How Spotify aims to be a ‘platform for creative exchange between fans and creators’

(REUTERS Illustration Photo)
Short Url
Updated 17 June 2022
Follow

How Spotify aims to be a ‘platform for creative exchange between fans and creators’

  • Claudius Boller, managing director for Spotify MENA, discusses the new features the platform is rolling out to better connect fans with artists

DUBAI: “As we settle into the post-pandemic era, we see clear indicators that audio, in all its forms, has become a platform for self-expression for both artists and creators,” Claudius Boller, the managing director for Spotify in the Middle East and Africa, told Arab News.

“Socializing through music will continue to see an uptick in demand,” he added, especially for younger audiences who crave connection, even more so in the aftermath of the pandemic.

One illustration of this is the popularity of Lyrics, a feature added to the Spotify app last year in partnership with lyrics provider Musixmatch. It inspired many users, especially in Saudi Arabia and the wider Middle East and North Africa region, to create memes and other posts that used song lyrics to express their thoughts and feelings, and share them on social media.

It is not something the company expected to happen but it was pleasantly surprised by it. Social media engagement in the Arab region is very high but, more importantly, young audiences are finding increasingly creative ways to explore digital platforms, Boller said.

“So we feel like we need to give certain tools (to them) and then just see what they do with it,” he added.

Spotify has, therefore, introduced a host of new features “that demonstrate our current focus on being a platform for creative exchange between fans and creators,” Boller said.

The first is a foray into the metaverse. With Spotify Island, it is the first music-streaming service to have a presence on Roblox, the gaming platform and game-creation system.

 

 

“The interactive world of Spotify Island on Roblox will serve as a meeting place for fans and artists to play, explore and connect — all with the goal of bringing artists and fans from all over the world closer together,” said Boller.

Users can explore the island completing quests, discovering music and buying merchandise.

“We’re creating an easy opportunity for artists to connect with fans and to partner with Spotify on the creation of in-game virtual merchandise,” he said. “This is just the beginning.”

The platform plans to continue to enhance the Spotify Island experience through the addition of new features and partnerships. For example, it has already launched K-Park, a section of the island dedicated to the K-pop genre.

In K-Park, fans have the opportunity to interact with Korean music superstars such as Stray Kids and Sunmi, for example by taking part in meet and greets with the artists’ avatars, buying virtual merchandise, and having the opportunity to get a hold of virtual signed memorabilia.

Boller explained that Spotify chose K-pop as its first genre to focus on “for many reasons, including its widespread global appeal, dedicated fan following, and unique set of cultural elements that reach far beyond music.”

In the MENA region, there was a 138 percent year-on-year increase in K-pop consumption between 2019 and 2021. In Saudi Arabia, the increase was 98 percent.

 

 

Spotify does not currently have any plans to launch a Middle Eastern hub on Spotify Island but it is in conversation with several artists from the region.

“We’re looking more into genres and fandoms versus regions at this stage but this is just the beginning; we’re really just laying the groundwork for a lot of opportunities,” Boller said.

Other new Spotify developments in the past few months included an expansion of its Blend feature in the form of the launch of Group Blend and Celebrity Blend. The original Blend feature allowed two users to match their music tastes and create a shared playlist. Group Blend allows up to 10 people match with each other, while Celebrity Blend gives users a chance to match with public figures.

“Spotify’s Blend feature combines the best personalization capabilities and collaborative playlist functionality into a single shared playlist,” said Boller.

It also generates “share cards” that reveal the extent to which users’ tastes match, and these can be shared on social media in keeping with Spotify’s efforts to enable and encourage socializing through music.

The feature also offers a potential revenue stream for the company. On Star Wars Day, May 4, for example, Spotify partnered with the sci-fi franchise to give users the chance to use the Blend feature to match with famous characters such as Yoda, Chewbacca, Luke Skywalker, Darth Vader and Princess Leia, and create a shared playlist.

 

 

The platform is now open to the idea of exploring similar partnerships with regional film franchises and TV shows.

Most recently, Spotify launched Clips, which allows listeners to watch exclusive messages and stories from artists posted in the form of videos — the equivalent of Instagram Stories on a Spotify playlist.

“With Spotify Clips, artists can share intimate moments with their fans and further bring their art to life, express their vision and their story to their fans, ultimately helping artists connect with their fans in a deeper, more meaningful way,” said Boller.

Clips was launched as part of a campaign dedicated to spotlighting the hip-hop scene in Egypt, during which Spotify rebranded its leading Egyptian rap playlist, Melouk El Scene. Listeners can now watch exclusive video messages from artists such as Dareen, Abo El-Anwar, Perrie, Afroto and Marwan Moussa.

Spotify said that “socialization and interactivity through music” lie at the heart of its efforts and this is of particular importance in the Middle East. Saudis, for example, “are up to speed with both local and international trends,” said Boller. They have diverse tastes in music, listening to a range of genres from local folk music, such as Sheilat, to trending global hits, he added.

“We keep a close eye on how Saudis engage with our platform through our machine learning but also through our music team, who keep their fingers on the pulse of culture,” said Boller. “Taking (what we learn) we ensure that every initiative or campaign we run connects with our target audience in Saudi Arabia.”


Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Updated 17 November 2024
Follow

Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
Follow

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
Follow

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
Follow

Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
Follow

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.