In Desert X AlUla’s second edition, monumental art speaks with desert lands

Alicja Kwade, ‘In Situ,’ Desert X AlUla, 2022. (Supplied)
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Updated 15 February 2022
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In Desert X AlUla’s second edition, monumental art speaks with desert lands

DUBAI: They look like dozens of sandcastles, some bigger than the others, the remains of hours of imaginative play, except for the fact that the 364 concentric sand mound circles are stationed within the breathtaking rock formations of AlUla, the ancient region in Saudi Arabia that has been drawing people and civilizations for over 200,000 years. 

The circle of sand mounds is by US artist Jim Denevan. Titled “Angle of Repose,” it is one of the first and largest works visitors will see when they attend Desert X AlUla’s second edition, which opened on Feb. 11 and runs until March 30.

The work was made with the help of local volunteers from AlUla. As one approaches and enters the work, the sand mounds go from larger to smaller in size. The experience is breathtaking and surreal, causing one to ask if they are really on planet Earth or perhaps rather in some faraway alternate reality. This was exactly Denevan’s aim: To mold, like his many sandcastles, the visitor’s experience in the desert.




Ayman Zedani, ‘The Valley of the Desert Keepers,’ Desert X AlUla, 2022. (Supplied)

Denevan’s work is one of 15 now on show at Desert X AlUla, the site-specific contemporary exhibition of monumental art in the desert, launched in AlUla in early 2020. The event, which first took place in Coachella Valley in California in 2017, is about creating art in dialogue with the land that also prompts cross-cultural dialogue and the examination of pertinent topical issues.

This year’s event, which is free and open to all, was staged under the curatorial vision of Reema Fadda, Raneem Farsi, and Founding Desert X artistic director Neville Wakefield.

It took place in a larger location, the Al-Mutadil valley, under the theme “Sarab,” which means mirage in Arabic. The artists, who come from around the world, including the US, Saudi Arabia, the UAE and Ghana, created work without any guidelines from the organizers but which was cemented in ideas of literature, nature, history and culture intrinsic to the desert surroundings in which they were placed.

“The desert concepts of mirage and oasis have long been tied to ideas of survival, perseverance, desire and wealth,” said Fadda in a statement. “The oasis pertains to ideas of finding prosperity or heaven, while the mirage is a universal symbol of the mysteries of imagination and reality. They also connote the incomprehensible beauty and abundance of nature in its most bereft state—the desert – and humans’ obsessive desire to capture and control it.”




Claudia Comte, ‘Dark Suns, Bright Waves,’ Desert X AlUla, 2022. (Supplied)

“I think the desert is interesting to people because it is a heterotopic space, not because it can be subsumed under a single theme,” Wakefield told Arab News. “My version of Desert X whether it is here, or California, is that it is not thematic. It must be curated by the place.”

Through their work artists tackled questions of human progress, migration, ancient history, and importantly, climate change.

“There are currents that run through the works and the environmental one is at the fore,” said Wakefield.




Dana Awartani, ‘Where the Dwellers Lay,’ Desert X AlUla, 2022. (Supplied)

An example is Canadian artist Stephanie Deumer’s “Under the Same Sun,” in which she created an underground greenhouse that functions at the intersection of nature and technology.

Visitors can walk from the desert down into Deumer’s greenhouse, as if they were going into an underground bunker but with a solar roof. The solar power projects a live feed from the outside onto plants encased in a glass vessel inside and creates this artificial light and is a mimicking of what you see outside to nurture and grow the plants. “She’s created a completely self-sustaining system,” said Wakefield.

The two coral-like sculptural forms of British artist Shezad Dawood, titled “Coral Alchemy” I and II, similarly ponder the environment’s ancient and modern uses, particularly AlUla’s relationship once to water—hundreds of years ago the rock formations that one sees were all underwater. 




Jim Denevan, ‘Angle of Repose,’ Desert X AlUla, 2022. (Supplied)

Dawood’s two sculptures—one unmissable on a large sandy road and the other positioned high up within the rock formation as if it were camouflaged—explore the geobiological relationship between the desert floor and nearby Red Sea. The surfaces of the works are temperature-sensitive and reflect the effects of the sun as their color changes in certain parts—a way to reflect the result of climate change and mankind’s struggle to find sustainable solutions.

Stand-out pieces included Ghanaian artist Serge Attakwei Clottey’s “Gold Falls,” a vibrant yellow tapestry-like work made from square parts of yellow water jerry cans found throughout Africa that the artist has long used to discuss issues related to water scarcity and migration in Africa. 

