Jordan’s king lands in Ramallah on rare trip to meet Abbas

Palestinian President Mahmud Abbas welcomes King Abdullah II of Jordan ahead of a meeting in Ramallah in the occupied West Bank, on March 28, 2022. (AFP)
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Updated 29 March 2022
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Jordan’s king lands in Ramallah on rare trip to meet Abbas

RAMALLAH: Jordan’s King Abdullah II landed in Ramallah on Monday to meet Palestinian president Mahmud Abbas, in his first trip to the Israeli-occupied West Bank since 2017, Abbas’s office said.
Abdullah’s visit comes as foreign ministers from four Arab states joined an unprecedented meeting hosted in Israel, a gathering Israel hailed as “historic,” following a series of normalization agreements last year, which angered the Palestinians.
The visit also comes less than a week before Ramadan, the Muslim holy month which last year saw waves of violence across the West Bank and Israeli-annexed east Jerusalem.
The Jordanian king met Israeli Foreign Minister Yair Lapid earlier this month to discuss strategies for containing unrest during Ramadan.
Palestinian officials have repeatedly warned that the West Bank, which Israel captured from Jordan in 1967, was on the verge of “exploding.”
Tensions in the occupied territory remain high between Palestinian residents and Jewish settlers, who live in communities widely regarded as illegal under international law.
Palestinians also regularly clash with Israeli security forces in the West Bank, often resulting in Palestinian deaths.


Co-founder of digital platform The Open Crate shares Art Basel top picks

Updated 43 min 24 sec ago
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Co-founder of digital platform The Open Crate shares Art Basel top picks

BASEL: Tunisian art expert Amina Debbiche, who co-founded digital art platform The Open Crate alongside Nora Mansour, shares her top artworks from Switzerland’s Art Basel contemporary art fair, which wraps up on Sunday.

Amina Debbiche. (Supplied)

The Open Crate allows clients to digitalize their entire collection, whether it be artwork, design objects or luxury items.

Yto Barrada at Sfeir-Semler Gallery

“I first discovered Yto Barrada’s work at the Arsenale during the 2011 Venice Biennale and was instantly captivated by her poetic and political approach. Since then, I’ve followed her brilliant trajectory across film, photography, textiles, and installation. Born in Paris and raised in Tangier, her practice explores themes of memory, displacement, and resistance. We’ve now come full circle - she will represent France at the upcoming Venice Biennale, curated by Myriam Ben Salah.”

Yto Barrada’s work at Art Basel. (Supplied)

 Alia Farid’s ‘Elsewhere’ at Art Basel Unlimited

Alia Farid’s ‘Elsewhere’ at Art Basel Unlimited. (Supplied)

“Alia Farid’s ‘Elsewhere’ deeply moved me with its layered storytelling and political tenderness. The work maps Arab and South Asian migration to Latin America and the Caribbean through handwoven rugs made with Iraqi weavers. It documents hybrid identities, memory, and solidarity across geographies. I’ve long admired how Alia reclaims overlooked narratives with such poetic clarity. Her voice feels both urgent and timeless.”

Eunnam Hong’s ‘Safeway’ at Mendes Wood DM booth

“Eunnam Hong’s painting … stopped me in my tracks — cinematic, hyper-stylized, and effortlessly cool. With nods to Cindy Sherman and K-drama aesthetics, the Korean artist explores identity and performance through staged, uncanny tableaus. Her figures- drenched in soft light, wrapped in curlers and headscarves, clutching vitamin D and Safeway bags - feel both retro and unmistakably now. It’s suburban surrealism meets generational moodboard, complete with Converse and quiet rebellion. Hong is one of the most compelling contemporary voices out there - sharp, relatable, and iconic in the making.

