NEW YORK: Magazine legend Anna Wintour stepped down as editor of US Vogue on Thursday after 37 years during which she was often hailed as the single most influential figure in the fashion world.
Wintour, 75, was famous for making Vogue's front covers an authoritative statement on contemporary fashion, and for her total control over the glamorous pages inside.
She will no longer run day-to-day editing of the fashion bible, but magazine group owner Conde Nast was quick to scotch suggestions of retirement.
She will continue to hold senior roles at the group and remain Vogue's global editorial director.
British-born Wintour came to public renown as the inspiration for "The Devil Wears Prada," a hit 2003 novel and 2006 movie, for which Meryl Streep earned an Oscar nomination for her role as tyrannical magazine editor Miranda Priestly.
Wintour announced at a staff meeting in New York that US Vogue would seek a new head of editorial content.
In remarks reported by the New York Times, she called it "a "pivotal decision" but stressed she would not be moving out of her office.
"I'll be turning all my attention to global leadership and working with our team of brilliant editors around the world."
Wintour was made a British dame in 2017 and in February this year became a companion of honour -- an elite recognition.
At the ceremony in London in February, Wintour removed her trademark sunglasses to receive the award and said she had told King Charles III that she had no plans to stop working.
Wintour, who was raised in the UK by a British father and an American mother, reigned over Vogue in the heyday of glossy magazines.
US Vogue was a staid title when she took it over in 1988 and transformed it into a powerhouse that set trends -- and often make or break designers, celebrities and brands.
She took the title to a global audience, with huge budgets to spend on models, design, photographs and journalism funded by lavish advertisements and high subscription rates.
Vogue remains fashion's flagship magazine but, like many print publications, has struggled to adapt to the digital era.
Known to some as "Nuclear Wintour" for her decisive leadership, such as axing work without discussion, she was also a fixture in the front row at catwalk shows with her unchanging bob haircut.
A 2015 documentary "The September Issue" about the monthly magazine featured her ice queen image and steely ambition but also revealed a warmer human side.
Wintour has for many years also run the Met Gala, an extravagant Manhattan charity event that attracts an A-list of dressed-up stars from the worlds of fashion, film, politics and sports.
She is a fanatical tennis player and fan -- frequently appearing at Grand Slam finals -- and a major fundraiser for Democrat politicians including Barack Obama and Hillary Clinton.
Joe Biden awarded her the Presidential Medal of Freedom, the top US honor, before leaving office in January.
As Conde Nast's chief content officer, she will continue to oversee publications including Vogue, Wired, Vanity Fair, GQ, Conde Nast Traveler and Glamour.
For many years, Wintour declined to comment on "The Devil Wears Prada," which was written by one of her former assistants, Lauren Weisberger.
But when it was turned into a musical and opened in London in 2024, she told the BBC that it was "for the audience and for the people I work with to decide if there are any similarities between me and Miranda Priestly."
Explaining her sunglasses, she told the outlet that "they help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say."

NEW YORK:  Sean “Diddy” Combs used “power, violence, and fear” as the head of a decades-old criminal enterprise, a prosecutor said Thursday in closing arguments in his high-profile trial.
“He counted on silence and shame to keep his crimes hidden,” Christy Slavik told the jury as the government began wrapping up its case against the once-powerful music mogul.
The 55-year-old Combs was seated behind the prosecutor as she delivered her closing arguments, passing an occasional message to his lawyers.
Slavik methodically walked the jury through the charges against Combs, which include racketeering and sex trafficking.
“He used power, violence and fear to get what he wanted,” she said, and relied on a network of “loyal lieutenants” — none of whom testified at his trial — to cover up his crimes, which included forced labor, bribery and witness tampering.
“He became more powerful and more dangerous because of the support of his inner circle and his businesses,” she said. “This is Mr.Combs’s kingdom.”
Slavik told the jury the case was not about criminalizing unorthodox sex.
“It’s not about free choices at all,” she said.
The women involved were “drugged, covered in oil, sore, exhausted” as Combs made them have sex with escorts for hours, she said.
The famed producer coerced two women — the singer Casandra Ventura and later a woman who testified under the pseudonym Jane — into years of drug-addled sex with paid escorts, prosecutors say.
The most serious charge, racketeering — which includes the existence of a criminal enterprise that committed a pattern of offenses — could send Combs to prison for life.
He faces two charges of sex trafficking and two more for transportation for purposes of prostitution.
Combs denies it all. His lawyers have argued that the artist’s relationships were consensual and have sought to convince jurors that many of the witnesses who testified were doing so for financial gain or jealousy.
Along with alleged victims, government witnesses included former assistants and other employees, as well as escorts, friends and family of Ventura, and a hotel security guard who said he was bribed with $100,000 in a paper bag.
Combs opted against testifying on his own behalf, a common strategy of defense teams who are not required to prove innocence, only to cast doubt on government allegations of guilt.
The government’s evidence included thousands of pages of phone and text records, and hours of testimony involved meticulous readings of some of the most explicit and wrenching exchanges.
Many of those records appear to indicate distress on the part of the alleged victims. But a lot of the messages also show affection and desire — texts the defense underscored again and again.
Jurors have seen video evidence of the sex parties prosecutors say were criminal, while the defense has exhibited exchanges they say imply consent.
Also in evidence are reams of financial records — including CashApp payments to escorts — as well as flight and hotel records.
Since early May the proceedings have gripped the Manhattan federal courthouse where they’re taking place.
And though electronics are barred from the building, dozens of influencers and content creators have buzzed around the courthouse’s exterior every day, delivering hot takes to eager social media fans.
Combs is incarcerated and does not enter or exit the courthouse publicly. But some of the high-profile attendees and witnesses do, including members of the music mogul’s family and figures like Kid Cudi, the rapper who testified that Combs’s entourage torched his car.
The closing arguments by the prosecution are expected to wrap up on Thursday and the defense is likely to start its closing on Friday.
The jury of 12 New Yorkers could get the case as early as Friday afternoon.