LONDON: An artist whose work exploring her Scottish Sikh identity includes a vintage Ford car draped in a crocheted doily won the UK’s prestigious Turner Prize on Tuesday, during a ceremony picketed by pro-Palestinian demonstrators.
Jasleen Kaur was awarded the 25,000-pound ($32,000) prize by actor James Norton at the Tate Britain gallery in London.
Kaur used her acceptance speech to express support for scores of demonstrators outside. She is among signatories to a letter demanding Tate, which runs several major British art museums, cut ties with donors who are linked to Israel over its war in Gaza.
“This is not a radical demand,” Kaur said. “This should not risk an artist’s career or safety.
“We need a proper ceasefire now,” she said.
The Israel-Hamas war has killed more than 43,000 Palestinians, according to Hamas health officials in Gaza. Israel launched the war in response to the militant group’s Oct. 7, 2023 cross-border attack that killed some 1,200 Israelis and took more than 250 hostage.
A jury led by Tate Britain director Alex Farquhar praised the way 38-year-old Kaur “weaves together the personal, political and spiritual” through “unexpected and playful combinations of material.”
Her winning exhibition mixes sculpture, print, everyday items — including family photos, a Ford Escort car and the popular Scottish soda Irn Bru — and immersive music to reflect on her upbringing in Glasgow’s Sikh community.
Three other finalists – Pio Abad, Claudette Johnson and Delaine Le Bas – received 10,000 pounds ($12,670) each.
Named for 19th-century landscape painter J.M.W. Turner and founded in 1984 to reward young artists, the prize helped make stars of shark-pickling artist Damien Hirst, potter Grayson Perry, sculptor Anish Kapoor and filmmaker Steve McQueen.
But it has also been criticized for rewarding impenetrable conceptual work and often sparks debate about the value of modern art, with winners such as Hirst’s “Mother and Child Divided,” which consists of two cows, bisected and preserved in formaldehyde, and Martin Creed’s “Lights On and Off” — a room with a light blinking on and off – drawing scorn from sections of the media.
In 2019, all four finalists were declared winners after they refused to compete against one another, “to make a collective statement in the name of commonality, multiplicity and solidarity.”
In 2021, all five finalists were collectives rather than individual artists.
The award was initially open to artists under 50 but now has no upper age limit.
Works by the four finalists are on display until Feb. 16.

MARRAKECH, Morocco: Sean Penn on Tuesday blasted the organizers of the Oscars for being cowards who, in effect, limit the kinds of films that can be funded and made.
The 64-year-old actor said at the Marrakech Film Festival that he gets excited about the Academy Awards only on the rare occasion that films he values are nominated.
“The producers of the academy have exercised really extraordinary cowardice when it comes to being part of the world of expression and, in fact, have largely been part of limiting the imagination and limiting different cultural expressions,” Penn said at the festival, where he received a career achievement award this week.
“I don’t get very excited about what we’ll call the Academy Awards,” he said, noting exceptions when certain films grace the ceremony, including Sean Baker’s ” The Florida Project,” Walter Salles’ “I’m Still Here” and Jacques Audiard’s ” Emilia Perez. ”
Penn’s remarks dovetail with longstanding criticisms of The Academy of Motion Picture Arts and Sciences for lacking diversity within the ranks of its members and the films that they celebrate with awards.
The institution has in recent years taken steps to reform and rebrand itself, but has faced criticism for not going far enough.
Penn also lauded Iranian-Danish director Ali Abassi and his latest film ” The Apprentice ” about President Donald Trump. It faced difficulty finding an American distributor in the lead-up to the US election in November.
“It’s kind of jaw-dropping how afraid this ‘business of mavericks’ is when they get a great film like that with great, great acting,” he said. “They, too, can be as afraid as a piddly little Republican congressman.”
As part of a career tribute, the Marrakech Film Festival is screening four of Penn’s films this week in Morocco’s tourism capital. Local media in Morocco reported several audience members exiting a screening of “Milk” during a scene that depicted two men in bed. Homosexuality is illegal under Morocco’s penal code, although cases are not frequently prosecuted.
The actor, whose 2023 film ” Superpower ” documents war in Ukraine, also voiced support for President Volodymyr Zelensky and called himself a “patriot in crisis” in response to a question about the American political landscape.