Eunnam Hong’s ‘Safeway’ at Mendes Wood DM booth. (Supplied)
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Simone Fattal’s ‘Music On My Mind’ (2024)

“Simone Fattal is a Syrian Lebanese artist whose sculptural practice draws from archaeology, poetry, and mythology to explore themes of memory, exile, and resilience. Born in Damascus and raised in Beirut, she has created only a few large-scale sculptures, making each one rare and significant. Her works are held in major collections including MoMA, Centre Pompidou, and the Sharjah Art Foundation … I was drawn to “Music On My Mind” for its quiet power — the naive, totemic form and subtle reference to sound felt deeply poetic.”

Simone Fattal’s ‘Music On My Mind’ (2024). (Supplied)

M'barek Bouhchichi’s ‘Terr

M'barek Bouhchichi’s ‘Terra’ series (2024)


Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner

“I love this work for its quiet intensity and material poetry and Selma Feriani, who presents it, is one of the few truly independent voices from the region to make it to Art Basel with a consistently bold program. M’barek Bouhchichi, born in southeastern Morocco, lives and works in Tahanaout, Morocco. The artist collaborates with women artisans to create henna-dyed wool works that evoke both landscape and memory. His ‘Terra’ series explores cultural links between Morocco and Mali through ancestral weaving techniques. These minimal, earthy compositions blur the line between textile and painting. A major solo show in Tunis is coming this September.”

Noah Davis’s ‘The Goat from Grayson’ (2008) at David Zwirner

“I’ve always been drawn to Noah Davis’s ability to create scenes that feel both dreamlike and grounded in Black lived experience. “The Goat from Grayson” (2008), shown here at David Zwirner, captures his signature blend of poetic realism, rich symbolism and painterly tenderness. The glowing tree, the quiet tension, and the spiritual undertone pull you in. Davis, who passed away tragically young at 32, was not only a brilliant painter but also the founder of The Underground Museum in Los Angeles, a vital space for Black art and community. His work was the subject of a major retrospective at the Hammer Museum in 2020, cementing his legacy as one of the most influential artists of his generation.”

Eric Fischl’s ‘After the Funeral’ (2017)

“Eric Fischl’s paintings often feel like paused movie scenes, loaded with tension, memory, and unspoken drama. I was instantly drawn to these two women, something about the cigarette, the ice cube, the gaze, it felt like I’d stumbled into a Woody Allen film mid-conversation. Fischl captures that strange mix of intimacy and detachment with uncanny precision. A key figure of American figurative painting since the 1980s, his work explores suburban psychology and social dynamics. He is represented by Skarstedt, a gallery known for championing major contemporary artists like David Salle, Cindy Sherman, and George Condo.”

Eric Fischl’s ‘After the Funeral’ (2017)

Sheila Hicks’s ‘Lianes Etoiles’ (2020)

“Sheila Hicks’s ‘Lianes Etoiles’ is pure visual rhythm. Its vibrant threads, soft textures, and sculptural layering instantly drew me in. There is something meditative and sensual about the way the colors pulse across the surface. Hicks, a pioneer of textile art, has redefined fiber as a sculptural and painterly medium for over six decades. This piece feels both contemporary and ancestral, like a coded language of color and craft. It is shown by Alison Jacques, a gallery that consistently champions strong, visionary practices.”

Wael Shawky’s ‘I Am Hymns of The New Temples: Pompeii glass amphora (#06)’ (2023) at the booth of Lia Rumma

“Wael Shawky’s amphora sculptures are a masterclass in historical layering and contemporary wit. Representing the Egyptian Pavilion at the last Venice Biennale, his work was among the most celebrated and nearly won the Golden Lion. The video “Drama 1882” retelling of the ’Urabi revolution that was co‑funded through support from Mai Eldib, who organised key patronage, was later acquired by a major institution in the Middle East. These Murano glass forms, draped in ornate textiles, are as subtle as they are rich in reference. Shawky continues to expand the visual language of Arab myth, ritual, and storytelling with quiet force.”

