Ithra announces 3 Saudi films, training programs to elevate local talent

The King Abdulaziz Center for World Culture (Ithra) discussed its three new films at a press conference at the inaugural Red Sea International Film Festival on Wednesday. (AN photo by Huda Bashatah)
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Updated 09 December 2021
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Ithra announces 3 Saudi films, training programs to elevate local talent

  • ‘Sea of Sands’ and ‘Valley Road’ to release in 2023; ‘Anti-Cinema’ in post production and expected to hit international film fests soon

JEDDAH: The King Abdulaziz Center for World Culture (Ithra) discussed its three new films at a press conference at the inaugural Red Sea International Film Festival on Wednesday.

The conference was attended by local and international press. The center was represented by Tariq Khawaji, Ithra’s chief librarian and the program’s cultural consultant and supervisor of the reading program, and Majed Samman, Ithra’s head of performing arts and cinema, who is also a Saudi filmmaker, producer, actor and editor.

The three movies under the Ithra production banner include a feature film, “Sea of Sands,” by celebrated Egyptian screenwriter and producer Mohamed Hefzy, a leading figure in the industry in the Middle East and Africa who has written, produced and co-produced nearly 40 feature films in Egypt, the US, the UK and the Arab world.

The second film is “Valley Road,” a Saudi film, including its cast, crew, and location. It will be filmed in Faifa and Soudah in the southern region of the Kingdom by the award-winning Saudi independent filmmaker Khalid Fahad.

The third is a feature documentary called “Anti-Cinema,” about the Kingdom’s cinematic heritage, directed by Ali Saeed and Hassan Saeed. “Sea of Sands” and “Valley Road” are both scheduled for release in 2023.

Samman, who is the producer of “Sea of Sands” and “Valley Road,” told Arab News about “Anti-Cinema,” a documentary that brings Saudi Arabia’s film history to the big screen and is a winner of the Ithra Content Commission Initiative, currently in post-production and expected to hit the international film festival circuit soon.

“Anti-Cinema will be the most controversial piece non-Saudi viewers will ever watch. It tells the history of cinema from the 1940s and 1950s all the way until the Red Sea Film Festival today. So, for us, and especially for our era, people will say, oh my god, I remember this, I remember that, it’s very nostalgic.”

He added: “But for the outside world, they would say that they had no idea they have cinemas in Saudi and I had no idea that they were making movies. It’s going to be an eye-opener for a lot of people. So it’s going to be very controversial.”

“The two films that we’re going to premiere in 2023 are the first of many films, and they’re going to be showing the world and Saudi Arabia how quality films are made. And I can’t wait for people to see it.”

We really want to give as much as possible the opportunity for these Saudi filmmakers to join an international film and expose them to the filmmaking process, and that would give them a push so they can decide if they want to be filmmakers or not.

Majed Samman, Ithra’s head of performing arts and cinema

During the conference, Ithra announced the opening of registration for a training program designed to take Saudi’s film industry to the next level.

The program aims to elevate local talent to a higher standard with international appeal. Samman told Arab News: “The program targets Saudi national talents aged 18-year-old and above. We put down eight different categories for them to join us. Participants need to submit their CV; they have to submit their previous work, their portfolio, and then we’re going to have to decide with judges.”

Samman added: “We really want to give as much as possible the opportunity for these Saudi filmmakers to join an international film and expose them to the filmmaking process, and that would give them a push so they can decide if they want to be filmmakers or not.”

The center has also opened registration for “Sea of Sands”’ shadowing program, linked to its strategic commitment to nurture and develop talent across the Kingdom’s creative industries.

Ithra Film Productions has helped dozens of filmmakers bring their dreams to life. One of the largest movie producers in the Kingdom, it has produced 20 films, 15 of which have received local, regional and international awards.

“We have produced more films in Saudi Arabia than any other entity, including 20 films to date for the past three years now, two feature films, and 18 short films. Most of these films are now on Netflix, Shahad and Saudi airlines. We want to continue making films, and mostly independent films, because like I said, we want to do the best-quality films that would cost a very good amount of money.”

Ithra is the Kingdom’s premier cultural and creative destination for talent development and cross-cultural experiences. It is an innovative and interactive public space for workshops, performances, events, exhibitions and experiences.


Elyanna hypes up Coldplay show in Abu Dhabi

Updated 08 January 2025
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Elyanna hypes up Coldplay show in Abu Dhabi

DUBAI: Palestinian Chilean singer Elyanna is excited to open for British rockers Coldplay as they get ready to take to the stage in Abu Dhabi, on Jan. 9, 11, 12 and 14 at Zayed Sports City Stadium.

