From 4 million TikTok followers to signing with Universal Music, Egyptian singer Bsmalla is going places

Basmala Alaa has so far released six Arabic songs with Universal. (Supplied)
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Updated 08 July 2022
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From 4 million TikTok followers to signing with Universal Music, Egyptian singer Bsmalla is going places

DUBAI: The 20-year-old Dubai-based Egyptian singer Basmala Alaa — who goes by the artist name Bsmalla — recently released her debut single on Universal Music MENA, having signed to the label after garnering more than 4 million followers on social-media platform TikTok over the past few years. 

At first, Alaa didn’t sing in her TikTok videos, but — as she gained popularity, she decided to test the water with some covers of popular Arabic songs. 

“I’ve been singing since I was 10 years old,” Alaa tells Arab News. “The older I got, the more my voice developed. My parents noticed it and would say: ‘This child has something special.’ They supported me a lot, but I was also training myself.” 

 

 

Self-taught Alaa might have inherited her love of music — and talent for it — from her father, who was in a band during his formative years in Egypt. “He made me listen to music and helped me understand music,” she says. 

“I will never forget how my family have always stood by me,” she continues. “Not many people have supportive families, so I want to thank mine.”

Alaa — who speaks with a noticeable Khaleeji accent, despite her Egyptian heritage, having grown up in the UAE — started posting videos of herself covering songs in a variety of Arabic dialects, from the Gulf to North Africa. Her followers were quick to praise her natural vocal ability. “What encouraged me was people’s comments, saying that my voice is exactly what you hear in the recording,” she says. “I’m not ‘faking’ my voice.” 

Alaa says she’s a fan of Sherine Abdel-Wahab, Asala Nasri, and Kadim Al-Sahir, among others. As for Egyptian pop, she enjoys Tamer Hosny and Mohamed Hamaki. 




Alaa recording the vocals for 'Helo Moodak.' (Supplied)

Her own music isn’t easily classified. She has so far recorded six Arabic songs, she says (an EP is slated for release later this year) in a variety of dialects and genres. “I’m exploring what people like. I like to impress my audience. I love it when they like what I’m doing,” she says. “The style of singing that I like may not resonate with people — I love classic, romantic, calm songs with a lot of emotion, but I noticed that my audience love, from me, songs that have more excitement and a love for life.”

Her debut release, “Helo Moodak,” is a perfect example of the latter — a sweet pop song with a light-hearted video that includes touches of quirky animation with a comic-strip feel, stop-motion footage, and includes scenes of Alaa and a large cuddly toy that she’s alternately throwing around then hugging.

“It’s my favorite song so far,” Alaa tells Arab News. “It’s about a teenage girl who’s imagining being in love with someone. And that person is like her teddy bear.”

 

 

The song was written for her by lyricist Ehab Abdelazeem and composer Amr Al-Shazly. Alaa recalls feeling a little anxious during recording sessions, imagining how things would turn out. 

“I’m not saying that I’m used to recording ‘officially’ yet, but I have recorded many songs. Still, there’s always that slight nervous feeling of thinking, ‘What will people say? What will their reaction be? How’s my voice? What about the video clip?’” 

As it turns out, her nerves were unfounded. The song has been well-received, and there are already plenty of people posting clips of them singing and dancing along to the catchy track. 

“I see a lot of children playing my song and I see adults imitating them,” she says. “That makes me happy. It makes me smile.”

 

 

As a member of the so-called ‘TikTok generation,’ Alaa’s story is somewhat akin to those of Lil Nas X and Olivia Rodrigo, who were also discovered through the video app. TikTok is unquestionably influencing the musical landscape, for better or worse. Alaa, perhaps unsurprisingly, prefers to see it in a positive light.  

“TikTok is a platform for talent,” she explained. “Before I was on TikTok, I was singing on other platforms, but TikTok helped to show my talent more. People see me not just in one country, but all countries around the world.”

So far, Alaa has only performed online. She says she has turned down offers to do live performances, as she feels it’s still too early for her to take to the stage in the real world. “I want to establish myself more first, and I want to have a large repertory of songs,” she says.

The singer currently has 4.7 million followers on TikTok, a statistic she’s still struggling to get her head around. “It’s a very strange feeling. I said to myself ‘Four million people on the planet are literally following me!’ But it’s a very nice feeling at the same time. I’m very happy and I aspire to have more followers,” she says. 

“Music is everything to me,” she continues. “Music always touches something in my heart. I would love to show people what’s in my heart through my music.”


French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

Updated 22 January 2025
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French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

  • French Algerian model attends menswear show in Paris
  • Williams teams up with Japanese fashion designer Nigo

DUBAI: French Algerian model Loli Bahia continues to strengthen her ties with Louis Vuitton, months after walking for the brand, by showing support for its menswear creative director Pharrell Williams.

This week, Bahia attended the menswear Fall/Winter 2025/2026 show during Paris Fashion Week, which runs through Jan. 26.

Williams hosted the event in a rear courtyard of the Louvre Museum after dark, setting the stage for a vibrant fall-winter collection that reimagined streetwear.

Models strode around the set to marching music, parading chunky wool suits, short bomber jackets, leather bermudas and coats in pastels, autumn tones and psychedelic renditions of the brand’s signature logo patterns.

There were colorful speedy bags, lobster-claw charms, pearl embellishments, thick jewelry and utility pockets in suede leather.