The work can be sighted across from Denevan’s multitude of sand mounds. Clottey, who participated in the Coachella event in 2021, is the first and only African artist in this year’s AlUla edition. For most Africans, explains Clottey, the desert conjures up fear because it is associated with migration, loss, and death.




Serge Attukwei Clottey, ‘Gold Falls,’ Desert X AlUla, 2022. (Supplied)

“I am an artist who creates with my heart not my head and I am interested in the significance of certain objects to Africans,” Clottey told Arab News. “They use these yellow jerry cans to transport cooking oil from the west. After the oil is used, we use them to store water which has become problematic for our health. As an artist, I am interested in the origin of the containers and how they become symbolic in our life.”

However, the title of this work, “Gold Falls,” is supposed to conjure up hope. Clottey wants to show how a new relationship, one less threatening, can be made with the desert through art.

In other parts, less assuming, smaller-sized works, by Shaikha Al Mazrou and Zeinab Alhashemi, both from the UAE, collaborated with the surroundings, almost camouflaged by their similar colors and shapes to the surrounding rock formations.

In Alhashemi’s work, titled “Camouflage 2.0,” she used discarded camel skins on abstract geometric bases—their forms resembling those found in the AlUla landscape. Al Mazrou’s “Measuring the Physicality of Void” presents several steel-made inflated structures wedged into the void of the rocks that one must search to locate.




Shadia Alem, ‘I have seen thousands of stars and one fell in Alula,’ Desert X AlUla, 2022. (Supplied)

Participating Saudi artists—Shadia Alem, Abdullah Al-Othman, Sultan bin Fahad, Ayman Zedani and Dana Awartani—thoroughly explored the natural AlUla landscape and its ancient histories through their art. 

Alem’s origami shaped glistening sculpture “I Have Seen Thousands of Stars and One Fell in AlUla” looks like a gigantic jewel fallen from the sky, embellishing the desert landscape.

Bin Fahad’s mud structure, made with help from the local community, is in the shape of a desert kite that one walks through until they get to a circular open-air room with a large glass urn that points to the sky. The form, known as the desert kite, can be found throughout the Arabian desert and archaeologists are still not sure whether the ancient structures are tombs or traps where Bedouins would capture animals.

Zedani’s performative piece can be reached via a climb up a rocky mount by following yellow and green ropes. Upon reaching the rocky cavern on top, visitors hear a recitation of Arabic words for desert plants with the background sounds of the surrounding desert landscape. The experience is haunting and meditative, with the sound of the visitor’s own footsteps on the rocks adding to the congregation of diverse sounds that organically seems to rhyme in unison.




Shezad Dawood, ‘Coral Alchemy I (Dipsastrea Speciosa),’ Desert X AlUla, 2022. (Supplied)

Awartani’s “Where the Dweller’s Lay”—a work that prompted many photo-snapping opportunities—is made from local sandstone. Her concave geometric sculpture was inspired by the vernacular architecture found in ancient AlUla—particularly in the step patterns found in Nabatean tombs. The gigantic sculpture invites viewers to take a seat inside, pause, and reflect on the history and beauty of the surroundings.

The journey to view the works in Desert X AlUla adds to the experience of viewing the art and the state of being in nature. One feels the magnitude of the desert landscape, the sandy wind and air, reminders of the strength and power needed to dwell or traverse such habitats for lengthy periods of time.

“Geography of Hope” by Al-Othman reflects on the experience of seeing a mirage in the desert after a long and arduous voyage. A long strip of shiny steel in the shape of a body of water reflects the surrounding landscape.

“It’s about how when looking for water in the desert you find a mirage,” the artist told Arab News. The work reflects different colors depending on the time of day one views it and the angle of the sun. “The mirage gives you hope on your journey.”


Amina Muaddi celebrates Paris opening at Le Bon Marche Rive Gauche

Updated 06 April 2025
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Amina Muaddi celebrates Paris opening at Le Bon Marche Rive Gauche

DUBAI: Jordanian Romanian shoe designer Amina Muaddi took to Instagram to celebrate the opening of her corner shop at the iconic Parisian department store Le Bon Marche Rive Gauche.

“Our first Parisian corner shop at @lebonmarcherivegauche is officially open today!! I’m so delighted to finally have a space of our own in the city where @aminamuaddiofficial was founded and in my favorite department store in Paris! So proud of my team. I hope it becomes your new favorite shopping destination,” she captioned the post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)

Muaddi launched her eponymous footwear line in August 2018, approximately one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye. 

Her distinct pumps, sling-backs, mules, boots and sandals in an array of vibrant colors and holographic designs have since garnered a loyal checklist of famous fans, including Beyonce, Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AMINA MUADDI (@aminamuaddi)

Last month, Muaddi attended the Maison Alaia Summer/Fall 2025 fashion show during Paris Fashion Week.

