Exclusive: Netflix’s Tinder Swindler stars recount transformation from victim to inspiration for women

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Updated 17 May 2022
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Exclusive: Netflix’s Tinder Swindler stars recount transformation from victim to inspiration for women

  • Norwegian-born Cecilie Fjellhoy and Stockholm native Pernilla Sjoholm to deliver special keynote address at Arab Women Forum
  • Defrauded by a con artist, they have hit back by speaking up about their experience of romance scams

DUBAI: Just swipe left. At least that is what many an indecisive Tinder user may have found themselves doing after the notorious case of the dating app fraudster dubbed the “Tinder Swindler” came to light in an explosive Netflix docu-drama earlier this year.

Despite being defrauded by the conman, Norwegian TV personality Cecilie Fjellhoy and Swedish business owner Pernilla Sjoholm are hitting back by speaking up about their experience.

The women will appear during a special keynote address titled “When women fight back” at the Arab Women Forum, held in partnership with Arab News, at the Palazzo Versace Dubai on May 17.

“It was very traumatic,” Sjoholm told Arab News, reflecting on her experience ahead of Tuesday’s forum appearance. “It wasn’t only about the money you have lost. You have lost the way you viewed yourself, how you viewed everything.

“I used to think about fraud as: ‘Oh my God, who gets defrauded? You must be of lower intelligence or something.’ And I’m very embarrassed to say this today, because of what I lost.

“I was 31 years old, and it was not the way I would have imagined my life to be. To lose everything. You also lose your soul.”

 

 

Based on an expose by Verdens Gang, a Norwegian tabloid newspaper known under the abbreviation VG, the program unearthed the story of Israeli national Shimon Hayut, who allegedly posed on the dating app Tinder as Simon Leviev, claiming to be the son of a diamond mogul.

Hayut notoriously charmed women and persuaded them to loan him money, swindling an estimated $10 million from people across the globe.

According to reports, Hayut followed a pattern. After matching with unsuspecting women on Tinder, he would take them on a lavish first date and slowly build up a relationship, all the while dating other women.




Israeli national Shimon Hayut used the Tinder app to scam unsuspecting victims. 

Eventually, the fraudster would confide in them that a nefarious set of “enemies” were after him, persuading the women to send him money on the understanding that he would quickly pay them back.

After a nifty piece of counter-swindling by one woman, Ayleen Koeleman, who had been alerted to the con by the expose in VG, Hayut was arrested in 2019 and sentenced to 15 months in prison for fraud in Israel.

 

 

However, Hayut served only five months behind bars before being released. He has never been charged for crimes related to Fjellhoy and Sjoholm, and denies their claims of fraud.

And the story does not end there. In a shocking twist, Hayut is now pursuing a Hollywood career, while the women he targeted remain in debt to this day.

“We were very disappointed,” said Sjoholm. “Unfortunately, there is no extradition from Israel to Europe. So he’s still there.




From 2017 to 2019, Shimon Hayut used the dating app Tinder to swindle about $10 million from women around the world. (Shutterstock)

“We don’t think that they handled this case properly and they should have. And, unfortunately, that is the way it happens in a lot of fraud cases. I mean, I just know the numbers in Sweden. They drop 96 percent of all the cases they get, because they have too much.”

Instead of consigning themselves to a life of victimhood, both Sjoholm and Fjellhoy are working to inspire women across the world to identify and fight back against romance scams.

“We have talked about a lot of the shame that surrounds fraud and I think that it’s so important to stand up and say that this could happen to anyone,” said Sjoholm.

“Because it’s so common that fraudsters get away with fraud due to people being scared of sharing their story. So I definitely know that we helped a lot of people and hopefully will help a lot of people in the future as well.”

 

 

According to Action Fraud, the UK’s national reporting center for fraud and cybercrime, the majority of victims of romance fraud are women. Sjoholm believes women are specifically targeted for their perceived emotional vulnerabilities.

“I think that we women are more emotional people,” she said. “These fraudsters work a lot with emotions, because it is a form of emotional abuse.”

The Tinder Swindler case has raised many questions about what responsibility dating apps ought to hold for romance scams and what more they could be doing to safeguard users.

“I don’t feel like there was a lot that the dating app could have done in our case,” said Fjellhoy, also speaking to Arab News ahead of the forum.

“I feel like just doing proper identity checks so you can’t catfish someone, for example. We see that they have some, but I feel like fraud is much larger than just what happens on the dating app. They take you away from the dating app. It’s just one avenue of many that fraudsters are using.”

Beyond dating apps tightening their safeguards, there have also been calls to improve awareness in schools so that young people are better equipped to spot catfishing — the use of fake accounts to lure victims — and romance scams.