Wael Shawky’s ‘I Am Hymns of The New Temples: Pompeii glass amphora (#06)’ (2023) at the booth of Lia Rumma

Amoako Boafo’s ‘Floral One Piece’ (2025) at Gagosian Gallery’s booth

“This striking portrait by Amoako Boafo was exhibited at the Gagosian booth, where the brilliant Rola Wazni, director of Gagosian Paris, walked me through a presentation curated by Francesco Bonami. Boafo, originally from Ghana and based in Vienna, is known for his lush finger-painted figures and bold exploration of Black identity and presence. His textured brushwork and floral detailing here are both tender and defiant. The composition radiates quiet power, dignity, and individuality. Rolla’s sharp eye and grace made the experience even more memorable.”

Amoako Boafo’s ‘Floral One Piece’ (2025) at Gagosian Gallery’s booth

Maurizio Cattelan and Rudofl Stingel at Gagosian Gallery’s booth

“Gagosian’s booth at Art Basel 2025, curated by Francesco Bonami, offered a brilliantly irreverent pairing of Maurizio Cattelan’s ‘No’ (2021) and Rudolf Stingel’s ‘Untitled’ (2012). Cattelan’s kneeling figure in a suit, head covered by a paper bag, delivers a biting satire of modern-day capitalism and mental health collapse — a man caught between denial and trauma, refusing to face symbolic castration or mortality. Stingel’s silvery abstraction provided a haunting, meditative counterpoint, echoing themes of absence and ego. Together, the works reflected on visibility, repression, and the absurd rituals of the art world. The result was a sharp, minimalist statement that lingered long after.”


Nour Al-Fliti looking to hand Hattan Alsaif first MMA loss

Updated 14 min 34 sec ago
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Nour Al-Fliti looking to hand Hattan Alsaif first MMA loss

  • Rising Lebanese star will take on the unbeaten Saudi fighter at PFL MENA 2 in Riyadh this summer

RIYADH: One of Saudi Arabia’s biggest mixed martial arts stars, Hattan Alsaif, will make her highly anticipated return to the Professional Fighters League SmartCage at PFL MENA 2 in Riyadh on July 4.

And while all eyes will be on the hometown hero, who is aiming for her third straight amateur MMA win, a rising star from Lebanon is preparing to step into enemy territory and hoping to steal the spotlight.

Standing across from Alsaif will be Nour Al-Fliti, a multiple Lebanese MMA champion and International Mixed Martial Arts Federation Asian Championship silver medalist who currently holds a 1-1 amateur record.

Before MMA, however, Al-Fliti lived a completely different life.

“Before MMA, I worked in the hospitality field as an operations manager,” she revealed. “I studied that field and I worked in it since 2019. I enjoyed it, but I felt that something was missing. If I hadn’t found MMA, I think I’d still be searching for that something to ignite the fire in me.”

With MMA, Al-Fliti discovered the outlet she had been searching for. Judging by her growing list of accomplishments, it has been a successful transition.

“I got into MMA because I felt a powerful energy inside me — it was something I needed to express,” Al-Fliti said. “I’ve always had a fighter’s spirit, but I didn’t know where it belonged until I stepped into the cage.”

MMA provided more than just competition, she added: “From my very first fight, I felt a deep connection. It wasn’t just about competition … it was about purpose. That moment made me realize this is where I’m meant to be.”

Al-Fliti believes her greatest achievement in MMA goes beyond medals and accolades — it is the personal transformation she has undergone.

“My biggest achievement so far is finding myself through this sport,” she explained. “Every fight, every camp, every challenge has shaped me, not just as a fighter, but as a person. Of course, winning and improving technically are important, but the real win is the growth I’ve experienced mentally and spiritually.”

While she acknowledges the support of her team and loved ones, Al-Fliti is clear about where her ultimate source of strength lies.

“My biggest supporter is Allah first,” she exclaimed. “I truly believe that my path is written, and I draw strength from that.

