‘The Middle East has had a soft spot for anime since the Eighties’ — META executive

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Updated 12 June 2022
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‘The Middle East has had a soft spot for anime since the Eighties’ — META executive

  • Moon Baz, creator partnerships lead at META Middle East, Africa and Turkey, talks content trends and content creators

Can you tell us about the latest content trends on Instagram in the Middle East, particularly in Saudi Arabia?

The Middle East region has one of the highest social media usage rates in the world. People in the region have turned to Instagram to stand behind causes they care about and have successfully ignited waves of digital activism, which gave rise to content that focuses on sharing information and educating communities. It also allowed others to find their own voices in these movements.

We have also seen an increasing interest in virtual reality (VR) and augmented reality (AR) among our communities as the buzz around concepts like the metaverse and Web3 continues.

Content creators in the region creatively used our Spark AR features to bring forth the spirit of Ramadan and augment the holy month celebrations with filters by @Bdanabol and @aymen_ghnia topping the list.

Reels content has also been on the rise with content spanning everything from celebrating Saudi coffee on the back of declaring the year 2022 as the Year of Saudi Coffee, to anime and K-pop content, and the latest hits on Netflix.




Moon Baz, head of Entertainment Partnerships for MENA and Turkey at Meta. (Supplied)

Can you elaborate on the popularity of anime content on the platform?

The Middle East has had a soft spot for anime since the Eighties. The Japanese art has inspired Arab creators to use anime for self-expression, incorporating Arab culture and sensibilities within its parameters of character and world-building.

With the boom in local anime creation, lovers of the medium are increasingly turning to Instagram as the platform to showcase their talents. To date, the hashtag #anime has garnered almost a million followers across KSA, UAE, Egypt and Kuwait on Instagram.

Regional creators are exploring the full range of the anime universe with manga, cosplay, origami and folktale anime productions coming together on the platform and redefining the boundaries of the medium through its originality.

Talents like Jassim Al Mohannadi use Instagram to publish original anime productions spiced with Middle Eastern flavors. Jasim has published 21 chapters of his own Arabic manga creations on WEBTOON under the title “Justice in the Wasteland” and penned the Middle Eastern manga “Primeval.” Others like Reem (@renberryart) were able to turn their impressive talents in anime illustration into a source of income on Instagram. Everything from anime movie characters to fusions of Mirko and Tengen can be found on Reem’s emerging storefront.

We are delighted to witness the incredible Japanese art shaping Middle Eastern creator communities and further making Instagram home to self-expression.

How has fashion and travel content grown on the platform?

Instagram is a place to explore, share and push culture forward. We see our community heading to places like Explore, Reels, and Stories for inspiration, self-expression and discovery of all types of content. Yet, there is no doubt that the fashion and travel categories have always been, and continue to be, a cornerstone of the Instagram experience.

There is always a new fashion trend to jump on in terms of what to wear and where to shop. Our 2022 Instagram Trends Report has shown that Gen Z is now making bold moves with its style choices, using fashion as a vehicle for joy, optimism and self-expression.

They are also moving away from big-box online retailer websites as more than half of young people are interested in new shopping experiences, opening new avenues for small-to-medium businesses and thrift shops.

In the region, we saw a recent interest in modest fashion where the hashtag #modestfashion grew 45 percent in the UAE, as creators were experimenting in the lead-up to Ramadan.

Travel content has also been on the rise, especially with the boom of Reels. We have seen creative content from a plethora of creators in the region such as Murad and Nataly Osmann and Kasem Hato, who continuously share everything from vacation hotspots for the summer to hidden gems around the world through content that sparks a sense of adventure.

What do brands need to know about current content trends both in terms of creating their own content as well as in terms of collaborating with creators?

90 percent of people on Instagram follow a business globally, making it easier for brands to transform content into commerce by building trust with customers through their owned channels as well as collaborating with key opinion leaders and creators.

We introduced an array of tools that help brands seamlessly connect and collaborate with creators on Instagram including Branded Content Ads, Shopping from Creators, and Branded Content Tags, to name a few.

Last year, we added a new hub to the Professional Dashboard where businesses can find inspiration to spark more content ideas for those unsure where to start. Instagram users with business accounts can browse a collection of quality organic and promoted posts from other businesses in the hope it will inspire them to post their brand-specific content.