“If you’re going to educate young people, maybe teach them more about what kind of different people exist in the world,” said Fjellhoy.

“There are some people that don’t have empathy, there are psychopaths and narcissists who will take advantage of your empathy and those types of things. But I think it’s important to not put too much emphasis on us as victims as well.”

Indeed, there is a danger of victim blaming if the responsibility for spotting scammers is placed on users, when the onus ought to be on clamping down on fraudsters.

“We didn’t do anything wrong here,” said Fjellhoy. “And fraud will always happen. But, when fraud happens, how do we, as a society, talk about how to stop it?”

 

 

Nevertheless, there are several red flags that dating app users can look out for, says Sjoholm, including “love bombing” — the practice of lavishing someone with attention or affection with a view to influence or manipulate them.

However, Sjoholm believes that the very nature of social media makes it difficult to determine the truth about someone. “When it comes to social media, it is entirely about everyone wanting to show off their best side,” she said.

“Everyone wants to show off the good parts. When it comes to social media, I would say that 95 percent is just fraud in general.”

The mental health repercussions of romance fraud cannot be understated, as victims grapple with both the financial fallout and intense feelings of shame. “Regarding how your mental health is when you realize you’ve been defrauded, I think, for me, why I felt so low that I ended up in a psychiatric ward is that no one took you seriously,” said Fjellhoy.

“And I feel like, for example, you go to the police and they just brush you off. And I tried to contact the banks and they told me: ‘Well, you still need to pay down the loans.’ And you’re still mentally low. It’s double — emotional and economic. You see no way out.”

As a result of her ordeal, Fjellhoy established the Action Reaction Foundation to focus on the mental health challenges of survivors and to lobby for stronger laws as well as policies to protect victims.

One of the lasting effects of the ordeal is an inability to trust others easily. “I’m still having trouble with trust,” said Sjoholm.

“I have more good days than I have bad days. But even on my good days, when someone does something very nice toward me, I can sometimes feel like there’s an agenda behind it. That someone is there to hurt me.

“I can still socialize. I can meet new people, but I’m having a very hard time to really talk to people. I don’t want to take away trust. You should be trusting people, you should be helping people, because that is what makes this world better. But, of course, this has been a tremendous trauma.”

 

 

For Fjellhoy, it is also about having trust in the system to protect victims and take their claims seriously. 

“That the police will be there to protect you, that if you go to the bank, and you’re saying you’re being defrauded, you can get some peace and quiet to figure things out, that they will give that to us,” said Fjellhoy.

“Just so many things that could have made everything that happened afterward much easier, which would have made the fight easier.”

For others who have fallen victim to romance scams, Fjellhoy’s advice is to speak up.

“Please report it to the police, no matter what,” she said. “We know that it hasn’t gone our way. But they need to know about all cases so they can see how big it actually is.

“Please, report it.”


Gwen Stefani to perform in the UAE in February

Updated 39 sec ago
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Gwen Stefani to perform in the UAE in February

DUBAI: US pop star Gwen Stefani is set to perform in Abu Dhabi on Feb. 21 as part of the city’s Saadiyat Nights, marking her first-ever performance in the UAE capital.

The triple Grammy Award winner will take the stage just 24 hours before legendary US singer Lionel Richie closes the event on Feb. 22.

The three-month open-air music series will also feature performances by Egyptian composer Omar Khairat on Feb. 1, British musician Sting on Feb. 3, Lebanese music icon Magida El-Roumi on Feb. 10 and US pop star Christina Aguilera on Feb. 15.

Artists who have already performed include Grammy-winning Michael Buble, Russian band Leningrad, US R&B group Boyz II Men, British singer Robbie Williams and Iranian singer Ebi.

Stefani has achieved global recognition as a songwriter, performer, and frontwoman of the US rock band No Doubt, and as a multi-platinum solo artist. Over the course of her career, she has received numerous awards, including four MTV Video Music Awards, two Billboard Awards, an American Music Award and a Brit Award.

Stefani has sold over 60 million records worldwide, combining her success with No Doubt and her solo career. Her 2004 debut solo album, “Love. Angel. Music. Baby.,” achieved multi-platinum status and included chart-topping hits like “Hollaback Girl,” which became the first digital download to sell over 1 million copies in the US.

Stefani is no stranger to Emirati culture. In 2019, she performed in Dubai at the Dubai World Cup. During her visit, the singer immersed herself in Emirati culture, embracing the quintessential tourist experience by taking a desert safari, dining in a desert tent, watching a falcon show, riding a camel, covering her face and hair with a headscarf, shopping at the perfume souk, and visiting the iconic Burj Khalifa, the world’s tallest building.

