INTERVIEW: Saudi women have beautiful, layered stories to tell, says Netflix exec

Short Url
Updated 06 July 2022
Follow

INTERVIEW: Saudi women have beautiful, layered stories to tell, says Netflix exec

  • Nuha El-Tayeb discusses launch of Because She Created, a collection of 21 films by Arab women filmmakers

DUBAI: Netflix is launching a specially curated collection of 21 Arab films on July 7 titled “Because She Created.”

Featuring movies by female filmmakers, the collection includes documentaries as well as dramas and romance movies, amplifying the creative voices of Arab women filmmakers.

The filmmakers hail from diverse countries in the region including Saudi Arabia, Algeria, Egypt, Jordan, Kuwait, Lebanon, Morocco, Palestine and more.

The Because She Created platform was first launched last year as a virtual panel discussion hosting Arab women filmmakers to talk about the evolving role of women in the regional film industry.

Netflix then teamed up with the Cairo International Film Festival to host the second edition of Because She Created as a fireside chat with renowned Tunisian actress Hend Sabry. Now, the streaming giant is using the platform to launch a specially curated collection of films that shine a spotlight on Arab women filmmakers.

“We have had women filmmakers, writers, producers and actors creating their own ripple in the regional entertainment industry for decades,” Nuha El-Tayeb, director of Content Acquisitions, Netflix MENA and Turkey, told Arab News.

“Filmmakers in the Arab world are more aware that in order to be seen they have to have authenticity, but also to deliver a universal story. There is a return of powerful female lead roles in commercial cinema, young creatives are breaking traditional gender boxes and women are finding more avenues to tell stories they haven’t been able to tell before,” she added.

Arab cinema has had a moment on the global stage in recent years. In 2019, Nadine Labaki became the first Arab woman to be nominated for best Foreign Language film at the Oscars through her title “Capernaum.” Still, there are gaps in the industry that need to be addressed.

One way to create more opportunities for women is to let them have more autonomy over their stories, El-Tayeb said. “Actors need to be more conscious of the narratives and stories they choose to be involved in, and demand better and more authentic portrayals for women in film.”

This is especially important given that there are fewer scripts written for female characters, while male characters “remain the motor of Arab cinema,” she said.

“We know that more women behind the camera has a ripple effect for women in front of it,” El-Tayeb added. Netflix recently renewed “AlRawabi School for Girls” and “Finding Ola” for another season. Both shows are spearheaded by female showrunners and have made it to Netflix top 10 lists around the world.

“The success of these shows has helped Arab talent, creators and storytellers reach new audiences, and instilled a sense of pride,” she said.

Since the lifting of the cinema ban in 2018, Saudi Arabia has made significant investments in the creative industries, allocating $64 billion toward the entertainment sector alone. During the Red Sea Film Festival last year, the Ministry of Investment announced that the Kingdom would support the production of 100 films by 2030.

The Saudi Film Commission also announced an incentive program earlier this year offering financial refunds of up to 40 percent for local and international producers shooting in the Kingdom.

“There’s incredible talent in Saudi Arabia,” said El-Tayeb. “The entertainment landscape is rapidly evolving and Saudi women — like other women from the Arab world and globally — have beautiful, complex and layered stories to tell.”

Netflix is already working with Arab women not only to help tell their stories, but also to amplify their voices in order to reach a global audience. In April, it partnered with the Arab Fund for Arts and Culture to grant five women Arab filmmakers $250,000 to bring their work to life.

The streaming giant has also worked with writer and director Hana Al-Omair on “Whispers,” an eight-part psychological thriller, as well as with Haifaa Al-Mansour on “Wadjda,” the first feature film made by a female Saudi director.

As Saudi women become more involved in government and private industries, El-Tayeb hopes that they “gain more autonomy over their stories and give more people a chance to see their lives reflected on screen.

“With more women behind the camera, we can also expect more Saudi women to play leading roles and carry films in a way they may not have had the opportunity to do before.”

One of the films featured in the collection is Saudi filmmaker Ahd Kamel’s “Sanctity,” which tells the story of a young Saudi widow who endures a world of hardship to protect her unborn child. 

The film was nominated for a Golden Bear at the Berlinale 2013, and won a Golden Aleph at the Beirut International Film Festival as well as a Development Award at the Doha Tribeca Film Festival.

For many, the topic of the film might seem somewhat controversial. But for Kamel, it is simply about what a woman would do without a man, and “I don’t see anything controversial about that,” she told Arab News.

The idea for the film was born out of Kamel’s personal experience. At the age of 14, when she lost her father, Kamel saw her mother struggle to pick up the pieces and manage the household.

“I wanted to explore the topic of what is a woman’s power and where it lies,” she said. “I truly believe women can endure way more than men and it’s something that I wanted to honor.”

Kamel, who is also an actor, grew up in the Kingdom when a career in the film industry was not even possible. She moved to the US to study filmmaking — her true passion — and acting happened by chance.

In her initial roles, Kamel was cast as a terrorist, and then “upgraded” to a refugee and CIA agent. Going from a terrorist to an anti-terrorism agent for an Arab Muslim woman in Hollywood might seem like progress, but Kamel said that it was tied to a “political idea, whether we are creating terrorism or fighting it.”

Despite these challenges, Kamel added that “you have to continue believing in what you believe in.”

The Kingdom’s transformation, in particular, “shifts the whole paradigm,” she said. “If we (women) can say that we are part of writing the history of our culture and of our country, that is something quite groundbreaking and amazing.”

Netflix’s Because She Created collection includes films both by established, award-winning filmmakers as well as new talent. It also hosts work from “several underrepresented parts of the Arab world” that deserve a wider audience, El-Tayeb said.

“With this collection, we want to showcase the diversity and depth of work by women filmmakers in the region,” she added.

“We hope that through the collection, people around the world get a peek into award-winning masterpieces, directorial debuts and several poignant stories by female Arab filmmakers all at once.”


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
Follow

Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
Follow

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
Follow

Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
Follow

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Updated 14 November 2024
Follow

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.