Japanese rock band delights anime, manga fans at Jeddah Season concert

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Updated 14 June 2022
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Japanese rock band delights anime, manga fans at Jeddah Season concert

  • Concertgoers sang along to songs from popular manga series such as Naruto, One Piece, Dragon Ball, Jujutsu Kaisen, and Tokyo Ghoul during the band’s first appearance in Saudi
  • Koyomi: In this event, Jeddah Season, we felt that all of our fans here loved anime more than we thought

JEDDAH: Members of the Japanese rock group Koyomi Band had fans of anime and manga dancing to their tune when they recently took to the stage as part of Jeddah Season.

Anime Village, one of the port city festival’s activity zones, on Sunday played host to a second show by the group that had otaku (passionate followers of the cartoon culture) in raptures.

Concertgoers sang along to songs from popular manga series such as “Naruto,” “One Piece,” “Dragon Ball,” “Jujutsu Kaisen,” and “Tokyo Ghoul” during the band’s first appearance in Saudi Arabia.

Lead singer, Koyomi, told Arab News: “In this event, Jeddah Season, we felt that all of our fans here loved anime more than we thought.”

And Yoma, the group’s guitarist, said: “I never thought that people in Saudi Arabia loved Japanese anime so much. I’m surprised and want to return again soon.”

Drummer Bobuji noted the warmth of the welcome from the Jeddah City Walk audience. “Even though I cannot express my feelings to the fans in words, I can through music,” he said.

Meanwhile, bassist Kyoya said he was impressed with the Anime Village. “It was awesome, and the fans’ reaction was amazing. The fans were most welcoming, and that made us very happy,” he added.

Visitor Rana Bukhari, 20, said: “They played opening songs from my favorite anime shows, and their concert was so much fun. They sang beautifully and got the crowd excited to sing with them.”

Adel Khalid, 34, another fan of Japanese anime, lauded the targeted Jeddah Season event.

He said: “There are a lot of people in Jeddah and the Kingdom that love anime and attending a concert like Koyomi’s was such a special experience for me.”

Hala Yanba’awi, 25, said: “I learned new greeting phrases such as konnichiwa (hello) and arigato (thank you) from the volunteers in the store, maze, and virtual reality room.

“The Anime Village is actually my favorite zone because I find the events there to be the most fun. I love how colorful it is too,” she added.

Before setting up the band, Koyomi was the main vocalist for the group Re:ply performing concert tours around the world.


REVIEW: ‘Dept. Q’ — Netflix’s cold-case thriller is fun but flawed

Updated 05 June 2025
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REVIEW: ‘Dept. Q’ — Netflix’s cold-case thriller is fun but flawed

DUBAI: Netflix’s latest police-procedural is set in Scotland, but based on the novels of Danish writer Jussi Adler-Olsen.

At its heart is detective Carl Morck (Matthew Goode). Morck is one of those cops; you know, great at his job but terrible with people, emotionally stunted, arrogant, divorced, et cetera. Morck and his partner — and best (only?) friend — James Hardy (Jamie Sives) are shot and wounded in a seemingly routine visit to a crime scene, leaving Hardy paralyzed and the junior officer who arrived first at the scene dead. Morck returns to work to discover that his boss has assigned him to head up a new department (established at the behest of her superiors) looking into cold cases — a good excuse to get the troublesome Morck out of the main office and into a dingy basement room where he can’t easily bother anyone.

He’s assigned some assistance: Akram (Alexej Manvelov) — a Syrian refugee who’s ostensibly an IT boffin, but, it quickly becomes clear, is also a very handy detective with some serious combat skills; Rose (Leah Byrne), an eager and capable cadet struggling with her mental health after a fatal accident at work; and, eventually, Hardy.

Their first case is the disappearance and presumed death of prosecutor Merritt Lingard four years previously. The last person to see her alive was her brother William, but he’s unable to communicate having suffered brain damage as a teen. The case’s many tangents lead off into conspiracies, organized crime and more. The truth of it, though, is considerably more prosaic.

The good news: “Dept. Q” — as you’d expect with Netflix money behind it — looks great, with a gritty, noir-ish feel. There’s a genuine chemistry between the members of the titular department, and it has an absorbing mix of dark humor and sometimes-horrifying violence. Sives, Manvelov, and Byrne, in particular, are compelling draws. Goode offers a largely convincing portrayal of a not-very-nice man attempting to become slightly nicer. It’s enjoyable and easy to binge.