Saadiyat Nights is part of the Abu Dhabi Calendar’s year-round schedule of events, which includes music, sports, comedy, family-friendly shows, cultural festivals and art exhibitions.

Held on Saadiyat Island, the concert series is set against the backdrop of the Saadiyat Cultural District, pristine beaches, and luxurious resorts.

The inaugural edition of Saadiyat Nights, which ran from January to March 2024, featured a lineup of artists, including American stars Mariah Carey, John Legend, and Alicia Keys, Iranian singer Googoosh, and Italian tenor Andrea Bocelli.


Princess Iman of Jordan is expecting her first child 

Updated 24 January 2025
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Princess Iman of Jordan is expecting her first child 

DUBAI: Jordan’s Princess Iman bint Abdullah II and her husband, Jameel Alexander Thermiotis, are expecting their first child.

Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.

This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.


Oscar nomination for Palestinian documentary ‘No Other Land’

Updated 24 January 2025
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Oscar nomination for Palestinian documentary ‘No Other Land’

DUBAI: The Palestinian documentary “No Other Land” has been nominated for the Best Documentary at this year’s Oscars.

The film was directed by a collective of four Israeli and Palestinian filmmakers — activists Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor — and marks their directorial debut.

“No Other Land” follows the story of Adra, a young Palestinian activist from Masafer Yatta in the West Bank, as he fights against the mass expulsion of his community by Israeli forces. Since childhood, Adra has documented the demolition of homes and displacement of residents in his region under military occupation.

The film also explores his unlikely partnership with Abraham, an Israeli journalist who supports his efforts. However, their alliance is tested by the stark inequality between them — Adra lives under constant occupation, while Abraham enjoys freedom and security.

The film has dominated the pre-Oscar awards circuit, winning major accolades such as the top honor at the Cinema Eye Honors, Best Documentary and Best Director at the IDA Awards, Best European Documentary at the European Film Awards, and Best Documentary at the Berlin Film Festival, where it premiered last February.

This year’s Academy Awards ceremony will take place on March 3.


Ramy Youssef’s animated series to have world premiere in Texas

Updated 24 January 2025
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Ramy Youssef’s animated series to have world premiere in Texas

  • ‘#1 Happy Family USA’ explores experiences of Muslim-American family in early 2000s

DUBAI: Egyptian American actor Ramy Youssef’s animated series “#1 Happy Family USA” will make its world premiere at the South by Southwest Film Festival in Austin, Texas, which runs from March 7 to 15.

The show explores the experiences of a Muslim-American family in the early 2000s.

Youssef voices Rumi Hussein, a 12-year-old boy with big dreams and a desire to fit in. Rumi, named after the 13th century poet, also has a hard time living up to the name.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by A24 (@a24)

Youssef also voices Rumi’s father, a former cardiothoracic surgeon who now runs a halal cart.

The series stars actress Alia Shawkat, who is of Iraqi, American, Irish, Italian and Norwegian descent, Egyptian-Canadian comedian Salma Hindy, US singer-actress Mandy Moore, “Ramy” actress Randa Jarrar, and US comedians Chris Redd, Akaash Singh and Whitmer Thomas.

Youssef is the co-creator of the series with US writer and TV producer Pam Brady. The pair are the executive producers of the show with Iraqi-British journalist Mona Chalabi. A24 and Amazon Studios co-produced.


Who’s who at the Diriyah Islamic Arts Biennale 

Updated 24 January 2025
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Who’s who at the Diriyah Islamic Arts Biennale 

  • A rundown of the artists whose work will be displayed at this year’s event, which runs until May 25 

JEDDAH: The second edition of the Diriyah Islamic Arts Biennale begins today, showcasing more than 500 “historical objects and contemporary artworks” across five exhibition halls and outdoor spaces.  

This year’s theme is “And All That Is In Between,” a phrase the organizers say “encapsulates the vast and awe-inspiring scope of God’s creation as experienced by humankind.”  

Over the next four months, the event will, according to the website, present “a profound exploration of how faith is lived, expressed, and celebrated … inviting visitors to reflect on the divine’s wonders and humankind’s connection to it.” 

 Abdelkader Benchamma's 'Au Bord des Mondes' on display at the Pompidou Center in Paris this year. (Supplied)

The biennale will include new commissions from more than 30 artists, both local and international. The most prominent Saudi artist on the roster is Ahmed Mater, who was the subject of a mid-career retrospective — “Chronicles” — at Christie’s in London last year. Participation in a biennale such as this fits with Mater’s philosophy. In 2020, he told Arab News: “I see exploration, sharing and learning between cultures as vital. Culture is about sharing and progress. It is not static; it is dynamic.”  

