A look at how expats living in Saudi Arabia celebrate iftar

This combination of photographs shows plates with traditional food for Muslims to break their fast during the holy fasting month of Ramadan in Afghanistan, Bangladesh, India and Pakistan. (AFP)
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Updated 06 April 2022
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A look at how expats living in Saudi Arabia celebrate iftar

  • Ramadan is observed by abstaining from food and drink during the day
  • It is traditional that Muslims break the fast with large meals after sunset

RIYADH: Ramadan unites everyone regardless of ethnicity, and Muslims around the Kingdom gather to break their fasts with diverse dishes that celebrate and highlight their cultural traditions during the holy month. Here’s a look at how expats from different cultures living in Saudi Arabia celebrate iftar and break their fasts during Ramadan.

Some expats who have lived in the Kingdom for years and call the country their home have held onto their cultural traditions, strengthened them, and passed them from one generation to the next.




Many expats living in the Kingdom enjoy the traditional Saudi iftar dishes alongside their cultural staples. (SPA)

“I think food is one particular thing that keeps one connected to their home or roots in a way. It’s nostalgic for us too when we break our fast in a home away from home,” Arshin Fathima, who has called Saudi Arabia her home for the past 12 years, told Arab News. “I’m from Chennai (the southern part of India). India is a country with diverse cultures and because of that each city has its own distinctive cuisine exclusive to the month of Ramadan.

She added: “I think when you start your family in another country, definitely the kids get accustomed to the environment and adapt themselves more comfortably here . . . so in a way sticking to our traditional meals makes us feel at home too sometimes.”

Fathima told Arab News that a traditional iftar table in her home contains a porridge or soup called ganji that is made with rice and lentils and very light spices. “We also have crispy and soft fritters called medu vada made from lentils. Both are a good coolant and are light on the stomach after a long day of fasting.  Of course, there are other items too, but without ganji and medu vada I think any Chennaiites’ fast would be incomplete,” she said.

When asked if there were any similarities between her meals and a traditional Saudi iftar table, Fathima enthusiastically said: “Yes! This is like my second home. We have cheese and meat sambousek, kunafa, logaimat alongside our traditional porridge. Sambousaks have to be the first thing my kids reach for when they break their fast.”

Dr. Kifaya Ifthikar, who is from Sri Lanka, has been living in Saudi Arabia for more than 22 years. “An iftar table should look like a balance between health and happiness,” she said.

Ifthikar added: “In Sri Lankan cuisine, it’s usually savory all the way, we consume an assortment of fritters called cutlets, rolls or patties and a thirst-quenching pink drink called falooda.”

Falooda is a drink traditionally consisting of rose sherbet syrup, milk, basil seed and occasionally vermiculite noodles.

In contrast to Saudi and Chennai iftar, Ifthikar said that a Sri Lankan iftar must always consist of a spicy porridge dish. Iftikhar explained that “even though our dishes are quite different, we do see some similarities, for example, cutlets could be easily substituted with falafel or our porridge with oatmeal soup. Dates are always a staple, and occasionally a sip of qahwa.”

Many Muslim expats living and working in the Kingdom have adopted the traditional Saudi style of breaking their fast with soups, light fried dishes and sweets, and the classic Vimto and dates.

“As an American convert to Islam living in Saudi Arabia, I’ve really started to fall in love with Saudi food,” Hana Nemec, a US citizen and head of communications for the American Chamber of Commerce, told Arab News.




Many expats living in the Kingdom enjoy the traditional Saudi iftar dishes alongside their cultural staples. (SPA)

“American food just doesn’t feel like iftar food to me. Iftar foods are so special for each of us because they’re our first moment of thankfulness for the reprieve from our fast,” Nemec said.

Apart from having a Saudi-style iftar table, Nemec has also tried her hand at cooking local dishes. “After it being my favorite food for the last six years, I tried my own jareesh recipe last year and my friends couldn’t believe it was made by a non-Saudi,” she said.

Nemec isn’t the only American living in Saudi Arabia who has embraced and adopted the local traditional iftar.

Hasan Yusuf, an American Muslim living and working in Saudi Arabia, said that his favorite way to break his fast is through a shared meal with locals over a joint dish of earika and haneeth — and relishing it by eating hands. He explained that food brings people together. “We feast intimately, sharing from one plate. Dishes like earika and haneeth must be eaten from one bowl or plate. Everyone’s hands are digging in, reaching for the stars and eating joyfully,” he said.

Yusuf said that he has grown to appreciate a local favorite, camel’s milk, which he constantly incorporates in his iftar.

“It’s just as simple as saying: “You are my brother, we are family, say bismillah and enjoy ‘our’ cultural dish. The ‘our’ part makes me feel included. Never have I felt that eating earika or haneeth is an exclusive thing. In fact, I’ve mastered making it now. So, yes, this year I’ll be inviting them to try OUR earika,” Yusuf said.