But one suspects that “enjoyable and easy to binge” wasn’t the limit of the showrunners’ ambitions, and “Dept. Q” certainly shows the potential to be more than that. It’s let down, however, by some horribly clunky storylines, not least the relationship between Morck and his assigned therapist Rachel (a wasted Kelly Macdonald), which appears to have been lifted from a discarded rom-com pitch. And many will likely find that the ultimate solution to the case stretches credulity well beyond their limits.

Still, it’s clearly set up for a second season (and possibly many more), and there’s enough promise here to believe that “Dept. Q” will find its feet and become a must-see — rather than a maybe-see — show.


Rami Al-Ali becomes first Syrian designer to join France’s Federation de la Haute Couture et de la Mode

Updated 04 June 2025
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Rami Al-Ali becomes first Syrian designer to join France’s Federation de la Haute Couture et de la Mode

DUBAI: Rami Al-Ali has become the first Syrian designer to join France’s prestigious Federation de la Haute Couture et de la Mode as a guest member, giving him the chance to showcase his Autumn/Winter 2025 collection on the official haute couture calendar.

The invitation signifies Al-Ali’s entry into fashion’s upper echelons — to qualify, fashion houses must meet rigorous “haute couture” or “high fashion” standards and the title is legally protected under French law.

Al-Ali joins the likes of Chanel, Dior, and Schiaparelli on the official calendar next month. His latest collection will be presented on July 10, according to the provisional calendar.

It is a “historical milestone, celebrating a lifelong devotion to craftsmanship, culture, and creative expression, rooted in heritage and elevated by vision,” the fashion house posted on Instagram.

Originally from Damascus, Al-Ali honed his fashion skills in Dubai and Beirut before founding his label, Rami Al-Ali Couture, in 2001.

His creations have been worn by a variety of celebrities, including Amal Clooney, Eva Longoria, Jennifer Lopez, and Jessica Chastain.

Al-Ali’s work has been praised for seamlessly blending his Middle Eastern heritage with Western sensibilities. He is known for designing flowing silhouettes adorned with intricate, playful embellishments—creations that are both timeless and runway-worthy.

Al-Ali is one of just a handful of Arab designers on the official haute couture calendar. The lineup also includes Lebanese designers Georges Hobeika, Elie Saab, and Zuhair Murad, as well as Saudi couturier Mohammed Ashi.  

Ashi, founder of Paris-based label Ashi Studio, became the first designer from the Gulf region to join the exclusive group in 2023 as a guest member. His designs have also been worn by global celebrities such as Beyonce, Anna Kendrick, and Jennifer Hudson.

“This appointment is the highlight of my career,” Ashi said in a statement posted on Instagram when the announcement was made in 2023. “I will honor it in the memory of the great couturiers who came before me and whom I now join in the pursuit of this grand tradition of excellence in creativity and savoir-faire. 

 


Saudi Arabia makes bold debut at SXSW London

Updated 03 June 2025
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Saudi Arabia makes bold debut at SXSW London

DUBAI: SXSW has taken off this week in London, with the Saudi Film Commission hosting a series of exciting cultural events.

Originating in Austin, Texas, this is the South by Southwest festival’s first edition in London — and notably, the Kingdom’s debut at the renowned indie film showcase, the Saudi Press Agency reported recently.

The Saudi Film Commission, in collaboration with SXSW, will present a curated selection of short films as a part of the “Saudi Film Nights” initiative.

Under the umbrella of Vision 2030, this program supports the Kingdom’s broader effort to diversify its economy, with particular emphasis on growing its entertainment sector.

The Kingdom’s pavilion, known as The Sadu House, will also spotlight contributions from the Music Commission, Culinary Arts Commission, and Fashion Commission, showcasing Saudi Arabia’s rich and diverse cultural landscape to a global audience.

In addition, the commission will host a panel discussion titled “Empowering the Film Industry in Saudi Arabia: From Vision to Reality.” The session will delve into cinema’s role in shaping national identity, preserving heritage, and advancing Saudi content as a powerful cultural tool.

Each day of the festival will feature a showcase of emerging Saudi talent.

On June 3, for example, SXSW attendees will experience a taste of Saudi hip-hop with performances by AZIZ.wav, SHANCOTY, and JEED — artists known for their unique blend of hip-hop flair, Afrobeat influences, and slow R&B tones.

On June 4, the Kingdom will shift gears and present its underground heavy music scene with performances by death metal bands Wasted Land, Sijeel, and Gimmix, marking a bold introduction of Saudi rock to the SXSW stage.

In addition to performances, festivalgoers can attend cultural panels featuring industry professionals from across the Arab world. Topics include female leadership, entrepreneurial ambition, and the evolution of Saudi Arabia’s film industry.