The footwear designer was spotted wearing an all-black ensemble featuring a sleek leather set with a structured, oversized silhouette. The standout element of her look was a fringe-detailed top that cascaded from her shoulders.

Her hair was slicked back into a bun, complementing her sharp, defined makeup, which featured a bronzed complexion, sculpted brows and a nude glossy lip.

Meanwhile, late last year, Muaddi celebrated a major fashion moment when Beyonce wore her custom Yigit pumps in a teaser for the star’s NFL Christmas Day Halftime Show on Netflix.

Muaddi shared the video on her Instagram Stories. In the clip, the music icon can be seen wearing the satin heels in black and adorned with studs.

In the clip that Beyonce also shared on her Instagram account, the music sensation was seen holding a banjo, a stringed instrument often linked to folk, country, and bluegrass music. She wore a wide-brimmed black hat paired with sleek sunglasses, a colorful patterned cape featuring red and blue hues, and a rhinestone-adorned top. The outfit was completed with black gloves and a black skirt. 


Steps to serenity: The rise of active meditation in Saudi Arabia

Updated 06 April 2025
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Steps to serenity: The rise of active meditation in Saudi Arabia

  • The rise in popularity of active meditation is down to inviting people to engage their bodies and minds in dynamic ways
  • Walking is one of the most popular acts in active meditation, with the slow, deliberate movements having an impact on those practicing i

RIYADH: A fresh wave of tranquility is sweeping through Saudi Arabia as locals embrace a global trend known as active meditation.

While some still turn to practices like yoga for inner peace, this modern twist — blending mindfulness with movement — is now making its mark in the Kingdom.

Laila Al-Marshad, a local who has included active meditation in her routine since last year, told Arab News: “I enjoy walking in nature or around my neighborhood for at least an hour each day. It’s incredibly beneficial for both the mind and soul.”

She added that dancing is also a popular choice and explained that any hobby a person enjoys can be a form of active meditation.

“I love fitness dancing because it allows me to let go, feel the rhythm, and fully be in the moment,” said Hanan Al-Harbi. “The combination of movement and music lifts my mood and gives me a sense of freedom.”

The rise in popularity of active meditation is down to inviting people to engage their bodies and minds in dynamic ways.

For some people this type of meditation is easier and more enjoyable because they find it challenging to sit still and quiet for traditional meditation.

Saudi woman Lamia Saad, who has taken up walking as active meditation, said: “I used to do yoga at a center near my house, but it was very difficult to keep silent. I kept thinking about work and my son every time I was at the class and I couldn’t focus at all.”

Walking is one of the most popular acts in active meditation, with the slow, deliberate movements having an impact on those practicing it.

People who go for walks usually consider it a form of stress relief and a break from their busy lifestyle.

But people walking slowly pay more attention to their steps and the rhythm of their breath, which may provide an opportunity to breathe slowly and reflect on thoughts and mindset.

Gardening is also a wonderful example of active meditation. In various East Asian cultures, elderly members of the community prefer this type of active meditation because it requires minimum effort, with lots of patience and hours spent in the garden.

The active meditation trend is helping locals engage with their bodies while reducing stress and minimizing anxiety.

It presents an opportunity to explore the connection between the body and mind through movement.
 


Sotheby’s to auction rare collection of Islamic arms, armor

Updated 05 April 2025
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Sotheby’s to auction rare collection of Islamic arms, armor

DUBAI: On Apr. 29 and 30, Sotheby’s will auction pieces from the Philippe Missillier Collection of Arms and Armor, one of the most important and rarest collections of its kind to come to auction.

The collection, which spans over 100 lots representing more than 500 years of history, features unique and iconic pieces from the Ottoman, Safavid and Mughal Empires. Before the auction, the collection will be exhibited at Sotheby’s Dubai in DIFC from April 7-11 and April 25-28.

It was assembled by Philippe Gilles Rene Missillier (1949-2022), a scholar and collector who spent more than 50 years studying, acquiring, visiting museums and documenting artifacts to master the subject of his interest: Arms of the Islamic world.

In 1988, a large majority of his collection was exhibited in Paris in the exhibition Splendour des Armes Orientales (The Splendor of Oriental Armor), marking the largest exhibition of its kind over the course of the 20th and 21st centuries. The Sotheby’s sale marks the first time his collection is being seen since then.

“This is a landmark sale,” Benedict Carter, Sotheby’s senior director and head of auction sales, Middle East, told Arab News. “For us, this is really the most significant sale in terms of Islamic arms and armor that has been staged.”