“And I’m also deeply grateful to my family and my team — the people who believe in me, push me, and never let me forget who I am, even during the toughest moments.”

On paper, it may seem like Al-Fliti has the odds stacked against her. Alsaif has more experience and will be fighting in front of a home crowd. Al-Fliti, however, doesn’t see it that way.

“Hattan is a determined fighter with her own style, and I respect anyone who steps into the cage, but I never see myself as the underdog,” she said. “I trust in my preparation, in my skills and, most importantly, in my belief in myself and in Allah. I’ve prepared with focus, discipline and a clear mindset.”

On July 4, Al-Fliti does not plan to simply walk into the SmartCage — she will make her presence felt: “I’m not just showing up — I’m coming to make a statement, inshallah.”

Tickets for PFL MENA 2 can be purchased at webook.com.


As the UN turns 80, its crucial humanitarian aid work faces a clouded future

Updated 24 min 42 sec ago
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As the UN turns 80, its crucial humanitarian aid work faces a clouded future

  • Aside from the cuts and dangers faced by humanitarian workers, political conflict has at times overshadowed or impeded their work

KAKUMA: At a refugee camp in northern Kenya, Aujene Cimanimpaye waits as a hot lunch of lentils and sorghum is ladled out for her and her nine children — all born while she has received United Nations assistance since fleeing her violence-wracked home in Congo in 2007.
“We cannot go back home because people are still being killed,” the 41-year-old said at the Kakuma camp, where the UN World Food Program and UN refugee agency help support more than 300,000 refugees.
Her family moved from Nakivale Refugee Settlement in neighboring Uganda three years ago to Kenya, now home to more than a million refugees from conflict-hit east African countries.
A few kilometers (miles) away at the Kalobeyei Refugee Settlement, fellow Congolese refugee Bahati Musaba, a mother of five, said that since 2016, “UN agencies have supported my children’s education — we get food and water and even medicine,” as well as cash support from WFP to buy food and other basics.
This year, those cash transfers — and many other UN aid activities — have stopped, threatening to upend or jeopardize millions of lives.
As the UN marks its 80th anniversary this month, its humanitarian agencies are facing one of the greatest crises in their history: The biggest funder — the United States — under the Trump administration and other Western donors have slashed international aid spending. Some want to use the money to build up national defense.
Some UN agencies are increasingly pointing fingers at one another as they battle over a shrinking pool of funding, said a diplomat from a top donor country who spoke on condition of anonymity to comment freely about the funding crisis faced by some UN agencies.
Such pressures, humanitarian groups say, diminish the pivotal role of the UN and its partners in efforts to save millions of lives — by providing tents, food and water to people fleeing unrest in places like Myanmar, Sudan, Syria and Venezuela, or helping stamp out smallpox decades ago.
“It’s the most abrupt upheaval of humanitarian work in the UN in my 40 years as a humanitarian worker, by far,” said Jan Egeland, a former UN humanitarian aid chief who now heads the Norwegian Refugee Council. “And it will make the gap between exploding needs and contributions to aid work even bigger.”
‘Brutal’ cuts to humanitarian aid programs
UN Secretary-General Antonio Guterres has asked the heads of UN agencies to find ways to cut 20 percent of their staffs, and his office in New York has floated sweeping ideas about reform that could vastly reshape the way the United Nations doles out aid.
Humanitarian workers often face dangers and go where many others don’t — to slums to collect data on emerging viruses or drought-stricken areas to deliver water.
The UN says 2024 was the deadliest year for humanitarian personnel on record, mainly due to the war in Gaza. In February, it suspended aid operations in the stronghold of Yemen’s Houthi rebels, who have detained dozens of UN and other aid workers.
Proponents say UN aid operations have helped millions around the world affected by poverty, illness, conflict, hunger and other troubles.