Bahia shared highlights from the show on Instagram, offering her followers a glimpse of the night’s fashion and energy.

For this collection, Williams, who is also famous as a musician, teamed up with his longtime collaborator, Japanese fashion designer Nigo, currently creative director of another LVMH-owned label, Kenzo.

The pair have been active in street culture for decades, founding the label Billionaire Boys Club in 2003 and playing a role in streetwear’s rise to prominence with their blend of music and fashion.

In the front row, LVMH CEO Bernard Arnault sat between his wife, Helene Mercier, and NBA basketball player Victor Wembanyama, who was seen tapping his foot to the music.

The show was also attended by Hollywood stars Adrien Brody and Bradley Cooper, K-pop sensations J-Hope and Jackson Wang, and rap legends Travis Scott, J Balvin and Future.

Bahia last walked for Louis Vuitton in October, showcasing their spring/summer collection.

She graced the runway wearing a black jumpsuit with a relaxed, tailored fit and a deep V-neckline, allowing a metallic, iridescent top to peek through underneath. The shiny fabric of the top, visible on the sleeves and chest, contrasted with the matte texture of the jumpsuit.

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Beyond the runway, Bahia has also appeared in Louis Vuitton’s campaigns, including the Spring/Summer 2024 campaign released in February 2024.

In the promotional clip, she showcased the brand’s creations, pairing a vibrant orange Dauphine bag crafted from supple leather with an oversized blazer dress featuring multiple buttons.

The look was completed with white stockings and heels.


Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Updated 22 January 2025
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Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 25.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Qatar exhibition explores relationship between AI and humanity

Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Tiffany Trump stuns in Zuhair Murad gown during inauguration week

Updated 21 January 2025
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Tiffany Trump stuns in Zuhair Murad gown during inauguration week

  • Tiffany is married to Lebanon-born Michael Boulos
  • Married in 2022, they are expecting their first child

DUBAI: Tiffany Trump, the daughter of US President Donald Trump, turned heads this week in a dress by Lebanese designer Zuhair Murad at the Inaugural Candlelight Dinner, hosted at the National Building Museum in Washington, D.C.

Traditionally held on the eve of a US presidential inauguration, the black-tie event honors the incoming administration with an evening of celebration and speeches.

For the occasion, Tiffany, who is expecting her first child with husband Michael Boulos, chose a custom, chocolate-brown chiffon gown with an asymmetric one-shoulder neckline, and a cape-like sleeve that flowed dramatically.

The dress was cinched at the waist and highlighted by intricate draped detailing on the bodice.

On Monday morning, Tiffany and Boulos attended services at St. John’s Church in Washington, D.C., a longstanding tradition for incoming presidents and family members.

Later in the day, she joined her family at the swearing-in ceremony, which was held indoors at the Capitol Rotunda due to extreme cold weather.

She also attended the inaugural parade at the Capital One Arena and the inaugural balls that evening.

For the day’s events, she wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots.

She wore a velvet navy-blue coat cinched at the waist, accessorized with minimal jewelry and leather point-toed stiletto boots. (Getty Images)

Tiffany and Boulos tied the knot in 2022. For her special day, the bride wore a custom-made Grecian-style gown by Lebanese designer-to-the-stars Elie Saab.

Tiffany chose her wedding dress as a nod to Boulos’ heritage. “It’s a Lebanese-American wedding, so we were so happy to have Elie Saab create the magic,” said mother of the bride Marla Maples at the time, according to People magazine.

Boulos is of Lebanese and French descent and grew up in Lagos where his father, Massad, runs Boulos Enterprises and is the CEO of SCOA Nigeria.

The family is also linked to the world of Hollywood through Michael’s brother Fares, who is an actor and appeared in a 2017 episode of “The Crown.”

Boulos and Tiffany were engaged in January 2021, the day before Trump left office following defeat in the 2020 election.


Camila Alves McConaughey shines in Elie Saab at Riyadh event

Updated 20 January 2025
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Camila Alves McConaughey shines in Elie Saab at Riyadh event

DUBAI: Lebanese couturier to the stars Elie Saab took to Instagram to give a shoutout to model Camila Alves McConaughey, who wore the label to the recent concert “Life is a Dream,” led by Hollywood giant Anthony Hopkins in Riyadh.

“@camilamcconaughey attended the ‘Life Is A Dream’ concert composed by Sir Anthony Hopkins with the Royal Philharmonic Orchestra alongside her husband Matthew in an ELIE SAAB Spring Summer 2025 look,” the label captioned the Instagram post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Alves McConaughey, who attended the event with her actor husband Matthew McConaughey, wore a striking yellow gown to the event, with flowing caped sleeves and a plunging neckline.

Meanwhile, US pop sensation Christina Aguilera, who performed at the Joy Awards ceremony over the weekend in Riyadh, also opted for an Elie Saab creation for the first part of her performance.

Aguilera took to the stage in a dramatic burgundy gown from Elie Saab’s Haute Couture Autumn Winter 2024 collection. The glittering gown saw Aguilera channeling old-school 1920s Hollywood glamour. The dress flowed into a feathered train, and she completed the look with a chiffon scarf, draped over her head and shoulders.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

The same event saw Alves McConaughey opt for another yellow gown, this time from Oscar de la Renta.

As for the symphony concert, in a captivating blend of art and humanity, Hollywood icon Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As Salaam o Alaikum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”