retained their Bib Gourmand accolades were 21 Grams, 3Fils, Aamara, Al-Khayma Heritage Restaurant, Bait Maryam, Goldfish, Ibn Albahr, Indya by Vineet, Kinoya, REIF Japanese Kushiyaki at Dar Wasl, Shabestan and Teible.

The Bib Gourmand award, launched in 1997, highlights restaurants offering authentic and memorable culinary experiences at moderate prices.

The Guild restaurant received the Opening of the Year award, an accolade introduced in 2023, while the Service award was given to DuangDy by BO.LAN. Michael Mpofu from Celebrities by Mauro Colagreco won the Sommelier award, and Jesus Lobato Suarez at Smoked Room earned the Young Chef award.

The Green Star award was retained by Boca, Lowe and Teible. 


Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign

Updated 04 July 2024
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Saudi actress Mila Al-Zahrani joins Boucheron’s Quatre collection anniversary campaign

DUBAI: Saudi actress Mila Al-Zahrani has been selected as one of the new faces of Boucheron’s Quatre collection, joining the French brand as it celebrates the collection’s 20th anniversary.

This year marks two decades since the jewelry house introduced its Quatre collection, which features four patterns from the Boucheron archives and three shades of gold. 

To commemorate the milestone, Boucheron has released a new campaign featuring Al-Zahrani alongside three other women from the Middle East: Romanian Jordanian footwear designer Amina Muaddi, Lebanese singer Dana Hourani, and Turkish actress Dilan Çiçek Deniz.

“Once a Quatre girl, always a Quatre girl. Our family is growing,” Al-Zahrani wrote on Instagram, sharing a picture of herself adorned in wide, cuff-style bracelets with parallel band designs. 

Hourani wrote on Instagram: “So happy to announce that I have joined the @Boucheron Quatre family. Proud to be part of this new partnership with a visionary brand known for its innovation and cutting-edge designs. Lots happening this year, excited for what’s coming.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)


‘The Bear’ — still a great dish, but in danger of going to waste

Updated 04 July 2024
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‘The Bear’ — still a great dish, but in danger of going to waste

  • Season three of the acclaimed drama delivers high-quality performances again, but little progress

DUBAI: Season one of ‘The Bear’ was one of television’s greatest surprise hits. A show about the minutiae of everyday life in a restaurant kitchen shouldn’t have been this good, and certainly shouldn’t have appealed to both critics and audiences on such a large scale.

That it did was largely because it’s not really about that. It’s about the sacrifices often required to fulfill creative potential — to become truly great at something. In this case, that creative endeavor happens to be cooking.

It’s also about more than that: Grief, friendship, family, kindness, mental health, love in all its forms… the list goes on.

Season three continues all these themes. And the storytelling techniques remain excellent, from the acting to the dialogue and the cinematography. And it’s as tense, claustrophobic and anxiety-inducing as ever. But the story itself? That doesn’t really move on. And that’s a problem.

Carmen (Jeremy Allen White), the driving force behind the titular restaurant, spends most of the season close to breaking point, driven both by his split from season two love interest Claire (Molly Gordon — seen only in flashbacks for the majority of this season) and the self-doubt that he blames largely on his time working for an abusive former boss Chef David Fields (Joel McHale). Episode one is largely spent on a flashback story of that time, and the finale gives Carmen a chance to confront his tormentor, a showdown that brings Carmen little relief.

Throughout the season, we see Carmen bringing much of the same toxicity into his own kitchen in his quest for the Michelin star he has promised his protégé Sydney (Ayo Edebiri) they will attain. Syd, lest we forget, is supposed to be a partner in the venture, but the will-she-sign-won’t-she-sign-the-agreement story is somehow dragged out over all 10 episodes without being resolved.

That’s typical of the series as a whole. The characters are seemingly all stuck (and if that’s some kind of commentary on the creative process from the writers, then they’ve really overdone it). It’s still a compelling watch — thanks largely to the cast’s obvious love for the work; once again Ebon Moss-Bachrach is a standout as Carmen’s ‘cousin’ Richie, but all the regulars are great — but in terms of forward progress, season three is severely lacking. A large percentage of it consists of flashbacks. And yes, it’s nice to learn more about some of the characters’ backgrounds, but much of that could have been done in far less screentime, and maybe then the show could have looked to the future.

At the moment, “The Bear” feels like a (very good) show treading water. And even the most talented of swimmers can only do that for so long before they need to start going somewhere again. Or sink.