There is so much room for exploring and expanding brands’ presence online and to make that search easier, we curated guidelines and tips to help businesses amplify their growth based on their goals.

How is Instagram investing in content creators?

Creators are the heart of culture on Instagram. We’re committed to building a suite of tools to support creators’ various needs and ambitions, regardless of if they’re aspiring, emerging or established creators.

If you have an idea that you want to share with the world, you should be able to create it and get it out there easily and simply — across Facebook and Instagram — and earn money for your work. That is why we are focused on developing a range of creative and monetization tools across our platforms to support creators’ various needs and ambitions, whether they are just getting started or already have an established brand.

In 2021, we expanded the support to fund content for even more creators to produce fun and engaging content that will help them grow their personal brands and make a living. We also launched @creators as a way to reach even more aspiring creators around the world with best practices, product news, and tips & trips.

We have a dedicated creators’ page, which includes everything a creator needs to know on Instagram — ranging from trends, content tips, success stories, staying safe and earning money, to guidelines on using the most recent tools and features.

By the end of 2022, we plan to invest over $1 billion in programs that give creators new ways to earn money for the content they create on Facebook and Instagram. This investment will include new bonus programs that pay eligible creators for hitting certain milestones when they use our creative and monetization tools.

We will also provide seed funding for creators to produce their content. Our goal is to help as many creators as possible find sustainable, long-term success on our apps.

Lastly, how does Instagram moderate and monitor content?

When we find content such as a post, comment or story that goes against our Community Guidelines, we remove it from Instagram. If the content does not go against our Community Guidelines but may be inappropriate, disrespectful or offensive, we may limit it from Explore, rather than removing it from Instagram.

Our Community Guidelines define what is and is not allowed on Instagram, and they apply all over the world. They are designed to encourage expression and create a safe environment on Instagram.

To find, review and take action on content that may go against Community Guidelines, we use technology and human reviewers. Artificial intelligence technology is central to our content review process. AI can detect and remove content that goes against our Community Guidelines before anyone reports it.

Other times, our technology sends content to human review teams to take a closer look and make a decision on it. These thousands of reviewers around the world focus on content that is most harmful to Instagram users.

Anime content creators in the Middle East

User: @artistsoosa https://www.instagram.com/artistsoosa/

About: Jeddah-born Samah Kamil was the first Arab artist to receive a master’s degree in the art of manga from the Arts & Designs faculty at King Abdulaziz University in Saudi Arabia. As well as being an artist, she’s also the editor of Manga Arabia, and leads and facilitates workshops covering a variety of manga-related topics.

Her work, which she posts on Instagram, illustrates Saudi culture through contemporary anime drawings, reflecting meaningful plots with relatable characters and social messages.

User: 6th__kage https://www.instagram.com/6th__kage/

About: The Saudi-based content creator is an avid gamer who merges the worlds of gaming and anime. He often cosplays his favorite character Kakashi Hatake from the manga series Naruto.

User: @Paris.ae https://www.instagram.com/paris.ae/

About: Taking cosplaying to the next level, @Paris.ae presents herself as an Emirati Kawaii doll bringing anime characters to life.

 

User: @Renberryart  https://www.instagram.com/renberryart/

About: 21-year-old Reem has combined her passion for all things anime and her artistic skills to create digital art that she posts and sells through her Instagram page.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@renberryart)

 


Australia frets over Meta halt to US fact-checking

Updated 09 January 2025
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Australia frets over Meta halt to US fact-checking

  • Australia has frequently irked social media giants with its efforts to restrict the distribution of false information or content it deems dangerous
  • Late last year, the country passed laws to ban under-16s from signing up for social media platforms