A Mughal jade-hilted dagger in the form of a horse, India, 18th century. (Supplied)

Highlights from the collection include weaponry across various Islamic dynasties from Spain to Indonesia, with the star of the auction one of a small group of personal swords belonging to Mughal emperor Shah Jahan, whose reign from 1629-58 marked a period of importance for Mughal architecture and cultural achievements. The sword carries the inscriptions “World-Capturer,” in an affirmation of Shah Jahan’s skills as a military commander. The sword is recorded in the accounts of Venetian traveler Niccolao Manucci, who documented the personal swords of Shah Jahan’s son, Aurangzeb, who most likely inherited it from his father.

The sword’s provenance is fascinating. It entered various prestigious collections during the 19th and 20th centuries, including those of Charles Canning, governor-general and first viceroy of India, and most recently that of George Henry Hubert Lascelles, 7th Earl of Harewood.

Neither Sotheby’s nor Christie’s has staged a standalone sale for arms and armor in about two decades, making the sale significant.

“Occasionally, in our various owner sales every April and October we have (arms and armor) pieces that have come up,” added Carter. “But this is the first time in recent memory that we’ve had a major single owner collection associated with a name that is synonymous with refined taste and deep scholarship.”


Imaan Hammam talks 'incredible time' in new campaign

Updated 05 April 2025
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Imaan Hammam talks 'incredible time' in new campaign

DUBAI: Dutch-Moroccan-Egyptian model Imaan Hammam took to Instagram to highlight Gap Studio’s inaugural campaign, in which she stars alongside US models Alex Consani and Anok Yai.

Gap Studio is a new high-end segment from the US retailer. Created by Zac Posen, Gap Inc.’s executive vice president and creative director, Collection 01 reflects Posen’s signature approach to tailoring and draping while reimagining Gap’s core textiles such as denim and poplin.

“Had the most incredible time bringing @zacposen’s designs to life for #GapStudio with @anokyai and @alexconsani,” Hammam captioned the post, featuring a behind-the-scenes look at the shoot.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Imaan Hammam (@imaanhammam)

Key pieces in the collection include the twill tailored trench coat, double-breasted blazer, high-rise sailor pant and poplin maxi shirtdress.

Earlier this year, Hammam took to Instagram to announce the launch of her new archival project, Ayni, which will highlight significant contributions to Arab film, art, music and literature.

“Meet Ayni (@ayni.vault), an archive dedicated to the preservation and promotion of Arab artistic expression through ‘my eyes,’” Hammam captioned the post on Instagram.

“Follow along as I highlight some of the most significant contributions to Arab film, art, music, and literature — both old and new — and celebrate the talented artists behind them. This project holds such a special place in my heart, and I hope you enjoy it just as much as I enjoy curating it.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gap (@gap)

Late last year, the model made waves when she delivered the opening remarks at the highly regarded Fashion Trust Arabia Awards’ sixth event, in Marrakech, Morocco.

The 28-year-old went on stage in a black kaftan from Moroccan designer Selma Benomar. The heavily embroidered look highlighted Moroccan artistry and design, and paid tribute to the country’s royal family.

“So honored to open this year’s @fashiontrustarabia Awards here in the motherland,” Hamman said on Instagram. “Celebrating Arab artistry in the place where my roots run deep made this experience truly special. Proud to uplift the creativity that makes our culture unique. A special thank you to @selma_benomar_caftan for designing this gorgeous Moroccan custom-made caftan.”

Although Hammam was born and raised in Amsterdam, her mother is from Morocco and she visits the country frequently.

Hammam is one of the most in-demand models in the industry. She was scouted in Amsterdam’s Centraal Station before making her catwalk debut in 2013 by walking in Jean Paul Gaultier’s couture show.  


Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi

Updated 05 April 2025
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Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi

DUBAI: British American actor Andrew Garfield, known for playing Spider-Man, will appear at this year’s Middle East Film & Comic Con.

The three-day event will take place from April 18-20 at the Abu Dhabi National Exhibition Center.

The actor will join a list of celebrities that includes Charlie Cox and Vincent D’Onofrio from Marvel’s “Daredevil: Born Again,” “Star Wars” actor Ian McDiarmid, famous for portraying Emperor Palpatine in the space saga; and “Stranger Things” star Natalia Dyer.

Also joining the line-up are Grant Gustin, otherwise known as Barry Allen / The Flash, and Emily Rudd, the navigator of Netflix’s record-smashing, live-action show “One Piece.”

The stars are expected to take part in a panel discussion and will be available for autograph sessions.

Japanese voice actors Kotono Mitsuishi, Daiki Yamashita, Hideo Ishikawa and Kentaro Ito, and US voice actress Colleen O'Shaughnessey, will also attend.