The opening panel on June 3 is titled “Vision 2030: Cultural Opportunities for Social and Economic Transformation,” which will explore the potential of Saudi Arabia’s cultural power.

Day two will feature a session “Fashion Future Platform: How Data Informs Investment Decisions,” offering a deep dive into the intersection of fashion and data-driven innovation.

Another session on day two, “WWD Female Empowerment – Challenges Facing Women Creatives in a Male-Dominated World,” will spotlight the obstacles and breakthroughs for women in the creative sector.

Finally, day three will have a panel “Sustainability – Challenges of Creating Green Fashion and Beauty in a Throwaway World,” which will underscore the need for sustainability in the industry.


Drama therapy workshop in Jeddah explores healing power of expression

Psychologist Lujain Faqerah and actor Abdul Al-Shareef, center, with attendees at the drama therapy workshop in Jeddah.
Updated 02 June 2025
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Drama therapy workshop in Jeddah explores healing power of expression

  • Faqerah told Arab News: “Drama is integrated naturally in our daily responses and situations

JEDDAH: A drama therapy workshop was recently organized under the theme: “In drama we find the power to express, and in expression we find the power to heal,” at Cinema Al-Balad in Jeddah.

Led by Lujain Faqerah, senior psychologist and creative arts supervisor, in collaboration with actor and screenwriter Abdul Al-Shareef, the workshop explored the use of drama therapy in daily life and creative work.

Participants, including therapists, creatives, and others, learned how drama can support emotional awareness, healing, and connection.

The workshop showed how drama-based therapeutic techniques can help people access unconscious behaviors, foster self-expression, and improve creative practices such as screenwriting and acting.

Faqerah told Arab News: “Drama is integrated naturally in our daily responses and situations. In a therapeutic setting, it helps us observe these interactions and reflect on a deeper level of our unconscious body gestures and movements that might reveal a lot about our personalities.”

She made it clear that drama therapy is not about performing but about expressing what lies beneath — emotions, memories, or internal conflicts.

Faqerah said: “The word drama has a negative connotation to the extent that people reject it before trying. Drama therapy does not depend on acting skills or previous experience, but more on your self-expression and the challenges you experience.”

Her discovery of drama therapy was transformative. “It surprised me with the appearance of a hidden part of me that is more bold and confident. When this part emerged and I saw the benefits myself, I started incorporating it in my profession.”

Al-Shareef brought a creative perspective as an actor and screenwriter new to drama therapy but interested in its techniques.

“As an actor and a writer, I found this experiment with drama supervision and therapy fascinating. It’s a tool that I am willing to explore and learn more about to enhance my life and practice,” he said.

“Some people may think drama therapy is exclusively for artists, but it’s not. The techniques can be integrated into everyday routines, varying from person to person depending on their challenges.”

 


He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

Updated 02 June 2025
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He tries and triumphs: John Achkar’s ‘AAM JARRIB’ scores big in Abu Dhabi

ABU DHABI: Lebanese comedian John Achkar, who is on a world tour, touched down in the UAE capital on Sunday night as part of Abu Dhabi Comedy Season.

Achkar performed his latest special, “AAM JARRIB” (“Trying” in English), before upcoming stops in London, Paris and Sydney on a tour that wraps up in October.

“John has been trying new things for 34 years, and he’s still trying,” his grandmother sang in a video that opened the show.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

At 34, Achkar claims he does not like trying new things — but as the show unfolds, it is clear he excels at turning the discomfort and quiet fulfillment of those rare efforts into comedy gold.

He paces the stage, piecing together absurd real-life misadventures — a botched sailing trip or an outrageously inappropriate skydiving incident — into hilarious anecdotes.

At one point, Achkar calls out what he jokingly dubs a modern epidemic — ADHD — which he says has become a socially accepted excuse to dodge plans. Fittingly, his performance is a whirlwind of energy: Fast-paced, delightfully chaotic and entirely on brand.

True to form, Achkar’s commentary on Lebanon is bold but affectionate. He jokes that almost every restaurant blasts the internet-famous patriotic anthem “Lebanon Will Return,” even as the country teeters on the edge of war. The satire is sharp, never cynical.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by John Achkar (@johnachr)

Behind him, a detailed sketch of the Lebanese coastline hangs throughout the performance — a quiet yet unmistakable tribute to his identity.

The show ended on the perfect note as the same anthem he mocked earlier blasted through the speakers, with the crowd bursting into applause and laughter — a full-circle moment.

In “AAM JARRIB,” John Achkar does not just try — he soars. And the audience, just as energized as he is, soars with him.