Mater’s fellow Saudi artist, the printmaker and educator Fatma Abdulhadi will also be presenting works at the biennale. Her prints, she told the Berlin Art Institute in 2021, consist of “layer upon layer of deeper meanings which are expressed through the use of color. Each layer of color is a mirror that allows you to see the others clearly and accept them for what they are.” 

Saudi contemporary interpretive dancer Bilal Allaf told Arab News in 2021 why he prefers his improvisational approach to classical dance. “I feel I can express my emotions better,” he said. “I think it’s a pure art form of storytelling — a form of non-verbal communication. As a performer it’s a very profound expression.” 

Bilal Allaf. (Supplied)

Bahraini-American artist Nasser Alzayani was the winner of Louvre Abu Dhabi’s inaugural Richard Mille Art Prize in 2021. His practice, the Louvre said at the time, “is a research-driven documentation of time and place through text and image.” Alzayani told Canvas the following year: “I see the work that I’m making as a way of adding to the resources available.” 

Makkah native Ahmad Angawi is, according to art collective Edge of Arabia, “inspired by the colorful diversity of the culture of Hejaz.” He is the son of an architect, and has “adopted the concept of … the belief in the fundamental principle of balance, as a state of mind, as well as the belief in its application in the field of design.” 

Abdelkader Benchamma, born in France to Algerian parents, creates “delicately executed and dynamic drawings of states of matter,” Edge of Arabia’s website states. “His drawings take their inspiration from visual scenarios that stem from reflections on space and its physical reality.” 

Abha native Saeed Gebaan is an industrial engineer by trade, and a co-founder of PHI Studio. “Through installations, programming and movement systems, Gebaan invites viewers to consider the intersection of science and society,” according to Riyadh Art. 

Nasser Alzayan, Seeing Things. (Supplied)

Louis Guillaume uses found materials to create his sculptures and “sees his creations as living works destined to evolve over time,” the website of Paris’ Cité International Des Artes states. 

The work of Lebanese multidisciplinary artists Joana Hadjithomas and Khalil Joreige has covered film, photography, sculpture, installations, performance lectures and texts. They have written that they “question storytelling, the fabrication of images and representations, the construction of imaginaries, and the writing of history.” 

Jeddah-based visual artist Bashaer Hawsawi works with mixed media and found objects. Her practice, according to theartists.net, is centered around “notions of cultural identity, cleansing, belonging and nostalgia.” 

Libyan artist Nour Jaouda, the Venice Biennale website states, “relishes in the slow, physical, and felt processes of fabricating hand-dyed textiles. (Their) inherent connectivity begets their association with the eternal and the divine; to the artist, textiles have no beginning or end.” 

Lebanese-French interdisciplinary artist Tamara Kalo was raised in Riyadh. “She works with photography, video and sculpture to investigate narratives that shape home, history and identity,” Riyadh Art states. 

Nour Jaouda's 'The Light In Between'. (Supplied)

Raya Kassisieh is a London-based artist of Palestinian heritage who says she “explores the politics of the body in a multidisciplinary practice that presents a deeply personal interrogation of form.” Her work “proposes that the body is the ultimate tool for reimagination and creation.” 

The Japanese artist Takashi Kuribayashi creates large-scale installations. The central theme of his work, he has said, is the “invisible realm” and its boundary. “The truth resides in places that are invisible. Once you are aware that there is a different world out of sight, you will be living in a different way.” 

Saudi photographer and filmmaker Hayat Osamah “seeks to challenge conventional norms and celebrate diversity,” Riyadh Art states, while Jeddah-born multidisciplinary artist Anhar Salem also works primarily in film, often using phone-shot videos “to question self-representation and image production in communities that have been marginalized as a result of migration and economic policies,” according to Cité International Des Artes. 

This year’s roster also includes Argentinian artist Gabriel Chaile; Amman-based Kuwaiti artist and curator Ala Younis; Asim Waqif, an Indian artist based in New Delhi; Taiwanese multidisciplinary artist Charwei Tsai; Lahore-based duo Ehsan ul Haq and Iqra Tanveer; Eurasian art collective Slavs and Tatars; Italian visual artist Arcangelo Sassolino; British architect and multidisciplinary artist Asif Khan; French-Iraqi artist Mehdi Moutashar; German-Iranian photographer and sculptor Timo Nasseri; Multimedia poet-musician duo Hylozic/Desires (Himali Singh Soin and David Soin Tappeser); Colombian multidisciplinary artist Nohemi Pérez; Pakistani artist Imran Qureshi, whose work is inspired by the miniature paintings of Mughal courts; Brazilian artist Lucia Koch; and the British interdisciplinary artist Osman Yousefzada.