SYDNEY: Australia is deeply concerned by Meta’s decision to scrap US fact-check operations on its Facebook and Instagram platforms, a senior minister said Thursday.
The government – which has been at the forefront of efforts to rein in social media giants – was worried about a surge of false information spreading online, Treasurer Jim Chalmers said.
“Misinformation and disinformation is very dangerous, and we’ve seen it really kind of explode in the last few years,” Chalmers told national broadcaster ABC.
“And it’s a very damaging development, damaging for our democracy. It can be damaging for people’s mental health to get the wrong information on social media, and so of course we are concerned about that.”
Meta chief executive Mark Zuckerberg announced Tuesday the group would “get rid of fact-checkers” and replace them with community-based posts, starting in the United States.
Chalmers said the decision was “very concerning.”
The government had invested in trusted Australian news providers such as the ABC and national newswire AAP to ensure people had reliable sources for information, he said.
Disinformation and misinformation had become “a bigger and bigger part of our media, particularly our social media,” the treasurer said.
Australia has frequently irked social media giants, notably Elon Musk’s X, with its efforts to restrict the distribution of false information or content it deems dangerous.
Late last year, the country passed laws to ban under-16s from signing up for social media platforms. Offenders face fines of up to A$50 million ($32.5 million) for “systemic breaches.”
But in November, a lack of support in parliament forced the government to ditch plans to fine social media companies if they fail to stem the spread of misinformation.
Prime Minister Anthony Albanese said Wednesday he stood by the ban on children’s access to social media because of the impact it had on their mental health.
Asked about Meta’s fact-checking retreat, Albanese told reporters: “I say to social media they have a social responsibility and they should fulfil it.”
Australian group Digital Rights Watch said Meta had made a “terrible decision,” accusing it of acting in clear deference to incoming US president Donald Trump.
AFP currently works in 26 languages with Facebook’s fact-checking program.
Facebook pays to use fact checks from around 80 organizations globally on the platform, as well as on WhatsApp and Instagram.
Australian fact-checking operation AAP FactCheck said its contract with Meta in Australia, New Zealand, and the Pacific was not impacted by the group’s US decision.
“Independent fact-checkers are a vital safeguard against the spread of harmful misinformation and disinformation that threatens to undermine free democratic debate in Australia and aims to manipulate public opinion,” said AAP chief executive Lisa Davies.


CNN defamation trial comes at a rough time for legacy media — and for the struggling network

Updated 09 January 2025
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CNN defamation trial comes at a rough time for legacy media — and for the struggling network

  • US Navy veteran Zachary Young blames CNN for destroying his business when it displayed his face onscreen during a story that discussed a “black market” in smuggling out Afghans for high fees at the time of the Taliban takeover