Critics insist many operations have become bloated, replete with bureaucratic perks and a lack of accountability, and are too distant from in-the-field needs. They say postcolonial Western donations have fostered dependency and corruption, which stifles the ability of countries to develop on their own, while often UN-backed aid programs that should be time-specific instead linger for many years with no end in sight.
In the case of the Nobel Peace Prize-winning WFP and the UN’s refugee and migration agencies, the US has represented at least 40 percent of their total budgets, and Trump administration cuts to roughly $60 billion in US foreign assistance have hit hard. Each UN agency has been cutting thousands of jobs and revising aid spending.
“It’s too brutal what has happened,” said Egeland, alluding to cuts that have jolted the global aid community. “However, it has forced us to make priorities ... what I hope is that we will be able to shift more of our resources to the front lines of humanity and have less people sitting in offices talking about the problem.”
With the UN Security Council’s divisions over wars in Ukraine and the Middle East hindering its ability to prevent or end conflict in recent years, humanitarian efforts to vaccinate children against polio or shelter and feed refugees have been a bright spot of UN activity. That’s dimming now.
Not just funding cuts cloud the future of UN humanitarian work
Aside from the cuts and dangers faced by humanitarian workers, political conflict has at times overshadowed or impeded their work.
UNRWA, the aid agency for Palestinian refugees, has delivered an array of services to millions — food, education, jobs and much more — in Lebanon, Syria and Jordan as well as in the West Bank and Gaza since its founding in 1948.
Israel claims the agency’s schools fan antisemitic and anti-Israel sentiment, which the agency denies. Israel says Hamas siphons off UN aid in Gaza to profit from it, while UN officials insist most aid gets delivered directly to the needy.
“UNRWA is like one of the foundations of your home. If you remove it, everything falls apart,” said Issa Hajj Hassan, 38, after a checkup at a small clinic at the Mar Elias Palestinian refugee camp in Beirut.
UNRWA covers his diabetes and blood pressure medication, as well as his wife’s heart medicine. The United States, Israel’s top ally, has stopped contributing to UNRWA; it once provided a third of its funding. Earlier this year, Israel banned the aid group, which has strived to continue its work nonetheless.
Ibtisam Salem, a single mother of five in her 50s who shares a small one-room apartment in Beirut with relatives who sleep on the floor, said: “If it wasn’t for UNRWA we would die of starvation. ... They helped build my home, and they give me health care. My children went to their schools.”
Especially when it comes to food and hunger, needs worldwide are growing even as funding to address them shrinks.
“This year, we have estimated around 343 million acutely food insecure people,” said Carl Skau, WFP deputy executive director. “It’s a threefold increase if we compare four years ago. And this year, our funding is dropping 40 percent. So obviously that’s an equation that doesn’t come together easily.”
Billing itself as the world’s largest humanitarian organization, WFP has announced plans to cut about a quarter of its 22,000 staff.
The aid landscape is shifting
One question is how the United Nations remains relevant as an aid provider when global cooperation is on the outs, and national self-interest and self-defense are on the upswing.
The United Nations is not alone: Many of its aid partners are feeling the pinch. Groups like GAVI, which tries to ensure fair distribution of vaccines around the world, and the Global Fund, which spends billions each year to help battle HIV, tuberculosis and malaria, have been hit by Trump administration cuts to the US Agency for International Development.
Some private-sector, government-backed groups also are cropping up, including the divisive Gaza Humanitarian Foundation, which has been providing some food to Palestinians. But violence has erupted as crowds try to reach the distribution sites.
No private-sector donor or well-heeled country — China and oil-rich Gulf states are often mentioned by aid groups — have filled the significant gaps from shrinking US and other Western spending.
The future of UN aid, experts say, will rest where it belongs — with the world body’s 193 member countries.
“We need to take that debate back into our countries, into our capitals, because it is there that you either empower the UN to act and succeed — or you paralyze it,” said Achim Steiner, administrator of the UN Development Program.