“Still can’t believe I’m opening for @coldplay’s Music of The Spheres tour. Abu Dhabi,” she posted on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

“Yanna Merch coming your way soon,” she added, crediting artists Nadine Ghannoum and Fairdose.

Elyanna’s formal introduction to Coldplay took place when she was invited to collaborate on their track, “We Pray.”

Elyanna also released her own Arabic-language version of the track on Sept. 20 last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Elyanna is set to perform live with Coldplay again when the band heads to Abu Dhabi for four shows in the UAE capital. The band will perform as part of the “Music of the Spheres World Tour” on Jan. 9, 11, 12 and 14.


Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

Updated 08 January 2025
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Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

DUBAI: Argentinian model and reality TV star Georgina Rodriguez took to Instagram to announce that her debut fragrance collaboration with Saudi perfume label Laverne is back in stock.

“SENSE my new perfume with Laverne is back in stock,” she posted, alongside a photo of herself – dressed in an eye-catching red dress while holding the fragrance bottle.

On the official website, the label describes Sense as the result of a collaboration between Dalia Eisem and Rodriguez that lasted more than a year and included the creation of more than 740 samples.

“Finally, Georgina chose the perfect combination that embodies all her feelings in a perfume bottle,” it said, noting that the fragrance included notes of blackcurrant, mandarin, jasmine, cashmere and orange blossom.

In March 2023, Rodriguez – the longtime partner of legendary footballer Cristiano Ronaldo – collaborated with Laverne to become the face of their new fragrance, Blue Laverne.


Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

Updated 08 January 2025
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Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

DUBAI: Los Angeles-based Saudi influencer Model Roz made a surprise appearance in season three of Netflix’s gossip-filled drama show “Dubai Bling,” which premiered on Jan. 8.

The model, who boasts 15.2 million Instagram followers, shared a short clip of her cameo on social media.

In the video, Mahira Abdel Aziz, the Emirati Egyptian newcomer to the show, introduced Roz to the cast, saying” “Ladies and gentlemen, all the way from LA... Roz. We are happy to have her here in Dubai.” Roz responded by bowing gracefully and thanking the cast for their warm welcome.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

“Welcome to Dubai,” added Zeina Khoury, a real estate agent and founder of the fashion brand I Am The Company.

“It’s my first time in Dubai, so all of you need to show me around,” Roz replied with a smile.

The scene then shifted to Roz sitting with Loujain Adada as they got their makeup touched up. 

Roz seized the moment to ask, “What happened the other day in the fitting? I heard your voices and sensed some stress.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

Adada brushed off the question, saying: “Stress? Nothing happened. I don’t think it concerns you in any way, so don’t worry.”

Roz responded quickly, “Yes, I stay away from these things.” 

“I’m telling you now, don’t be a gossip. I really hate that kind of stuff,” Adada cautioned.

Roz clarified: “It’s not my thing. I just wanted to make sure everything is okay.”

The program has been praised by critics for its ability to attract a multicultural audience due to its diverse cast, as well as merging English and Arabic dialogue, often in the same sentence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by(@model_roz)

Season three of “Dubai Bling” features a mix of returning cast members, new faces and notable departures. Familiar faces such as Adada, Khoury, Mona Kattan, Ebraheem Al-Samadi, Safa and Fahad Siddiqui, Farhana Bodi, Marwan Al-Awadhi (DJ Bliss), and Danya Mohammed return to share their glamorous lives. 

Joining the cast are media personality Abdel Aziz and Iraqi singer and actress Jwana Karim.

Saudi TV presenter Lojain Omran, along with radio host Kris Fade and his wife Brianna Fade, have exited the show.

Roz shot to fame in 2019 when she modelled for a Victoria’s Secret’s Pink campaign.

The model’s Instagram feed is littered with photographs of her various advertising campaigns, as well as visits to many a product launch party — from NYX Cosmetics events to TikTok gatherings. 


Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

Updated 08 January 2025
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Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

DUBAI: Born in London, coveted Japanese restaurant Zuma opened its doors in Riyadh’s King Abdullah Financial District mere weeks ago, with Azumi Group CEO Sven Koch telling Arab News that Saudi Arabia’s capital city was chosen “because of its cultural importance to the Kingdom.”