NEW YORK: At a particularly inopportune time for legacy media and CNN, the news outlet is on trial in Florida this week, accused of defaming a Navy veteran involved in rescuing endangered Afghans from that country when the US ended its involvement there in 2021.
The veteran, Zachary Young, blames CNN for destroying his business when it displayed his face onscreen during a story that discussed a “black market” in smuggling out Afghans for high fees at the time of the Taliban takeover.
In a broader sense, the case puts the news media on the stand in journalism critic Donald Trump’s home state weeks before he’s due to begin his second term as president, and on the same day Facebook’s parent introduced a Trump-friendly policy of backing off fact checks. Young’s attorney, Kyle Roche, leaned into the press’ unpopularity in his opening arguments on Tuesday.
“You’re going to have an opportunity to do something significant in this trial,” Roche told jurors in Florida’s 14th Judicial Circuit Courts in Panama City on Tuesday. “You’re going to have an opportunity to send a message to mainstream media. You’re going to have an opportunity to change an industry.”
That’s the fear. Said Jane Kirtley, director of the Silha Center for the Study of Media Ethics and the Law at the University of Minnesota: “Everybody in the news media is on trial in this case.”
Actual defamation trials are rare in this country
Defamation trials are actually rare in the United States, in part because strong constitutional protections for the press make proving libel difficult. From the media’s standpoint, taking a case to a judge or jury is a risk many executives don’t want to take.
Rather than defend statements that George Stephanopoulos made about Trump last spring, ABC News last month agreed to make the former president’s libel lawsuit go away by paying him $15 million toward his presidential library. In the end, ABC parent Walt Disney Co. concluded an ongoing fight against Trump wasn’t worth it, win or lose.
In the most high-profile libel case in recent years, Fox News agreed to pay Dominion Voting Systems $787 million on the day the trial was due to start in 2023 to settle the company’s claims of inaccurate reporting in the wake of the 2020 presidential election.
The Young case concerns a segment that first aired on Jake Tapper’s program on Nov. 11, 2021, about extraction efforts in Afghanistan. Young had built a business helping such efforts, and advertised his services on LinkedIn to sponsors with funding who could pay for such evacuation.
He subsequently helped four separate organizations — Audible, Bloomberg, a charity called H.E.R.O. Inc. and a Berlin-based NGO called CivilFleet Support eV — get more than a dozen people out of Afghanistan, according to court papers. He said he did not market to — or take money from — individual Afghans.
Yet Young’s picture was shown as part of CNN story that talked about a “black market” where Afghans were charged $10,000 or more to get family members out of danger.
The plaintiff says the story’s reference to ‘black market’ damaged him
To Young, the “black market” label implied some sort of criminality, and he did nothing illegal. “It’s devastating if you’re labeled a criminal all over the world,” Young testified on Tuesday.
CNN said in court papers that Young’s case amounts to “defamation by implication,” and that he hadn’t actually been accused of nefarious acts. The initial story he complained about didn’t even mention Young until three minutes in, CNN lawyer David Axelrod argued on Tuesday.
Five months after the story aired, Young complained about it, and CNN issued an on-air statement that its use of the phrase “black market” was wrong. “We did not intend to suggest that Mr. Young participated in a black market. We regret the error. And to Mr. Young, we apologize.”
That didn’t prevent a defamation lawsuit, and the presiding judge, William S. Henry, denied CNN’s request that it be dismissed. CNN, in a statement, said that “when all the facts come to light, we are confident we will have a verdict in our favor.”
Axelrod argued on Tuesday that CNN’s reporting was tough, fair and accurate. He told the jury that they will hear no witnesses who will say they thought less of Young or wouldn’t hire him because of the story — in other words, no one to back up his contention that it was so damaging to his business and life.
Yet much like Fox was publicly hurt in the Dominion case by internal communications about Trump and the network’s coverage, some unflattering revelations about CNN’s operations will likely become part of the trial. They include internal messages where CNN’s reporter, Alex Marquardt, says unflattering and profane things about Young. A CNN editor was also revealed on messages to suggest that a Marquardt story on the topic was “full of holes,” Roche said.
“At the end of the day, there was no one at CNN who was willing to stand up for the truth,” Roche said. “Theater prevailed.”
Axelrod, who shares a name with a longtime Democratic political operative and CNN commentator, contended that the give and take was part of a rigorous journalistic process putting the video segment and subsequent printed stories together. “Many experienced journalists put eyes on these stories,” he said.
It’s still going to be difficult for CNN to go through. The network, with television ratings at historic lows, doesn’t need the trouble.
“At a moment of wider vilification and disparagement of the press, there is every reason to believe this will be weaponized, even if CNN prevails,” said RonNell Andersen Jones, a professor at the University of Utah law school and expert on libel law.
The case is putting a media organization and its key players on the stand in a very public way, which is something people don’t usually see.
“I always dread any kind of libel cases because the likelihood that something bad will come out of it is very high,” Minnesota’s Kirtley said. “This is not a great time to be a libel defendant if you’re in the news media. If we ever did have the support of the public, it has seriously eroded over the past few years.”
 


‘Offensive’ Muslim fintech ads banned in UK for showing burning banknotes

Updated 08 January 2025
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‘Offensive’ Muslim fintech ads banned in UK for showing burning banknotes

  • Posters by Wahed Invest were banned by Advertising Standards Authority after agency received 75 complaints

LONDON: Adverts by Muslim fintech company Wahed Invest have been banned in the UK for featuring burning banknotes, which the country’s advertising watchdog deemed “offensive.”

The New York-based investment platform, which targets the Muslim community, ran a series of posters across London’s transport system in September and October.

The ads showed US dollar and euro banknotes on fire alongside slogans such as “Join the money revolution” and “Withdraw from Riba” — a term referring to the Islamic prohibition of interest.

The Advertising Standards Authority said it received 75 complaints that the ads were offensive.

“The ads represented the expression that viewers’ money was ‘going up in flames’ and that images of burning money were commonly encountered,” the ASA said in a statement.

“However, regardless of whether viewers would have understood that message or understood it as a defiant act designed to show a challenge to financial institutions, the currencies which were burned in all of the ads were clearly visible as US dollar and euro banknotes.”

The advert also featured images of Muslim preacher Ismail ibn Musa Menk and Russian former professional mixed martial artist Khabib Abdulmanapovich Nurmagomedov.