Pakistan to face New Zealand in FIH Nations Cup final today

Updated 33 min 20 sec ago
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Pakistan to face New Zealand in FIH Nations Cup final today

  • Pakistan defeated France 3-2 on penalty shootouts in the semifinal
  • Pakistani goalkeeper Muneeb-ur-Rehman blocked three French chances

ISLAMABAD: Pakistan will face New Zealand today, Saturday, in the final of the Fédération Internationale de Hockey (FIH) Nations Cup in Kuala Lumpur, Malaysia.

Spirited Pakistan defeated France 3-2 on penalty shootouts to qualify for the Nations Cup final at the National Hockey Stadium on Friday.

Goalkeeper Muneeb-ur-Rehman blocked three French chances, while Rana Waheed Ashraf, Hannan Shahid and Afraz struck for Pakistan to clinch a highly-rewarding victory.

“Heartiest congratulations to our Green Shirts on reaching the Nations Cup final,” Pakistan Prime Minister Shehbaz Sharif said on X.

“The team turned the match around with courage, skill and determination — a proud moment for the entire nation.”

Hockey is Pakistan’s national sport. The national team boasts a proud legacy with three Olympic gold medals in 1960, 1968 and 1984, along with four World Cup titles in 1971, 1978, 1982 and 1994.

But the sport has faced a sharp decline in Pakistan in recent decades due to administrative challenges, underinvestment and inadequate infrastructure. Renewed efforts are underway to revive the game with increased

government support, youth development initiatives and greater international engagement aimed at restoring Pakistan’s former glory in the sport.

The winner of Saturday’s final will earn promotion to the elite FIH Hockey Pro League 2025–26 season.


UN urges more support to speed up Syria refugee returns

Updated 49 min 2 sec ago
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UN urges more support to speed up Syria refugee returns

  • According to UNHCR, some 13.5 million Syrians remain displaced internally or abroad
  • Wide scale destruction, including to basic infrastructure, remains a major barrier to returns

DAMASCUS: UN refugee agency chief Filippo Grandi has urged more international support for Syria to speed up reconstruction and enable further refugee returns after some 14 years of civil war.
“I am here also to really make an appeal to the international community to provide more help, more assistance to the Syrian government in this big challenge of recovery of the country,” Grandi told reporters on Friday on the sidelines of a visit to Damascus.
Syrians who had been displaced internally or fled abroad have begun gradually returning home since the December overthrow of longtime ruler Bashar Assad, whose brutal repression of peaceful anti-government protests in 2011 triggered war.
But the wide-scale destruction, including to basic infrastructure, remains a major barrier to returns.
Grandi said over two million people had returned to their areas of origin, including around 1.5 million internally displaced people, while some 600,000 others have come back from neighboring countries including Lebanon, Jordan and Turkiye.
“Two million of course is only a fraction of the very big number of Syrian refugees and displaced, but it is a very big figure,” he said.
According to UNHCR, some 13.5 million Syrians remain displaced internally or abroad.
Syria’s conflict displaced around half the pre-war population, with many internally displaced people seeking refuge in camps in the northwest.
Grandi said that after Assad’s toppling, the main obstacle to returns was “a lack of services, lack of housing, lack of work,” adding that his agency was working with Syrian authorities and governments in the region “to help people go back.”
He said he discussed the importance of the sustainability of returns with Syrian Foreign Minister Asaad Al-Shaibani, including ensuring “that people don’t move again because they don’t have a house or they don’t have a job or they don’t have electricity” or other services such as health.
Sustainable returns “can only happen if there is recovery, reconstruction in Syria, not just for the returnees, for all Syrians,” he said.
He added that he also discussed with Shaibani how to “encourage donors to give more resources for this sustainability.”
With the recent lifting of Western sanctions, the new Syrian authorities hope for international support to launch reconstruction, which the UN estimates could cost more than $400 billion.