Iftar connects Muslims during the holy of Ramadan, regardless of what dishes are on the table or what spices are used. Muslims across the Kingdom embrace their cultural diversity. “They remind us of how blessed we are to have the sustenance God has granted us, and for his mercy and generosity reflected in our lives to be able to gather with those that we love to consume it. Not everyone on Earth is as blessed as us, so these foods are meant to be cherished,” Nemec said.

Although the food on each of our iftar tables may vary in colors and flavors, Muslims in Saudi Arabia are united in the celebration of Ramadan.


KSrelief distributes shelter kits in Afghanistan and Somalia

The initiative is part of the Kingdom’s ongoing humanitarian and relief efforts conducted through KSrelief. (SPA)
Updated 18 November 2024
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KSrelief distributes shelter kits in Afghanistan and Somalia

RIYADH: Hundreds of shelter kits have been distributed to people in Afghanistan and Somalia by Saudi aid agency KSrelief, reported the Saudi Press Agency.

Over the weekend, 200 kits were handed out as part of a project to help Afghan returnees from Pakistan and those affected by floods.

The project will provide 4,882 in total containing tents, blankets, plastic mattresses and other essential supplies to almost 30,000 people in need across 13 Afghan provinces.

In Somalia, 1,000 shelter kits, 1,000 clothing parcels, and 80 tents were given to displaced people in the Banadir region, benefitting 6,000 people.


KSrelief distributes aid to most needy in Lebanon, Chad and Syria

The aid is part of the ongoing assistance provided by KSrelief to some of the world’s most in need. (SPA)
Updated 18 November 2024
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KSrelief distributes aid to most needy in Lebanon, Chad and Syria

RIYADH: Saudi aid agency KSrelief has delivered more aid to those most in need in Lebanon, Chad and Syria, reported the Saudi Press Agency.

In Chari-Baguirmi, Chad, the agency delivered 1,600 food parcels that benefitted 9,600 people. A further 333 food aid parcels and 333 hygiene kits were distributed in the Idlib region of Syria to help 1,998 individuals from 333 families who were affected by last year’s devastating earthquake.

And in Lebanon, winter clothing vouchers were given to 300 orphans and people with special needs in Akkar governorate. These will help them buy clothing for the forthcoming winter.


Saudi defense minister meets with Chinese envoy to Kingdom

Updated 17 November 2024
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Saudi defense minister meets with Chinese envoy to Kingdom

  • Session attended by several high-ranking officials from both sides

RIYADH: Saudi Minister of Defense Prince Khalid bin Salman met with Chinese ambassador to the Kingdom Chang Hua on Sunday.

The meeting focused on reviewing the strong relations between the two nations and discussing various issues of mutual interest, Saudi Press Agency reported.

The session was attended by several high-ranking officials from both sides, SPA added.


King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
Updated 17 November 2024
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King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

  • Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
  • Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims

RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.

The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.

The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.

The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.

He added it would strengthen the bonds of brotherhood among Muslims in various parts of the world and develop fruitful communication between scholars and influential figures who are hosted by the program.

The program has benefitted people from more than 140 countries since it was launched, the minister said.


Old school, new love: Analog tech captures hearts in Saudi Arabia

Updated 17 November 2024
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Old school, new love: Analog tech captures hearts in Saudi Arabia

  • Community bound by love of old gadgets that help enrich the present

RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.

Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.

Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.

The resurgence of analog formats is a reminder that technology can be more than just a tool. (AN photo by Waad Hussain)

For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”

Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.

Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”

HIGHLIGHTS

• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.

• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.

This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.

The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.

Film rolls ready for development at Haitham Studio Film Lab, where each roll holds captured memories and stories from Saudi photographers. (Photo by Abdulrahman Al-Osaimi)

Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”

Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.

Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.

An eclectic display of analog nostalgia and rock memorabilia, featuring classic vinyl records, retro audio equipment, and books on music icons—capturing the spirit of vintage and punk culture. (AN photo by Waad Hussain)

He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”

Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.

For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”

Film negatives hang to dry at Haitham Studio, reflecting the lab’s dedication to preserving the authenticity and art of analog photography. (Photo by Abdulrahman Al-Osaimi)

With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.

Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.

Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”

A film negative passes through the scanning machine at Haitham Studio, bridging the analog and digital worlds to bring treasured moments to life. (Photo by Abdulrahman Al-Osaimi)

For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.

“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.

For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.

A retro cassette collection at Bohemia Records, showcasing a variety of genres and rare finds that capture the essence of analog music. (Photo by Fawaz Al-Sulaim)

Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.

Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.

“With analog, people reconnect with something real, something authentic.”

This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.

The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.

She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”

For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.

As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.

Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.

In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.

For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.

Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.

Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.

With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.

In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.

While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.

Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.

As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.

The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.