Three of the posters showed Menk holding an open briefcase filled with US dollar and euro banknotes on fire, with two of them stating “Withdraw from Exploitation.”

Wahed defended the campaign, explaining that the burning banknotes symbolized money “going up in flames” due to inflation outpacing savings growth.

The company, which describe itself as an investment platform allowing consumers who were predominantly Muslim to invest in a manner which aligned with their faith and values, launched in the US in 2017 and is backed by the oil company Saudi Aramco and the French footballer Paul Pogba.

Wahed acknowledged that the currencies depicted in the ads could be viewed as symbols of national identity but argued that the imagery of burning money was a powerful reference to hyperinflation, a concept often depicted in popular culture through film and television.

A spokesperson added: “We understand that visuals like those included in our campaign can elicit strong reactions.

“While our intention was to spark thought and awareness, we recognize the importance of ensuring that messaging resonates positively with the diverse audiences that may consume them.”

The ASA said that the adverts would have been seen by many people, including people from the US and eurozone countries, who “would have viewed their nation’s currency as being culturally significant.

“Although we acknowledged Wahed Invest’s view that they had not directly criticized a specific group, and that depictions of burning banknotes were commonly encountered, we considered the burning of banknotes would have caused serious offense to some viewers,” the regulator said.

“We therefore concluded that the ads were likely to cause serious offense.”


Jailed Italian reporter in Tehran freed, says Italy

Updated 08 January 2025
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Jailed Italian reporter in Tehran freed, says Italy

ROME: An Italian journalist arrested in Iran and jailed for three weeks has been freed and is returning to Italy, Prime Minister Giorgia Meloni’s office said on Wednesday.
“The plane taking journalist Cecilia Sala home took off from Tehran a few minutes ago” following “intense work through diplomatic and intelligence channels,” Meloni’s office said in a statement.
“Our compatriot has been released by the Iranian authorities and is on her way back to Italy. Prime Minister Giorgia Meloni expresses her gratitude to all those who helped make Cecilia’s return possible, allowing her to re-embrace her family and colleagues,” her office said.
Meloni personally informed Sala’s parents of her release by telephone, it added.
Sala, 29, was arrested on December 19, soon after the United States and Italy arrested two Iranian nationals over export violations linked to a deadly attack on American servicemen.
The journalist, who writes for the Italian daily Il Foglio and is the host of a news podcast produced by Chora Media, was kept in isolation in Tehran’s Evin prison.
Sala told her family she was forced to sleep on the floor in a cell with the lights permanently on.
Italy and Iran summoned each other’s ambassadors last week after Rome warned that efforts to secure her release were complicated.
Sala traveled to Iran on December 13 on a journalist’s visa. She was arrested six days later for “violating the law of the Islamic Republic of Iran,” said the country’s culture ministry, which oversees and accredits foreign journalists.
She had been due to return home the following day.
On Monday, Iran denied any link between Sala’s arrest and that of Iranian national Mohammad Abedini, detained in Italy in December at the behest of the United States over export violations linked to a deadly attack on US servicemen.


Surge in Telegram user data passed to French authorities

Updated 08 January 2025
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Surge in Telegram user data passed to French authorities

  • Pavel Durov was arrested in Paris in August, where he was held for four days before being charged with various crimes, mostly linked to control of criminal content on Telegram

PARIS: Messaging service Telegram passed vastly more data on its users to French authorities in the second half of 2024 following founder Pavel Durov’s arrest in Paris, figures published by the platform showed.
The company said it handed over IP addresses or telephone numbers that Paris asked for in 210 cases in July-September and 673 in October-December.
That was up from just four in the first quarter and six in the second.
Some 2,072 users were affected by French requests for user data — again massively weighted toward the second half of 2024, with more than half in the fourth quarter alone.
Pavel Durov was arrested in Paris in August, where he was held for four days before being charged with various crimes, mostly linked to control of criminal content on Telegram.
He and his supporters have claimed that most French and European authorities’ requests for user data were simply not being sent to the right department at the company and therefore received no response.
Durov, who holds Russian, French and United Arab Emirates passports, has been barred from leaving French soil since he was charged.
That has not stopped Telegram from issuing updates to its moderation rules supposed to boost cooperation with investigators.
A source familiar with Durov’s case told AFP in December that the platform was responding more frequently to requests from the judicial system from both France and other countries.