With 15 locations across the world, this marks Zuma’s first outpost in the Kingdom — but Saudi foodies are familiar with the luxury brand, Koch said.

“Since its inception in London in 2002, guests from Saudi Arabia have been one of the most loyal Zuma demographics from around the world. Bringing the Zuma experience to the Kingdom feels like a homecoming,” he said.

With interactive sushi and robata counters offering a front-row view of the artistry and precision of Zuma’s chefs, the Izakaya-style restaurant serves traditional Japanese dishes with a modern twist.

There are a few Riyadh-exclusive items on the menu. The Ajwa Date and Miso Toffee Cake dessert comes with ginger crumble, poached pears, and sweet corn mochi ice cream.

It is “a creation that combines the essence of the region’s flavors with Zuma’s renowned techniques,” Koch said.

Koch described Zuma Riyadh as a space that blends Middle Eastern influences and classic Japanese designs.

“Designed by renowned architect Noriyoshi Muramatsu, the space is a blend of Middle Eastern influences and Japanese design, creating an ambiance that is both locally inspired and globally sophisticated,” he explained.

Zuma’s launch in Riyadh was inspired by the cultural and economic transformations that the Kingdom has been undergoing over the past few years, especially in the food and beverage sector.

In 2025, Riyadh will have several new glittering international restaurants including Latin hotspot Amazonico, Japanese-Peruvian eatery Chotto Matte and Italian dessert cafe Cipriani Dolci.

“This transformation has focused on fostering a more vibrant lifestyle, creating a bigger demand for world-class dining and flavors … Zuma Riyadh’s debut in the Kingdom is a testament to the growing demand for exceptional dining experiences while also catering to a clientele that values both tradition and innovation,” said Koch.

 


International Prize for Arabic Fiction announces 2025 longlist

Updated 07 January 2025
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International Prize for Arabic Fiction announces 2025 longlist

DUBAI: The longlist for the 2025 International Prize for Arabic Fiction has been revealed, with 16 novels in the running for the $50,000 award, sponsored by the Abu Dhabi Arabic Language Centre.

While works from Bahrain and Mauritania have made the list for the first time, other nominated novels come from Egypt, Syria, Lebanon, Algeria, Iraq and the UAE.

The longlist has been chosen from a total of 124 submissions by a panel of five judges chaired by Egyptian academic Mona Baker. Joining her on the panel are Moroccan academic and critic Said Bengrad, Emirati critic and academic Maryam Al-Hashimi, Lebanese researcher and academic Bilal Orfali, and Finnish translator Sampsa Peltonen.

In a statement, Baker said, “This year’s longlist is remarkable in its diversity of both theme and literary form. Some novels address women’s struggles to achieve their dreams in a patriarchal society that prevents them from living fulfilled lives. Others offer a nuanced portrait of religious and sectarian worlds, where extremism and dogma contrast with human empathy and understanding.

“There are a number of historical novels on the list which deal with both the recent and more distant past, such as the Abbasid era, or the Inquisition and persecution of Muslims in Andalusia. There are also semi-autobiographical books, and others which read like detective stories.

“Repressive regimes and their power to crush the hopes and lives of ordinary people are also explored; some novelists paint a stark picture of this reality, while others employ sarcasm and humour, rendering these difficult topics more accessible for the reader.”

The 2025 International Prize for Arabic Fiction longlist:
Aqeel Almusawi’s “The Weepers” (Bahrain)
Inam Bioud’s “Houwariya” (Algeria)
Rashid Al-Daif’s “What Zeina Saw and What She Didn’t” (Lebanon)
Ahmed Fal Al-Din’s “Danshmand” (Mauritania)
Jan Dost’s “The French Prisoner” (Syria)
Sausan Jamil Hasan’s “Heiress of the Keys” (Syria)
Iman Humaydan’s “Songs for the Darkness” (Lebanon)
Azher Jirjees “The Valley of the Butterflies” (Iraq)
Hasan Kamal’s “The Stolen Novel” (Egypt)
Taissier Khalaf’s “The Andalusian Messiah” (Syria)
Ahmed Al-Malawany’s “Happy Dreams” (Egypt)
Mohamed Samir Nada’s “The Prayer of Anxiety” (Egypt)
Nadia Najar’s “The Touch of Light” (United Arab Emirates)
Haneen Al-Sayegh’s “The Women’s Charter” (Lebanon)
Sumar Shihada’s “My Life Has Just Begun” (Syria)
Ayman Ragab Taher’s “The Lamplighter” (Egypt)